Dignity Theme Analysis

He could have ended the beatings by running away or succumbing to tears, but he refused to do either. “You could beat him to death,” said Sylvia, “and he wouldn’t say ‘ouch’ or cry.” He just put his hands in front of his face and took it.

The realization that Mac had eaten all of the chocolate rolled hard over Louie. In the brief time that Louie had known Mac, the tail gunner had struck him as a decent, friendly guy, although a bit of a reveler, confident to the point of flippancy. The crash had undone him. Louie knew that they couldn’t survive for long without food, but he quelled the thought. A rescue search was surely under way.

This self-respect and sense of self-worth, the innermost armament of the soul, lies at the heart of humanness; to be deprived of it is to be dehumanized, to be cleaved from, and cast below, mankind. Men subjected to dehumanizing treatment experience profound wretchedness and loneliness and find that hope is almost impossible to retain.

Dignity is as essential to human life as water, food, and oxygen. The stubborn retention of it, even in the face of extreme physical hardship, can hold a man’s soul in his body long past the point at which the body should have surrendered it. The loss of it can carry a man off as surely as thirst, hunger, exposure, and asphyxiation, and with greater cruelty. In places like Kwajalein, degradation could be as lethal as a bullet.

Finally, Louie was introduced to a group of men, Australians and Americans. These men, the producers said, were helping them make broadcasts. As Louie held out his hand, the propaganda prisoners dropped their eyes to the floor. Their faces said it all; if Louie agreed to make this broadcast, he would be forced into a life as his enemy’s propagandist.

Now he was condemned to crawl through the filth of a pig’s sty, picking up feces with his bare hands and cramming handfuls of the animal’s feed into his mouth to save himself from starving to death. Of all of the violent and vile abuses that the Bird had inflicted upon Louie, none had horrified and demoralized him as did this. If anything is going to shatter me, Louie thought, this is it.

A flask became his constant companion, making furtive appearances in parking lots and corridors outside speaking halls. When the harsh push of memory ran through Louie, reaching for his flask became as easy as slapping a swatter on a fly.

For these men, the central struggle of postwar life was to restore their dignity and find a way to see the world as something other than menacing blackness. There was no one right way to peace; every man had to find his own path, according to his own history. Some succeeded. For others, the war would never really end.

Louie had no idea what had become of the Bird, but he felt sure that if he could get back to Japan, he could hunt him down. This would be his emphatic reply to the Bird’s unremitting effort to extinguish his humanity: I am still a man. He could conceive of no other way to save himself. Louie had found a quest to replace his lost Olympics. He was going to kill the Bird.

No one could reach Louie, because he had never really come home. In prison camp, he’d been beaten into dehumanized obedience to a world order in which the Bird was absolute sovereign, and it was under this world order that he still lived. The Bird had taken his dignity and left him feeling humiliated, ashamed, and powerless, and Louie believed that only the Bird could restore him, by suffering and dying in the grip of his hands. A once singularly hopeful man now believed that his only hope lay in murder.

In Sugamo Prison, as he was told of Watanabe’s fate, all Louie saw was a lost person, a life now beyond redemption. He felt something that he had never felt for his captor before. With a shiver of amazement, he realized that it was compassion. At that moment, something shifted sweetly inside him. It was forgiveness, beautiful and effortless and complete. For Louie Zamperini, the war was over.