How to Read Literature Like a Professor

by

Thomas C. Foster

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James Joyce Character Analysis

James Joyce was an Irish novelist and poet born in Dublin in 1882. He was one of the key figures of the Modernist movement, producing works of literature that are notoriously complicated and cutting-edge for the time. His most famous works include Ulysses, Finnegans Wake, Dubliners, and A Portrait of the Artist as a Young Man. He died in Zurich in 1941. Foster uses several of Joyce’s works to illustrate concepts ranging from weather symbolism to mythological archetype to irony. He also uses Joyce’s oeuvre as an example of literature that is extremely difficult to analyze, claiming that “the only thing that can really prepare you to read Ulysses is reading Ulysses.”
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James Joyce Character Timeline in How to Read Literature Like a Professor

The timeline below shows where the character James Joyce appears in How to Read Literature Like a Professor. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 2: Nice to Eat with You: Acts of Communion
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...a single meal can contain many complex and even contradictory layers of meaning. In James Joyce’s short story “The Dead” (1914), the main character, Gabriel Conroy, attends a lavish dinner party... (full context)
Chapter 6: …Or the Bible
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Meanwhile, James Joyce’s short story “Araby” (1914) depicts a young Irish boy who tries (and fails) to buy... (full context)
Chapter 9: It’s More Than Just Rain or Snow
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...illness, and suffering, and on another with spring, birth, and renewal. In “The Dead,” James Joyce exposes this tension through the story of a young boy so in love that he... (full context)
Interlude: Does He Mean That?
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...are called the “Intentionalists,” and many were part of the modernist movement. Authors like James Joyce, T.S. Eliot, and Virginia Woolf are known to have deliberately construct their texts using the... (full context)
Chapter 24: Don’t Read with Your Eyes
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The dinner party described in Joyce’s “The Dead” may not at first appear remarkable to American eyes, but that’s because—like all... (full context)