The Beggar’s Opera
by John Gay

Macheath Character Analysis

Macheath is the charming, respected thief whose love triangle with Polly Peachum and Lucy Lockit forms the central plot of The Beggar’s Opera. Even though others call him “Captain” Macheath, there’s no evidence that he ever belonged to the military, and despite his larger-than-life reputation, he seems to spend most of his days drinking and visiting the local “free-hearted Ladies.” Similarly, he and his gang constantly talk about honor and loyalty, though they don’t exhibit much of either. He lies constantly, sends his henchmen off to steal alone, and loses all of his money gambling. Nevertheless, despite his countless hypocrisies, Polly, Lucy, and many other women fall madly in love with him, and Peachum recognizes him as a skilled and profitable thief. Over the course of The Beggar’s Opera, he gets arrested twice, makes three great escapes (one at the end of each act), and successfully convinces both Polly and Lucy that they are his only true beloved. At the end of the play, he is supposed to be executed, but the Player convinces the Beggar to rewrite the play’s ending and let him live. Throughout the play, he also serves as a character foil for his pursuer, Peachum: Macheath is spontaneous and overconfident, while Peachum is calculating and shrewd, and Macheath gets punished for the same kinds of improprieties that earn Peachum a hefty profit. He is largely based on stories about figures like Jack Sheppard (an English criminal and prison escape artist) and Claude Duval (a French highwayman), which John Gay’s 18th-century audiences would have known quite well.

Macheath Quotes in The Beggar’s Opera

The The Beggar’s Opera quotes below are all either spoken by Macheath or refer to Macheath. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Moral Corruption and Hypocrisy Theme Icon
).

Act 1, Scene 4 Quotes

You would not be so mad to have the Wench marry him! Gamesters and Highwaymen are generally very good to their Whores, but they are very Devils to their Wives.

Related Characters: Peachum (speaker), Mrs. Peachum, Macheath, Polly Peachum
Page Number and Citation: 9
Explanation and Analysis:
When Mrs. Peachum tells Peachum that their daughter Polly is planning to marry the highway robber Macheath, this is Peachum’s initial reaction. Like so many of this play’s apparent lessons about morality, Peachum’s line is comical because it is totally upside down. Whereas 18th-century society would have generally encouraged women to get married for the sake of family and financial stability, Peachum wants Polly to avoid marriage at all costs. He has a good reason, though: he thinks that, as soon as she gets married, her husband will start taking her for granted and focusing his attention on other women. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur e

I would indulge the Girl as far as prudently we can. In any thing, but Marriage! After that, my Dear, how shall we be safe? Are we not then in her Husband’s Power? For a Husband hath the absolute Power over all a Wife’s Secrets but her own. If the Girl had the Discretion of a Court Lady, who can have a dozen young Fellows at her Ear without complying with one, I should not matter it; but Polly is Tinder, and a Spark will at once set her on a Flame. Married! If the Wench does not know her own Profit, sure she knows her own Pleasure better than to make herself a Property! My Daughter to me should be, like a Court Lady to a Minister of State, a Key to the whole Gang. Married! If the Affair is not already done, I’ll terrify her from it.

Related Characters: Peachum (speaker), Polly Peachum, Macheath, Mrs. Peachum
Page Number and Citation: 10
Explanation and Analysis:
Peachum explains his opposition to Polly’s marriage in a bit more detail. He says that there’s no harm in her meeting different men, or even sleeping around with them—but marriage is a bridge too far. He even highlights his point with another clever political reference that his audiences would have loved: the “Minister of State” (Robert Walpole) manipulated many noblewomen in order to get his way in Parliament. What he means is that Polly should remain under his control instead of passing into Macheath’s. To fully grasp Peachum’s point, audiences must understand how marriage worked in the 1700s. In England Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus

Act 1, Scene 5 Quotes

Why must our Polly, forsooth, differ from her Sex, and love only her Husband? And why must Polly’s Marriage, contrary to all Observation, make her the less followed by other Men? All Men are Thieves in Love, and like a Woman the better for being another’s Property.

Related Characters: Mrs. Peachum (speaker), Polly Peachum, Macheath, Peachum
Page Number and Citation: 11
Explanation and Analysis:
After discussing the rumors of Polly’s marriage to Macheath with her husband, Mrs. Peachum explains her own opinion on the matter in a brief monologue. Her view is progressive, even by modern standards: she thinks that women should have the same rights and privileges as men. But instead of using this principle as a basis to argue that men should be loyal to their wives and treat them as equals, she instead uses it to argue that society should accept women who cheat on their husbands, just like it does men who cheat on their wives. In other words, marriage Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Te

Act 1, Scene 8 Quotes

POLLY. I did not marry him (as ’tis the Fashion) cooly and deliberately for Honour or Money. But, I love him.
MRS PEACHUM. Love him! worse and worse! I thought the Girl had been better bred. Oh Husband, Husband! her Folly makes me mad! my Head swims! I’m distracted! I can’t support myself—Oh!
[Faints.]

Related Characters: Polly Peachum (speaker), Mrs. Peachum (speaker), Peachum, Macheath
Page Number and Citation: 15
Explanation and Analysis:
Peachum and Mrs. Peachum are horrified to learn that Polly didn’t even marry Macheath for the right reasons—which, for them, means money. Instead, Polly insists that she got married for true love. The idea is so scandalous to Mrs. Peachum that she faints in distress. Once again, Gay turns conventional morality upside down for comic effect: the Peachums are just as dedicated to the principle of using other people for profit as ordinary people are to the storybook ideals of chivalry, monogamy, and romance. In fact, the Peachums don’t believe in love at all: they see it as a dangerous Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi ne

Act 1, Scene 9 Quotes

Money, Wife, is the true Fuller’s Earth for Reputations, there is not a Spot or a Stain but what it can take out. A rich Rogue now-a-days is fit Company for any Gentleman; and the World, my Dear, hath not such a Contempt for Roguery as you imagine.

Related Characters: Peachum (speaker), Mrs. Peachum, Polly Peachum, Macheath
Page Number and Citation: 17
Explanation and Analysis:
Peachum hatches a nefarious plan to turn Polly’s impulsive marriage to Macheath to his own benefit. Namely, if Peachum can turn in Macheath to the law and get him executed, then Polly (and therefore the Peachums) will get to keep everything he owns. Here, just before explaining his plan to Mrs. Peachum, Peachum briefly praises the power and beauty his favorite thing in the whole world: money. Like “Fuller’s Earth,” a clay that takes stains out of fabric, money clears the moral stains of the people who possess it. In the early 1700s, Peachum suggests, as Englishmen are making new Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possim

Act 1, Scene 10 Quotes

POLLY. What, murder the Man I love! The Blood runs cold at my Heart with the very Thought of it.
PEACHUM. Fye, Polly! What hath Murder to do in the Affair? Since the thing sooner or later must happen, I dare say, the Captain himself would like that we should get the Reward for his Death sooner than a Stranger. Why, Polly, the Captain knows, that as ’tis his Employment to rob, so ’tis ours to take Robbers; every Man in his Business. So that there is no Malice in the Case.

Related Characters: Peachum (speaker), Polly Peachum (speaker), Macheath
Page Number and Citation: 19
Explanation and Analysis:
When Peachum tells Polly about his plan to turn Macheath in to the authorities, she is understandably horrified. Her father is asking her to help him kill her husband, just for money. Worse still, he acts as though it’s obviously the right decision, and he has the gall to claim that “there is no Malice” involved in it at all. He even comes up with an elaborate rationalization for the plot: someone will turn in Macheath eventually for the reward, he says, so it might as well be them. For all intents and purposes, he is claiming that murder is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicab

Act 1, Scene 13 Quotes

[Parting, and looking back at each other with fondness; he at one Door, she at the other.]

MACHEATH. The Miser thus a Shilling sees,
Which he’s oblig’d to pay,
With Sighs resigns it by degrees,
And fears ’tis gone for aye.

POLLY. The Boy, thus, when his Sparrow’s flown,
The Bird in Silence eyes;
But soon as out of Sight ’tis gone,
Whines, whimpers, sobs and cries.

Related Characters: Polly Peachum (speaker), Macheath (speaker)
Page Number and Citation: 24
Explanation and Analysis:
At the end of Act I, Polly and Macheath sing a duet (Air 18) about their love and their agony at having to part. Polly has told Macheath about her father’s plan to kill him and helped him escape from her bedroom, where he was hiding. But now, she worries that she may never see him again, and she laments that the only way to truly stay with him in the future is by separating from him now. Macheath at least claims to feel the same way. Of course, the audience doesn’t yet know that he’s a cheat, liar, and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit

Act 2, Scene 3 Quotes

What a Fool is a fond Wench! Polly is most confoundedly bit.—I love the Sex. And a Man who loves Money, might as well be contented with one Guinea, as I with one Woman. The Town perhaps hath been as much oblig’d to me, for recruiting it with free-hearted Ladies, as to any Recruiting Officer in the Army. If it were not for us and the other Gentlemen of the Sword, Drury Lane would be uninhabited.

Related Characters: Macheath (speaker), Polly Peachum
Page Number and Citation: 28
Explanation and Analysis:
After he escapes from the Peachums’ house at the end of Act I, Macheath heads straight for his usual tavern, where he catches up with his robber buddies and then meets a group of his favorite “free-hearted Ladies.” Before they arrive, he gives this speech mocking Polly’s desperate love for him and making it clear that he has no intention of being a faithful husband. In fact, he ends up sounding just like Peachum: he declares that she’s a fool for taking love seriously and believing that he would even consider monogamy. In reality, he spends his time “recruiting [the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitati

Act 2, Scene 4 Quotes

Before the Barn-door crowing,
The Cock by Hens attended,
His Eyes around him throwing,
Stands for a while suspended.
Then One he singles from the Crew,
And cheers the happy Hen;
With how do you do, and how do you do,
And how do you do again.

Related Characters: Jenny Diver (speaker), Dolly Trull, Macheath, Betty Doxy, Suky Tawdry, Mrs. Coaxer, Mrs. Vixen, Mrs. Slammekin, Molly Brazen
Page Number and Citation: 32
Explanation and Analysis:
Eight sultry “free-hearted Ladies” (sex workers) meet Macheath in the tavern during Act II. This scene, in which Macheath is surrounded by women and honest about his desire for nothing more than sex, contrasts starkly with his scene with Polly in the first act, when he pretended to love her just so that he could evade Peachum. Macheath asks one of the women, Jenny Diver, why she isn’t as warm to him as usual today. She responds by singing this racy aria (Air 23) about a cock picking one “happy Hen” from a flock. This is clearly a metaphor for Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint

Act 2, Scene 5 Quotes

Your Case, Mr Macheath, is not particular. The greatest Heroes have been ruin’d by Women. But, to do them justice, I must own they are a pretty sort of Creatures, if we could trust them.

Related Characters: Peachum (speaker), Jenny Diver, Macheath, Suky Tawdry
Page Number and Citation: 33
Explanation and Analysis:
Peachum captures Macheath with help from Jenny Diver and Suky Tawdry, then tells him this. Macheath’s great error was to trust the women who ended up informing on him. In reality, Peachum insists, women are no more trustworthy than men—but their special power is their ability to disarm men by pretending to be innocent, harmless, and stupid. By comparing Macheath to “the greatest Heroes,” of course, Peachum mocks the way that everyone else (Polly included) talks about him. In this speech, Peachum also points out the key difference between himself and Macheath. While they are both corrupt, immoral liars, Macheath Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam o

Act 2, Scene 7 Quotes

The Fees here are so many, and so exorbitant, that few Fortunes can bear the Expence of getting off handsomly, or of dying like a Gentleman.

Related Characters: Macheath (speaker), Lockit
Page Number and Citation: 35
Explanation and Analysis:
When Macheath arrives at Newgate Prison, the jailor (Lockit) immediately welcomes him back yet again and demands a bribe (or “Garnish”) from him. The amount of this bribe will determine which kind of shackles he gets. At first, Lockit gives Macheath the heaviest, most uncomfortable ones imaginable, but after he pays a hefty fee, Lockit switches them out for a pair that “sit as easy as a Glove.” Just before getting the new shackles, Macheath makes this complaint about how the prison is run: it’s so expensive to get dignified treatment that criminals like him will have to spend all Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore

Act 2, Scene 8 Quotes

But I promis’d the Wench Marriage.—What signifies a Promise to a Woman? Does not Man in Marriage itself promise a hundred things that he never means to perform? Do all we can, Women will believe us; for they look upon a Promise as an Excuse for following their own Inclinations.

Related Characters: Macheath (speaker), Polly Peachum, Lucy Lockit
Page Number and Citation: 36
Explanation and Analysis:
After his imprisonment, Macheath sits alone in his cell and contemplates what went wrong. (Of course, he’s not worried about whether he did something immoral—just how he managed to get caught for it.) He starts to complain about women and marriage. The problem, he concludes, is that women actually believe him when he promises to marry them. His argument is ridiculous and convoluted: he argues that women should know better than to trust men’s promises, but they should also do what men want them to (rather than “following their own Inclinations”). His worldview is as unsophisticated as a toddler’s: whatever Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et

Act 2, Scene 9 Quotes

How cruel are the Traytors,
Who lye and swear in jest,
To cheat unguarded Creatures
Of Virtue, Fame, and Rest!
Whoever steals a Shilling,
Through Shame the Guilt conceals:
In Love the perjur’d Villain
With Boasts the Theft reveals.

Related Characters: Lucy Lockit (speaker), Macheath, Polly Peachum
Page Number and Citation: 37
Explanation and Analysis:
After Macheath gets locked up in Newgate Prison, Lucy Lockit dramatically approaches him, accuses him of ruining her life, and sings multiple songs about his nefariousness (including this one, Air 28). In fact, this is the first time in the whole opera that anyone confronts him about his crimes at all. Lucy is pregnant with his child, but when he found out, he disappeared. He was supposed to marry Lucy, but now everyone knows about his marriage to Polly—Lucy included. Since he’s locked in jail, it seems that he can’t hide behind lies anymore (although, remarkably, he eventually finds a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam con

Act 2, Scene 13 Quotes

Where is my dear Husband?—Was a Rope ever intended for this Neck!—O let me throw my Arms about it, and throttle thee with Love!—Why dost thou turn away from me?—’Tis thy Polly—’Tis thy Wife.

Related Characters: Polly Peachum (speaker), Lucy Lockit, Macheath
Page Number and Citation: 42
Explanation and Analysis:
Polly Peachum arrives at Newgate Prison, distraught that her “dear Husband” Macheath has been captured once again. Of course, she doesn’t know how he was captured—her father caught him consorting with sex workers—or that he has spent much of the day arguing with Lucy Lockit, who is pregnant with his child (and whom he also promised to marry). Thus, this scene is another classic example of how John Gay uses dramatic irony for comic effect: Polly only feels sincere distress over losing her husband because she doesn’t understand the grim reality of what’s actually happening. The audience knows that Macheath Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque o

Be pacified, my dear Lucy—This is all a Fetch of Polly’s, to make me desperate with you in case I get off. If I am hang’d, she would fain have the Credit of being thought my Widow—Really, Polly, this is no time for a Dispute of this sort; for whenever you are talking of Marriage, I am thinking of Hanging.

Related Characters: Macheath (speaker), Polly Peachum, Lucy Lockit
Page Number and Citation: 44
Explanation and Analysis:
Polly and Lucy both approach Macheath in prison, claiming to be his one true wife and demanding that he agree with them. But he realizes that only one of them can really help him: Lucy. (Her father is the jailor, so she can get the keys to Macheath’s cell—in fact, she has probably helped him escape before.) So he decides to take Lucy’s side and accuse Polly of making everything up. It eventually works: Lucy agrees to let him go, and Polly leaves heartbroken. Here, Macheath explains the situation to Lucy by making the exact same point that Lockit and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Po

Act 2, Scene 15 Quotes

MACHEATH. I am naturally compassionate, Wife; so that I could not use the Wench as she deserv’d; which made you at first suspect there was something in what she said.

LUCY. Indeed, my Dear, I was strangely puzzled.

MACHEATH. If that had been the Case, her Father would never have brought me into this Circumstance—No, Lucy,—I had rather dye than be false to thee.

LUCY. How happy am I, if you say this from your Heart! For I love thee so, that I could sooner bear to see thee hang’d than in the Arms of another.

Related Characters: Macheath (speaker), Lucy Lockit (speaker), Polly Peachum
Page Number and Citation: 46-47
Explanation and Analysis:
After Peachum drags Polly home from Newgate Prison, Macheath tells Lucy that Polly was making up the whole story about being married to him. But he offers a heartwarming explanation for why he wasn’t crueler to Polly: he is such a humane and compassionate man that he could not bear to watch a young woman suffer. And he is so perfectly honest that he could never bear to lie to Lucy. Needless to say, this is all absolute nonsense. Everything Polly said was true, and Macheath is only accusing her of lying so that he can manipulate Lucy into helping Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa.

Act 3, Scene 1 Quotes

When young at the Bar you first taught me to score,
And bid me be free of my Lips, and no more;
I was kiss’d by the Parson, the Squire, and the Sot.
When the Guest was departed, the Kiss was forgot.
But his Kiss was so sweet, and so closely he prest,
That I languish’d and pin’d ’till I granted the rest.

Related Characters: Lucy Lockit (speaker), Lockit, Macheath
Page Number and Citation: 49
Explanation and Analysis:
At the beginning of Act III, Lockit confronts Lucy about why she helped Macheath escape. (He’s not angry that she did it—only that she didn’t make him pay a bribe.) Lucy explains that she’s in love with Macheath, but Lockit angrily replies that Lucy should have learned that love is an illusion from her time working as a barmaid. She responds with this aria (Air 41), in which she muses that it was just the opposite. The men she met in the bar were dull and forgettable; they just wanted to enjoy themselves, but they weren’t truly interested in her. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tene

Love, Sir, is a Misfortune that may happen to the most discreet Woman, and in Love we are all Fools alike.—Notwithstanding all he swore, I am now fully convinc’d that Polly Peachum is actually his Wife.—Did I let him escape, (Fool that I was!) to go to her?—Polly will wheedle herself into his Money, and then Peachum will hang him, and cheat us both.

Related Characters: Lucy Lockit (speaker), Macheath, Lockit, Polly Peachum
Page Number and Citation: 49
Explanation and Analysis:
As she thinks through her actions, Lucy realizes that Macheath probably was manipulating her into helping him escape. She accepts that he isn’t actually going to marry her, which means that all his escape has accomplished is to deprive her and her father of the bounty payment they were expecting. But then, Lucy takes her speculation a bit too far by deciding that Polly must be Macheath’s real wife. Of course, this makes a certain kind of sense: Polly and Macheath could have acted out their whole fight in order to make Macheath’s lies more believable and convince Lucy to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eli

Act 3, Scene 4 Quotes

We, Gentlemen, have still Honour enough to break through the Corruptions of the World.—And while I can serve you, you may command me.

Related Characters: Macheath (speaker), Matt of the Mint, Ben Budge
Page Number and Citation: 52
Explanation and Analysis:
After his second major escape, Macheath meets two members of his gang (Ben Budge and Matt of the Mint) in a gambling-house. Just like in the second act, they have a high-minded conversation about principles and honor. Macheath even sings a song about how hard it is to find true friends who care about more than money (Air 44). And then he says this utterly absurd line, which may be the purest example of how John Gay uses dramatic and situational irony to create humor. Needless to say, Macheath and his gang are not honorable people; they do not “break Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem

Act 3, Scene 7 Quotes

I’m like a Skiff on the Ocean tost,
Now high, now low, with each Billow born,
With her Rudder broke, and her Anchor lost,
Deserted and all forlorn.
While thus I lye rolling and tossing all Night,
That Polly lyes sporting on Seas of Delight!
Revenge, Revenge, Revenge,
Shall appease my restless Sprite.

Related Characters: Lucy Lockit (speaker), Macheath, Polly Peachum
Page Number and Citation: 58
Explanation and Analysis:
In this song, Air 47, Lucy Lockit announces that she wants to take revenge on Polly Peachum. She compares herself to an abandoned boat in a stormy ocean, while speculating that Polly is “sporting on Seas of Delight”—presumably because she is either with Macheath or enjoying the bounty she will earn when her father turns him in. Just after finishing this song, Lucy reveals that she is planning to murder Polly and doesn’t even mind if she faces the death punishment for it. (Surely, she won’t, since her father is the corrupt jailor.) This passage shows how Gay’s play truly Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corr

Act 3, Scene 8 Quotes

Among the Men, Coquets we find,
Who Court by turns all Woman-kind;
And we grant all their Hearts desir’d,
When they are flatter’d, and admir’d.
The Coquets of both Sexes are Self-lovers, and that is a Love no other whatever can dispossess. I fear, my dear Lucy, our Husband is one of those.

Related Characters: Polly Peachum (speaker), Macheath, Lucy Lockit
Page Number and Citation: 60
Explanation and Analysis:
When Polly and Lucy meet at Newgate, even though Lucy is secretly trying to murder Polly, their conversation is unusually civil. They actually agree that Macheath has manipulated them both and appear to understand each other’s perspectives. Then, Polly sings this song, Air 50, explaining why she thinks Macheath was the real problem. Her insight is surprising—for the whole play so far, she has been hopelessly in love with Macheath, and she hasn’t questioned his character, even though every conceivable sign pointed to him being a liar and manipulator. Now, Polly finally sees the bigger picture. As she explains here, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta i

Act 3, Scene 11 Quotes

POLLY. Hither, dear Husband, turn your Eyes.

LUCY. Bestow one Glance to cheer me.

POLLY. Think with that Look, thy Polly dyes.

LUCY. O shun me not—but hear me.

POLLY. ’Tis Polly sues.

LUCY. –––––––––––’Tis Lucy speaks.

POLLY. Is thus true Love requited?

LUCY. My Heart is bursting.

POLLY. ––––––––––––––––––Mine too breaks.

LUCY. Must I

POLLY. –––––––Must I be slighted?

Related Characters: Polly Peachum (speaker), Lucy Lockit (speaker), Macheath
Page Number and Citation: 62
Explanation and Analysis:
When Macheath returns to prison, Lucy and Polly fight for his attention, but he does his best to ignore them both. So they sing this dramatic duet, Air 52, proclaiming their love and asking whether he feels the same. This may seem confusing and contradictory: just a few scenes ago, Lucy and Polly agreed that Macheath does not truly love them. But while they have finally realized that he is a womanizing liar, they both still hope that he is still in love with them. In this song, their voices practically intermingle, as they complain in unison against Macheath’s willingness Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident

LOCKIT. Macheath’s time is come, Lucy.—We know our own Affairs, therefore let us have no more Whimpering or Whining.

[…]

PEACHUM. Set your Heart at rest, Polly.—Your Husband is to dye to-day.—Therefore, if you are not already provided, ’tis high time to look about for another.

Related Characters: Peachum (speaker), Lockit (speaker), Polly Peachum, Macheath, Lucy Lockit
Page Number and Citation: 63-64
Explanation and Analysis:
Lucy and Polly both beg their fathers to spare Macheath. Peachum could find new evidence to overturn Macheath’s conviction, and Lockit could set him free, but they both refuse. The audience may be relieved, because Macheath’s death will finally put an end to his misdeeds, but Lucy and Polly are devastated. Indeed, even if Lockit and Peachum have made the right decision, they have made it for the wrong reasons: they want their £40 reward from the government once Macheath is executed. This underlines how cruel and self-interested they both are—they put their own profits above their daughters’ hearts. In Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaq

Act 3, Scene 13 Quotes

The Condemn’d Hold.
MACHEATH, in a melancholy Posture.

AIR 58. Happy Groves.
O cruel, cruel, cruel Case!
Must I suffer this Disgrace?

AIR 59. Of all the Girls that are so smart.
Of all the Friends in time of Grief,
When threatning Death looks grimmer,
Not one so sure can bring Relief,
As this best Friend, a Brimmer.

Related Characters: Macheath (speaker)
Page Number and Citation: 65
Explanation and Analysis:
Macheath languishes on death row, singing as he awaits his execution. Contrary to the image of courage, honor, and strength that he projects to the world, he actually faces death with desperation and cowardice. He gets comfort not from his fellow thieves or any loved ones, but rather from his “best Friend, a Brimmer” (a drink that is full up to the brim). And he doesn’t repent for his crimes or lies—he just drinks and complains about his woes. In fact, Macheath doesn’t seem interested in accountability at all: he leaves behind a trail of chaos and destruction everywhere he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. A

Act 3, Scene 15 Quotes

POLLY. How can I support this Sight!
LUCY. There is nothing moves one so much as a great Man in Distress.

AIR 68. All you that must take a Leap, &c.

LUCY. Would I might be hang’d!

POLLY. –––––––––––––––––––And I would so too!

LUCY. To be hang’d with you.

POLLY. –––––––––––––––––My Dear, with you.

MACHEATH. O Leave me to Thought! I fear! I doubt!
I tremble! I droop!—See, my Courage is out.
[Turns up the empty Bottle.]

POLLY. No token of Love?

MACHEATH. ––––––––––––––See, my Courage is out.

[Turns up the empty Pot.]

LUCY. No token of Love?

POLLY. ––––––––––––––Adieu.

LUCY. –––––––––––––––––––Farewell.

Related Characters: Macheath (speaker)
Page Number and Citation: 67-68
Explanation and Analysis:
Lucy and Polly visit Macheath while he is on death row (“the condemn’d hold”) and lament his sorry state. Arguably, this scene is the climax of the whole play, because the Beggar and Player intervene shortly after it and change the entire pace of the play’s final act. Perplexingly, even though they have figured out Macheath’s pattern of seduction, manipulation, and lies, Lucy and Polly still call him a “great Man” and declare their love for him. Absurdly, in this Air 68, they sing that they even wish they could die with him. But he barely gives them the time Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum es

[Enter Women and Children.]
What—four Wives more!—This is too much.—Here—tell the Sheriffs Officers I am ready.
[Exit MACHEATH guarded.]

Related Characters: Macheath (speaker)
Page Number and Citation: 68
Explanation and Analysis:
Just before Macheath goes to his execution, the jail guards announce that he has several more surprise visitors: four more women who call themselves his wives, plus their four children—all of whom belong to him. Of course, these women are visiting for some unspoken combination of reasons: to say goodbye, to proclaim their love, to ask Macheath to recognize their children, and to make their own claims on his estate. Frustrated, Macheath decides that he would rather just die than have to face them—which goes to show how deeply he cares about the women he gets involved with. Besides emphasizing Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officii

Act 3, Scene 16 Quotes

PLAYER. But, honest Friend, I hope you don’t intend that Macheath shall be really executed.

BEGGAR. Most certainly, Sir.—To make the Piece perfect, I was for doing strict poetical Justice.—Macheath is to be hang’d; and for the other Personages of the Drama, the Audience must have suppos’d they were all either hang’d or transported.

PLAYER. Why then, Friend, this is a down-right deep Tragedy. The Catastrophe is manifestly wrong, for an Opera must end happily.

BEGGAR. Your Objection, Sir, is very just; and is easily remov’d. For you must allow, that in this kind of Drama, ’tis no matter how absurdly things are brought about.—So—you Rabble there—run and cry a Reprieve—let the Prisoner be brought back to his Wives in Triumph.

PLAYER. All this we must do, to comply with the Taste of the Town.

Related Characters: The Beggar (speaker), The Player (speaker), Macheath
Page Number and Citation: 68-69
Explanation and Analysis:
Just before Macheath is to be executed at the end of The Beggar’s Opera, the two characters from the work’s meta-theatrical introduction—the Beggar and the Player—rush onstage to stop it. The Player insists that “an Opera must end happily,” and the Beggar gladly obliges by changing the final scene, so that Macheath lives and goes free instead of facing execution. As a result, the Beggar’s “strict poetical Justice” falls apart, and Macheath manages to escape certain death once again, just as he did at the end of Act I and Act II. This exchange raises the question of what it Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque place

BEGGAR. Through the whole Piece you may observe such a similitude of Manners in high and low Life, that it is difficult to determine whether (in the fashionable Vices) the fine Gentlemen imitate the Gentlemen of the Road, or the Gentlemen of the Road the fine Gentlemen.—Had the Play remain’d, as I at first intended, it would have carried a most excellent Moral. ’Twould have shown that the lower Sort of People have their Vices in a degree as well as the Rich: And that they are punish’d for them.

Related Characters: The Beggar (speaker), Peachum, Macheath
Related Literary Devices:
Page Number and Citation: 69
Explanation and Analysis:
At the end of his conversation with the Player, the Beggar directly tells the audience what his work’s primary moral was supposed to be: society is unjust because, even though the rich and the poor are equally corrupt, the rich get away with their crimes, while the poor get punished for theirs. Naturally, the audience would have understood this as yet another criticism of England’s political and economic system. In fact, the Beggar’s talk about the “similitude of Manners in high and low Life” confirms that audiences are right to interpret other elements of the play as metaphors for the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissim

Act 3, Scene 17 Quotes

MACHEATH. Thus I stand like the Turk, with his Doxies around;
From all Sides their Glances his Passion confound;
For black, brown, and fair, his Inconstancy burns,
And the different Beauties subdue him by turns:
Each calls forth her Charms, to provoke his Desires:
Though willing to all; with but one he retires.
But think of this Maxim, and put off your Sorrow,
The Wretch of To-day, may be happy To-morrow.

Related Characters: Macheath (speaker), Polly Peachum
Related Literary Devices:
Page Number and Citation: 70
Explanation and Analysis:
The Beggar’s Opera ends with Macheath going free and leading the whole cast in an unexpectedly jovial song and dance number. His song satirically celebrates his infidelity and makes it clear that he’ll never change: he loves being surrounded by “Doxies” (mistresses or sex workers), and he admits that “his Inconstancy burns” (meaning that he will not stay with any of them). He will take turns with “the different Beauties” and “retire” (go to bed) with one at a time, but the basic pattern will never break: he will never stay faithful, and none of them will ever be happy Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. D
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Macheath Character Timeline in The Beggar’s Opera

The timeline below shows where the character Macheath appears in The Beggar’s Opera. The colored dots and icons indicate which themes are associated with that appearance.
Act 1, Scene 4
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Peachum asks Mrs. Peachum if Captain Macheath has stopped by to pick up his stolen checks. She says yes—the bank cancelled the... (full context)
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Class, Capitalism, and Inequality Theme Icon
Mrs. Peachum says that she feels sorry for Polly, who is in love with Macheath. But Peachum says that they shouldn’t marry: gamblers and thieves may be “very good to”... (full context)
Act 1, Scene 6
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Mrs. Peachum asks Filch if he knows anything about Macheath and Polly. Filch says that he’s promised Polly not to reveal anything. Peachum and Polly... (full context)
Act 1, Scene 7
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
As they arrive home, Polly tells Peachum that she will be a good wife to Macheath: she will give him “some trifling Liberties” in exchange for gifts. She sings that a... (full context)
Act 1, Scene 8
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Class, Capitalism, and Inequality Theme Icon
...and Polly. She sings that Polly is stupid and ungrateful for “fling[ing] herself away” to Macheath (Air 7). She reveals that Polly has already married Macheath. Furious, Peachum says Macheath is... (full context)
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Class, Capitalism, and Inequality Theme Icon
Opera, High Art, and Performance Theme Icon
Peachum pinches Polly and asks if she is really Macheath’s “bound Wife,” or just planning to live with him. Mrs. Peachum cries that Polly has... (full context)
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Class, Capitalism, and Inequality Theme Icon
Opera, High Art, and Performance Theme Icon
...with men, because “by keeping Men off, you keep them on.” Polly sings back that Macheath “teaz’d” and “pleas’d” her, and that her mother must have done the same thing (Air... (full context)
Act 1, Scene 9
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Class, Capitalism, and Inequality Theme Icon
In private, Peachum tells Mrs. Peachum that, even though Polly’s decision was “rash,” Macheath has money, which cures all ills. But Mrs. Peachum doesn’t think they can get Macheath’s... (full context)
Act 1, Scene 10
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Class, Capitalism, and Inequality Theme Icon
...last night. Mrs. Peachum asks what Polly will do now that she’s married. Polly says Macheath will support her, but her mother disagrees. Peachum proposes making Macheath’s possessions common marital property,... (full context)
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Opera, High Art, and Performance Theme Icon
Polly is outraged: she refuses to murder her husband. But Peachum says it’s not murder: Macheath is a thief, so he’ll eventually die at the gallows no matter what. Mrs. Peachum... (full context)
Act 1, Scene 11
Moral Corruption and Hypocrisy Theme Icon
Class, Capitalism, and Inequality Theme Icon
In private, Mrs. Peachum tells Peachum that they have to turn Macheath in, even if Polly doesn’t agree. Peachum complains that he doesn’t want to kill such... (full context)
Act 1, Scene 12
Gender, Love, and Marriage Theme Icon
Opera, High Art, and Performance Theme Icon
Alone and distraught, Polly laments her fate. She imagines Macheath going to the gallows as everyone weeps for him. But she realizes that she can... (full context)
Act 1, Scene 13
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Opera, High Art, and Performance Theme Icon
Polly and Macheath sing together: Macheath asks if Polly was with anyone else while he was away, and... (full context)
Gender, Love, and Marriage Theme Icon
Opera, High Art, and Performance Theme Icon
But Polly tells Macheath that they have to separate, because her parents are planning to turn him in. She... (full context)
Act 2, Scene 2
Moral Corruption and Hypocrisy Theme Icon
Class, Capitalism, and Inequality Theme Icon
Macheath reaches the tavern and greets the other men. Matt of the Mint invites him to... (full context)
Act 2, Scene 3
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Alone, Macheath muses that Polly is a fool for falling blindly in love with him. Perhaps he’s... (full context)
Act 2, Scene 4
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
...Molly Brazen, Dolly Trull, Betty Doxy, Suky Tawdry, Mrs. Coaxer, Mrs. Vixen, and Mrs. Slammekin. Macheath provocatively greets and compliments each one. They dance while Macheath sings that they should enjoy... (full context)
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Opera, High Art, and Performance Theme Icon
Jenny Diver asks if Macheath has money, but he says he lost it gambling. Jenny sings about how lawyers and... (full context)
Act 2, Scene 5
Moral Corruption and Hypocrisy Theme Icon
Gender, Love, and Marriage Theme Icon
Peachum and the police arrest Macheath, who curses the women for entrapping him. Peachum proudly declares that “the greatest Heroes have... (full context)
Act 2, Scene 6
Moral Corruption and Hypocrisy Theme Icon
The women discuss Macheath’s arrest. Even though Jenny Diver and Suky Tawdry struck the deal with Peachum to turn... (full context)
Act 2, Scene 7
Moral Corruption and Hypocrisy Theme Icon
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The jailor Lockit welcomes the “Noble Captain” Macheath back to the Newgate prison after a year and a half and asks for “Garnish”... (full context)
Act 2, Scene 8
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Alone in prison, Macheath sings that men can escape violence and disease unscathed, but “He that tastes Woman, Ruin... (full context)
Act 2, Scene 9
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Lucy Lockit calls Macheath a “perfidious Wretch.” She is pregnant with his child—he has ruined her life, and she... (full context)
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Macheath proposes that he and Lucy marry as soon as possible, but Lucy calls him an... (full context)
Act 2, Scene 10
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Peachum and Lockit agree to split the bounty for capturing Macheath. As they go through last year’s account book, Peachum complains that the government isn’t paying... (full context)
Act 2, Scene 11
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Lucy approaches Lockit in tears and admits that she still loves Macheath. Lockit declares that Macheath can’t be saved from execution—and that Lucy should be grateful, since... (full context)
Act 2, Scene 12
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Lucy comes to tell Macheath that Lockit won’t budge about the execution. Macheath asks if he could get out by... (full context)
Act 2, Scene 13
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Polly arrives at Newgate in search of her “dear Husband” Macheath. She proclaims her love for him, declares that his imprisonment is devastating her, and promises... (full context)
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Macheath mutters that he “must disown” Polly, then insults her for being “distracted.” Lucy calls Macheath... (full context)
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Macheath accuses Polly of making everything up in an attempt to turn Lucy against him and... (full context)
Act 2, Scene 14
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...to be hanged for dishonoring the family. Polly begs Peachum to let her stay with Macheath. Peachum responds that women are doubly foolish: they get involved with unscrupulous men, then make... (full context)
Act 2, Scene 15
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Macheath and Lucy continue their conversation after Peachum and Polly leave Newgate. Macheath tells Lucy that... (full context)
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Macheath asks Lucy to help him escape. She notes that her father is sleeping, so she... (full context)
Act 3, Scene 1
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Macheath has just escaped from Newgate, and Lockit accuses Lucy of helping him. Lucy blames Peachum... (full context)
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Lucy admits that she helped Macheath escape. He sweet-talked her into doing it because he knew that she loved him. Lockit... (full context)
Act 3, Scene 2
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Now alone, Lockit plans his revenge on Peachum (whom he thinks helped Macheath escape). He comments that this is only fair, because everyone cheats their friends and neighbors,... (full context)
Act 3, Scene 4
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Macheath meets Ben Budge and Matt of the Mint at a gambling den. He gives them... (full context)
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Macheath explains that their plan for the evening is to rob the gamblers on their way... (full context)
Act 3, Scene 5
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Lockit tells Peachum that both of their daughters are fickle fools, but they can recapture Macheath if Peachum just keeps Polly under control. He sings that men are like stupid birds... (full context)
Act 3, Scene 6
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...Coaxer, and Mrs. Trapes explains that she left Mrs. Coaxer with a special client: Captain Macheath. Peachum promises that, if he can meet Macheath today, he will give Mrs. Trapes all... (full context)
Act 3, Scene 8
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...but Polly again says no. She argues that Lucy should pity her for the way Macheath treated her. But Lucy views herself as Macheath’s “unhappy Wife” and Polly as just his... (full context)
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Polly and Lucy agree that they have “have [both] been too fond” of Macheath. They sing about how men prefer chasing unavailable women to loving the women who are... (full context)
Act 3, Scene 10
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...a woman and warns that she will be offended if Polly refuses. Then, Polly sees Macheath in the distance: he has been arrested again and is returning to Newgate. She drops... (full context)
Act 3, Scene 11
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Lockit and Peachum lead Macheath into Newgate, where Polly and Lucy are waiting. Lockit tells Macheath that he’s going straight... (full context)
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Polly sings to Peachum, begging him to save Macheath out of pity for her (Air 54). Lucy sings to Lockit, asking him to shut... (full context)
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Lockit announces that it’s time for Macheath to go to the gallows. Macheath sings that he is ready to die, which will... (full context)
Act 3, Scene 12 
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Polly sends Filch to attend Macheath’s trial while she waits back in the jail with Lucy. They hear the prisoners playing... (full context)
Act 3, Scene 13
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Macheath sings a series of short songs while drinking in his prison cell. He laments the... (full context)
Act 3, Scene 14
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Ben Budge and Matt of the Mint visit Macheath in Newgate, where Macheath explains that he is going straight to the gallows. Macheath also... (full context)
Act 3, Scene 15
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Lucy and Polly visit Macheath, who tells them to put the past behind them and go look for new husbands... (full context)
Act 3, Scene 16
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...Beggar enter the scene. The Player says he hopes the play doesn’t actually end with Macheath’s execution, but the Beggar says that it must. In fact, all the other characters should... (full context)
Act 3, Scene 17
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Surrounded by a massive crowd, Macheath announces that it’s time to dance and be merry. He says that, rather than him... (full context)