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Scene 2 Quotes

VIVIAN: (Hesitantly) I should have asked more questions, because I know there’s going to be a test.

I have cancer, insidious cancer, with pernicious side effects—no, the treatment has pernicious side effects.

I have stage-four metastatic ovarian cancer. There is no stage five. Oh, and I have to be very tough. It appears to be a matter, as the saying goes, of life and death.

I know all about life and death. I am, after all, a scholar of Donne’s Holy Sonnets, which explore mortality in greater depth than any other body of work in the English language.

And I know for a fact that I am tough. A demanding professor. Uncompromising. Never one to turn from a challenge. That is why I chose, while a student of the great E. M. Ashford, to study Donne.

Related Characters: Vivian Bearing, Ph.D. (speaker), Harvey Kelekian, M.D.
Page Number and Citation: 12
Explanation and Analysis:
Vivian delivers this monologue to the audience, addressing them after she has just learned from Dr. Kelekian that she has cancer and has agreed to undergo an especially aggressive new chemotherapy treatment. She lays out the facts of the conversation, focusing on two words she picked up on in Kelekian’s speech: “insidious” and “pernicious.” These words clearly mean different things medically and poetically—Kelekian is essentially using them as euphemisms to gloss over the harsher realities of both Vivian’s illness and her treatment, while as a scholar of literature Vivian is interested in the full range of meaning of each word—but Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatibus sed

[E. M.]: Nothing but a breath—a comma—separates life from life everlasting. It is very simple really. With the original punctuation restored, death is no longer something to act out on a stage, with exclamation points… Life, death. Soul, God. Past, present. Not insuperable barriers, not semicolons, just a comma.

VIVIAN: Life, death…I see. (Standing) It’s a metaphysical conceit. It’s wit! I’ll go back to the library and rewrite the paper—

E. M.: (Standing emphatically) It is not wit, Miss Bearing. It is truth. (Walking around the desk to her) The paper’s not the point.

VIVIAN: It isn’t?

E. M.: (Tenderly) Vivian. You’re a bright young woman. Use your intelligence. Don’t go back to the library. Go out. Enjoy yourself with your friends. Hmm?

Related Characters: E. M. Ashford, D. Phil. (speaker), Vivian Bearing, Ph.D. (speaker)
Page Number and Citation: 14-15
Explanation and Analysis:
This exchange takes place in a flashback to Vivian’s university days as a student of E. M. Ashford, a famous scholar of John Donne. They are discussing a paper Vivian has written on a Donne sonnet, and E. M. has told Vivian to rewrite the paper, as the version of the poem Vivian used made the lines she was analyzing seem too melodramatic (using capital letters, a semicolon, and an exclamation point instead of a simple comma and period). E. M. emphasizes how this changes the whole meaning of the line, which says, “And death shall be no more, Death Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure.

Scene 3 Quotes

To the scholar, to the mind comprehensively trained in the subtleties of seventeenth-century vocabulary, versification, and theological, historical, geographical, political, and mythological allusions, Donne’s wit is…a way to see how good you really are.

After twenty years, I can say with confidence, no one is quite as good as I.

Related Characters: Vivian Bearing, Ph.D. (speaker), Technicians
Page Number and Citation: 20
Explanation and Analysis:
Vivian says this as she is being examined by various technicians, being poked and prodded and asked basic questions over and over. Yet even as she is being treated like a piece of meat, she delivers an extended monologue about John Donne and her own academic achievements. This juxtaposition of action and dialogue is meant to highlight Vivian’s attempt to remain in control of her situation. At this point in the play, she still feels fulfilled by her own intellectual achievements and contributions to the study of literature (particularly the wit of John Donne), and is perhaps even flattered to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possim

Scene 4 Quotes

You may remark that my vocabulary has taken a turn for the Anglo-Saxon.

God, I’m going to barf my brains out.

(She begins to relax.) If I actually did barf my brains out, it would be a great loss to my discipline. Of course, not a few of my colleagues would be relieved. To say nothing of my students.

It’s not that I’m controversial. Just uncompromising. Ooh— (She lunges for the basin. Nothing) Oh. (Silence) False alarm. If the word went round that Vivian Bearing had barfed her brains out…

Well, first my colleagues, most of whom are my former students, would scramble madly for my position. Then their consciences would flare up, so to honor my memory they would put together a collection of their essays about John Donne.

Related Characters: Vivian Bearing, Ph.D. (speaker)
Page Number and Citation: 32
Explanation and Analysis:
Vivian addresses the audience here, again trying to remain relatively aloof even as she is in great pain and vomits multiple times. She comments on her own devolving vocabulary, as she slowly loses her ability to use elevated language to remain detached from and in control of her situation. In musing on her own hypothetical death, Vivian essentially admits that she has no close friends or family. She doesn’t describe anyone actually mourning her or being emotionally moved by her loss, but only how her professional relationships would be affected—and some people would even be “relieved.” At this point in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti solu

Scene 6 Quotes

VIVIAN: It is said that the effect of eating too much lettuce is soporific.

The little bunnies in the picture are asleep! They’re sleeping! Like you said, because of soporific!

(She stands up, and MR. BEARING exits.)

The illustration bore out the meaning of the word, just as he had explained it. At the time, it seemed like magic.

So imagine the effect that the words of John Donne first had on me: ratiocination, concatenation, coruscation, tergiversation.

Medical terms are less evocative. Still, I want to know what the doctors mean when they…anatomize me. And I will grant that in this particular field of endeavor they possess a more potent arsenal of terminology than I. My only defense is the acquisition of vocabulary.

Related Characters: Vivian Bearing, Ph.D. (speaker), Mr. Bearing
Related Symbols: The Tale of the Flopsy Bunnies and The Runaway Bunny
Page Number and Citation: 43-44
Explanation and Analysis:
This scene begins in a flashback. Vivian is five years old and experiencing the first moment when she “knew words would be [her] life’s work.” She reads aloud from Beatrix Potter’s The Tale of the Flopsy Bunnies, and as her father explains to her what the word “soporific” means, she has a moment of epiphany about the word and illustration. Over the course of the play Vivian goes through a process of “unlearning” many things, eventually putting aside her detachment, sense of superiority, and high standards of intellect to embrace emotion, kindness, and human connection. This flashback to her as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetu

Scene 7 Quotes

I am not in isolation because I have cancer, because I have a tumor the size of a grapefruit. No. I am in isolation because I am being treated for cancer. My treatment imperils my health.

Herein lies the paradox. John Donne would revel in it. I would revel in it, if he wrote a poem about it. My students would flounder in it, because paradox is too difficult to understand. Think of it as a puzzle, I would tell them, an intellectual game.

(She is trapped.) Or, I would have told them. Were it a game. Which it is not.

(Escaping) If they were here, if I were lecturing: How I would perplex them! I could work my students into a frenzy. Every ambiguity, every shifting awareness. I could draw so much from the poems.

I could be so powerful.

Related Characters: Vivian Bearing, Ph.D. (speaker)
Page Number and Citation: 47-48
Explanation and Analysis:
Vivian has been placed in isolation—meaning she can have no human contact whatsoever—because of adverse side effects to her treatment and because the chemotherapy has destroyed her immune system. She then muses to the audience here about the paradox of this situation—it is her treatment that is causing this, not her illness. She starts to get carried away with her own sense of superiority and delight in Donne’s intellectual games, but then is reminded that this isn’t a game—it’s her real life. The italicized stage directions make this explicit. “She is trapped” and realizes that she isn’t talking about abstract Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error.

Scene 9 Quotes

In everything I have done, I have been steadfast, resolute—some would say in the extreme. Now, as you can see, I am distinguishing myself in illness.

I have survived eight treatments of Hexamethophosphacil and Vinplatin at the full dose, ladies and gentlemen. I have broken the record. I have become something of a celebrity. Kelekian and Jason are simply delighted. I think they foresee celebrity status for themselves upon the appearance of the journal article they will no doubt write about me.

But I flatter myself. The article will not be about me, it will be about my ovaries. It will be about my periotoneal cavity, which, despite their best intentions, is now crawling with cancer.

What we have come to think of as me is, in fact, just the specimen jar, just the dust jacket, just the white piece of paper that bears the little black marks.

Related Characters: Vivian Bearing, Ph.D. (speaker), Harvey Kelekian, M.D. , Jason Posner, M.D.
Page Number and Citation: 53
Explanation and Analysis:
Vivian addresses the audience here, though at this point she is considerably weakened and sitting in a wheelchair. She is again distinguishing herself based on academic or scientific achievements, the idea that her work or the studies based on her will outlast her own life, and trying to feel fulfilled by this. In the same monologue, though, she recognizes that she is being objectified by her doctors, and it isn’t she who will live on in this study, but only her cancer and its treatment. She feels dehumanized. Vivian is on the verge of longing for more than just intellectual Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt do

Scene 10 Quotes

VIVIAN: (Getting out of bed, without her IV) So. The young doctor, like the senior scholar, prefers research to humanity. At the same time the senior scholar, in her pathetic state as a simpering victim, wishes the young doctor would take more interest in personal contact.

Now I suppose we shall see, through a series of flashbacks, how the senior scholar ruthlessly denied her simpering students the touch of human kindness she now seeks.

Related Characters: Vivian Bearing, Ph.D. (speaker), Jason Posner, M.D., Students
Page Number and Citation: 58-59
Explanation and Analysis:
Vivian has just had an unsatisfying interaction with Jason, in which he complained about having to interact with patients and said that his clinical fellowship was a waste of time and getting in the way of his research. She tried to ask him how he might comfort a patient who was frightened, but Jason just assumed that Vivian was having a side effect of “confusion” and offered to order another test. Here Vivian examines this interaction, stepping outside of herself and referring to herself in the third person (as “the senior scholar”)—trying to remain detached and rational, as usual, but Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam conse

Scene 12 Quotes

Now is not the time for verbal swordplay, for unlikely flights of imagination and wildly shifting perspectives, for metaphysical conceit, for wit.

And nothing would be worse than a detailed scholarly analysis. Erudition. Interpretation. Complication.

(Slowly) Now is a time for simplicity. Now is a time for, dare I say it, kindness.

(Searchingly) I thought being extremely smart would take care of it. But I see that I have been found out. Ooohh.

I’m scared. Oh, God. I want…I want…No. I want to hide. I just want to curl up in a little ball. (She dives under the covers.)

Related Characters: Vivian Bearing, Ph.D. (speaker), Susie Monahan, R.N., B.S.N.
Related Symbols: The Popsicle
Page Number and Citation: 69-70
Explanation and Analysis:
Vivian and Susie have just had an emotional interaction in which Susie brought Vivian a popsicle, Vivian cried to Susie, and they discussed what should happen if her heart stops. After Susie leaves, Vivian comments on what a “maudlin” scene it was: sentimental and clichéd. But here she recognizes that she is okay with this and doesn’t judge the scene, herself, or Susie for this sentimentality. She then offers a condensation of the major themes of the play in this quotation. For most of her life, Vivian has scorned human connection and kindness and instead found fulfillment and pleasure only Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatib

Scene 13 Quotes

(VIVIAN concentrates with all her might, and she attempts a grand summation, as if trying to conjure her own ending.)

And Death—capital D—shall be no more—semicolon.

Death—capital D—thou shalt die—ex-cla-mation point!

(She looks down at herself, looks out at the audience, and sees that the line doesn’t work. She shakes her head and exhales with resignation.)

I’m sorry.

Related Characters: Vivian Bearing, Ph.D. (speaker)
Page Number and Citation: 72-73
Explanation and Analysis:
Kelekian has just ordered a steady dose of morphine for Vivian, who is in extreme pain, and after this medication takes effect Vivian is hardly coherent for the rest of the play, so she’s unable to speak in her usual elevated language. She ends this painful scene here quoting the same lines of Donne that she had examined with E. M. Ashford as a grad student, in the second quotation from Scene 2. Notably, she chooses to use the more melodramatic version that E. M. had criticized—with the semicolon, capital-D “Death,” and exclamation point—rather than the more reserved and simple Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure.

Scene 16 Quotes

SUSIE: (Pushing them away from the bed) Patient is no code. Get away from her!

(SUSIE lifts the blanket. VIVIAN steps out of the bed.

CODE TEAM HEAD: (Reading) Do Not Resuscitate. Kelekian. Shit.

She walks away from the scene, toward a little light.

(The CODE TEAM stops working.)

She is now attentive and eager, moving slowly toward the light.

JASON: (Whispering) Oh, God.

She takes off her cap and lets it drop.

CODE TEAM HEAD: Order was put in yesterday.

She slips off her bracelet.

CODE TEAM: —It’s a doctor fuck-up.

—What is he, a resident?

—Got us up here on a DNR.

—Called a code on a no-code.

She loosens the ties and the top gown slides to the floor. She lets the second gown fall.

The instant she is naked, and beautiful, reaching for the light—

JASON: Oh, God.

Lights out.)

(The bedside scene fades.)

Related Characters: Susie Monahan, R.N., B.S.N. (speaker), Jason Posner, M.D. (speaker), The Code Team (speaker), Vivian Bearing, Ph.D., Harvey Kelekian, M.D.
Page Number and Citation: 84-85
Explanation and Analysis:
This passage concludes the play’s climactic scene, as well as the play itself. Vivian’s heart has stopped, but Jason still calls a code team to resuscitate her, going against Vivian’s own wishes. Despite Susie’s attempts to stop them, the code team works frantically until Jason finally yells, “I MADE A MISTAKE!” In this quotation, then, the code team stops working and comments on Jason’s error, while Vivian, dying, undresses and reaches for a distant light. The two actions are set simultaneously and physically next to each other, making for a frenzied and then poignant scene. On the side of the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatibus sed placeat. Aut tenetur autem. Fugit voluptates in. Quidem impedit sunt. Excepturi ullam nobis. Ducimus odio quo. Ut autem harum. Omnis vel voluptatum. Assumenda officia maiores. Voluptatem sint velit. Quod quia sapiente. Cum sunt quo. Accusamus veritatis voluptatum. Rerum est et. Aut autem sit. Soluta dolor fuga. Debitis ut est. I
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