Power and Censorship Theme Analysis

"What's the use of stories that aren't even true?"

"It was a figure of speech," Mr. Butt replied. "But but but I will stand by it! A figure of speech is a shifty thing; it can be twisted or it can be straight. But Butt's a straight man, not a twister. What's your wish, my young mister?"

"Khattam-Shud," he said slowly, "is the Arch-Enemy of all Stories, even of Language itself. He is the Prince of Silence and the Foe of Speech. And because everything ends, because dreams end, stories end, life ends, at the finish of everything we use his name. "'It's finished,' we tell one another, 'it's over. Khattam-Shud: The End.'"

When Haroun heard his father say only a story, he understood that the Shah of Blah was very depressed indeed, because only deep despair could have made him say such a terrible thing.

—"I don't know," panted Iff as he struggled to keep up with the charging boy. "We've never caught a spy before. Maybe we should scold him. Or make him stand in the corner. Or write I must not spy one thousand and one times. Or is that too severe?"

Haroun noted that many other Pages of the Royal Guard were dressed in half-familiar stories. One Page wore the tale of ‘Bolo and the Wonderful Lamp’; another, ‘Bolo and the Forty Thieves’. Then there was ‘Bolo the Sailor’, ‘Bolo and Juliet’, ‘Bolo in Wonderland’.

Haroun was rather shocked. "That sounds like mutinous talk to me," he suggested, and Iff, Goopy, Bagha and Mali found that very interesting indeed. "What's a Mutinous?" asked Iff, curiously. "Is it a plant?" Mali inquired.
"You don't understand," Haroun tried to say. "It's an Adjective."
"Nonsense," said the Water Genie. "Adjectives can't talk."
"Money talks, they say," Haroun found himself arguing (all this argument around him was proving infectious), "so why not Adjectives? Come to that, why not anything?"

"But but but what is the point of giving persons Freedom of Speech," declaimed Butt the Hoopoe, "if you then say they must not utilize the same? And is not the Power of Speech the greatest Power of all? Then surely it must be exercised to the full?"

"All my life I've heard about the wonderful Sea of Stories, and Water Genies, and everything; but I started believing only when I saw Iff in my bathroom the other night. And now that I've actually come to Kahani and seen with my own eyes how beautiful the Ocean is, with its Story Streams in colours whose names I don't even know, and its Floating Gardeners and Plentimaw Fishes and all, well, it turns out I may be too late, because the whole Ocean's going to be dead any minute if we don't do something. And it turns out that I don't like the idea of that, sir, not one bit. I don't like the idea that all the good stories in the world will go wrong for ever and ever, or just die. As I say, I only just started believing in the Ocean, but maybe it isn't too late for me to do my bit."

"It's our own fault," he wept. "We are the Guardians of the Ocean, and we didn't guard it. Look at the Ocean, look at it! The oldest stories ever made, and look at them now. We let them rot, we abandoned them, long before this poisoning. We lost touch with our beginnings, with our roots, our Wellspring, our Source. Boring, we said, not in demand, surplus to requirements. And now, look, just look! No colour, no life, no nothing. Spoilt!"

"But this is all too fanciful for words," he told himself. "A boat made out of shadows? A shadow-ship? Don't be nuts." But the idea kept nagging at him, and wouldn't let go. Look at the edges of everything here, said a voice in his head. The edges of the poison tanks, the crane, the ship itself. Don't they look, well, fuzzy? That's what shadows are like; even when they're sharp, they're never as sharp-edged as real, substantial things.

We must make a great many poisons, because each and every story in the Ocean needs to be ruined in a different way. To ruin a happy story, you must make it sad. To ruin an action drama, you must make it move too slowly. To ruin a mystery you must make the criminal's identity obvious even to the most stupid audience..."

"But why do you hate stories so much?" Haroun blurted, feeling stunned. "Stories are fun..."
"The world, however, is not for Fun," Khattam-Shud replied. "The world is for Controlling."
"Which world?" Haroun made himself ask.
"Your world, my world, all worlds," came the reply. "They are all there to be Ruled. And inside every single story, inside every Stream in the Ocean, there lies a world, a story-world, that I cannot Rule at all. And that is the reason why."

And as for the rest, well, their vows of silence and their habits of secrecy had made them suspicious and distrustful of one another.

"Don't, Dad," said Haroun, his good mood deflating all at once. "Don't you get it? It isn't real. It's just something the Eggheads got out of a bottle. It's all fake. People should be happy when there's something to be happy about, not just when they get bottled happiness poured over them from the sky."