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Chapter Nine
Themes
and Colors
Key
LitCharts assigns a color and icon to each theme in The Mothers, which you can use to track the themes throughout the work.
Secrecy, Gossip, and Storytelling
Caretaking and Responsibility
Internalization vs. Externalization
Religion and Judgment
Identity
Summary
Analysis
While sleeping with Zach, a white boy that Nadia has started casually hooking up with in law school, Nadia receives a phone call from the hospital in her hometown, informing her that her father has been severely injured. Apparently, he dropped his weights on his chest while working out in the backyard, crushing his diaphragm, breaking his ribs, and puncturing his lung. Nadia hasn’t been to her hometown since Aubrey and Luke’s wedding several years ago, but she jumps out of Zach’s bed and asks him to drive her home so she can pack her bags and catch the next available flight to California. In the time she’s been away, she has reviewed “everything about that summer before college: the pastor’s tentative visit, […] Mrs. Sheppard’s coldness at work, how surprisingly kind she’d seemed right before Nadia left.”
Since discovering that Mr. and Mrs. Sheppard paid for her abortion, Nadia has thrown herself back into the past, looking for indicators of truth. Bennett implies that when someone discovers a long-hidden secret, it’s natural to suddenly question everything. As Nadia combs through and reinterprets her past, Bennett shows that the truth can often destabilize a person’s own narrative, abruptly reframing his or her history.
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When Nadia arrives at the hospital after flying to California, her father cries, either “because of the pain or because he [is] glad to see her, or maybe even because he [is] ashamed for her to see him like this.” He apologizes for making her fly all the way home, but she tells him not to worry about that. Sitting beside his bed in a chair, she falls asleep while holding his hand. When she wakes up, she finds Aubrey sleeping on a cot one of the nurses brought in. Nadia hasn’t seen Aubrey since the wedding. Although Nadia has tried many times to convince her friend to visit her in Michigan (in an attempt to avoid having to come back to California and see Aubrey’s new life with Luke), Aubrey keeps making excuses, as if she’s become “that type of wife” who can’t “go anywhere apart from their husband.”
When Aubrey appears by Nadia’s side in the hospital, Bennett shows that parents aren’t the only people who devote themselves to caring for loved ones. Friends can also act as caretakers, which is something Aubrey proves by spending the night in the hospital despite the fact that she and Nadia have grown apart in the years since the wedding. As Aubrey cares for Nadia, and Nadia cares for her father, Bennett demonstrates that people who support others need support themselves.
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Robert comes home the following week, and it’s Nadia’s job to tend to him. One evening, right when Nadia finally settles down to get some rest, the doorbell rings. Hauling herself up and opening the door, she finds Luke on the front steps with a container of food in one hand and a cane in the other. He tells her he’s representing Upper Room’s sick and shut-in ministry and asks if he can come inside. “Marriage hung on Luke’s body,” Bennett writes. “He looked older and fuller now, not fat, just satisfied.”
“I don’t need your food,” Nadia tells Luke. When he looks confused, she reveals that she knows he told his parents about her abortion. “I needed the money,” he explains, insisting that his parents wouldn’t have lent him the cash if he hadn’t told the truth. As he tries to justify his actions, she tells him to get out, assuming that he won’t care that he’s hurt her, since he has “a good life now.” She thinks that all she’s done is “drag him back into the past.”
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During this time, Aubrey starts corresponding via email with Miller, the Marine she met on the beach before her wedding. Apparently, Nadia gave Miller Aubrey’s address before they parted ways on the beach, and though Aubrey was initially upset about this, she can’t deny to herself that she enjoys keeping in touch with this older man. She learns that his first name is Russell, and that he has once again been stationed in Iraq. As they grow closer through their conversations, Aubrey tells Russell about her troubles getting pregnant. For whatever reason, she and Luke haven’t been able to conceive a child. “I made an appointment with the doctor,” she tells him one day, and he replies, “Baby?” At first, she thinks he’s calling her “baby,” which would violate her rule that their conversations remain friendly, but she soon realizes that he’s asking if she’s pregnant.
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In the past, Aubrey has somewhat blurred the line between friendship and flirtation with Russell. She even sends him a picture of herself driving up the coast with her sister—a picture in which her tank top strap has slipped down her arm in a suggestive manner. Still, she tries not to think about what this picture might imply, instead focusing on the fact that Russell is lonely. She can sympathize with this loneliness because she feels it too—Luke has recently been promoted at his rehab job and has also started spending his time helping his father at Upper Room, so Aubrey often finds herself alone. When she asks Luke to accompany her to a doctor’s appointment, he says he can’t because he’s working, adding that he wishes everyone would stop “obsessing about babies.” “We’re young,” he says. “We got time.”
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One night, Robert tells Nadia a story about his own parents. He explains that when he was growing up, his parents hated each other. It was his mother’s job to look after all six children while his father worked during the day and spent his nights gambling away his earnings and visiting brothels. When Robert’s father would finally come home, Robert’s mother would wash her husband’s filthy shirts in a claw-foot bathtub in the yard. One day, she was washing clothes in the tub when Robert’s father appeared in the yard in fresh clothing, ready to go waste the family’s money at the pool hall. Overcome by rage, Robert’s mother grabbed an icepick lying on the ground, drove it into the man’s back, and let him bleed out in the tub.
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After telling Nadia the story about his parents, Robert falls asleep. In the afternoon, Nadia has been awake for twenty-four hours when she hears the doorbell ring and sees Luke standing in the doorframe. Luke sees how weak Nadia looks, so he takes her to the kitchen table and insists that she eat. “I should’ve visited,” Nadia says. “I should’ve come home more.” Luke points out that this wouldn’t have changed anything, but she still feels guilty, saying, “I left him like she did.” With these words hanging in the air, Luke touches Nadia’s cheek. “I feel like I have to be her for the both of us,” she says as tears form. As she cries, Luke puts her head to his shoulder, takes her to the bathroom, and runs a tub. “Why are you doing this?” she asks. “Because,” he says, “I want to take care of you.”
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The next day, Luke and Nadia kiss in the bathroom when he comes over to deliver Robert’s medicine. Luke and Nadia go to her bedroom, where they ease onto her bed. This time, their lovemaking is different—it is soft, quiet, and gentle, unlike the quick and agitated sex they had as teenagers. “Now they were slow and deliberate,” Bennett writes, “the way hurt people loved, stretching carefully just to see how far their damaged muscles could go.”
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