Intimate Apparel
by Lynn Nottage

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Act 1, Scene 2 Quotes

Mrs. Van Buren: Oh God, I look ridiculous, and I'm behaving absolutely foolishly, but I'm not sure what else to do. Look at me. I've spent a fortune on feathers and every manner of accouterment. They've written positively splendid things about me in the columns this season. [...] But does it matter? Has he spent an evening at home? Or even noticed that I've painted the damn boudoir vermillion red?

Related Characters: Mrs. Van Buren (speaker), Esther
Page Number and Citation: 11
Explanation and Analysis:
During a fitting with Esther, Mrs. Van Buren laments that while outwardly, she's making it and properly performing womanhood, her husband still isn't interested. In this moment, Mrs. Van Buren sees her new corset—which is modeled after ones that sex workers wear, and is far sexier and more revealing than anything a well-to-do white lady would normally wear—as indicative of all the ways in which she's failing to attract her husband. While nobody else but Esther (and, hopefully, Mrs. Van Buren's husband) can or will ever see that Mrs. Van Buren is wearing a corset like this, Mrs. Van Buren Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam

Mrs. Van Buren: I've given him no children. (Whispered.) I'm afraid I can't. It's not for the lack of trying. One takes these things for granted, you assume when it comes time that it will happen, and when it doesn't who is to blame? They think it's vanity that's kept me childless, I've heard the women whispering. If only I were that vain. But it's like he's given up.

Related Characters: Mrs. Van Buren (speaker), Esther
Page Number and Citation: 13
Explanation and Analysis:
During her fitting, Mrs. Van Buren confides in Esther that she's afraid that she can't have children. This brings Mrs. Van Buren’s perceived failure as a woman to the forefront, as she suggests here that until she properly uses her body to bear children, she's less of a woman in both her husband's eyes and in the eyes of society. With this, the play begins to draw out the ways in which even white, wealthy, and beautiful women like Mrs. Van Buren walk a very fine line when it comes to embodying womanhood—nobody, it suggests, is actually doing it perfectly. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus co

Esther: Do you think there's something wrong with a woman alone?

Mrs. Van Buren: What I think is of little consequence. If I were (whispered.) brave I'd collect my things right now and find a small clean room someplace on the other side of the park. No, further in fact. And I'd...But it isn't a possibility, is it?

Related Characters: Mrs. Van Buren (speaker), Esther (speaker)
Page Number and Citation: 13
Explanation and Analysis:
When the topic of marriage versus being single comes up, Mrs. Van Buren again confides in Esther that she'd rather be single. First, this is one of the moments in which the emotional intimacy between Esther and Mrs. Van Buren deepens. This confession is, presumably, not anything that Mrs. Van Buren can share with anyone else, especially her husband with whom, she suggests, should be the most intimate with. Esther, meanwhile, represents a safe and non-judgmental space for Mrs. Van Buren to air these truths and feel as though someone sees her and accepts her for who and what she Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur

Act 1, Scene 4 Quotes

Mayme: All the pawing and pulling. For a dollar they think they own you.

Related Characters: Mayme (speaker), Mrs. Van Buren, Esther
Page Number and Citation: 18
Explanation and Analysis:
In this passage, Mayme angrily shows Esther her ripped silk robe and complains about how her clients treat her roughly and without consideration. As a sex worker, Mayme is physically intimate with men every day that she works, but the way that she talks about sex indicates that it's not fulfilling or emotionally compelling for her. This sets up the idea that simply having sexual contact with someone doesn't mean that the experience is imbued with true intimacy, and it therefore shifts the play's hierarchy of intimacy to suggest that far more important than physical contact is emotional intimacy. Notably, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscip

Esther: You know that white lady I talk about sometime, hold on...She keep asking me what they be wearing up in the Tenderloin. All that money and high breeding and she want what you wearing.

Mayme: No kidding?

Esther: What she got, you want, what you got, she want.

Related Characters: Esther (speaker), Mayme (speaker), Mrs. Van Buren
Page Number and Citation: 19-20
Explanation and Analysis:
As Esther laces Mayme into her new corset—which is modeled after one Esther made for Mrs. Van Buren—she notes that each woman wants what the other has. The fact that Mrs. Van Buren wants what Mayme has speaks to the way in which affluent white people, like Mrs. Van Buren, idealize and fetishize lower class, and in this case specifically black culture. For Mrs. Van Buren, it's safe and fun to dress like a sex worker, given that she never has to grapple with what it actually entails to do that kind of work. In Mayme's case, Mrs. Van Buren Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores.

Mayme: Let me tell you, so many wonderful ideas been conjured in this room. They just get left right in that bed there, or on this piano bench. They are scattered all over this room. Esther, I ain't waiting for anybody to rescue me. My Panama man come and gone long time now. It sweet that he write you but, my dear, it ain't real.

Related Characters: Mayme (speaker), Esther, George
Related Symbols: The Crazy Quilt
Page Number and Citation: 22
Explanation and Analysis:
When Esther confides in Mayme that she's been saving money in her crazy quilt to open a beauty parlor for black ladies and mentions that George wrote her again, Mayme encourages Esther to see both of those dreams as the impossible dreams that she believes they are. For Mayme, she's spent her life dreaming about what she could do with her life beyond sex work, but her experience has taught her that those dreams are more effective as amusement to pass the time than as actual goals for the future. She sees that dwelling on how to make those dreams Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. A

Act 1, Scene 5 Quotes

Esther: DON'T! This quilt is filled with my hard work, one hundred dollars for every year I been seated at that sewing machine. It's my beauty parlor. So you see I don't need Mr. Charles for his good job and position.

Related Characters: Esther (speaker), Mrs. Dickson, Mr. Charles, George
Related Symbols: The Crazy Quilt
Page Number and Citation: 25
Explanation and Analysis:
When Mrs. Dickson delivers another letter from George and expresses her disapproval, Esther insists that she has every right to dream and follow her own path. Specifically, Mrs. Dickson reminds Esther that Mr. Charles, an eligible yet unappealing bachelor, is still available. For Esther, Mr. Charles represents settling in the worst sense of the word: choosing to marry him would, in her mind, negate the years that she spent working for herself, given that he has a steady income and would immediately catapult Esther into the societally approved world of being a married lady. At this point, Esther is leaning Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non in

Esther: But this is a new country.

Marks: But we come with our pockets stuffed, yes. We don't throw away nothing for fear we might need it later...I wear my father's suit. It is old, I know, but this simple black fabric is my most favorite. Why? Because when I wear it, it reminds me that I live every day with a relationship to my ancestors and to God.

Related Characters: Mr. Marks (speaker), Esther (speaker)
Page Number and Citation: 26
Explanation and Analysis:
As Esther and Mr. Marks discuss the ways in which Mr. Marks is choosing to follow the conventions of his Orthodox Jewish faith and upbringing, despite the promises of being in America, Mr. Marks explains that he takes great comfort in leaning into those conventions and traditions. Through this, Mr. Marks introduces Esther to a different kind of intimacy, which is the intimacy that Mr. Marks feels between himself and his religion, which also connects him to his deceased family members and fellow Jewish people. That he thinks of this intimacy as being connected to his clothing choices reinforces the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Ex

Mrs. Van Buren: By the way, I bled this morning, and when I delivered the news to Harry, he spat at me. This civilized creature of society. We all bleed, Esther. And yet I actually felt guilt, as though a young girl again apologizing for becoming a woman.

Related Characters: Mrs. Van Buren (speaker), Esther
Page Number and Citation: 27
Explanation and Analysis:
During a fitting, Mrs. Van Buren confides in Esther that when she mentioned to her husband that she started her period—and therefore isn't pregnant—he treated her with scorn. With this, Mrs. Van Buren shows how much her success as a woman is tied to whether or not she can have a baby with her husband. With a baby being up in the air at this point, Mrs. Van Buren is also not able to feel any closeness to her husband. By drawing this out, the play illustrates how, especially for a woman like Mrs. Van Buren, making it as a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia ea

Mrs. Van Buren: I should like to see one for myself. You must take me to one of your shows.

Esther: And will you take me to the opera next time you go?

Mrs. Van Buren: I would, if I could. It would be marvelously scandalous, just the sort of thing to perk up this humdrum season. It is so easy to be with you. Your visits are just about the only thing I look forward to these days. You, and our letters to George, of course. Shall we write something dazzling to him? Something delicious.

Related Characters: Esther (speaker), Mrs. Van Buren (speaker), George
Page Number and Citation: 27-28
Explanation and Analysis:
Mrs. Van Buren and Esther discuss the respective merits of opera and of "colored shows" (Esther specifically mentions having seen a young woman singing spirituals), and they discuss whether or not they could each go to the other's shows. In this exchange, the power difference between Mrs. Van Buren and Esther comes into sharp relief: while Mrs. Van Buren and women like her could've gotten away with attending all manner of shows, thanks to their skin color and their affluence, it's clearly unthinkable that Esther, a black woman, would be able to go to the opera. Further, even if Esther Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a dese

Act 1, Scene 6 Quotes

Mayme: And do you love him?

Esther: As much as you can love a man you ain't seen. I'm thirty-five, Mayme, and he wants to marry me. And there ain't gonna be no more opportunities I'm afraid. I've told him yes.

Related Characters: Mayme (speaker), Esther (speaker), George
Page Number and Citation: 30
Explanation and Analysis:
Here, Esther explains her reasoning for accepting George's marriage proposal. The way that Esther frames this shows clearly that as far as she's concerned, 35 is the end of the road for her, and if she doesn't marry now, she'll never get an opportunity. The truth of this is called into question later, when Mrs. Dickson admits that she married her husband at age 37. However, it's telling that Esther seems to truly believe that there won't be any more opportunities for her, and her belief that this is the way it's bound to be shows how trapped she is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Molli

Mrs. Dickson: Bless his broken-down soul. He had fine suits and perfect diction, and was too high on opium to notice that he was married. But I would not be a washerwoman if it killed me. And I have absolutely marvelous hands to prove it.

Related Characters: Mrs. Dickson (speaker), George, Esther
Page Number and Citation: 33
Explanation and Analysis:
While Mrs. Dickson helps Esther pack for her impending move and marriage, they discuss Mrs. Dickson's husband, her reasons for marrying, and what she got out of the deal. Mrs. Dickson makes it very clear that she married because she was taught to believe that she needed to marry a well-off man so that she could reap the financial and social benefits from having done so. Despite the fact that Mr. Dickson was addicted to opium and hardly remembered he was married, Mrs. Dickson still sees that marrying him was the smart thing to do: in addition to inheriting the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi a

Act 2, Scene 1 Quotes

George: What is it?

Esther: It's Japanese silk. Put it on. (George clumsily pulls the smoking jacket around his muscular body. He clearly isn't comfortable with the delicacy of the garment.) Careful. (George explores the jacket with his weather-worn fingers.) It ain't too small?

George: Nah. But I afraid, I soil it. (George removes the jacket and tosses it on the bed.)

Related Characters: Esther (speaker), George (speaker), Mr. Marks
Related Symbols: The Smoking Jacket
Page Number and Citation: 38
Explanation and Analysis:
When Esther gives George the beautiful smoking jacket that she made him as a wedding gift, George accepts it but is very dismissive of the fine garment. In dismissing the smoking jacket, George is also dismissing Esther in a way. Esther takes great comfort from the fine fabrics she handles and sees them as an extension of herself, especially in a situation like this when the smoking jacket is a way for her to show George how much she cares about him and their marriage. When George roughly takes of the jacket and tosses it aside, it throws into sharp Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperia

Act 2, Scene 2 Quotes

Esther: But it Sunday. I'll put on some tea, and sit, let me mend your shirt. You can't go out with a hole in your shirt. (Esther touches the hole in his shirt.) What will they say about your wife? I won't hear the end of it from Mrs. Dickson.

Related Characters: Esther (speaker), Mrs. Dickson, George
Page Number and Citation: 41
Explanation and Analysis:
A few months after their wedding, George insists on going out on a Sunday afternoon and Esther takes issue with this for a variety of reasons, including that his clothing is worn and has holes in it. When Esther mentions that she's the one who's going to be blamed for the hole in George's shirt, the play illustrates how in a marriage like this, it's considered the wife's duty to make sure her husband looks presentable. Esther is the one who's going to suffer because George doesn't care about his clothing, while the worst that will happen to George is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asp

Esther: Please, I ain't been to a social. I sat up in Saint Martin's for years, and didn't none of them church ladies bother with me until I walked in on your arm, and suddenly they want Mrs. Armstrong over for tea.

Related Characters: Esther (speaker), George
Page Number and Citation: 42
Explanation and Analysis:
In this passage, Esther makes one final attempt to convince George to attend the church social with her, noting that she's only started getting invitations to the socials since she got married. With this, Esther highlights the differences between how the wider world looks at her marriage, and how her marriage actually is to someone on the inside. As a member of the marriage, Esther isn't particularly happy: George isn't attentive, he's uninterested in church or participating in any church-adjacent activities, and he doesn't like Ether's friends, like Mrs. Dickson. All of this together suggests that their marriage isn't happy, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus co

Act 2, Scene 3 Quotes

Mrs. Van Buren: Please. We will forget this and continue to be friends.

Esther: Friends? How we friends? When I ain't never been through your front door. You love me? What of me do you love?

Mrs. Van Buren: Esther, you are the only one who's been in my boudoir in all these months. And honestly, it's only in here with you that I feel...happy. Please, I want us to be friends?

Related Characters: Esther (speaker), Mrs. Van Buren (speaker)
Page Number and Citation: 47
Explanation and Analysis:
After Mrs. Van Buren kisses Esther on the lips, she apologizes and says that they can still be friends. For Esther, this makes it very clear that she and Mrs. Van Buren aren't actually friends: while Mrs. Van Buren's reasoning for kissing Esther suggests that she kissed her for Esther's sake, Esther instead sees the kiss as just one more way that Mrs. Van Buren is taking advantage of Esther to make up for what she's missing in her marriage and in her friendships. Specifically, this is encapsulated when Esther mentions that she's never been through Mrs. Van Buren's front Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimu

Act 2, Scene 4 Quotes

Esther: How you know she ain't a good person? And he just saying what you want to hear. That his words are a smooth tonic to make you give out what ain't free. How you know his wife ain't good?

Mayme: I don't know. But do it matter?

Esther: Yeah it do. You ever think about where they go after they leave here? Who washes their britches after they been soiled in your bed?

Related Characters: Esther (speaker), Mayme (speaker), George
Related Symbols: The Smoking Jacket
Page Number and Citation: 49
Explanation and Analysis:
Once Esther figures out that the man called "Songbird" that Mayme has been seeing is George, she changes tack and encourages Mayme to think more critically about what she's doing and the women who suffer because their husbands hire her. For Mayme, this request essentially asks her to humanize a swath of society that, in order to do her job and be able to sleep at night, she can't: worrying about how wives feel about her would hinder her ability to do her job and make a living. While Esther has, for the most part, been able to ignore this, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delect

George: 'Least in Panama a man know where 'e stand. 'E know 'e chattel. That as long as 'e have a goat 'e happy. 'E know when 'e drunk, 'e drunk and there ain' no judgment if so. But then 'e drink in words of this woman. She tell 'e about the pretty avenues, she tell 'e plentiful. She fill up 'e head so it 'ave no taste for goat milk. She offer 'e the city stroke by stroke. She tantalize 'e with Yankee words. But 'e not find she. Only this woman 'ere, that say, touch me, George.

Related Characters: George (speaker), Esther
Page Number and Citation: 51
Explanation and Analysis:
Angrily, George tells Esther in this passage how he feels that she hoodwinked him and tricked him into coming to New York and marrying her. Though George doesn't directly say so here, one of the things that he touches on is the fact that while Panama is still a racist and oppressive place to live, it's racist in a different way than New York is—and for George, Panama was far more comfortable and he could live with that kind of racism, while New York presents challenges that wear on George and make life far less livable. George is also reacting Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Comm

Esther: I ain't really Mrs. Armstrong, am I? I been holding on to that, and that woman ain't real. We more strangers now than on the eve of our wedding. At least I knew who I was back then. But I ain't gonna let you hurt that woman. No! She's a good decent woman and worthy. Worthy!

Related Characters: Esther (speaker), George
Page Number and Citation: 53
Explanation and Analysis:
After Esther and George admit that neither of them wrote their letters, Esther suggests that their entire marriage has been a lie, just like the letters. It's especially telling that Esther now thinks so highly of the woman she was before she got married. Prior to her marriage, Esther didn't think highly of herself, as she was too caught up in focusing on the fact that she wasn't married and, therefore, was failing at womanhood. However, Esther now sees that marriage doesn't actually make her a better woman. While being unmarried may have made Esther lesser in the eyes of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expe

Act 2, Scene 5 Quotes

Mayme: The world changing and he wants big strong horses. He made me laugh. He promised to take me out someplace special, but I didn't have nothing nice to wear. And honestly it made me think about how long it been since I done something for myself. Gone someplace like you said, where a colored woman could go to put up her feet and get treated good for a change. And I see the dice rolling, and I think Lord, God, wouldn't a place like that be wonderful. But every time the dice roll, that place is a little further away. Until it all gone.

Related Characters: Mayme (speaker), Esther, George
Related Symbols: The Crazy Quilt
Page Number and Citation: 55
Explanation and Analysis:
Once Mayme and Esther are on the same page about George and Mayme realizes that she's been seeing him, Mayme shares her account of how George spent all the money that Esther had saved in her crazy quilt last night. Mayme's assessment of how silly it is that George wanted draft horses in a changing world suggests that George's version of success isn't something that's even attainable in the characters' world: the draft horses may look powerful and make George feel powerful, but Mayme understands that within a few years, they'll be empty and useless symbols of power. Then, when Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat.

Esther: LET HIM GO! Let him go. He ain't real, he a duppy, a spirit. We be chasing him forever.

Related Characters: Esther (speaker), George, Mayme
Page Number and Citation: 55
Explanation and Analysis:
When George knocks on the door for his appointment with Mayme, Esther shouts at Mayme to let George go. Esther has finally learned that she allowed George to run away with her heart, her trust, and her life savings—because of George, she's lost everything. Counseling Mayme to let George go, too, allows Esther to pass on to Mayme what she's learned and hopefully, save Mayme from the same fate. This, the play suggests, is one of the most important things that friends can do for each other. In this way, Esther's advice here mirrors Mayme's advice from the first act, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur
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