The Disappearing Spoon

The Disappearing Spoon

by

Sam Kean

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The Disappearing Spoon: Chapter 14: Artistic Elements Summary & Analysis

Summary
Analysis
Science has grown expensive over time and this often limits the circumstances under which it can happen and who gets to take part. The fact that many scientists were aristocrats is subtly evident in the periodic table. For example, the Ancient Greek and Latin names of elements can be traced back to the fact that classics was the foundation of humanistic education for the European elite. Even more strangely by today’s standards, for many years science was actually considered more of a hobby than a profession. Johann Wolfgang von Goethe—whom many consider to be the be the greatest German writer in history—also dabbled in science despite not being qualified to do so. He even challenged Isaac Newton’s theory about how colors work.
This passage is so important that there is a sense in which it is strange to introduce it at such a late point in the book. The fact that most Western scientists throughout history have been aristocratic white men—many of whom dabbled in science rather than properly training in it—is not an incidental feature of the history of science. Instead it is absolutely integral, and if this system of elitism hadn’t been present, science would likely look a lot different today.
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Quotes
Goethe’s “masterwork” is his telling of the story of Faust, which is filled with unfounded “speculation” about alchemy and geology. Despite his lack of knowledge or credentials, Goethe was involved in selecting a scientist for a professorship in chemistry at the University of Jena in 1809. He picked a man named Johann Wolfgang Döbereiner who hadn’t even studied chemistry, although that didn’t stop Döbereiner spending many hours chatting with Goethe about how they believed various chemical processes worked. Years later, Döbereiner was measuring the weight of a newly-discovered element called strontium and he was intrigued to find that it lay in the middle of two other elements, calcium and barium.
It is hard to know what to of Döbereiner, an unqualified man nominated by another unqualified man to a chemistry professorship who then went on to make major contributions to the field. Döbereiner’s story perhaps suggests that those who don’t believe they can achieve much in the sciences should give themselves another chance, since one never knows what might happen.
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Döbereiner then began to notice more trios of elements like this and proceeded to group them together. Incredibly, this was the beginning of the columns of the periodic table. Not only that, he also invented the world’s first portable lighter, which was called Döbereiner’s lamp and which brought him global fame. In the 1920s, the artists and design theorist László Moholy-Nagy coined the terms “forced obsolescence,” which refers to the natural progress from older to newer technologies, and “artificial obsolescence.” This latter term describes when consumers abandon old products for new ones that aren’t substantially different, but have a fancy, enticing veneer. 
“Planned obsolescence” is a term very commonly used in the contemporary period, perhaps most famously to describe Apple’s decision to release new and improved iPhones so regularly at increasingly steep prices. Some might be surprised to learn that the phrase originates with “artificial obsolescence,” an idea coined all the way back in the 1920s by one of the major figures of the Bauhaus.
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Kenneth Parker was 28 when he persuaded his family business to make a luxury pen, the Duofold pen. A decade later, in the midst of the Depression, Parker debuted a new luxury pen, the Vacumatic. Hoping to use Moholy-Nagy’s insight to get rich, he introduced a third pen in 1941, calling it the Parker 51. Although this pen was not substantially different from any other pen (they all perform the same essential function), it became a status symbol and a hot commodity, nicknamed “the world’s most wanted pen.” Incredibly, at its highest price it sold for $50, the equivalent of $400 today. The Parker 51 eventually fell out fashion due to the rise of typewriters.
One of the criticisms reviewers made of The Disappearing Spoon is that it makes quite a lot of strange detours and jumps between seemingly unrelated stories. This is arguably an example of such a moment. Of course, it’s true that the Parker 51 involved elements and is thus intimately related to the periodic table—yet so is every other material substance on Earth. Regardless, Kean’s use of these seemingly unrelated stories underscores the wide variety of contexts in which science and technology can impact people’s lives.
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Mark Twain bought a typewriter as soon as he saw one despite the fact that it cost $2,400 in today’s dollars. He became the first author to submit a typewritten manuscript to a publishing house. He was also captivated by science and once wrote a story, “Sold to Satan,” about the periodic table. The story is set against the backdrop of a speculative economic crash and features a narrator who sells his soul to the devil, whose body is composed of head-to-toe radium. Moreover, Satan wears a coat made from polonium (which, at the time Twain was writing, had only just been discovered by Marie Curie). The story features a twist of Satan burning from “within,” a nod to the process of radioactivity that fascinated Twain. 
Again, via the slightly bewildering connection from Moholy-Nagy to the Parker 51 to typewriters, the reader arrives back at a more explicit invocation of the periodic table. The main character in Twain’s story “Sold to Satan” is clearly a kind of Faust figure. Moreover, Satan himself is made of radium, a highly radioactive metal. This is fitting, as radioactivity—while useful—is arguably one of the most terrifyingly destructive forces to humanity.
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Perhaps the most Faustian of all the “tales of artists and elements” is the poet Robert Lowell’s relationship to lithium. Throughout his life, Lowell experienced hallucinations, delusions, and periods of psychosis. He was also the most celebrated poet in the U.S. Although some romanticized his mental instability as part of his creative genius, in reality he had bipolar disorder, which was caused by a chemical imbalance in his brain. By the time lithium was introduced as a treatment for bipolar, Lowell had just been place in a psychiatric ward. Lithium can’t halt a manic episode when it’s already happening, but it can prevent one from occurring if taken beforehand. It readjusts the circadian rhythm (body clock) of people whose rhythm has otherwise been thrown off by bipolar disorder.  
Kean appears to make the argument here that Lowell’s mental instability vitally fueled his creative practice, an idea that some people who experience mental health issues have advocated against. Romanticizing something like bipolar disorder as having a special relationship to genius is tricky territory, particularly considering that doing so can idealize suffering.
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Lowell’s life drastically stabilized after he started taking lithium. Writing to his publisher, he expressed his astonishment over the fact that all the agony and chaos of his life was caused by “the lack of a little salt in my brain.” Yet while lithium brought Lowell stability, it also tranquilized him to the point that his former vitality was all but completely gone.
Again, the notion that Lowell’s stability might not have been worth it due to him supposedly losing his poetic vision is something that many mental health advocates would characterize as a dangerous message.
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