The Wind in the Willows
by Kenneth Grahame

The Wind in the Willows: Imagery 5 key examples

Definition of Imagery

Imagery, in any sort of writing, refers to descriptive language that engages the human senses. For instance, the following lines from Robert Frost's poem "After Apple-Picking" contain imagery that engages... read full definition
Imagery, in any sort of writing, refers to descriptive language that engages the human senses. For instance, the following lines from Robert Frost's poem "After... read full definition
Imagery, in any sort of writing, refers to descriptive language that engages the human senses. For instance, the following lines... read full definition
Chapter Three
Explanation and Analysis—The Enticing Day:

In Chapter 3, the narrator uses vivid imagery to describe Mole and Rat's memories of their summer adventures: 

They recalled the languorous siesta of hot midday, deep in green undergrowth, the sun striking through in tiny golden shafts and spots; the boating and bathing of the afternoon, the rambles along dusty lanes and through yellow cornfields; and the long cool evening at last, when so many threads were gathered up, so many friendships rounded, and so many adventures planned for the morrow.

Chapter Five
Explanation and Analysis—Village Scene:

In Chapter 5, the narrator uses vivid imagery to describe the sight of inhabitants warm and safe at home on a snowy winter night:

Little was visible but squares of a dusky orange-red on either side of the street, where the firelight or lamplight of each cottage overflowed through the casements into the dark world [...] the low latticed windows were innocent of blinds, and to the lookers-in from outside, the inmates, gathered round the tea-table, absorbed in handiwork, or talking with laughter and gesture, had each [...] the natural grace which goes with perfect unconsciousness of observation [...] the two spectators, so far from home themselves, had something of wistfulness in their eyes as they watched a cat being stroked, a sleepy child picked up and huddled off to bed, or a tired man stretch and knock out his pipe on the end of a smouldering log. 

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Chapter Six
Explanation and Analysis—Toad is Prisoner:

At the end of Chapter 6, the narrator uses vivid imagery to describe Toad's capture and arrest: 

The brutal minions of the law fell upon the hapless Toad; loaded him with chains [...] dragged him from the Court House, shrieking, praying, protesting; across the market-place, where the playful populace [...]  assailed him with jeers, carrots, and popular catchwords; past hooting school children [...] under the frowning archway of the grim old castle [...] past sentries who coughed in a horrid sarcastic way [...] past men-at-arms in casquet and corselet of steel, darting threatening looks [...] past ancient warders [...] till they reached the door of the grimmest dungeon that lay in the heart of the innermost keep. There at last they paused, where an ancient gaoler sat fingering a bunch of mighty keys.

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Chapter Seven
Explanation and Analysis—The Horizon:

The narrator uses vivid imagery in  Chapter 7 to describe the changing sky: 

The line of the horizon was clear and hard against the sky, and in one particular quarter it showed black against a silvery climbing phosphorescence that grew and grew. At last, over the rim of the waiting earth the moon lifted with slow majesty till it swung clear of the horizon and rode off, free of moorings; and once more they began to see surfaces—meadows widespread, and quiet gardens, and the river itself from bank to bank, all softly disclosed, all washed clean of mystery and terror, all radiant again as by day, but with a difference that was tremendous.

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Chapter Eight
Explanation and Analysis—Cozy Toad Hall :

In Chapter 8, the narrator uses vivid imagery and personification to describe the appealing nature of Toad Hall:   

The smell of that buttered toast simply talked to Toad, and with no uncertain voice; talked of warm kitchens, of breakfasts on bright frosty mornings, of cosy parlour firesides on winter evenings, when one’s ramble was over and slippered feet were propped on the fender; and the purring of contented cats, and the twitter of sleepy canaries.

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