The Necklace
by Guy de Maupassant

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The Necklace Quotes

Unable to adorn herself, she remained simple, but as miserable as if she’d come down in the world. For women have no caste or breed; their beauty, their grace, and their charm serve them in lieu of birth and family background. Their native finesse, their instinct for elegance, their versatile minds are their sole hierarchy, making shopgirls the equals of the grandest ladies.

Related Characters: Mathilde Loisel
Related Literary Devices:
Page Number and Citation: 3
Explanation and Analysis:
Mathilde Loisel is very beautiful, but because of her middle-class background she is married to a humble clerk in the Ministry of Education rather than a wealthy man of high society. Mathilde is dissatisfied with her life because she feels her beauty does not correspond with her ordinary social situation, which is why Maupassant says she is “as miserable as if she’d come down in the world.” Even if she never was rich, she feels that it’s her right (because of her beauty) to have high social status, so she acts as though she has lost status, even though she Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus cor

She suffered endlessly, feeling that she was meant for all delicacies and all luxuries. She suffered from the poverty of her apartment, the dinginess of the walls, the shabbiness of the chairs, the ugliness of the fabrics. All these things, which wouldn’t have even been noticed by any other woman of her station, tortured her and infuriated her. The sight of the Breton girl who did her humble housework aroused woeful regrets in her and desperate dreams.

Related Characters: Mathilde Loisel
Related Literary Devices:
Page Number and Citation: 3
Explanation and Analysis:
Mathilde is disappointed in her life because she interprets her beauty as a sign that she was born “for all delicacies and all luxuries.” The fact that Mathilde grieves over the dinginess and shabbiness of the apartment shows that her dissatisfaction is essentially directed at the things around her. For Mathilde, material possessions and happiness are inextricably linked. The fact that another woman of her class would not have noticed the things that make Mathilde so unhappy has two meanings. On the one hand, it could be that Mathilde’s extraordinary beauty clashes with her ordinary surroundings; a plainer woman might Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis.

Whenever she sat down for supper at the circular table covered with the same tablecloth for three days, she faced her husband, who, removing the lid from the tureen, ecstatically declared: “Ah! A good stew! I don’t know of anything better!”

But she fantasized about elegant dinners, about shiny silverware, about tapestries filling the walls with ancient figures and exotic birds in the midst of a magic forest; she fantasized about exquisite courses served in wondrous vessels, about gallantries whispered and listened to with sphinxlike smiles, while the diners consumed the rosy flesh of a trout or the wings of a grouse.

Related Characters: Mathilde Loisel, M. Loisel
Related Literary Devices:
Page Number and Citation: 4
Explanation and Analysis:
Mathilde is driven to despair by how ordinary her life is, and this quote shows how she fantasizes in order to escape from the mundanity of her daily existence. The simple stew served on a table whose cloth is three days old symbolizes the humble middle-class life that Mathilde despises. Through her daydreams she lives in a world of fashionable dinner parties where rich tapestries hang on the walls and delicious dishes are served in “wondrous vessels.” As expensive delicacies, trout and grouse are symbols of the wealth Mathilde desires, in sharp contrast with the stew mentioned above. Of course, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Ape

The night of the ball was approaching, and Madame Loisel appeared sad, worried, anxious. Still, her gown was ready.

One evening, her husband said to her: “Listen, what’s wrong? You’ve been acting funny for three days now.”

And she replied: “I’m annoyed that I don’t have any jewelry—not a single gem, nothing to put on. I’ll look downright poverty-stricken. I’d almost rather not go to the ball.”

Related Characters: M. Loisel (speaker), Mathilde Loisel (speaker)
Page Number and Citation: 6
Explanation and Analysis:
Though Mathilde at first insisted that her unhappiness about the ball was due to her lack of a suitable outfit, her husband has given her an expensive dress and she is still not content. This unhappiness stems from the fact that Mathilde’s appetite for material possessions is insatiable. Instead of focusing on the dress—which she already has—Mathilde is obsessed with the fact that she has nothing to wear over it. There is also a gradual escalation in the extravagance of Mathilde’s desires: the dress, costing 400 francs, was already a significant expense for the Loisel family, and now Mathilde wants Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae

Madame Loisel looked first at some bracelets, then at a pearl necklace, then at a marvelously crafted Venetian cross made up of gold and precious stones. She tried the pieces on before the mirror, wavering, unsure whether to keep them or leave them. She kept asking: “Don’t you have anything else?”

“Of course. Keep searching. I can’t tell what you’ll like.”

All at once, in a black satin box, Madame Loisel unearthed a superb diamond necklace, and her heart began pounding with unrestrained desire. Her hands trembled when she picked up the necklace. She placed it on her throat, against her high-necked dress, and remained ecstatic in front of her reflection.

Related Characters: Mathilde Loisel, Jeanne Forestier
Related Symbols: The Necklace, The Mirror
Related Literary Devices:
Page Number and Citation: 6-7
Explanation and Analysis:
To prepare for the party, Mathilde visits her friend Mme. Forestier in order to borrow some jewelry. Mathilde tries on every item in her friend’s jewel box but rejects them all, despite that each one is well-crafted and pretty. Mathilde’s behavior exposes her insatiable greed: she is “unsure of whether to keep them or leave them” and if she could have things her way she would probably take them all, though instead she settles for Mme. Forestier’s most expensive-looking piece. The power that Mathilde invests in objects is made clear by the extremely strong effect that the necklace has on Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis

Monsieur Loisel, bringing the wraps for their exit, tossed them over her shoulders: they were the modest garments of ordinary life, their poverty clashing with the elegance of the ball gown. She sensed the discord and wanted to flee, to avoid being noticed by the other women, who were bundling up in expensive furs.

Related Characters: Mathilde Loisel, M. Loisel
Related Literary Devices:
Page Number and Citation: 7
Explanation and Analysis:
As they are leaving the party, M. Loisel covers Mathilde’s shoulders with the clothes he had brought for going home. However, this seemingly kind and innocuous action has an enormous effect on Mathilde, who associates the wraps with the modesty and the “shabbiness” of the “everyday life” that she despises. This quote demonstrates the power that Mathilde invests in objects, since something as simple as a wrap has the power to turn her entire night upside-down. The fact that Mathilde “wanted to flee” also recalls the beginning of the story when Mathilde turned to daydreams and fantasy to escape her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae

[The carriage] brought them to their front door on Rue des Martyrs, and they sadly trudged up to their apartment. It was all over for her. And as for him, he knew he had to be at the Ministry by ten a.m.

Related Characters: Mathilde Loisel, M. Loisel
Page Number and Citation: 8
Explanation and Analysis:
On their way home from the party, Mathilde and her husband catch a carriage that drops them off in front of their apartment on the Rue des Martyrs. Their address introduces an important theme: the theme of martyrdom. Although Mathilde and her husband’s martyrdom is not fully realized until later in the story, the name of the street foreshadows the loss of necklace and the suffering the Loisels will experience in consequence. Mathilde and her husband’s thoughts as they walk back into their apartment are also telling. With the observation that “it was all over,” Mathilde seems to realize that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut oc

Madame Loisel now knew the horrible life of necessity….She performed the gross household tasks, the odious kitchen chores. She washed the dishes, wearing down her rosy nails on greasy pots and on the bottoms of pans. She washed the dirty linen, the shirts and the dishcloths, and let them dry on a line. She lugged the garbage down to the street every morning and hauled up the water, stopping at every landing to catch her breath. And dressed like a pauper, she went to the produce store, the grocer, the butcher, her basket on her arm, haggling, insulted, defending her miserable cash sou by sou.

Related Characters: Mathilde Loisel
Related Literary Devices:
Page Number and Citation: 10
Explanation and Analysis:
After Mathilde loses Mme. Forestier’s necklace, she and her husband take on an enormous amount of debt to replace it. Because of this they are forced to experience “the horrible life of necessity.” Mathilde’s suffering—or, as Maupassant would have it, her martyrdom—is experienced as a reversal of her previous life: in the end, Mathilde ends up with the exact opposite of what she desired. At the beginning of the story Mathilde was driven to despair by the sight of her humble maid and the shabbiness of her home, instead dreaming of luxurious apartments filled with expensive silks and fine china. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis.

Madame Loisel looked old now. She had become the strong, and hard, and crude woman of poor households. Her hair ill kempt, her skirts awry, and her hands red, she spoke loudly and she washed the floors with big buckets of water. But sometimes, when her husband was at the office, she would sit down at the window and daydream about that long-ago ball, where she had been so beautiful and celebrated.

Related Characters: Mathilde Loisel
Related Literary Devices:
Page Number and Citation: 10
Explanation and Analysis:
The ten years of paying debt take their toll on Mathilde, and her suffering is in large part expressed as a degradation of her physical appearance. Whereas Mathilde was once exceptionally beautiful, she now looks like “an old woman.” Maupassant also further develops the contradiction between beauty and poverty, since Mathilde is now “like one of the poor” and the heavy housework is largely responsible for the loss of her beauty. Like at the beginning of the story, Mathilde loses herself in daydreams to escape from her difficult existence. Instead of wild fantasies, however, she now loses herself in the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusa

“You say you bought a diamond necklace to replace mine?”

“Yes. You didn’t catch on, did you? They were fairly alike.”

And she smiled with proud and naïve joy.

Madame Forestier, deeply moved, took hold of Madame Loisel’s hands. “Oh, my poor Mathilde! My necklace was paste. It was worth at most five hundred francs!”

Related Characters: Jeanne Forestier (speaker), Mathilde Loisel (speaker)
Related Symbols: The Necklace
Related Literary Devices:
Page Number and Citation: 12
Explanation and Analysis:
At the very end of the story, Mme. Forestier reveals that the necklace that Mathilde and her husband spent ten years of their lives trying to replace was actually costume jewelry that was “worth at most five hundred francs.” Mathilde is proud to tell the truth to her friend because she was able to find meaning in her suffering through the worth of the necklace—in a sense, she views her ten years of poverty as a just payment for one night of wealth. In an instant, Mme. Forestier tells Mathilde that her suffering was in fact for nothing. The twist Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earu
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