The Way to Rainy Mountain
by N. Scott Momaday
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Themes and Colors
Language and Storytelling Theme Icon
Memory and History Theme Icon
Origins, Linearity, and Circularity Theme Icon
Nature, Landscape, and Animals Theme Icon
Mixing of Cultures Theme Icon
LitCharts assigns a color and icon to each theme in The Way to Rainy Mountain, which you can use to track the themes throughout the work.
Nature, Landscape, and Animals Theme Icon
Nature, Landscape, and Animals Theme Icon

Nature, landscape, and animals are just as important to Kiowa history and culture as people. This shows the Kiowa veneration of the non-human world and suggests that the Kiowas did not consider humans, animals, and nature to be entirely distinct.

The stories that Momaday narrates include many instances of a blurred line between human and animal. In one story, a man turns into a water beast, and in another a boy becomes a bear. Spiders can be grandmothers and redbirds can be husbands and fathers to humans. Animals’ actions in Kiowa stories are often just as conscious as the actions of people—therefore, animals have as big a role in shaping Kiowa history and culture as humans do. Similarly, in Kiowa history, people and the landscape affect one another profoundly. Humans shape the landscape and nature (for example, by killing all the buffalo, or by clawing the sides of Devil’s Tower) and the landscape shapes humans in return (the Kiowas are carnivores and hunters as opposed to farmers because they come from a landscape filled with animals that they can hunt).

More than any other natural force, horses shaped Kiowa history and culture. Momaday is up front about the difficulty of Kiowa life before horses: hunting was arduous and travel was impossible. Horses rescued the Kiowas from the difficult landscape of the northern plains and “set their nomadic soul free.” Momaday suggests that it was horses that enabled Kiowas to find their destiny and dignity and to settle in their natural landscape of the southern plains. In other words, without the horse Momaday believes that the Kiowas would not have been able to fulfill their nature as a tribe. Because of this, horses were revered.

The landscape itself is also a central character of Rainy Mountain. Momaday’s poetic evocations of the landscape reflect the ways that the Kiowas venerated nature and defined themselves through place. When Momaday writes that “to look upon that landscape [makes you think that this] is where Creation was begun” or that “the landscape of the continental interior lay like memory in her blood” he is communicating that it is the landscape as much as anything else that has made the Kiowas who they are.

This focus on nature, landscape, and animals is part of the unconventionality of the history that Momaday is telling. In most western histories, humans are the central characters. They are distinct from nature, and they act upon the non-human world, not the other way around. The centrality of nature and animals is telling of the Kiowa relationship to the environment—the Kiowas see their history as inextricable from the history of the natural world, and, as such, their stories show Kiowa people to be blended with natural forces.

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Nature, Landscape, and Animals ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Nature, Landscape, and Animals appears in each chapter of The Way to Rainy Mountain. Click or tap on any chapter to read its Summary & Analysis.
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Nature, Landscape, and Animals Quotes in The Way to Rainy Mountain

Below you will find the important quotes in The Way to Rainy Mountain related to the theme of Nature, Landscape, and Animals.

Prologue Quotes

The buffalo was the animal representation of the sun, the essential and sacrificial victim of the Sun Dance. When the wild herds were destroyed, so too was the will of the Kiowa people; there was nothing to sustain them in spirit. But these are idle recollections, the mean and ordinary agonies of human history. The interim was a time of great adventure and nobility and fulfillment.

Related Characters: N. Scott Momaday (speaker), The Kiowas
Page Number and Citation: 3
Explanation and Analysis:
This passage ties together the hardships of the beginning of the Kiowa migration—the time before the Kiowas had Tai-me or horses—and the hardships that the Kiowas faced after disastrous treaties with the U.S. government and the disappearance of the buffalo. This implies a circularity in Momaday’s (and the Kiowas’) understanding of history: the conditions of the past returned hundreds of years later, though in a form and context slightly different from before. It’s notable that Momaday seems to dismiss these periods of hardship (despite their recurrence) as unimportant (or, at least, unremarkable). Momaday suggests that the more important subject to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perfe

To look upon that landscape in the early morning, with the sun at your back, is to lose the sense of proportion. Your imagination comes to life, and this, you think, is where Creation was begun.

Related Characters: N. Scott Momaday (speaker)
Related Symbols: Rainy Mountain
Page Number and Citation: 5
Explanation and Analysis:
In this passage, Momaday is referring to the landscape of Rainy Mountain, or, in other words, the landscape of the Kiowa homeland. Crucially, this passage comes just before Momaday discusses his own return to Rainy Mountain and his decision to retrace the Kiowa migration. This quote is a way to explain the reasoning behind Momaday’s choice. To Momaday (and, presumably, to the other Kiowas) landscape is not a backdrop to culture and history, but an integral part of Kiowa history and identity. Therefore, to seriously engage with the landscape is an essential part of understanding who the Kiowas are and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae

Introduction Quotes

Although my grandmother lived out her long life in the shadow of Rainy Mountain, the immense landscape of the continental interior lay like memory in her blood.

Related Characters: N. Scott Momaday (speaker), Aho
Related Symbols: Rainy Mountain
Page Number and Citation: 7
Explanation and Analysis:
This quote gestures towards an important premise of the book: that history and memory are stored within people, particularly elders. Momaday’s grandmother Aho serves throughout the book as a proxy for the history of the Kiowas, since she witnessed the last Kiowa Sun Dance (the last moment of the Kiowa golden age, when the Kiowas were able to be most themselves). The Kiowa spirit, then, lived within her, even though Kiowa culture had been in decline for decades. Momaday takes this premise further through a chain of metaphors: “landscape of the continental interior” is a stand-in for the Kiowa migration, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur

There is a perfect freedom in the mountains, but it belongs to the eagle and the elk, the badger and the bear. The Kiowas reckoned their stature by the distance they could see, and they were bent and blind in the wilderness.

Related Characters: N. Scott Momaday (speaker), The Kiowas
Page Number and Citation: 7
Explanation and Analysis:
This passage demonstrates the extent to which the Kiowas believed that the landscape shaped people. Before the Kiowas migrated to the southern plains, they lived in the northern wilderness, and this was a time of great hardship. Momaday explains this hardship in relation to nature; the Kiowas understood their place in the world by how far they could see, so in the wilderness they thought of themselves as being of low-status. Though he doesn’t say so, this sense of low status was clearly underscored by the difficulty Kiowas had hunting before the introduction of the horse. Momaday is careful not Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Vo

The Setting Out Quotes

A hundred years ago the Comanche Ten Bears remarked upon the great number of horses which the Kiowas owned. “When we first knew you,” he said, “you had nothing but dogs and sleds.” It was so; the dog is primordial. Perhaps it was dreamed into being.

Related Characters: Comanches, The Kiowas
Related Symbols: Horses
Page Number and Citation: 21
Explanation and Analysis:
This quote gets at several important themes of the book. First, it underscores the idea of the horse as being an essential component of Kiowa identity—before the introduction of the horse, the Kiowas lived a demeaning and hard life, but the horse allowed them to become who they were meant to be. Since horses signify the golden age of Kiowa history and dogs are symbolic of the hard life the Kiowas lived beforehand, this again emphasizes that Kiowas understood themselves in relation to the natural world. The Kiowas suggest that horses and dogs changed them, rather than implying that they Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic

There was a great holiness all about in the room, as if an old person had died there or a child had been born.

Related Characters: N. Scott Momaday, Tai-me
Page Number and Citation: 37
Explanation and Analysis:
This quote is Momaday’s personal memory of visiting the Tai-me bundle as a child. Tai-me is the foundational religious object of the Kiowas, and, as such, its presence is sacred. Momaday describes the whole room as having been suffused with Tai-me’s holiness, and it is significant that this sacredness is described in human terms rather than divine ones—a religious object reminds Momaday of being in the presence of birth or death, two of the most definitive human experiences. This emphasizes the interconnectedness, rather than the separateness, of the human and the divine, which echoes the interconnectedness that the Kiowas saw Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a.

The Going On Quotes

The old men were the best arrowmakers, for they could bring time and patience to their craft. The young men—the fighters and hunters—were willing to pay a high price for arrows that were well made.

Page Number and Citation: 47
Explanation and Analysis:
Throughout the book, Momaday emphasizes the respect that the Kiowas have for older people. This has generally been discussed in the context of storytelling; it is elders who know best the history of the tribe, and it is therefore elders who bear the responsibility and honor of passing on Kiowa history and culture. This quote is a different example of the importance of elders—their experience and patience means that they are able to make arrows of superior quality to the arrows of younger arrowmakers. This passage points, also, to the gender divide among Kiowas. The voice of personal memory that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Du

The Kiowa language is hard to understand, but, you know, the storm spirit understands it. This is how it was: Long ago the Kiowas decided to make a horse; they decided to make it out of clay, and so they began to shape the clay with their hands. Well, the horse began to be. But it was a terrible, terrible thing.

Related Characters: The Kiowas
Related Symbols: Horses
Page Number and Citation: 48
Explanation and Analysis:
This passage begins the Kiowa story of the storm spirit, which explains the phenomenon of storms; the storm spirit emerged from a botched attempt to make a horse out of clay, and the terrible creature that resulted creates frightening storms. Nevertheless, these storms are not truly a threat to the Kiowas, because the storm spirit understands their language and will therefore pass them by when asked. This story is a fascinating tribute to the power of language—like Aho’s word that she wields against frightening things, the Kiowas can use language to diminish the threat of storms. This is also the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perfe

The Closing In Quotes

Once in his life a man ought to concentrate his mind upon the remembered earth, I believe. He ought to give himself up to a particular landscape in his experience, to look at it from as many angles as he can, to wonder about it, to dwell upon it. He ought to imagine that he touches it with his hands at every season and listens to the sounds that are made upon it. He ought to imagine the creatures there and all the faintest motions of the wind. He ought to recollect the glare of noon and all the colors of the dawn and dusk.

Related Characters: N. Scott Momaday
Page Number and Citation: 83
Explanation and Analysis:
This passage closes the body of the book—only the epilogue is left after this, and so this marks the end of the three-section structure that maps onto the three major periods of Kiowa history. As such, this passage can be read as a way to make a conclusion from the arc of Kiowa history, and as a conclusion, it conspicuously refuses to make any sweeping statement of meaning or destiny. Instead, Momaday brings Kiowa history back to the personal, the landscape, and, significantly, the imagination. Momaday had previously referred to the landscape of Rainy Mountain as evoking a sense of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum

Epilogue Quotes

The falling stars seemed to imagine the sudden and violent disintegration of an old order.

Related Characters: N. Scott Momaday (speaker), The Kiowas
Page Number and Citation: 85
Explanation and Analysis:
Momaday opens the epilogue by describing a startlingly bright meteor shower that occurred just as the Kiowa golden age was fraying due to U.S. government violence and the theft of Tai-me by Osages. Significantly, Momaday states that the meteor shower became the symbol of the transition from golden age to decline—the meteor shower represented the “disintegration of an old order.” To define a historical period based on a natural phenomenon whose import was symbolic (rather than, for instance, catastrophic to landscape/human lives) is a different convention than Euro-American history, which tends to define historical periods based on significant political events Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asp