Mrs Dalloway

by Virginia Woolf

Mrs Dalloway: Stream of Consciousness 3 key examples

Definition of Stream of Consciousness

Stream of consciousness is a style or technique of writing that tries to capture the natural flow of a character's extended thought process, often by incorporating sensory impressions, incomplete ideas, unusual syntax... read full definition
Stream of consciousness is a style or technique of writing that tries to capture the natural flow of a character's extended thought process, often by incorporating... read full definition
Stream of consciousness is a style or technique of writing that tries to capture the natural flow of a character's... read full definition
Section 1
Explanation and Analysis—Among the Vegetables:

The narration in Mrs Dalloway flows along with the general direction and movement of the characters' thoughts, using stream of consciousness to jump from one thought to the next. This makes readers feel as if they're actually entering the characters' minds and following along as one thought leads to the next, as is the case in this passage, in which Clarissa Dalloway remembers a conversation with her old friend Peter Walsh:

[…] standing and looking until Peter Walsh said, ‘Musing among the vegetables?’ — was that it? — ‘I prefer men to cauliflowers’ — was that it? He must have said it at breakfast one morning when she had gone out on to the terrace — Peter Walsh. He would be back from India one of these days, June or July, she forgot which, for his letters were awfully dull.

Section 2
Explanation and Analysis—Unimaginable Beauty:

The stream-of-consciousness narration in Mrs Dalloway allows the narrator to remain quite flexible and dexterous. This, in turn, makes it possible to capture the wandering, somewhat manic thoughts of a traumatized and hallucinating veteran (Septimus) as he looks at an airplane writing some sort of advertisement in the sky:

So, thought Septimus, looking up, they are signalling to me. Not indeed in actual words; that is, he could not read the language yet; but it was plain enough, this beauty, this exquisite beauty, and tears filled his eyes as he looked at the smoke words languishing and melting in the sky and bestowing upon him in their inexhaustible charity and laughing goodness one shape after another of unimaginable beauty and signalling their intention to provide him, for nothing, for ever, for looking merely, with beauty, more beauty! Tears ran down his cheeks.

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Explanation and Analysis—The Sparrows:

In this example of stream of consciousness, the third-person narrator blends so completely with Septimus—who's not thinking clearly—that it's as if the passage is delivered by an unreliable narrator:

A sparrow perched on the railing opposite chirped Septimus, Septimus, four or five times over and went on, drawing its notes out, to sing freshly and piercingly in Greek words how there is no crime and, joined by another sparrow, they sang in voices prolonged and piercing in Greek words, from trees in the meadow of life beyond a river where the dead walk, how there is no death [...].

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