- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Since Jorge’s death, Celia has found renewed passion and purpose in serving Fidel Castro’s Revolution. One of her jobs is to judge cases—often domestic disputes—brought before her in the community court. She takes pride in this work, and for her, it’s like participating in the Revolution’s sweeping social experiment (“a great historical unfolding”) on a smaller scale. It’s also a big change from when Celia was young, recovering from the emotional collapse she suffered after her lover Gustavo’s departure. For years, as a young wife and mother, Celia’s life consisted of sitting on the porch swing, disengaged from her family…