Washington Square

by Henry James

Washington Square: Similes 7 key examples

Definition of Simile

A simile is a figure of speech that directly compares two unlike things. To make the comparison, similes most often use the connecting words "like" or "as," but can also... read full definition
A simile is a figure of speech that directly compares two unlike things. To make the comparison, similes most often use the connecting words "like... read full definition
A simile is a figure of speech that directly compares two unlike things. To make the comparison, similes most often... read full definition
Chapter 6
Explanation and Analysis—Lighthouse :

In his usual blunt manner, Dr. Sloper decries Lavinia's inconsistent intelligence to Mrs. Almond. He uses a simile to liken her to a "revolving lighthouse" alternating between brightness and darkness:

‘And yet at moments no one blurts things out with such crudity. She is like a revolving lighthouse; pitch darkness alternating with a dazzling brilliancy! But what did you tell her?’ the Doctor asked.

Chapter 14
Explanation and Analysis—Magnified Babyhouse:

James offers a picturesque portrayal of Mrs. Montgomery's home, filling this passage with intense visual imagery and a simile referring to a toy shop. This all comes together to differentiate it from the grand Washington Square residence:

There were green shutters upon the windows, without slats, but pierced with little holes, arranged in groups; and before the house was a diminutive yard, ornamented with a bush of mysterious character, and surrounded by a low wooden paling, painted in the same green as the shutters. The place looked like a magnified babyhouse and might have been taken down from a shelf in a toy-shop.

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Chapter 15
Explanation and Analysis—Formally Submissive:

The narrative presents Catherine's internal conflict about Morris Townsend—namely, her desire to assert herself against her father's overwhelming will—using tactile imagery and a simile referring to the debilitating effect of being crushed by a great physical weight:

The idea of a struggle with her father, of setting up her will against his own, was heavy on her soul, and it kept her formally submissive, as a great physical weight keeps us motionless.

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Chapter 19
Explanation and Analysis—Like a Lancet:

Following a particularly cutting remark from Mrs. Penniman about Dr. Sloper's past family losses, Dr. Sloper retaliates with a look so sharp and intense that James uses a simile to compare it to a medical instrument:

Mrs Penniman hesitated a moment. Then she risked her retort. ‘Your being a distinguished physician has not prevented you from already losing two members of your family!’ She had risked it, but her brother gave her such a terribly incisive look—a look so like a surgeon’s lancet—that she was frightened at her courage.

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Chapter 21
Explanation and Analysis—Copper Kettles:

Publicly deriding Catherine's character, Dr. Sloper employs a simile that he extends into a metaphor. He likens her flaws to indelible dents on a kettle:

She is like a copper kettle that receives a dent; you may polish up the kettle, but you can’t efface the mark.

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Chapter 24
Explanation and Analysis—A Bundle of Shawls:

When Dr. Sloper gives his disdainful view of Catherine’s intellectual capacities as they travel in the Alps, he uses a simile to compare her to a bundle of shawls:

‘She is about as intelligent as the bundle of shawls,’ the Doctor said; her main superiority being that while the bundle of shawls sometimes got lost, or tumbled out of the carriage, Catherine was always at her post, and had a firm and ample seat.

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Chapter 29
Explanation and Analysis—Disembodied Doubts:

As Catherine’s anxieties about Morris Townsend converge on her, they seem to manifest as something real and touchable, a tangible dread. This transformation is captured vividly with the following simile:

A sudden fear had come over her; it was like the solid conjunction of a dozen disembodied doubts, and her imagination, at a single bound, had traversed an enormous distance.

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