Woman Hollering Creek and Other Stories

Woman Hollering Creek and Other Stories

by

Sandra Cisneros

Teachers and parents! Our Teacher Edition on Woman Hollering Creek and Other Stories makes teaching easy.

Emiliano Zapata Character Analysis

A historical leader of the Mexican Revolution, and a character in “Eyes of Zapata.” Emiliano Zapata believed that farmers and other peasants had the right to own and rule the land, and he fought against many of Mexico’s most powerful leaders, ultimately establishing a following devoted to promoting the agrarian concept that the social system ought to center around farming. In Cisneros’s story, Emiliano is a freewheeling figure who keeps multiple lovers at once. Although he is married to María Josefa, he also loves Inés, with whom he has two children, Nicolás and Malena. The nature of his devotion to Inés is unclear, but it’s obvious that she means something to him, as he cares deeply about Nicolás, whom he takes with him to battle—he returns the boy to Inés almost immediately, after a violent experience puts Nicolás in harm’s way. Despite this obvious affection, Emiliano refuses to talk to Inés about their relationship, avoiding all discussions that might define their love.

Emiliano Zapata Quotes in Woman Hollering Creek and Other Stories

The Woman Hollering Creek and Other Stories quotes below are all either spoken by Emiliano Zapata or refer to Emiliano Zapata. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Love, The Joy of Life, & Interconnection Theme Icon
).
Eyes of Zapata Quotes

We drag these bodies around with us, these bodies that have nothing at all to do with you, with me, with who we really are, these bodies that give us pleasure or pain. Though I’ve learned how to abandon mine at will, it seems to me we never free ourselves completely until we love, when we lose ourselves inside each other. Then we see a little of what is called heaven. When we can be that close that we no longer are Inés and Emiliano, but something bigger than our lives. And we can forgive, finally.

You and I, we’ve never been much for talking, have we? Poor thing, you don’t know how to talk. Instead of talking with your lips, you put one leg around me when we sleep, to let me know it’s all right. And we fall asleep like that, with one arm or a leg or one of those long monkey feet of yours touching mine. Your foot inside the hollow of my foot.

Related Characters: Inés Alfaro (speaker), Emiliano Zapata
Page Number: 89
Explanation and Analysis:
Get the entire Woman Hollering Creek and Other Stories LitChart as a printable PDF.
Woman Hollering Creek and Other Stories PDF

Emiliano Zapata Quotes in Woman Hollering Creek and Other Stories

The Woman Hollering Creek and Other Stories quotes below are all either spoken by Emiliano Zapata or refer to Emiliano Zapata. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Love, The Joy of Life, & Interconnection Theme Icon
).
Eyes of Zapata Quotes

We drag these bodies around with us, these bodies that have nothing at all to do with you, with me, with who we really are, these bodies that give us pleasure or pain. Though I’ve learned how to abandon mine at will, it seems to me we never free ourselves completely until we love, when we lose ourselves inside each other. Then we see a little of what is called heaven. When we can be that close that we no longer are Inés and Emiliano, but something bigger than our lives. And we can forgive, finally.

You and I, we’ve never been much for talking, have we? Poor thing, you don’t know how to talk. Instead of talking with your lips, you put one leg around me when we sleep, to let me know it’s all right. And we fall asleep like that, with one arm or a leg or one of those long monkey feet of yours touching mine. Your foot inside the hollow of my foot.

Related Characters: Inés Alfaro (speaker), Emiliano Zapata
Page Number: 89
Explanation and Analysis: