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Chapter 1. Introduction to the Prince Quotes

The divinities frescoed on the ceiling awoke […] the major gods and goddesses, the Princes among gods, thunderous Jove and frowning Mars and languid Venus, had already preceded the mob of minor deities and were amiably supporting the blue armorial shield of the Leopard. They knew that for the next twenty-three and a half hours they would be lords of the villa once again.

Related Characters: Prince Don Fabrizio Corbèra
Related Symbols: Leopards
Page Number and Citation: 6
Explanation and Analysis:
The Salina family, whose ancestral crest includes the image of a leopard, has enjoyed noble status in Sicily for centuries. On the ceiling of their palace drawing room, images of ancient Roman deities surround the leopard insignia, displaying the prominence the Salinas occupy within their society. This quote, occurring just after the family has completed their daily recitation of the Rosary, personifies the painted deities as if they reign over the household. The reference to Jove, Mars, and Venus as “Princes” among the gods associates Dom Fabrizio, head of the family and Prince of Salina, with these deities—especially his self-importance Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omn

Suddenly he was swept by a gust of tenderness toward himself. “I’m just a poor, weak creature,” he thought as his heavy steps crunched the dirty gravel. “I’m weak and without support. Stella! Oh well, the Lord knows how much I’ve loved her; but I was married at twenty. And now she’s too bossy, as well as too old […] seven children I’ve had with her, seven; and never once have I seen her navel. Is that right?” Now, whipped by this odd anguish, he was almost shouting, “Is it right? I ask you all […] Why, she’s the real sinner!”

Related Characters: Prince Don Fabrizio Corbèra (speaker), Princess Maria Stella
Page Number and Citation: 24
Explanation and Analysis:
One evening, after losing his temper with his family, the Prince comforts himself with a visit to a favorite prostitute in Palermo—but he feels guilty about his actions. On the way, he engages in a series of self-justifications for his infidelity. His primary excuse is that he and the Princess, Maria Stella, have been married for a long time, and that her personality has become distasteful to him over the years. In addition, she is prudish, despite having had many children with him, and she can’t satisfy his desires. The Prince twists this excuse in order to exonerate himself from Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligen

The lad had one of those sudden serious moods which made him so mysterious and so endearing. “Unless we ourselves take a hand now, they’ll foist a republic on us. If we want things to stay as they are, things will have to change. D’you understand?”

Related Characters: Tancredi Falconeri (speaker), Giuseppe Garibaldi, Prince Don Fabrizio Corbèra
Page Number and Citation: 28
Explanation and Analysis:
The Prince has just been discussing Sicily’s political situation with his nephew, Tancredi, who is sympathetic to the “Redshirts.” This rebel group is led by Garibaldi, an Italian nationalist seeking to annex Sicily and consolidate it into an emerging unified Italian state. The Prince, on the other hand, dreads the possibility of change—particularly what social and political revolution would mean for him and other Sicilian nobility. Tancredi’s paradoxical statement serves as the foundation for the Prince’s outlook throughout the first half of the novel. He interprets Tancredi’s words at face value in order to reassure himself that limited support for Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit

Now he had penetrated all the hidden meanings: the enigmatic words of Tancredi, the rhetorical ones of Ferrara, the false but revealing ones of Russo, had yielded their reassuring secret. Much would happen, but all would be playacting; a noisy, romantic play with a few spots of blood on the comic costumes. […] He felt like saying to Russo, but his innate courtesy held him back, “I understand now; you don’t want to destroy us, who are your ‘fathers.’ You just want to take our places. Gently, nicely, putting a few thousand ducats in your pockets meanwhile. […] For all will be the same. Just as it is now: except for an imperceptible shifting about of classes.”

Related Characters: Prince Don Fabrizio Corbèra (speaker), Tancredi Falconeri, Russo, Don Ciccio Ferrara
Page Number and Citation: 35
Explanation and Analysis:
This quote is another example of the Prince’s self-justifying outlook on political change in Sicily. After a single morning spent among his family and working in his estate office, the Prince convinces himself that he has understood the underlying meaning of current “liberal” rhetoric. The Prince’s nephew Tancredi, the Prince believes, is fighting with the rebels in order to ensure noble stability. Meanwhile, he thinks that his accountant, Ferrara, and his agent, Russo, both support the liberals out of self-interest—particularly the desire for economic advancement. In Sicily’s current context, such advancement simply means that the underclass will rise up to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam off

Supported, guided, it seemed, by calculations which were invisible at that hour yet ever present, the stars cleft the ether in those exact trajectories of theirs. The comets would be appearing as usual, punctual to the minute, in sight of whoever was observing them […] their appearance at the time foreseen was a triumph of the human mind’s capacity to project itself and to participate in the sublime routine of the skies.

Related Characters: Prince Don Fabrizio Corbèra
Related Symbols: Stars
Page Number and Citation: 40
Explanation and Analysis:
After an unsettling morning of pondering political questions, the Prince retreats to the palace observatory, his refuge from reality. The Prince loves astronomy because—unlike managing his family, estate, or social status—studying the stars is abstract and follows patterns that can be readily grasped by the human mind. Unlike the political upheaval in Sicily, in other words, the stars’ actions can be neatly predicted and can be relied upon to remain the same. In this way, the distant stars and their calculations feel more real to the Prince than his everyday estate dealings and human relationships, which defy categorization and change Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem a

Chapter 2. Donnafugata Quotes

At the bottom of the steps the authorities took their leave, and the Princess […] invited the Mayor, the Archpriest, and the notary to dine that same evening. […] And [the Prince] added, turning to the others, “And after dinner, at nine o’clock, we shall be happy to see all our friends.” For a long time Donnafugata commented on these last words. And the Prince, who had found Donnafugata unchanged, was found very much changed himself, for never before would he have issued so cordial an invitation; and from that moment, invisibly, began the decline of his prestige.

Related Characters: Prince Don Fabrizio Corbèra (speaker), Don Calogero Sedàra , Giuseppe Garibaldi, Princess Maria Stella
Page Number and Citation: 62
Explanation and Analysis:
Donnafugata, the Salinas’ country estate, is the Prince’s favorite place—a refuge where life continues much as it always has. At least, that’s how it has always seemed to the Prince. When he and his family arrives in the late summer of 1860, it’s on the heels of Garibaldi’s invasion of Sicily. Yet it seems like things will remain comfortingly familiar, as the town dignitaries greet the Salinas with traditional music and festivity. However, to everyone’s surprise, the Prince himself injects a note of change into the typical courtesies: instead of limiting the first evening’s dinner to a handful of dignitaries, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At

No laugh […] came from the Prince, on whom, one might almost say, this news had more effect than the bulletin about the landing at Marsala. That had been an event not only foreseen but also distant and invisible. Now, with his sensibility to presages and symbols, he saw revolution in that white tie and two black tails moving at this moment up the stairs of his own home. Not only was he, the Prince, no longer the major landowner in Donnafugata, but he now found himself forced to receive, when in afternoon dress himself, a guest appearing in evening clothes.

Related Characters: Don Calogero Sedàra , Giuseppe Garibaldi, Prince Don Fabrizio Corbèra
Page Number and Citation: 76
Explanation and Analysis:
The Prince’s first evening at Donnafugata is a great shock to him, especially when the town’s new mayor, Don Calogero, arrives for dinner. When the Prince’s son announces that the mayor has arrived wearing a tailcoat, the effect on the Prince is more startling than Garibaldi’s invasion a few months ago. This quote suggests that political revolution has its most significant effects not on a sweeping historical level, but on an interpersonal level. As long as the Prince was simply hearing about the invasion from a distance, he could continue to delude himself that nothing was really going to change Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Com

The soul of the Prince reached out toward them, toward the intangible, the unattainable, which gave joy without laying claim to anything in return; as many other times, he tried to imagine himself in those icy tracts, a pure intellect armed with a notebook for calculations: difficult calculations, but ones which would always work out. “They’re the only really genuine, the only really decent beings,” thought he, in his worldly formulae. “Who worries about dowries for the Pleiades, a political career for Sirius, matrimonial joy for Vega?”

Related Characters: Prince Don Fabrizio Corbèra (speaker), Concetta Salina, Tancredi Falconeri
Related Symbols: Stars
Page Number and Citation: 83
Explanation and Analysis:
After his harrowing arrival at Donnafugata, where he’s been greeted with alarming signs of social change, the Prince once again takes refuge in astronomy. The stars cannot be touched, but neither do they change nor make any demands on the Prince’s life. Instead, they are manipulated through mathematical calculations that the Prince can master through intellect. Not only does he not have to worry about the stars’ fates (like he has to worry about his daughter Concetta’s marriage or his nephew Tancredi’s future political career)—but he can imagine that the stars, unlike his children, are within his own power to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas

Chapter 3. The Troubles of Don Fabrizio Quotes

[T]he scrub clinging to the slopes was still in the very same state of scented tangle in which it had been found by Phoenicians, Dorians, and Ionians when they disembarked in Sicily […] Don Fabrizio and Tumeo […] saw the same objects, their clothes were soaked with just as sticky a sweat, the same indifferent breeze blew steadily from the sea, moving myrtles and broom, spreading a smell of thyme. […] Reduced to these basic elements, its face washed clear of worries, life took on a tolerable aspect.

Related Characters: Prince Don Fabrizio Corbèra , Don Ciccio Tumeo
Related Symbols: Stars
Page Number and Citation: 101
Explanation and Analysis:
The Phoenicians, Dorians, and Ionians were all ancient colonizers of Sicily, some of the island’s earliest settlers. When the Prince goes hunting with his friend Tumeo in the Sicilian wilderness, he imagines that its vegetation looks the same as it did when those peoples arrived many centuries earlier. In fact, everything the Prince detects with his senses—the heat, the Mediterranean breeze, the smell of the trees—lets him imagine that he has stepped out of his time and into a distant, less complicated era. This view of Sicily’s landscape is similar to the Prince’s attitude about the stars: in both of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaq

Don Ciccio’s negative vote, fifty similar votes at Donnafugata, a hundred thousand “noes” in the whole Kingdom, would have had no effect on the result, would in fact have made it, if anything, more significant; and this maiming of souls would have been avoided. Six months before they used to hear a rough despotic voice saying, “Do what I say or you’ll catch it!” Now there was an impression already of such a threat being replaced by the soapy tones of a moneylender: “But you signed it yourself, didn’t you? Can’t you see? It’s quite clear. You must do as we say, for here are the IOUs; your will is identical with mine.”

Related Characters: Prince Don Fabrizio Corbèra , Don Ciccio Tumeo
Page Number and Citation: 112
Explanation and Analysis:
In late October 1860, a plebiscite, or referendum, was held in order to confirm the annexation of Sicily into the new Kingdom of Italy. The annexation was confirmed by an overwhelming majority; in fact, in Donnafugata, the vote was unanimous. The Prince has his doubts about the vote, however—and on his hunting trip with Tumeo, he presses his friend about his vote. When Tumeo reveals that he actually voted “no” and that Don Calogero nullified his vote, the King realizes that the plebiscite involved a systematic crushing of the people’s voice in order to make the (already high) popular support Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. V

Don Calogero’s heraldic impromptu gave the Prince the incomparable artistic satisfaction of seeing a type realized in all its details […] [Don Calogero] was accompanied through two of the drawing rooms, embraced again, and began descending the stairs as the Prince, towering above him, watched this little conglomeration of astuteness, ill-cut clothes, money, and ignorance who was now to become almost a part of the family getting smaller and smaller.

Related Characters: Don Calogero Sedàra , Prince Don Fabrizio Corbèra
Page Number and Citation: 131
Explanation and Analysis:
The Prince’s negotiation with Donnafugata’s mayor, Don Calogero, regarding the marriage of his nephew to the mayor’s daughter, is an ambivalent experience. In many respects, it’s humiliating, as Don Calogero is a self-made landowner and politician who’s managed to rise to the level of rivaling the Prince of Salina. Just a generation ago, their children wouldn’t have been considered an appropriate match. But if the Prince has to give in to new social realities, he finds rueful consolation in the fact that Don Calogero lives up to the Prince’s worst stereotypes of the rising class: he’s obsessed with his family’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum vol

Chapter 4. Love at Donnafugata Quotes

Gradually Don Calogero came to understand that a meal in common need not necessarily be all munching and grease stains; that a conversation may well bear no resemblance to a dog fight […] that sometimes more can be obtained by saying “I haven’t explained myself well” than “I can’t understand a word”; and that the adoption of such tactics can result in a greatly increased yield[.]

It would be rash to affirm that Don Calogero drew an immediate profit from what he had learned; he did try to shave a little better and complain a little less about the waste of laundry soap; but from that moment there began, for him and his family, that process of continual refining which in the course of three generations transforms innocent peasants into defenseless gentry.

Related Characters: Tancredi Falconeri, Don Calogero Sedàra , Prince Don Fabrizio Corbèra , Angelica Sedàra
Page Number and Citation: 137
Explanation and Analysis:
As Don Calogero spends time with the Prince following Tancredi’s engagement to Angelica, he begins to change. He absorbs certain characteristics of the nobility that will help him get along better in Italy’s changing society. For example, he comes to understand meals are strategic social events, not just about eating and that conversations aren’t just conquests to be won. Additionally, Don Calogero realizes that sometimes subtlety is more effective than open conflict. Notably, however, Don Calogero merely uses what he’s learned as a means to an end—ways of getting more power. The changes are also strikingly superficial. That is, becoming Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perf

Anyone deducing from this attitude of Angelica that she loved Tancredi would have been mistaken; she had too much pride and too much ambition to be capable of that annihilation, however temporary, of one’s own personality without which there is no love; […] but although she did not love him, she was, then, in love with him, a very different thing; his blue eyes, his affectionate teasing, certain suddenly serious tones of his voice gave her, even in memory, quite a definite turn, and in those days her one longing was to be gripped by those hands of his; presently she would forget them and find a substitute as she did, in fact, later, but for the moment she yearned for him to seize her.

Related Characters: Angelica Sedàra, Tancredi Falconeri, Don Calogero Sedàra
Page Number and Citation: 141
Explanation and Analysis:
Angelica, like her father Don Calogero, is a social climber. She understands that marrying Tancredi will earn her a place among Sicily’s nobility, a position that her relatively humble birth didn’t assure her. However, this ambitious outlook doesn’t mean that she has no affection for Tancredi—she does feel affection for his charms and longs for him sexually. At the same time, the author suggests that this limited affection doesn’t rise to the level of genuine love. Love, that is, suggests a genuine forgetting of oneself and one’s concerns, instead focusing on care for the other person. Because Angelica is ambitious Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolo

Those were the best days in the life of Tancredi and Angelica […] But that they did not know then; and they were pursuing a future which they deemed more concrete than it turned out to be, made of nothing but smoke and wind. When they were old and uselessly wise their thoughts would go back to those days with insistent regret; they had been days when desire was always present because it was always overcome, when many beds had been offered and refused, when the sensual urge, because restrained, had for one second been sublimated in renunciation, that is into real love. Those days were the preparation for a marriage which, even erotically, was no success[.]

Related Characters: Angelica Sedàra, Tancredi Falconeri
Page Number and Citation: 162
Explanation and Analysis:
During their engagement, Tancredi and Angelica spend hours exploring the intricacies of the Salina palace. This exploration is a kind of replacement for a true exploration of each other’s minds and souls. The absence of true affection and desire for each other—they share only a counterfeit, superficial love and desire—helps explain why their marriage doesn’t end up succeeding, though the novel doesn’t give a full account of what transpires in their relationship. The author presents real love as something that’s tied to renunciation—meaning denial of one’s desires for the sake of the other person. The closest Tancredi and Angelica ever Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates.

“In Sicily it doesn’t matter whether things are done well or done badly; the sin which we Sicilians never forgive is simply that of ‘doing’ at all. We are old, Chevalley, very old. For more than twenty-five centuries we’ve been bearing the weight of a superb and heterogeneous civilization, all from outside, none made by ourselves, none that we could call our own. We’re as white as you are, Chevalley, and as the Queen of England; and yet for two thousand and five hundred years we’ve been a colony. I don’t say that in complaint; it’s our fault. But even so we’re worn out and exhausted.”

Related Characters: Prince Don Fabrizio Corbèra (speaker), Aimone Chevalley di Monterzuolo
Page Number and Citation: 177
Explanation and Analysis:
A government secretary named Chevalley visits the Prince, inviting him to become a senator in the new Italian government. The Prince immediately refuses and then gives Chevalley an elaborate explanation for why he, like his country, can never fully participate in a modern Italy. A major reason is that Sicilians hate and resist action. Sicilians have spent centuries being colonized by others; even their culture is a mix of elements (Byzantine, Islamic, and Spanish, among others) that they did not create themselves. The Prince suggests that it’s exhausting to live under the weight of others’ rule, and within a culture Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis

“This violence of landscape, this cruelty of climate, this continual tension in everything, and these monuments, even, of the past, magnificent yet incomprehensible because not built by us and yet standing around like lovely mute ghosts; all those rulers who landed by main force from every direction, who were at once obeyed, soon detested, and always misunderstood, their only expressions works of art we couldn’t understand and taxes which we understood only too well and which they spent elsewhere: all these things have formed our character, which is thus conditioned by events outside our control as well as by a terrifying insularity of mind.”

Related Characters: Prince Don Fabrizio Corbèra (speaker), Aimone Chevalley di Monterzuolo
Page Number and Citation: 179
Explanation and Analysis:
The Prince continues to explain Sicily’s unique history to government secretary Chevalley. He argues that Sicily’s landscape and climate, as well as its long history of colonization by foreign nations, has shaped its people’s character unchangeably. For example, Sicily is ruled by a climate that’s either brazenly hot or tormented by rain—there’s no moderation. People have had no choice except to react to these forces bigger than themselves. The same is true of history: outsiders have repeatedly taken over the island, built monuments that did not represent the people, and levied taxes that took the people’s resources elsewhere. These events Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit e

I belong to an unfortunate generation, swung between the old world and the new, and I find myself ill at ease in both. And what is more, as you must have realized by now, I am without illusions; what would the Senate do with me, an inexperienced legislator who lacks the faculty of self-deception, essential requisite for wanting to guide others? We of our generation must draw aside and watch the capers and somersaults of the young around this ornate catafalque.

Related Characters: Prince Don Fabrizio Corbèra (speaker), Aimone Chevalley di Monterzuolo
Page Number and Citation: 180
Explanation and Analysis:
The Prince brings his speech about Sicily’s past to a close by narrowing from sweeping historical events to his own life. He explains to Chevalley why he personally, not just Sicily as a whole, is unsuited to political life: the Prince has lived his life according to the old ways, while uncomfortably aware of the growing pressures of the new. As a result, he can understand both perspectives without feeling comfortable in either. Because of this unstable condition, the Prince knows that he isn’t suited to the work of a Senator. Ironically, he understands himself too well; if he were Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis

Chevalley thought, “This state of things won’t last; our lively new modern administration will change it all.” The Prince was depressed: “All this shouldn’t last; but it will, always; the human ‘always,’ of course, a century, two centuries…and after that it will be different, but worse. We were the Leopards, the Lions; those who’ll take our place will be little jackals, hyenas; and the whole lot of us. Leopards, jackals, and sheep, we’ll all go on thinking ourselves the salt of the earth.”

Related Characters: Aimone Chevalley di Monterzuolo (speaker), Prince Don Fabrizio Corbèra (speaker)
Related Symbols: Leopards
Page Number and Citation: 185
Explanation and Analysis:
Despite the Prince’s attempts to explain Sicily as he sees it, young Chevalley doesn’t grasp the situation—thereby illustrating the Prince’s point. Chevalley is confident that modern methods can overcome Sicily’s poverty and backwardness—it’s just a matter of applying the right policies and techniques. But the Prince looks at the very same circumstances and believes the opposite: that nothing can change an underlying flaw in people’s nature. In his view, that flaw is pride, a form of blindness that renders Sicilians incapable of desiring change, much less acting to bring it about. Because of this, he believes that Sicilians will continue Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus vo

Chapter 5. Father Pirrone Pays a Visit Quotes

“It’s a class difficult to suppress because it’s in continual renewal and because if needs be it can die well, that is it can throw out a seed at the moment of death. […] I say as before, because it’s differences of attitude, not estates and feudal rights, which make a noble […] And I can tell you too, Don Pietrino, that if, as has often happened before, this class were to vanish, an equivalent one would be formed straightaway with the same qualities and the same defects; it might not be based on blood any more, but possibly on . . . on, say, the length of time lived in a place, or on greater knowledge of some text

Related Characters: Father Pirrone (speaker), Don Pietrino, Tancredi Falconeri, Angelica Sedàra
Page Number and Citation: 199
Explanation and Analysis:
Not long after Tancredi and Angelica’s engagement, Father Pirrone travels to his home village, a rural peasant community. This visit gives him the opportunity to reflect on his long immersion in the world of the nobility and to compare and contrast these very different worlds. As an insider, the Prince is obsessed with the nobility’s decline. However, Father Pirrone, as an outsider, believes the nobility will eventually revive. That’s because, in his view, “nobility” isn’t really about money or property—more than anything else, it’s an attitude. Specifically, it’s a desire for dominance that’s expressed through social hierarchy. Such dominance can Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui

Two days later Father Pirrone left to return to Palermo. As he was jolted along he went over impressions that were not entirely pleasant; that brutish love affair come to fruition in St. Martin’s summer, that wretched half almond grove reacquired by means of calculated courtship, seemed to him the rustic poverty-stricken equivalent of other events recently witnessed. Nobles were reserved and incomprehensible, peasants explicit and clear; but the Devil twisted them both around his little finger all the same.

Related Characters: Don Calogero Sedàra , Tancredi Falconeri, Angelica Sedàra, Turi Pirrone, Prince Don Fabrizio Corbèra , Father Pirrone, ‘Ncilina, Santino Pirrone
Page Number and Citation: 209
Explanation and Analysis:
While Father Pirrone visits his family, he must adjudicate a dispute between his sister’s family and his uncle’s family. His uncle Turi made Santino, Turi’s son, pursue his cousin ‘Ncilina, and Santino ends up getting ‘Ncilina pregnant. Turi’s ultimate goal is to force the young people to marry, thereby gaining a certain almond grove through ‘Ncilina’s dowry. He believes he was cheated out of this land by Father’ Pirrone’s and his sister’s father many years ago. After Father Pirrone sets things straight—securing ‘Ncilina’s and Santino’s engagement—he goes home and thinks about what he’s learned. The sordid affair, he realizes, is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque i

Chapter 6. A Ball Quotes

They were the most moving sight there, two young people in love dancing together, blind to each other’s defects, deaf to the warnings of fate, deluding themselves that the whole course of their lives would be as smooth as the ballroom floor, unknowing actors made to play the parts of Juliet and Romeo by a director who had concealed the fact that tomb and poison were already in the script. Neither of them was good, each full of self-interest, swollen with secret aims; yet there was something sweet and touching about them both; those murky but ingenuous ambitions of theirs were obliterated by the words of jesting tenderness he was murmuring in her ear, by the scent of her hair, by the mutual clasp of those bodies of theirs destined to die.

Related Characters: Tancredi Falconeri, Princess Maria Stella, Prince Don Fabrizio Corbèra , Angelica Sedàra
Page Number and Citation: 225
Explanation and Analysis:
At a ball in Palermo, about a year after Tancredi and Angela’s engagement, the Prince feels more alienated than ever within noble Sicilian society. He doesn’t fit into either the old world or the new, and this gives him a unique perspective as he watches events unfolding around him. This is especially true as he watches Tancredi and Angelica dance—a spectacle that fills him with both pity and wistfulness. Throughout the novel, the Prince has shown himself to be an unfaithful husband, incapable of sustaining genuine selfless love for his wife, Princess Maria Stella.  He senses what Tancredi and Angela Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaqu

Chapter 7. Death of a Prince Quotes

It was useless to try to avoid the thought, but the last of the Salinas was really he himself, this gaunt giant now dying on a hotel balcony. For the significance of a noble family lies entirely in its traditions, that is in its vital memories; and he was the last to have any unusual memories, anything different from those of other families […] the meaning of his name would change more and more to empty pomp […] He had said that the Salinas would always remain the Salinas. He had been wrong. The last Salina was himself. That fellow Garibaldi […] had won after all.

Related Characters: Prince Don Fabrizio Corbèra (speaker), Fabrizietto Salina, Giuseppe Garibaldi
Related Symbols: Leopards
Page Number and Citation: 248
Explanation and Analysis:
This quote describes some of the Prince’s dying thoughts. The novel jumps directly from the Ponteleone ball to the Prince’s last hours, some 25 years later—suggesting that the Prince has spent many years waiting for death as his noble status has gradually declined. Now that it’s here, he acknowledges the truth: in spite of his descendants, the Salinas will die with him. That’s because there’s no longer a distinct noble class in Italy, showing that Garibaldi’s revolution has succeeded in the long run. The Prince’s grandchildren haven’t shared the class traditions and assumptions that made life meaningful for him; instead, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Pos

Chapter 8. Relics Quotes

To her the removal of those objects was a matter of indifference; what did touch her, the day’s real thorn, was the appalling figure the Salina family would now cut with the ecclesiastical authorities, and soon with the entire city. […] And the Church’s esteem meant much to her. The prestige of her name had slowly disappeared; the family fortune, divided and subdivided, was at best equivalent to that of any number of other lesser families and very much smaller than that of some rich industrialists. But in the Church, in their relations with it, the Salinas had maintained their pre-eminence. What a reception His Eminence had given the three sisters when they went to make their Christmas visit! Would that happen now?

Related Characters: Concetta Salina, Father Pirrone
Page Number and Citation: 267
Explanation and Analysis:
At the end of the novel, in 1910, the Salina family is reduced to three elderly spinsters, Concetta chief among them. The Salinas no longer have much money or property; Italian society has changed, and upstart industrialists, not historic nobles, possess the greatest wealth. The Salinas have managed to hang onto a shadow of their former stature by collecting religious relics and thereby retaining prominence and esteem among Sicily’s Catholic hierarchy. (This proves Father Pirrone right that the nobility always finds ways of renewing itself around different forms of hierarchy). Yet, now that the sisters’ relic collection is suspected to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi

Until today, on the rare occasions when she thought over what had happened at Donnafugata that distant summer, she had felt upheld by a sense of being martyred, being wronged, of resentment against a father who had neglected her, of torturing emotion for that other dead man. Now, however, these secondhand feelings which had formed the skeleton of her whole mode of thought were also collapsing. There had been no enemies, just one single adversary, herself; her future had been killed by her own imprudence, by the rash Salina pride[.]

Related Characters: Angelica Sedàra, Senator Tassoni, Concetta Salina, Tancredi Falconeri, Prince Don Fabrizio Corbèra
Page Number and Citation: 273
Explanation and Analysis:
Concetta has just learned the truth about what happened between her and Tancredi 50 years ago. Though Tancredi had been clumsy and wrong-headed in his attempts to woo her—telling crude jokes and trying to gain entrance into the family convent—the real break between them was due to Concetta’s own pride. That pride has sustained her over the decades since, as she has clung to the self-righteous belief that she was wronged by both Tancredi (for pursuing Angelica instead) and her father (for facilitating Tancredi’s marriage). Now that Tassoni has told Concetta the truth about Tancredi’s lifelong feelings for her, Concetta Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor

As the carcass was dragged off, the glass eyes stared at her with the humble reproach of things that are thrown away, that are being annulled. A few minutes later what remained of Bendicò was flung into a corner of the courtyard visited every day by the dustman. During the flight down from the window his form recomposed itself for an instant; in the air one could have seen dancing a quadruped with long whiskers, and its right foreleg seemed to be raised in imprecation. Then all found peace in a heap of livid dust.

Related Characters: Bendicò, Concetta Salina, Prince Don Fabrizio Corbèra
Related Symbols: Leopards
Page Number and Citation: 279
Explanation and Analysis:
Out of all the family mementos Concetta has kept, Bendicò (her father’s beloved dog, preserved as a rug) is the only one she doesn’t hate. But after Concetta finds out that her life has been based on a lie (she wasn’t actually wronged by Tancredi and her father but thwarted her own happiness through pride), she can’t stand the memory of Bendicò anymore. She thus orders him to be thrown away. The discarding of Bendicò represents the final abandonment of the Salina legacy. As the Prince believed, a noble family’s legacy lies in the memory of its traditions. Now that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a
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