Don Calogero Sedàra Character Analysis

Don Calogero is mayor of Donnafugata and a newly rich landowner. He is Donna Bastiana’s husband and Angelica’s father. Because of his involvement in the liberal cause, he is also a rising political figure. During the Salina family’s 1860 visit to Donnafugata, Don Calogero surprises the Prince by appearing in fancy (albeit ill-fitting and awkward-looking) evening wear. Despite Don Calogero’s rough manners, cynicism, and naked ambition, the Prince negotiates the marriage of his nephew Tancredi with Angelica, believing the Salinas’ best hope lies in such an alliance. According to Tumeo, Calogero tampered with the people’s votes during the Plebiscite. Don Calogero becomes politically prominent after the Prince recommends him for a Senate seat, knowing that Calogero is more practical and in touch with the times than the Prince can ever be.

Don Calogero Sedàra Quotes in The Leopard

The The Leopard quotes below are all either spoken by Don Calogero Sedàra or refer to Don Calogero Sedàra . For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Cultural Survival and Decline Theme Icon
).

Chapter 2. Donnafugata Quotes

At the bottom of the steps the authorities took their leave, and the Princess […] invited the Mayor, the Archpriest, and the notary to dine that same evening. […] And [the Prince] added, turning to the others, “And after dinner, at nine o’clock, we shall be happy to see all our friends.” For a long time Donnafugata commented on these last words. And the Prince, who had found Donnafugata unchanged, was found very much changed himself, for never before would he have issued so cordial an invitation; and from that moment, invisibly, began the decline of his prestige.

Related Characters: Prince Don Fabrizio Corbèra (speaker), Don Calogero Sedàra , Giuseppe Garibaldi, Princess Maria Stella
Page Number and Citation: 62
Explanation and Analysis:

No laugh […] came from the Prince, on whom, one might almost say, this news had more effect than the bulletin about the landing at Marsala. That had been an event not only foreseen but also distant and invisible. Now, with his sensibility to presages and symbols, he saw revolution in that white tie and two black tails moving at this moment up the stairs of his own home. Not only was he, the Prince, no longer the major landowner in Donnafugata, but he now found himself forced to receive, when in afternoon dress himself, a guest appearing in evening clothes.

Related Characters: Don Calogero Sedàra , Giuseppe Garibaldi, Prince Don Fabrizio Corbèra
Page Number and Citation: 76
Explanation and Analysis:

Chapter 3. The Troubles of Don Fabrizio Quotes

Don Calogero’s heraldic impromptu gave the Prince the incomparable artistic satisfaction of seeing a type realized in all its details […] [Don Calogero] was accompanied through two of the drawing rooms, embraced again, and began descending the stairs as the Prince, towering above him, watched this little conglomeration of astuteness, ill-cut clothes, money, and ignorance who was now to become almost a part of the family getting smaller and smaller.

Related Characters: Don Calogero Sedàra , Prince Don Fabrizio Corbèra
Page Number and Citation: 131
Explanation and Analysis:

Chapter 4. Love at Donnafugata Quotes

Gradually Don Calogero came to understand that a meal in common need not necessarily be all munching and grease stains; that a conversation may well bear no resemblance to a dog fight […] that sometimes more can be obtained by saying “I haven’t explained myself well” than “I can’t understand a word”; and that the adoption of such tactics can result in a greatly increased yield[.]

It would be rash to affirm that Don Calogero drew an immediate profit from what he had learned; he did try to shave a little better and complain a little less about the waste of laundry soap; but from that moment there began, for him and his family, that process of continual refining which in the course of three generations transforms innocent peasants into defenseless gentry.

Related Characters: Tancredi Falconeri, Don Calogero Sedàra , Prince Don Fabrizio Corbèra , Angelica Sedàra
Page Number and Citation: 137
Explanation and Analysis:

Anyone deducing from this attitude of Angelica that she loved Tancredi would have been mistaken; she had too much pride and too much ambition to be capable of that annihilation, however temporary, of one’s own personality without which there is no love; […] but although she did not love him, she was, then, in love with him, a very different thing; his blue eyes, his affectionate teasing, certain suddenly serious tones of his voice gave her, even in memory, quite a definite turn, and in those days her one longing was to be gripped by those hands of his; presently she would forget them and find a substitute as she did, in fact, later, but for the moment she yearned for him to seize her.

Related Characters: Angelica Sedàra, Tancredi Falconeri, Don Calogero Sedàra
Page Number and Citation: 141
Explanation and Analysis:

Chapter 5. Father Pirrone Pays a Visit Quotes

Two days later Father Pirrone left to return to Palermo. As he was jolted along he went over impressions that were not entirely pleasant; that brutish love affair come to fruition in St. Martin’s summer, that wretched half almond grove reacquired by means of calculated courtship, seemed to him the rustic poverty-stricken equivalent of other events recently witnessed. Nobles were reserved and incomprehensible, peasants explicit and clear; but the Devil twisted them both around his little finger all the same.

Related Characters: Don Calogero Sedàra , Tancredi Falconeri, Angelica Sedàra, Turi Pirrone, Prince Don Fabrizio Corbèra , Father Pirrone, ‘Ncilina, Santino Pirrone
Page Number and Citation: 209
Explanation and Analysis:
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Don Calogero Sedàra Character Timeline in The Leopard

The timeline below shows where the character Don Calogero Sedàra appears in The Leopard. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 2. Donnafugata
The Inevitability of Change Theme Icon
Class Conflict and Revolution Theme Icon
...typical. Among the dignitaries, the Prince is greeted by the new town mayor, Don Calogero Sedàra, who’s wearing a tricolor sash. The cathedral organist, Don Ciccio Tumeo, who is the Prince’s... (full context)
The Inevitability of Change Theme Icon
Class Conflict and Revolution Theme Icon
Over tea, Don Onofrio catches the Prince up on local news—chiefly, Don Calogero ’s rise in fortunes. Through land acquisitions and profitable grain sales, Don Calogero’s income has... (full context)
The Inevitability of Change Theme Icon
Class Conflict and Revolution Theme Icon
Later that evening, Francesco Paolo bursts into the room with the announcement that Don Calogero has arrived—and he’s dressed in tails. The Prince is rattled—it’s not typical for guests to... (full context)
Class Conflict and Revolution Theme Icon
Love vs. Sensuality Theme Icon
Five minutes later, Don Calogero ’s daughter Angelica makes a breathtaking entrance. Her height, creamy complexion, striking eyes, and self-confident... (full context)
The Inevitability of Change Theme Icon
Love vs. Sensuality Theme Icon
...guaranteed to work out. Stars, after all, don’t have to worry about marriage dowries. Between Don Calogero , Concetta, Tancredi, and Angelica, today has been a bad day—and the Prince feels that... (full context)
Chapter 3. The Troubles of Don Fabrizio
The Inevitability of Change Theme Icon
Class Conflict and Revolution Theme Icon
Love vs. Sensuality Theme Icon
...uncle that he has been unable to shake himself free of his love for Angelica Sedàra. He begs his uncle to speak to Don Calogero on his behalf, even though Tancredi... (full context)
The Inevitability of Change Theme Icon
Class Conflict and Revolution Theme Icon
...The Prince himself had voted “yes” and then drunk a reluctant toast with the mayor, Don Calogero , who already had portraits of Garibaldi and the new King, Victor Emmanuel, on his... (full context)
The Inevitability of Change Theme Icon
Class Conflict and Revolution Theme Icon
...family could have benefits for his own class. He asks to hear more about the Sedàra family. (full context)
Class Conflict and Revolution Theme Icon
Love vs. Sensuality Theme Icon
Tumeo explains that Don Calogero ’s wife has seldom been seen over the years. She is a beautiful woman, yet... (full context)
The Inevitability of Change Theme Icon
Class Conflict and Revolution Theme Icon
Love vs. Sensuality Theme Icon
...he’ll have to lock him up in the gun room during the impending conversation with Don Calogero , so that there’s no risk of the news leaking out prematurely. Tumeo is horrified... (full context)
The Inevitability of Change Theme Icon
Class Conflict and Revolution Theme Icon
Later that afternoon, the Prince takes care in dressing before he meets with Don Calogero , trying to imagine that he’s a leopard about to destroy a jackal. However, instead,... (full context)
The Inevitability of Change Theme Icon
Class Conflict and Revolution Theme Icon
Love vs. Sensuality Theme Icon
...received a letter from Tancredi, in which the young man declared his love for Angelica. Don Calogero says he isn’t surprised—he saw the two kissing in the Salinas’ garden, and he now... (full context)
Class Conflict and Revolution Theme Icon
Love vs. Sensuality Theme Icon
...the mayor’s vulgarity, the Prince is amazed by this dowry. Don Calogero adds that the Sedàras, too, are an old noble family, which he can prove as soon as he gets... (full context)
Chapter 4. Love at Donnafugata
The Inevitability of Change Theme Icon
Class Conflict and Revolution Theme Icon
By November, 1860, the Prince has developed a grudging admiration for Don Calogero —particularly his intelligence, which is unencumbered by the limitations of good manners and courtesy. Don... (full context)
The Inevitability of Change Theme Icon
Class Conflict and Revolution Theme Icon
...Don Calogero and his family start to become more refined, which in turn starts the Sedàras’ transformation from peasantry to gentry. (full context)
Cultural Survival and Decline Theme Icon
The Inevitability of Change Theme Icon
Class Conflict and Revolution Theme Icon
...withdraw and watch the young in their “capers and somersaults.” He suggests, however, that Calogero Sedàra be considered in his stead. Sedàra has power; he is practical and clever. (full context)
Cultural Survival and Decline Theme Icon
The Inevitability of Change Theme Icon
Class Conflict and Revolution Theme Icon
...want to improve their lives. And if honest men don’t try, then unscrupulous men like Sedàra will fill the void, and things will go on as before. In response to this... (full context)
Chapter 6. A Ball
The Inevitability of Change Theme Icon
Class Conflict and Revolution Theme Icon
The Prince looks forward to the impression Angelica will make, but he also dreads seeing Don Calogero ’s outfit—he knows Tancredi has taken his future father-in-law to a good tailor. Suddenly, the... (full context)
Class Conflict and Revolution Theme Icon
Don Calogero and Angelica arrive late, Don Calogero looking respectable if inelegant. (The military medal he’s mistakenly... (full context)
Cultural Survival and Decline Theme Icon
The Inevitability of Change Theme Icon
Class Conflict and Revolution Theme Icon
Love vs. Sensuality Theme Icon
...and admires the pricy gold leaf. The Prince feels a jolt of dislike, knowing that Sedàra is thinking of the room’s value instead of its charm—it’s because of men like him,... (full context)
Cultural Survival and Decline Theme Icon
The Inevitability of Change Theme Icon
Class Conflict and Revolution Theme Icon
...them in intelligence and breeding, yet he senses that they share a common cause. With Don Calogero distracted, the Prince quietly slips away. (full context)