Beyond Order references a number of myths, religious texts and ideas, and psychological theories. Peterson often turns to the Bible, especially Genesis and Exodus, to explore themes of creation, temptation, law, and liberation. He also references classical myths such as Sophocles’
Oedipus Rex (c. 429 BCE) and Mesopotamian epics like the
Enuma Elish (c. 12th century BCE), treating them as symbolic accounts of chaos, order, and renewal. His philosophical grounding draws heavily on Friedrich Nietzsche’s
Thus Spoke Zarathustra (1883–85), with its declaration that “God is dead,” and
On the Genealogy of Morality (1887), which investigates the origins of values in a post-religious age. From Sigmund Freud, Peterson cites
The Interpretation of Dreams (1899) and
Civilization and Its Discontents (1930), both of which examine the unconscious drives that shape human conflict and culture. Carl Jung provides perhaps the strongest influence, especially through
Psychological Types (1921) and
The Archetypes and the Collective Unconscious (1959), where Jung describes recurring figures like the shadow, the anima, and the hero that surface in myth and personal development. Joseph Campbell’s
The Hero with a Thousand Faces (1949) also looms large, describing the universal “hero’s journey” of departure, trial, and return.