The Threepenny Opera
by Bertolt Brecht
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Act 1, Scene 1 Quotes

PEACHUM: Something new — that’s what we must have. My business is too difficult. You see, my business is trying to arouse human pity. There are a few things that’ll move people to pity, a few, but the trouble is, when they’ve been used several times, they no longer work. Human beings have the horrid capacity of being able to make themselves heartless at will.

Related Characters: Jonathan Jeremiah Peachum (speaker)
Page Number and Citation: 5
Explanation and Analysis:
In the first scene of Act One, the play introduces its audience to Jonathan Jeremiah Peachum. The proprietor of a shop called The Beggar’s Friend where those seeking to start working as street beggars and panhandlers can purchase dirty clothes, cardboard signs, faux stumps, and other accoutrements, Peachum is often the play’s most direct mouthpiece for Brecht’s tirades against the emotional and economic insulation of the upper classes, the futility of human endeavor, and the ravages of capitalism. In this passage, Peachum sets up one of the play’s central concerns: as the rich have gotten richer, they’ve become better at Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. A

MRS. PEACHUM: You’ve got a nice opinion of your daughter!

PEACHUM: The worst! The very worst! She is nothing but a mass of sensuality.

Related Characters: Mrs. Peachum (speaker), Jonathan Jeremiah Peachum (speaker), Polly Peachum
Page Number and Citation: 11
Explanation and Analysis:
As Peachum and his wife discuss their daughter, Polly, who has recently been out every night with a new suitor they know only as “the Captain,” Peachum declares that Polly is going to get herself in trouble by running off with a man. He describes his daughter as “a mass of sensuality,” thus demonstrating his disdain for feelings of love, lust, romance, and infatuation. One of the play’s central thematic concerns is the ways in which men and women find themselves besotted and thus distracted from what should be the primary projects of their lives: resisting capitalism and corruption and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolo

Act 1, Scene 2 Quotes

POLLY (crying): All those poor people, just for a few bits of furniture!

MACHEATH: And what furniture! Junk! You’re right to be angry. A rosewood harpsichord — and a Renaissance sofa. That’s unforgivable. And where’s a table?

Related Characters: Polly Peachum (speaker), Macheath (speaker)
Page Number and Citation: 16
Explanation and Analysis:
As Polly and Macheath celebrate their marriage in an abandoned stable in the heart of Soho, members of Macheath’s gang bring stolen furniture, food, and pieces of décor to help make the dank, dark barn feel more cozy. As they march through the space depositing stolen goods all around—goods obtained through thievery and murder—Polly laments that “all those poor people” have had to suffer for her own happiness. Macheath, however, is simply upset that his thugs weren’t able to procure finer, more expensive things. There is a lot to unpack in this passage, as Polly and Macheath’s divergent reactions to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non i

MACHEATH: We were boyhood friends, and though the great tides of life have swept us far apart, although our professional interests are quite different — some might even say diametrically opposed — our friend­ship has survived it all. […] Seldom have I, the simple hold-up man […] undertaken the smallest job without giving my friend Brown a share of the proceeds (a considerable share, Brown) as a token and a proof of my unswerving loyalty to him. And seldom has the all-powerful Sheriff […] organized a raid without previously giving a little tip-off to me, the friend of his youth. […] It’s all a matter of give and take.

Related Characters: Macheath (speaker), Tiger Brown
Page Number and Citation: 29
Explanation and Analysis:
As Tiger Brown, the sheriff of London and a “boyhood friend” and army buddy of Macheath’s, shows up to Macheath and Polly’s wedding, the rest of Macheath’s gang is nervous—but Macheath himself explains to Polly that he and “the all-powerful Sheriff” actually have a symbiotic relationship in which each of them helps the other through bribery and subterfuge. This passage is important because it shows that Macheath is not a particularly good thief, nor is Brown a particularly good cop, though they both have reputations for being the best in their respective fields. Instead, the versions of them the public Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commod

Act 1, Scene 3 Quotes

PEACHUM: Well, what do you want? What can I do about it if people have hearts of granite. I can’t make you five stumps! In ten minutes I can make such a wreck out of any man that a dog would howl if he saw him. What can I do if people won’t howl? There, take an­other stump, if one’s not enough for you.

Related Characters: Jonathan Jeremiah Peachum (speaker)
Page Number and Citation: 35
Explanation and Analysis:
In this passage, Peachum confronts a beggar who has come to The Beggar’s Friend, complaining that even with a false amputated limb, he still can’t arouse enough pity in the passerby of London to make a decent living. Peachum, frustrated, declares that even with “five stumps,” one might not be able to elicit the desired attention, let alone money, they want from a member of the upper classes. Peachum can’t make people feel guilt or solidarity—even the artifices he provides to his beggars can’t do that. Frustrated with the world’s ambivalence, Peachum declares, in a roundabout way, that people are Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis.
Related Characters: Polly Peachum (speaker), Mrs. Peachum (speaker)
Page Number and Citation: POLLY AND MRS. PEACHUM: We do not mind confessingThe whole thing is depressing.The world is poor and men are bad And we have nothing more to add. 40
Explanation and Analysis:
In the first act finale, the Peachum family approaches the front of the stage to sing a song to the audience directly. Their lives are in shambles—Peachum is having trouble wrangling his army of beggars, who are dissatisfied with their work and frustrated by the upper classes’ inability to empathize with their plight; Polly is married to a man her parents disapprove of and are scheming to have arrested; Mrs. Peachum laments not having been able to prepare her daughter better for the pitfalls of love, lust, and life as a woman. All three of the Peachums, in a classically Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium es

Act 2, Scene 1 Quotes

POLLY: Mac, last night I had a dream. I was looking out of the window and I heard laughter in the street, and when I looked up I saw our moon, and the moon was quite thin, like a penny that’s all worn away. Don’t forget me, Mac, in the strange cities.

Related Characters: Polly Peachum (speaker), Macheath
Related Symbols: The Moon
Page Number and Citation: 47
Explanation and Analysis:
As Polly goes to Macheath to warn him that her father and Brown have settled on a list of charges against Macheath, she urges him to flee London and lay low for a while to avoid the cops, who have been backed into a corner by Peachum’s threats of leading a beggars’ revolt. In this passage, Polly confesses to Macheath that she’s worried about the state of their relationship—and what will become of their marriage when they are parted. Polly invokes a dream about the moon—a symbol, throughout the play, of the pull of the forces of love and lust—in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. U

MRS. PEACHUM: Let me tell you this, Jenny: if all London were after him, Macheath is not the man to give up his old habits.

Now here’s a man who fights old Satan’s battle:
The butcher, he! All other men, mere cattle!
He is a shark with all the world to swim in!
What gets him down? What gets ‘em all down? Women.
He may not want to, but he’ll acquiesce
For such is sexual submissiveness.

Related Characters: Mrs. Peachum (speaker), Ginny Jenny, Macheath
Page Number and Citation: 48-49
Explanation and Analysis:
In this passage, Mrs. Peachum and Ginny Jenny, having newly hatched a plot to catch Macheath at Jenny’s brothel in Wapping and turn him into the police, sing “The Ballad of Sexual Submissiveness.” In this song, Mrs. Peachum laments that a man as powerful as Macheath—a criminal as slick as Satan and strong as a butcher—is brought down repeatedly by his own lust for the company of women. Macheath’s “sexual submissiveness” is his core character flaw, and the reason that he gets into so much trouble over the course of the play as the opera morphs from anti-capitalist spectacle to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut

Act 2, Scene 3 Quotes

BROWN: I hope my men don’t catch him! Dear God, I hope he’s beyond Highgate Moor thinking of his old friend Jacky! But he’s thoughtless, like all men. If they should bring him in now, and he were to look at me with those faithful friendly eyes, I couldn’t stand it. Thank God, there’s a moon: once he’s out in the country, he’ll find his way all right.

Related Characters: Tiger Brown (speaker), Macheath
Related Symbols: The Moon
Page Number and Citation: 55
Explanation and Analysis:
In this passage, as Tiger Brown waits at the Old Bailey to see whether Constable Smith and his team have been successful in apprehending Macheath, he prays privately for Macheath’s safety. Brown wants for his friend to evade the law—partly, to be sure, out of his own desire to maintain the quid pro quo of their relationship, but also out of a genuine love for Macheath. This real love for his childhood friend is represented by Brown’s invocation of the moon high about London—a symbol, throughout the play, of love and romance. While Macheath and Brown don’t have a sexual Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Duci

MACHEATH: In spring I ask: could there be something to it?
Could not Macheath be great and solitary?
But then the year works round to January
And I reply: My boy, you’ll live to rue it.
Poverty makes you sad as well as wise
And bravery mingles danger with the fame.
Poor, lonely, wise and brave — in heaven’s name!
Good-bye to greatness! I return the prize
With this my repartee of repartees:
None but the well-to-do can take their ease.

Related Characters: Macheath (speaker)
Page Number and Citation: 57
Explanation and Analysis:
In this passage, Macheath has found himself imprisoned at the Old Bailey. As he sits alone in his cold cell, he sings a song in which he contemplates whether he could be happy, as some people are, living a quiet, simple, humble life in poverty and solitude. Macheath is a larger-than-life figure who loves dressing well, enjoying the company of women, and basking in the accolades and scandals that come with his profession. Only the “well-to-do can take their ease,” Macheath ultimately decides—he does not want to abandon greatness (and can’t afford to.) His life will not be marked by Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitat

MACHEATH: What does a man live by? By resolutely
Ill-treating, beating, cheating, eating some
other bloke!
A man can only live by absolutely
Forgetting he’s a man like other folk!

CHORUS OFF:
So, gentlemen, do not be taken in:
Men live exclusively by mortal sin.

Related Characters: Macheath (speaker)
Page Number and Citation: 67
Explanation and Analysis:
In the second act finale, Machaeth and an offstage chorus composed of the play’s other characters sing a song about the ways in which man is forced to live in modern times—by betraying his fellow man and shoving down his own sense of humanity in order to get away with doing so. “Men live exclusively by mortal sin,” the chorus states, hammering home Brecht’s central thesis that the ravages of capitalism have inspired people to become so greedy, selfish, corrupt, and even downright soulless that they see no issue in doing evil to their fellow men. To suppress one’s own Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus e

Act 3, Scene 1 Quotes

PEACHUM: Come on, come on! You’d all be rotting in the sewers of Wapping if I hadn’t spent sleepless nights working out how to extract a few pence from your poverty. And I did work out something: that the rich of the earth indeed create misery, but they cannot bear to see it. They are weaklings and fools just like you. As long as they have enough to eat and can grease their floors with butter so that even the crumbs that fall from their tables grow fat, they can’t look with indifference on a man collapsing from hunger — although, of course, it must be in front of their house that he collapses.

Related Characters: Jonathan Jeremiah Peachum (speaker)
Page Number and Citation: 72
Explanation and Analysis:
In this passage, Peachum attempts to reason with a group of prostitutes led by Ginny Jenny who have come to The Beggar’s Friend to demand payment for their role in giving Macheath over to the police. Peachum and his wife are reluctant to turn the payment over, as Macheath has escaped from jail again—but in this speech, Peachum attempts to show the women that their fellow working people are not the enemy: the rich who create such a dearth of resources are. Peachum uses this passage to instill in the prostitutes a sense of indignation toward those who are fine Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati.

PEACHUM: The law is simply and solely made for the exploitation of those who do not understand it or of those who, for naked need, cannot obey it. And who­ ever would pick up the crumbs of this exploitation must strictly obey the law.

Related Characters: Jonathan Jeremiah Peachum (speaker), Tiger Brown
Page Number and Citation: 74
Explanation and Analysis:
In this passage, Peachum deals with a visit from Tiger Brown—the sheriff of London—who has come to arrest a group of prostitutes and beggars who’ve gathered at The Beggar’s Friend. Peachum, however, stops Brown in his tracks and begins a negotiation. Peachum lays out his beliefs about the law and hypocrisy, describing his contempt for a system that “exploit[s]” those who cannot understand or interpret it—or who are forced to disobey it simply to survive in a corrupt, capitalistic, uncaring world. Peachum warns Brown that he, as a man who “pick[s] up the crumbs of […] exploitation,” should think carefully Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum

PEACHUM: Go make yourself a plan
And be a shining light.
Then make yourself a second plan
For neither will come right.

For the situation
Men aren’t bad enough or vile.
Human aspiration
Only makes me smile.

Go running after luck
But don’t you run too fast:
We all are running after luck
And luck is running last.

For the real conditions
Men are more demanding than is meet.
Their ideal ambitions
Are one great big cheat.

Related Characters: Jonathan Jeremiah Peachum (speaker), Tiger Brown
Page Number and Citation: 76
Explanation and Analysis:
In “Song of the Futility of All Human Endeavor,” Peachum leads an orchestra of beggars in a rousing oom-pah-pah number about how futile—and arguably stupid—it is to try at anything in life. “Human aspiration” makes Peachum—a cynical man who has structured his life around profiting off of humanity’s basest instincts—positively giddy with laughter, and he feels that whether one relies on luck or carefully-laid plans, everything amounts only to “one great big cheat.” This song is, like most of the songs in the play, relatively tongue-in-cheek—but at the same time, reveals a deep cynicism and nihilism inherent to the aesthetics Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae volupta

GINNY JENNY: You know the inquisitive Bertolt Brecht
His songs — you loved them so.
But when too oft he asked where from
The riches of the rich did come
You made him pack his bag and go.
Oh how inquisitive was Brecht!
But long before the day was out
The consequence was clear, alas!
Inquisitiveness had brought him to this pass:
A man is better off without.

Related Characters: Ginny Jenny (speaker)
Page Number and Citation: 79
Explanation and Analysis:
In “The Song of Solomon,” Ginny Jenny steps forward to provide a treatise on human endeavor that echoes Peachum’s earlier song, “The Song of the Futility of All Human Endeavor.” Jenny, however, has her own take on the matter—and as she invokes various historical figures such as King Solomon, Cleopatra, and Julius Caesar, a pattern emerges: those throughout history who have strived to be greater, do better, and feel more deeply should have recognized that they’d be “better off without.” In this passage from the song, Ginny Jenny invokes “the inquisitive Bertolt Brecht,” the playwright himself, in an act of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae e

Act 3, Scene 3 Quotes

POLLY: Mackie, are you very nervous? Who was your father? There’s so much you haven’t told me. I don’t understand it at all: you were really always quite healthy.

MACHEATH: Polly, can’t you help me out?

POLLY: Of course.

MACHEATH: With money, I mean.

Related Characters: Polly Peachum (speaker), Macheath (speaker)
Page Number and Citation: 88
Explanation and Analysis:
Here, Polly comes to visit Macheath after he has been apprehended a second time. Polly knows that both times her husband has been caught by the law, he’s been caught in the company of prostitutes—but the devoted Polly is still horrified by the idea of being separated from her beloved Macheath. In this scene, she tries desperately to use their final moments together to learn more about the man—to ask him questions about his childhood and get to the root of his humanity. Macheath, though, is only concerned about money. This passage calls into question the foundation of Polly and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo min

MACHEATH: The outlaws, bandits, burglars, gunmen
All Christian souls that love a brawl
Abortionists and pimps and fun-men
I cry them mercy one and all.

Except the coppers — sons of bitches —
For every evening, every morning
Those lice came creeping from their niches
And frequently without a warning.

Police! My epidermis itches!
But for today I’ll let that fall
Pretend I love the sons of bitches
And cry them mercy one and all.

Related Characters: Macheath (speaker)
Page Number and Citation: 94
Explanation and Analysis:
Just before Macheath is led to the gallows to be hung, he sings one final song of his own. In this ballad, he begs forgiveness for all the low-lives of the world, declaring that everyone—even the poor, the downtrodden, and the outcast—deserve forgiveness, grace, and even goodness. Brecht knows that many bourgeois audiences might see the “outlaws, bandits, burglars,” and other subsets of the underworld Macheath calls out in this song as archetypes or stereotypes—but through Macheath, Brecht calls for their humanization and their mercy. If even Macheath can forgive loathed coppers and beg for their souls, Brecht is saying, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecat

PEACHUM: Therefore all remain standing where you are now and sing the chorale of the poorest of the poor, of whose difficult life you have shown us something today. In reality their end is generally bad. Mounted messengers from the Queen come far too seldom, and if you kick a man he kicks you back again. Therefore never be too eager to combat injustice.

Related Characters: Jonathan Jeremiah Peachum (speaker)
Page Number and Citation: 96
Explanation and Analysis:
In the play’s final moments, Macheath is saved from the gallows at the last moment when a royal decree arrives from the Queen of England herself. The message declares Macheath cleared of all crimes—what’s more, it appoints him to the nobility and bestows unto him a castle to live in and a huge yearly pension to life off of. Everyone rejoices as Macheath escapes hanging—but Peachum steps forward to address the audience and remind them that “mounted messengers” don’t come for everyone. Only the privileged get such miracles—the rest of the world must face a future that more often than Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusa

ALL: Combat injustice but in moderation:
Such things will freeze to death if left alone.
Remember: this whole vale of tribulation
Is black as pitch and cold as any stone.

Related Characters: Jonathan Jeremiah Peachum (speaker), Macheath (speaker), Polly Peachum (speaker), Mrs. Peachum (speaker), Tiger Brown (speaker), Lucy Brown (speaker), Ginny Jenny (speaker), Constable Smith (speaker), Money Matthew (speaker), Hook-finger Jacob (speaker)
Page Number and Citation: 96
Explanation and Analysis:
In the play’s very final lines, the entire company steps forward to address the audience as they sing this brief coda. The play’s final moments embody its bleak ethos. Brecht has his characters entreat the audience—slightly cheekily—to “combat injustice but in moderation” only. The entire play has been a screed against the ways in which the upper classes harden their hearts to the plight of the poor—and in this moment, Brecht’s cynical characters, who are all only out for themselves, suggest that for human society to continue onward, this pattern of self-concern must continue. After all, the world is only Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Volu
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