The Red Convertible
by Louise Erdrich
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The Red Convertible Quotes

I was the first one to drive a convertible on my reservation. And of course it was red, a red Olds. I owned that car along with my brother Henry Junior. We owned it together until his boots filled with water on a windy night and he bought out my share. Now Henry owns the whole car, and his younger brother Lyman (that's myself), Lyman walks everywhere he goes.

Related Characters: Lyman Lamartine , Henry Lamartine
Related Symbols: The Red Convertible
Page Number and Citation: 177
Explanation and Analysis:
These are the first lines of the story, in which Lyman establishes himself as the narrator, Henry as his older brother, and the convertible as a turning point in their lives. The red—“of course it was red”—suggests youth, vitality, and charm, and, indeed, they are young men when they have the car, probably in their late teens. Lyman is also subtly implying some aspects of his identity here—he lives on a reservation (and, it’s later revealed, he is a member of the Chippewa tribe), and he somehow has a rarefied car that nobody else in his community has. His character Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa

We went places in that car, me and Henry. We took off driving all one whole summer… We got up there [to Alaska] and never wanted to leave. The sun doesn't truly set there in summer, and the night is more a soft dusk. You might doze off, sometimes, but before you know it you're up again, like an animal in nature. You never feel like you have to sleep hard or put away the world. And things would grow up there.

Related Characters: Lyman Lamartine , Henry Lamartine
Related Symbols: The Red Convertible
Page Number and Citation: 179
Explanation and Analysis:
Henry and Lyman fall in love with the car—it is as youthful and alive as they are. They drive all over the continent without a care, not “bothering” themselves about details; this is the peak of their carefree innocence and freedom. Notably, once Henry comes back from war changed and traumatized, this is the state to which Lyman wants his brother to return, and he tries to use the car (breaking it so Henry will fix it) to get Henry back into his youthful mindset—of course this doesn’t work, because once lost, innocence cannot be regained. Throughout the story, the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut

She was standing on a chair, but still, when she unclipped her buns the hair reached all the way to the ground. Our eyes opened. You couldn't tell how much hair she had when it was rolled up so neatly. Then my brother Henry did something funny. He went up to the chair and said, "Jump on my shoulders." So she did that, and her hair reached down past his waist, and he started twirling, this way and that, so her hair was flung out from side to side.

"I always wondered what it was like to have long pretty hair," Henry says. Well we laughed. It was a funny sight, the way he did it.

Related Characters: Henry Lamartine (speaker), Susy (speaker)
Page Number and Citation: 180
Explanation and Analysis:
This is another scene that demonstrates the brothers’ youthful innocence that summer. Susy’s hair is so long that it is surreal—much like herself as a character. When they meet her, she is described as “so short her long lumber shirt looked comical on her, like a nightgown.” In her own way, Susy represents a type of innocence. When she takes her hair down after all this time of knowing them, it suggests a kind of intimacy and comfort with them. When Henry picks her up and puts her on his shoulders, twirling her around as if her hair was his Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum v

I don't wonder that the army was so glad to get my brother that they turned him into a Marine. He was built like a brick outhouse anyway. We liked to tease him that they really wanted him for his Indian nose. He had a nose big and sharp as a hatchet, like the nose on Red Tomahawk, the Indian who killed Sitting Bull, whose profile is on signs all along the North Dakota highways.

Related Characters: Henry Lamartine
Page Number and Citation: 181
Explanation and Analysis:
Henry’s physical appearance contrasts sharply with the way he has been described up to this point—this description classifies him as unequivocally Indian, but Erdrich has downplayed his Indian identity thus far. He and Lyman, it is made clear, look nothing alike. Lyman is the Chippewa that is good with money and almost unrealistically lucky, whereas Henry, to the US government and other non-Native American passersby, is the warrior. Perhaps because Lyman is aware of how stereotypes against Indians affect their daily lives, he suspects that the US military judged Henry by his outward appearance of being tough and warrior-like to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae ea

I'd bought a color TV set for my mom and the rest of us while Henry was away. Money still came very easy. I was sorry I'd ever bought it though, because of Henry. I was also sorry I'd bought color, because with black-and-white the pictures seem older and farther away…

Once I was in the room watching TV with Henry and I heard his teeth click at something. I looked over, and he'd bitten through his lip. Blood was going down his chin. I tell you right then I wanted to smash that tube to pieces. I went over to it but Henry must have known what I was up to. He rushed from his chair and shoved me out of the way, against the wall. I told myself he didn't know what he was doing.

Related Characters: Henry Lamartine, Lyman Lamartine
Related Symbols: The Color TV
Page Number and Citation: 183
Explanation and Analysis:
The color TV, which Henry spends long stretches of time in front of, is upsetting for Lyman because it demonstrates his brother’s inability to cope with reality. Instead of living a functional adult life, Henry sits in front of a simulation, and sometimes he cannot even bear that—he holds on to the armrests “as if the chair itself was moving at a high speed,” or as if the chair is his only connection to reality. It is notable that Lyman wishes he had bought a black-and-white TV because it makes the images “seem older and farther away.” This suggests that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum

While Henry was not around we talked about what was going to happen to him. There were no Indian doctors on the reservation, and my mom couldn't come around to trusting the old man, Moses Pillager, because he courted her long ago and was jealous of her husbands. He might take revenge through her son. We were afraid that if we brought Henry to a regular hospital they would keep him. “They don't fix them in those places,” Mom said; “they just give them drugs.”

“We wouldn't get him there in the first place,” I agreed, “so let's just forget about it.”

Related Characters: Lyman Lamartine (speaker), Lulu Lamartine (speaker), Henry Lamartine
Page Number and Citation: 183
Explanation and Analysis:
Henry’s disorder that his family cannot name causes problems for all of them. They want to help, but they don’t know how to. There is no precedent for PTSD (which is never named, probably because the characters do not know what to call it) on the reservation, and there is little knowledge about it elsewhere. They’d be most likely to trust an Indian doctor, but there are none on the reservation, and the Anglo doctor, Moses Pillager, might become vindictive because their mother rejected him long ago. They trust hospitals even less (much like the government promises that are “full Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas.

It was so sunny that day Henry had to squint against the glare. Or maybe the camera Bonita held flashed like a mirror, blinding him, before she snapped the picture. My face is right out in the sun, big and round. But he might have drawn back, because the shadows on his face are deep as holes. There are two shadows curved like little hooks around the ends of his smile, as if to frame it and try to keep it there—that one, first smile that looked like it might have hurt his face.

Related Characters: Henry Lamartine, Lyman Lamartine , Bonita Lamartine
Related Symbols: The Red Convertible, The Photograph
Page Number and Citation: 186
Explanation and Analysis:
This quote occurs when Henry and Lyman agree to take a ride in the convertible that Henry has just fixed up. Before they go, their eleven-year-old sister Bonita takes a picture of the two of them with the car. There is a stark difference between their two faces—Lyman looks round and youthful, his face in the sun, while Henry looks older, shadowed, haunted, with a forced smile. Of course, it ends up being the day Henry dies, so the picture takes on an ominous dimension. However, Lyman is happy to keep the picture for a long time, because it is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferend

The trip over there was beautiful. When everything starts changing, drying up, clearing off, you feel like your whole life is starting. Henry felt it, too. The top was down and the car hummed like a top. He'd really put it back in shape, even the tape on the seats was very carefully put down and glued back in layers. It's not that he smiled again or even joked, but his face looked to me as if it was clear, more peaceful. It looked as though he wasn't thinking of anything in particular except the bare fields and windbreaks and houses we were passing.

Related Characters: Lyman Lamartine , Henry Lamartine
Related Symbols: The Red Convertible
Page Number and Citation: 187
Explanation and Analysis:
In this quote, Henry and Lyman are driving the red convertible again, after Henry fixed it, going on a trip to the river. Lyman feels connected to Henry in this moment, because Henry appears as carefree as he himself feels. In certain ways, this moment is meant to hearken back to old times. But something is different—Henry is not his old self, not making jokes, and he never will be again. This loss of innocence that can never be returned will come up again when they are at the river. For Lyman and Henry both, the feeling is uncanny—familiar, but Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesc

He says nothing. But I can tell his mood is turning again.

"They're all crazy, the girls up here, every damn one of them."

"You're crazy too," I say, to jolly him up. "Crazy Lamartine boys!"

He looks as though he will take this wrong at first. His face twists, then clears, and he jumps up on his feet. "That's right!" he says. "Crazier 'n hell. Crazy Indians!"

Related Characters: Henry Lamartine, Lyman Lamartine
Page Number and Citation: 189
Explanation and Analysis:
This moment comes after Henry and Lyman have been roughhousing, arguing over who should take the car. After they hit each other a little too hard and drink a few beers, Henry has another mood swing, and becomes rambunctious again. Lyman tries to defuse the situation with a joke about being crazy, but perhaps this is too close to what Henry actually worries is true about himself. It seems at first that this joke might backfire, but then Henry transforms the joke about his mental health into something else—a mockery of stereotypes about Indians, which is a safer topic. Their Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Duc

No sound comes from the river after the splash he makes, so I run right over. I look around. It's getting dark. I see he's halfway across the water already, and I know he didn't swim there but the current took him. It's far. I hear his voice, though, very clearly across it.

"My boots are filling," he says.

He says this in a normal voice, like he just noticed and he doesn't know what to think of it. Then he's gone. A branch comes by. Another branch. And I go in…

I walk back to the car, turn on the high beams, and drive it up the bank. I put it in first gear and then I take my foot off the clutch. I get out, close the door, and watch it plow softly into the water.

Related Characters: Henry Lamartine (speaker), Lyman Lamartine
Related Symbols: The Red Convertible
Page Number and Citation: 189
Explanation and Analysis:
This quote is from the end of the story, after Henry jumps into the river, shouting “Got to cool me off!” Whether or not he intended to commit suicide, his matter-of-fact statement that his boots are filling is alarming because of its tone. Even if he simply misjudged the current of the river, he seems unsurprised, even resigned to the danger he is in. Because he does not have much to live for after the war, this becomes even more haunting. Lyman risks his own life trying to get Henry out of the river, but he somehow survives. However, he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam off
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