Voyage in the Dark
by Jean Rhys

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Themes and Colors
Homesickness, Memory, and Belonging Theme Icon
Sexism, Love, and Power Theme Icon
Race and Identity Theme Icon
Money and Happiness Theme Icon
LitCharts assigns a color and icon to each theme in Voyage in the Dark, which you can use to track the themes throughout the work.
Sexism, Love, and Power Theme Icon
Sexism, Love, and Power Theme Icon

Voyage in the Dark features many sexist, transactional relationships between wealthy men and younger women. The novel tacitly criticizes men who treat women as if their only purpose is to provide fleeting moments of pleasure, but it also suggests that the women in these toxic relationships can still develop real romantic feelings—or, at the very least, feelings that seem real. Anna, for instance, becomes enamored of Walter, an older man who initially uses his wealth to endear himself to her. Although it’s quite clear to everyone around her that Walter has no intentions of starting a long-term relationship, Anna comes to see him as one of the great loves of her life. She’s consequently devastated when he abruptly breaks things off. Other women in the book undergo similar experiences. Anna’s friend Maudie, for example, often talks about a man named Viv who showered her with affection and money and then, once she developed feelings for him, abandoned her. Maudie’s story serves as a cautionary tale, but Anna doesn’t listen, a fact that suggests it’s very difficult to exercise caution while in the throes of romantic infatuation. Even though everyone around her warns her that Walter will eventually lose interest, Anna is shocked when it actually happens. And yet, the novel’s intention isn’t to make her look foolish or naïve. Rather, Voyage in the Dark underlines her heartbreak as a way of showing that even unhealthy, imbalanced relationships can still produce strong romantic feelings—feelings that overshadow everything else in life and make it hard to move on. 

Furthermore, the novel illustrates that dysfunctional romantic relationships are often quite emotionally complex. For example, the exact nature of Anna’s attachment to Walter is hard to understand. She doesn’t like him when they first meet, finding his forward advances off-putting. But something about their relationship slowly transforms, and though the reasons for this shift remain ambiguous, it’s reasonable to infer that her strong feelings have something to do with a sense of dependency on Walter. After all, he not only gives her financial stability and a comfortable life but also a feeling of companionship—which, of course, her life in England otherwise lacks. In many ways, he becomes a paternal figure in her life, often patronizing her by acting like he knows what’s best for her career and trying to make sure she’s set up for success. In other words, he pretends to take an active interest in her life, which is significant because Anna has so few people who really care what happens to her. There is, then, a significant element of manipulation at play in their relationship, as Walter targets Anna’s vulnerabilities—namely, her poverty and her loneliness—to make sure she’ll continue to see him. Through Walter’s predatory treatment of Anna, the novel shines a light on why it can be so difficult to get over toxic relationships that are founded on manipulation.

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Sexism, Love, and Power Quotes in Voyage in the Dark

Below you will find the important quotes in Voyage in the Dark related to the theme of Sexism, Love, and Power.

Part One: Chapter 1 Quotes

We paired off. Maudie went on ahead with the tall man. The other looked at me sideways once or twice—very quickly up and down, in that way they have—and then asked where we were going.

‘I was going to this shop to buy a pair of stockings,’ I said.

They all came into the shop with me. I said I wanted two pairs—lisle thread with clocks up the sides—and took a long time choosing them. The man I had been walking with offered to pay for them and I let him.

Related Characters: Anna Morgan (speaker), Maudie, Walter Jeffries
Page Number and Citation: 7
Explanation and Analysis:
When Anna first encounters Walter, he glances at her “very quickly up and down.” She immediately recognizes what kind of glance this is, identifying it as a sort of assessment—one in which Walter takes stock of her, objectifying her and clearly deciding whether or not he thinks she’s pretty enough to spend money on. Needless to say, this is a sexist and unkind thing to do, but Anna brushes it off. When she says that Walter looks at her “in that way they have,” she implies that she’s quite accustomed to men who ogle her as if her looks are Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas

Part One: Chapter 2 Quotes

There was a door behind the sofa, but I hadn’t noticed it before because a curtain hung over it. I turned the handle. ‘Oh,’ I said, ‘it’s a bedroom.’ My voice went high.

‘So it is,’ he said. He laughed. I laughed too, because I felt that that was what I ought to do. You can now and you can see what it’s like, and why not?

Related Characters: Anna Morgan (speaker), Walter Jeffries
Page Number and Citation: 19
Explanation and Analysis:
After meeting Walter in the street for the first time, Anna agrees to meet him for dinner when she’s in London. The dinner they end up having is in a strange restaurant designed to give the guests complete privacy. In fact, each table has its own room, and attached to this space is a separate little bedroom—a clear sign that Walter has taken her here with the intention of having sex with her. But Anna doesn’t necessarily catch on right away. At one point, Walter kisses her somewhat aggressively, so she pushes him away and walks around the room, and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro pe

My arms hung straight down by my sides awkwardly. He kissed me again, and his mouth was hard, and I remembered him smelling the glass of wine and I couldn’t think of anything but that, and I hated him.

Related Characters: Anna Morgan (speaker), Walter Jeffries
Page Number and Citation: 19
Explanation and Analysis:
As Anna dines with Walter for the first time, she finds him very off-putting. Her distaste for him becomes especially strong when he kisses her for a second time, after having already come on a bit too strong earlier in the evening. Even her body language in this scene reveals her discomfort, as she lets her arms hang “straight down” at her sides, thus standing in a rigid pose as he embraces her. Furthermore, she feels as if his mouth is “hard”—an unappealing, unromantic thing to feel. She also thinks about how he sent back the bottle of wine he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur

Soon he’ll come in again and kiss me, but differently. He’ll be different and so I’ll be different. It’ll be different. I thought, ‘It’ll be different, different. It must be different.’

Related Characters: Anna Morgan (speaker), Walter Jeffries
Page Number and Citation: 21
Explanation and Analysis:
After Walter forces himself on Anna and she pulls away, she goes into a bedroom attached to the restaurant’s private dining room. She originally threatened to make loud noises if he didn’t stop kissing her, but now she reconsiders her choice. As she lies alone on the bed, she wishes he would come in and kiss her, “but differently.” Her emphasis on everything playing out “differently” between them is an indication that she wants to have a relationship with him, but not necessarily the relationship that he wants to have with her. To put it another way, she doesn’t want Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rer

About clothes, it’s awful. Everything makes you want pretty clothes like hell. People laugh at girls who are badly dressed. […] As if it isn’t enough that you want to be beautiful, that you want to have pretty clothes, that you want it like hell. As if that isn’t enough.

Related Characters: Anna Morgan (speaker), Walter Jeffries
Page Number and Citation: 22
Explanation and Analysis:
On Anna’s way home from dining with Walter for the first time, she passes a shop window displaying a beautiful dress. She wants the dress, but she doesn’t have any money, so she reflects on the frustrating nature of consumerist desire and how it intersects with society’s expectations of women. She wants the dress because she wants to be “beautiful.” And she wants to be beautiful, of course, because “people laugh at girls who are badly dressed.” In a way, then, Anna doesn’t want beauty simply for the intrinsic feeling of being pretty or attractive—she wants it because beauty makes Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetu

Part One: Chapter 4 Quotes

‘Only, don’t get soppy about him,’ she said. ‘That’s fatal. The thing with men is to get everything you can out of them and not care a damn. You ask any girl in London—or any girl in the whole world if it comes to that—who really knows, and she’ll tell you the same thing.’ ‘I’ve heard all that a million times,’ I said. ‘I’m sick of hearing it.’ ‘Oh, I needn’t talk,’ Maudie said, ‘the fool I made myself over Viv! Though it was a bit different with me, you understand. We were going to be married!’

Related Characters: Maudie (speaker), Anna Morgan (speaker), Walter Jeffries, Viv
Page Number and Citation: 42
Explanation and Analysis:
Anna spends the day with Maudie after not seeing her for a little while. Maudie is impressed by her new haircut and her nice boardinghouse, and she realizes that Anna is receiving money from Walter. This development doesn’t surprise Maudie—instead, she offers Anna advice about dating wealthy older men, ultimately warning her about getting too hung up on Walter. When she says that Anna shouldn’t “get soppy about him,” she means that she shouldn’t become too emotionally attached, which would be a “fatal” mistake. Instead of forging a genuine connection with Walter, Maudie implies, Anna should approach the relationship in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Re

Part Two: Chapter 2 Quotes

‘D’you know,’ she said, ‘I never pay for a meal for myself—it’s the rarest thing. For instance, these two—I said to them quite casually, like that, ‘When you come over to London, let me know. I’ll show you round a bit,’ and if you please about three weeks ago they turned up. I’ve been showing them round, I can tell you….I get along with men. I can do what I like with them. Sometimes I’m surprised myself. I expect it’s because they feel I really like it and no kidding. […]’

Related Characters: Laurie (speaker), Anna Morgan, Carl Redman, Joe Adler, Walter Jeffries
Page Number and Citation: 116
Explanation and Analysis:
Anna runs into Laurie one day not long after her breakup with Walter, and Laurie tells her all about how she has been supporting herself by spending time with wealthy men. She explains how she met Carl and Joe, and her story about “showing them round” London hints that she’s a sex worker. She also says that she “get[s] along with men,” noting that “they feel [she] really like[s] it.” She doesn’t say what she means by “it,” but she’s probably referring to sex. If this is the case, then her remark confirms that she’s a sex worker—or to be Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessita

Part Two: Chapter 4 Quotes

She came over and helped me to undo it. She seemed very tall and her face enormous. I could see all the lines in it, and the powder, trying to fill up the lines, and just where her lipstick stopped and her lips began. It looked like a clown’s face, so that I wanted to laugh at it. She was pretty, but her hands were short and fat with wide, flat, very red nails.

Joe lit a cigarette and crossed his legs and watched us. He was like somebody sitting in the stalls, waiting for the curtain to go up.

Related Characters: Anna Morgan (speaker), Laurie, Joe Adler
Page Number and Citation: 126
Explanation and Analysis:
After Anna goes to dinner with Laurie and her American friends (or, rather, clients), Laurie and Joe take her to a hotel, where she drunkenly lies on the bed. Laurie uses this opportunity to try to take off Anna’s dress. As she does so, Anna looks at her friend’s face and notes the way she looks up close, apparently surprised by her wrinkles. She compares Laurie’s face to a “clown’s face”—a description that makes her friend’s appearance seem somewhat grotesque, as if Anna thinks Laurie looks garish and absurd. This description also reveals Laurie’s attempt to look youthful and pretty, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo m

‘How old is she?’ Joe said.

‘She’s only a kid,’ Laurie said. She coughed and then she said, “She’s not seventeen.’

‘Yes—and the rest,’ Joe said.

‘Well, she’s not a day older than nineteen, anyway,’ Laurie said. ‘Where do you see the wrinkles? Don’t you like her?’

‘She’s all right,’ Joe said, ‘but I liked that other kid—the dark one.’

‘Who? Renée?’ Laurie said. ‘I don’t know what’s happened to her. I haven’t seen her since that evening.’

Related Characters: Joe Adler (speaker), Laurie (speaker), Anna Morgan
Page Number and Citation: 127
Explanation and Analysis:
In the hotel that Laurie and Joe take her to after dinner, Anna gets so drunk that she needs to lie down on her own. Laurie tries to take her dress off in front of Joe, but Anna resists, so Laurie retreats, at which point she talks to Joe about Anna as if she’s not there. She tries to lie about Anna’s age, claiming that she’s not even 17 when, in reality, she’s 19. Joe doesn’t believe her, but the mere fact that Laurie makes this claim in the first place reveals that she wants Joe to think Anna is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis.

Part Three: Chapter 1 Quotes

‘Of course,’ she said, ‘you must be a bit nice to them.’

‘Why not ten bob?’ she said. ‘That’s all right. Everybody’s got their living to earn and if people do things thinking that they’re going to get something that they don’t get, what’s it matter to you or me or anybody else? You let them talk. You can take it from me that when it comes to it they’re all so damned afraid of a scene that they’re off like a streak of lightning at the slightest…’

Related Characters: Ethel Matthews (speaker), Anna Morgan
Page Number and Citation: 142
Explanation and Analysis:
When Anna moves into Ethel’s flat and trains to be a manicurist, Ethel teaches her the tricks of the trade. In particular, she urges Anna to be “nice” to the male clients—a somewhat suggestive piece of advice, considering that it later becomes clear that Ethel hopes Anna will have sex with male clients and share the profits with her. In this moment, though, she simply implies that Anna should make it seem like she might have sex with the clients and then charge inflated prices based on their lustful expectations. When they realize she won’t have sex with them, Ethel Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necess

Part Three: Chapter 3 Quotes

‘Did you have a good time? I bet you did. Redman’s a nice man. He knows his way about, you can tell that. Oh, I bet he knows his way about. You know, kid, I’ve been thinking you’ll want to go out more with your friends and not feel you’ve got to be in all day. I don’t mind, but we may have to talk it over a bit about the rent.’

Related Characters: Ethel Matthews (speaker), Anna Morgan, Carl Redman
Page Number and Citation: 158
Explanation and Analysis:
While Anna is living at Ethel’s flat and working as a manicurist, Carl visits her one day and takes her out for the night. She doesn’t return until quite late, but Ethel doesn’t mind. In fact, she seems pleased that a man like Carl is interested in Anna. She insinuates that Carl must be an experienced lover, saying that he probably “knows his way about.” The main reason she’s not mad at Anna for staying out so late, though, is that she wants to encourage her to indulge wealthy men’s attention. To that end, she suggests that Anna should “go Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus vo

She was sure she could get him to marry her if she could smarten herself up a bit.

She said, ‘Isn’t it awful losing a chance like that because you haven’t got a little money? Because it is a chance. Sometimes you’re sure, aren’t you? But I’m so damned shabby and, you know, when you’re shabby you can’t do anything, you don’t believe in yourself. And he notices clothes—he notices things like that. Fred, his name is. He said to me the other day, “If there’s anything I notice about a girl it’s her legs and her shoes.” Well, my legs are all right, but look at my shoes. He’s always saying things like that and it makes me feel awful. He’s a bit strait-laced but that doesn’t stop them from being particular. Viv was like that, too. Isn’t it rotten when a thing like that falls through just because you haven’t got a little cash? Oh God, I wish it could happen. I want it so to happen.”

Related Characters: Maudie (speaker), Anna Morgan, Walter Jeffries, Viv
Page Number and Citation: 162
Explanation and Analysis:
Shortly before finding out that she’s pregnant, Anna runs into Maudie, who tells her that she’s in a new relationship with a wealthy older man. She claims that everything is going well, that he’s a great partner, and that she might even be able to get him to marry her—if, that is, she had a little bit of money to make herself look more stylish. The fact that her new partner cares so much about looks is somewhat concerning, since it suggests that he’s interested in superficial matters instead of focusing on Maudie’s personality. This is a potential sign that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum vol

Part Three: Chapter 5 Quotes

‘Yes,’ I said. ‘I sold my fur coat, I could give her ten quid.’

‘It’s not enough,’ Laurie said. ‘She won’t do it for that. My dear, she’ll want about fifty. Don’t you know anybody who’ll lend it to you? What about that man you talked about who used to give you money. Won’t he help you? […]’

Related Characters: Anna Morgan (speaker), Laurie (speaker), Walter Jeffries
Related Symbols: Anna’s Coat
Page Number and Citation: 172
Explanation and Analysis:
Upon finding out that she’s pregnant, Anna tries a number of natural remedies in the hopes that she’ll manage to terminate her pregnancy. But nothing works. Consequently, she goes to Laurie, who agrees to put her in touch with a woman who performs abortions (which were illegal in early 20th-century Britain, where the book is set). Because Anna is nearing the end of her first trimester, though, the procedure will be more expensive. Anna thinks she’ll be able to cover the expense with the money she received from selling the nice fur coat that she bought with Walter’s money at Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et.

Part Three: Chapter 6 Quotes

‘Poor little Anna,’ making his voice very kind. ‘I’m damned sorry you’ve been having a bad time.’ Making his voice very kind, but the look in his eyes was like a high, smooth, unclimbable wall. No communication possible. You have to be three-quarters mad even to attempt it.

‘You’ll be all right. And then you must pull yourself together and try to forget about the whole business and start fresh. Just make up your mind, and you’ll forget all about it.’

Related Characters: Vincent (speaker), Anna Morgan, Walter Jeffries
Page Number and Citation: 177
Explanation and Analysis:
When Anna realizes she doesn’t have enough money to pay for an abortion, she contacts Walter for help. Instead of meeting with her himself, though, he sends Vincent, who takes a very condescending tone with her. The mere fact that he calls her “poor little Anna” is a perfect illustration of his patronizing, haughty attitude. He treats her as if she’s a naïve, helpless child when, in reality, the baby in her womb could easily have belonged to his close cousin, Walter. His cloying display of kindness and sympathy doesn’t go unnoticed by Anna, who realizes it would be impossible Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rer

I went and got the letters. I didn’t look at them, except the one on the top, which was, ‘Will you be in a taxi at the corner of Hay Hill and Dover Street at eleven tonight? Just wait there and I’ll pick you up. Shy Anna, I love you so much. Always, Walter.’

Related Characters: Anna Morgan (speaker), Walter Jeffries, Vincent
Page Number and Citation: 179
Explanation and Analysis:
At the end of Vincent’s meeting with Anna, he asks her to hand over all the letters she kept from her relationship with Walter. At first, it’s not all that clear why Vincent—and, in turn, Walter—wants these letters back. But it soon becomes obvious when Anna glances at the letter on the top of the stack and sees a random line that Walter has written. “Shy Anna,” he wrote, “I love you so much. Always, Walter.” Both Walter and Vincent have tried to act like the relationship between Anna and Walter was never anything more than a casual, passing affair—the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Elig