Coriolanus
by William Shakespeare
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Family and Femininity Theme Analysis

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Themes and Colors
Politics, Class, and Rome Theme Icon
Language and Names Theme Icon
War, Violence, and Masculinity Theme Icon
Family and Femininity Theme Icon
Heroism vs. Humanity Theme Icon
LitCharts assigns a color and icon to each theme in Coriolanus, which you can use to track the themes throughout the work.
Family and Femininity Theme Icon
Family and Femininity Theme Icon

While Coriolanus is the epitome of violent masculinity, and he has strong homosocial bonds with both allied and enemy soldiers, the play also explores his ties to his family, which is mostly comprised of female figures. Many Shakespeare plays feature characters whose mothers are conspicuously absent, a sort of missing mother trope. Coriolanus, on the other hand, has no mention of a father, but he has the mother of all mothers, Volumnia, and he also has a wife Virgilia, who is mother to their child Young Martius.

Virgilia is depicted as the silent, supportive wife. When Volumnia hopes that Coriolanus has wounds (mentioned in the above theme), Virgilia hopes that he isn’t hurt. However, Coriolanus’s most profound connection is probably to his mother Volumnia, who exhibits maternal pride, but also maternal possessiveness. It was Volumnia who pushed Coriolanus to go to war as a sixteen-year-old boy, and throughout the play she stakes the claim that she framed him and made him what he is. During the political process, she constantly gives him directions, tells him to swallow his pride, and acts like an early modern stage mother. It’s because of this intense relationship between Volumnia and Coriolanus that the play is often read through a Freudian, psychoanalytic lens. The Freudian reading is strengthened when Volumnia explains the strength of her connection with Coriolanus, saying: “There’s no man in the world more bound to [his] mother.” Earlier in the play, when Volumnia tells Virgilia to be happy that Coriolanus is at war, the strange Oedipal undertones are made even more explicit: she says, “If my son were my husband, I should freelier rejoice in that absence wherein he won honor than in the embracements of his bed where he would show most love.” Not only does Volumnia here reinforce the notion (from the Violence theme) that the battlefield is a replacement for the field of love, but she also imagines herself married and in bed with her son. (Freud’s famous psychoanalytic idea of the Oedipus complex refers to the Greek hero who killed his father and married his mother.)

The other psychoanalytical, Freudian aspect of the play is an interesting reversal of the “family romance.” The family romance is a complex described by Freud in which a child fantasizes that her parents are not actually her parents. Typically, a lower-class child believes her real parents are actually of higher rank and status. When Coriolanus is leading the Volscian army to conquer Rome, his family tries to convince him to spare the city—and in her speech, Volumnia denies Coriolanus, in a reversal of the family romance. Instead of the child imagining different parents, Volumnia says that Coriolanus must have some other, Volscian family, since she, Virgilia, and young Martius are not his real family. It’s this brutal denial and disavowing of Coriolanus and the ensuing silence that forces him to abandon the invasion. He responds with “O mother, mother! What have you done?” reclaiming his role in the family. But in accepting this role (and, as we’ll see in the following theme, in finally being humanized), Coriolanus also knows that he accepts a likely death.

Family, then, is both formative and destructive in the play. It is the source of an enduring bond, able to reach Coriolanus even when he is most alienated from Rome, but it can also create a bond that is too close, like the strange Oedipal dynamic between Coriolanus and his mother. Virgilia’s role as a mostly silent woman is aligned with the Renaissance ideal of a wife, and seems safe. Volumnia, on the other hand, breaks that ideal, and though she destroys her son, her form of femininity ultimately outlasts Coriolanus and his violent masculinity, and she becomes (again, as we’ll see in the following theme) a new kind of hero.

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Family and Femininity Quotes in Coriolanus

Below you will find the important quotes in Coriolanus related to the theme of Family and Femininity.

Act 1, Scene 3 Quotes

The breasts of Hecuba,
When she did suckle Hector, looked not lovelier
Than Hector’s forehead when it spit forth blood
At Grecian sword, contemning.

Related Characters: Volumnia (speaker), Virgilia, Caius Martius / Coriolanus
Related Symbols: Body Parts, Wounds and Blood
Related Literary Devices:
Page Number and Citation: 1.3.43-46
Explanation and Analysis:
Volumnia speaks these lines to Virgilia, Coriolanus’ wife, who is at the time worrying about her husband off at war. While Virgilia hopes Coriolanus is not injured and the war ends soon, Volumnia is obsessed with the glory and political advancement her son can win in battle. In these lines, she forms a haunting, vivid image and shows that she privileges bloodshed and warfare above motherhood and femininity. Volumnia references the Greek myth about the Trojan War; Hector was a Trojan prince and his mother was named Hecuba. Volumnia asserts that the image of Hecuba breast feeding Hector isn’t as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusan

Act 2, Scene 1 Quotes

MENENIUS: Is he not
wounded? He was wont to come home wounded.
VIRGILIA: O no, no, no!
VOLUMNIA: O, he is wounded, I thank the gods for ’t.
MENENIUS: So do I too, if it be not too much. Brings he
victory in his pocket, the wounds become him.

Related Characters: Volumnia (speaker), Menenius Agrippa (speaker), Virgilia (speaker), Caius Martius / Coriolanus
Related Symbols: Wounds and Blood
Page Number and Citation: 2.1.122-127
Explanation and Analysis:
Menenius, Virgilia, and Volumnia have this exchange upon learning that Coriolanus is returning from war. Virgilia is a worried wife, and so she hopes that her husband has not been injured. But Menenius and Volumnia understand that in Rome, wounds are a political commodity. As long as Coriolanus isn’t wounded “too much” and really in danger of dying, then every wound he collects is a symbol of his victory and his service to Rome. In the dialogue that follows, Menenius and Volumnia are so obsessed with these wounds that they try and count the number of scars Coriolanus has, all Dolorem et quae. Exercitationem non aut. Eveniet dolor non.

Act 2, Scene 2 Quotes

I shall lack voice. The deeds of Coriolanus
Should not be uttered feebly.
…
At sixteen years,
When Tarquin made a head for Rome, he fought
Beyond the mark of others. Our then dictator,
Whom with all praise I point at, saw him fight
When with his Amazonian chin he drove
The bristled lips before him. He bestrid
An o’erpressed Roman and i’ th’ Consul’s view
Slew three opposers. Tarquin’s self he met
And struck him on his knee. In that day’s feats,
When he might act the woman in the scene,
He proved best man i’ th’ field and for his meed
Was brow-bound with the oak. His pupil age
Man-entered thus, he waxèd like a sea,
And in the brunt of seventeen battles since
He lurched all swords of the garland.

Related Characters: Cominius (speaker), Caius Martius / Coriolanus
Related Symbols: Wounds and Blood, Voices
Page Number and Citation: 2.2.98-117
Explanation and Analysis:
Cominius delivers this speech to the Roman senators and tribunes in order to explain Coriolanus’ most recent valiant deeds in the battle at Corioles. He starts with a rhetorical move called humility topos, or feigned humility, in which the speaker pretends to be a terrible orator. This type of gesture might be compared to Marc Antony’s famous funeral speech in another Roman Shakespeare play, Julius Caesar. After this introduction, in which he establishes (by denying) his rhetorical prowess, Cominius describes how Coriolanus first entered war at the age of a boy while Rome fought to expel the dictator Tarquin. “Amazonian Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferend

Act 3, Scene 2 Quotes

MENENIUS: Return to th’ Tribunes.
CORIOLANUS: Well, what then? What then?
MENENIUS: Repent what you have spoke.
CORIOLANUS: For them? I cannot do it to the gods.
Must I then do ’t to them?
VOLUMNIA: You are too absolute,
Though therein you can never be too noble
But when extremities speak.

Related Characters: Menenius Agrippa (speaker), Caius Martius / Coriolanus (speaker), Volumnia (speaker), Sicinius Velutus, Junius Brutus
Related Symbols: Voices
Page Number and Citation: 3.2.46-3
Explanation and Analysis:
This exchange takes place after Menenius gets the tribunes to agree to give Coriolanus a trial instead of just executing him. Menenius and Volumnia are trying to instruct Coriolanus on how to rectify the situation and salvage his political career. They believe that if he returns to the tribunes and apologizes for his previous outburst he might still become consul, possibly showing that Menenius and Volumnia’s ambition blinds them to the reality that the tribunes are conspiring against Coriolanus and will do anything to prevent his election. Coriolanus again outlines his limitations with language. It’s not just that he won’t Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti sol

For in such business
Action is eloquence, and the eyes of th’ ignorant
More learnèd than the ears—waving thy head,
Which often thus correcting thy stout heart,
Now humble as the ripest mulberry
That will not hold the handling. Or say to them
Thou art their soldier and, being bred in broils,
Hast not the soft way, which thou dost confess
Were fit for thee to use as they to claim,
In asking their good loves; but thou wilt frame
Thyself, forsooth, hereafter theirs, so far
As thou hast power and person.

Related Characters: Volumnia (speaker), Caius Martius / Coriolanus, Roman Citizens
Related Symbols: Body Parts, Voices
Page Number and Citation: 3.2.94-105
Explanation and Analysis:
Volumnia speaks these lines to Coriolanus while counseling him on how to speak to the tribunes and the people to save his political career. Like an early-modern stage mother, she tells him exactly what to say, what to wear, and how to wave his head and his hat. Coriolanus has said numerous times that he prefers action over words. Here, Volumnia (with masterful language of her own) shows Coriolanus that in politics, action is speech, or “action is eloquence.” This means both that speech is an act, and that the ignorant citizens place more emphasis on what they see (like Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. El

To beg of thee, it is my more dishonor
Than thou of them. Come all to ruin. Let
Thy mother rather feel thy pride than fear
Thy dangerous stoutness, for I mock at death
With as big heart as thou. Do as thou list.
Thy valiantness was mine; thou suck’st it from me,
But owe thy pride thyself.

Related Characters: Volumnia (speaker), Caius Martius / Coriolanus, Roman Citizens
Related Symbols: Body Parts, Voices
Page Number and Citation: 3.2.150-158
Explanation and Analysis:
Volumnia speaks these lines to Coriolanus, after he refuses to play politics and apologize to the citizens and tribunes. While Coriolanus refuses to do so on the grounds that it would dishonor him, she claims that it would be even more dishonorable for a mother to beg from a son. Volumnia suggests (as the tribunes have argued) that Coriolanus’ stubborn adherence to his values (his “dangerous stoutness”) is prideful – it’s excessive nobleness that therefore becomes ignoble. Volumnia calls into question whether Coriolanus’ heroism and strict Roman virtue is genuine, and at the same time she claims ownership over Coriolanus Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. P

Act 4, Scene 2 Quotes

Anger’s my meat. I sup upon myself
And so shall starve with feeding.
Come, let’s go.
Leave this faint puling, and lament as I do,
In anger, Juno-like. Come, come, come.

Related Characters: Volumnia (speaker), Junius Brutus , Sicinius Velutus, Caius Martius / Coriolanus, Virgilia
Related Symbols: Hunger, Food, and Cannibalism
Page Number and Citation: 4.2.68-72
Explanation and Analysis:
Volumnia speaks these lines to Menenius after an angry interaction with the tribunes in which Volumnia lamented her son’s banishment. Menenius asks her to dinner, but she refuses, saying that she feeds on anger and will “sup upon” herself. Here Volumnia brings the play’s eating imagery to the (auto)cannibalistic level. She is so furious that she will eat herself. However, this is a self-sustaining feeding. Part of what makes her so powerful is that she cannot be devoured. Rather than allowing grief or rage to consume her (like the Renaissance’s stereotype of a woman), she uses her emotions practically as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque i

Act 4, Scene 5 Quotes

O Martius, Martius,
Each word thou hast spoke hath weeded from my heart
A root of ancient envy.
…
Let me twine
Mine arms about that body, whereagainst
My grainèd ash an hundred times hath broke
And scarred the moon with splinters.
…
Know thou first,
I loved the maid I married; never man
Sighed truer breath. But that I see thee here,
Thou noble thing, more dances my rapt heart
Than when I first my wedded mistress saw
Bestride my threshold.

Related Characters: Tullus Aufidius (speaker), Caius Martius / Coriolanus
Related Symbols: Body Parts
Page Number and Citation: 4.5.111-131
Explanation and Analysis:
Aufidius speaks these lines after his rival Coriolanus reveals himself and his intention to seek vengeance on Rome for his banishment. Though Aufidius calls him “Martius” instead of “Coriolanus,” the Volscian general is extremely pleased to see his Roman rival. Like in the reunion with Cominius earlier in the play, the men share an embrace. The military nature of their relationship is emphasized with a pun on “arms,” which means both arms on the body and weapons. The intense male bond between soldiers is also characterized by comparison to feminine and familial relationships. Reuniting with Coriolanus, Aufidius says, is even Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiore

Act 5, Scene 3 Quotes

There’s no man in the world
More bound to ’s mother, yet here he lets me prate
Like one i’ th’ stocks. Thou hast never in thy life
Showed thy dear mother any courtesy
When she, poor hen, fond of no second brood,
Has clucked thee to the wars and safely home,
Loaden with honor. Say my request’s unjust
And spurn me back; but if it be not so,
Thou art not honest, and the gods will plague thee
That thou restrain’st from me the duty which
To a mother’s part belongs.

Related Characters: Volumnia (speaker), Caius Martius / Coriolanus
Related Symbols: Body Parts
Page Number and Citation: 5.3.180-190
Explanation and Analysis:
Volumnia speaks these lines in a lengthy speech to her son. At the time, she is the last hope of Rome to stop Coriolanus from destroying the city. She starts by invoking the intense relationship that they have, even saying that there is no mother/son duo more bonded in the world. Whether she thinks the relationship is healthy or not is unclear, but this line is often used to support Freudian / psychoanalytic readings. “I’ th’ stocks” refers to public humiliation. Throughout the play, Volumnia stakes claims of ownership over Coriolanus and his valiant deeds. Now she pushes further, saying Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum

Volumnia: This fellow had a Volscian to his mother,
His wife is in Corioles, and his child
Like him by chance.—Yet give us our dispatch.
I am hushed until our city be afire,
And then I’ll speak a little.
(He holds her by the hand, silent.)
CORIOLANUS: O mother, mother!
What have you done?

Related Characters: Volumnia (speaker), Caius Martius / Coriolanus (speaker), Virgilia, Valeria, Young Martius
Page Number and Citation: 5.3.200-206
Explanation and Analysis:
These are the final lines of Volumnia’s speech to Coriolanus and Coriolanus’ response. Part of what Volumnia gets at in her speech (and an idea that pops up throughout the play) is the paradoxical split of duty between family and Rome. When Coriolanus is attacking the city, his family is frozen, since rooting for their family member would mean the destruction of their city, and praying for Rome to survive would mean praying for Coriolanus to be defeated. Volumnia resolves the split of duty between family and Rome by saying that they are dependent on the other. If Coriolanus is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium i

Act 5, Scene 6 Quotes

AUFIDIUS: Tell the traitor in the highest degree
He hath abused your powers.
CORIOLANUS: “Traitor”? How now?
AUFIDIUS: Ay, traitor, Martius.
CORIOLANUS: Martius?
AUFIDIUS: Ay, Martius, Caius Martius. Dost thou think
I’ll grace thee with that robbery, thy stol’n name
Coriolanus, in Corioles?
You lords and heads o’ th’ state, perfidiously
He has betrayed your business and given up
For certain drops of salt your city Rome—
I say your city—to his wife and mother,
Breaking his oath and resolution like
A twist of rotten silk, never admitting
Counsel o’ th’ war, but at his nurse’s tears
He whined and roared away your victory,
That pages blushed at him and men of heart
Looked wond’ring each at other.
CORIOLANUS: Hear’st thou, Mars?
AUFIDIUS: Name not the god, thou boy of tears.

Related Characters: Tullus Aufidius (speaker), Volscian Senators and Lords, Volumnia, Virgilia
Page Number and Citation: 5.6.101-120
Explanation and Analysis:
This exchange takes place when Coriolanus tries to explain to the Volscian Senators and Lords why he decided to spare the city of Rome. Aufidius shows that he is an adept political operator by using the same trigger that the tribunes did to get Coriolanus enraged in public: they call him a traitor. Ironically, in a way Coriolanus is a traitor, both to Rome and to Antium. He fought against Roman armies and killed his own people, making him a traitor to Rome, and he ultimately broke his oath to the Volscian nobles, making him a traitor to them. Aufidius’ Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qu

Cut me to pieces, Volsces. Men and lads,
Stain all your edges on me. “Boy”? False hound!
If you have writ your annals true, ’tis there
That like an eagle in a dovecote, I
Fluttered your Volscians in Corioles,
Alone I did it. “Boy”!

Related Characters: Caius Martius / Coriolanus (speaker), Tullus Aufidius, Volscian People
Related Symbols: Body Parts, Wounds and Blood
Page Number and Citation: 5.6.133-138
Explanation and Analysis:
Coriolanus shouts this in outrage in response to Aufidius’ insult (above). It’s possible that for Coriolanus, “boy” is the only thing worse than “traitor.” It could be argued that in compromising and surrendering on the battlefield, Coriolanus relinquishes his violent masculinity (that which made him a man at the age of 16) and thus becomes a boy once more. To counteract this effect, or to simply argue in fury at Aufidius’ assertion, Coriolanus evokes the spectacular military achievement for which he earned the surname Coriolanus. Once more, he is compared to something other than human, choosing to compare himself to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur