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Part 1, Chapter 6
Themes
and Colors
Key
LitCharts assigns a color and icon to each theme in A Brief History of Seven Killings, which you can use to track the themes throughout the work.
Violence vs. Peace
Masculinity, Sexuality, and Homophobia
Jamaican Culture and Identity
Politics, Power, and Corruption
Witness and Storytelling
Summary
Analysis
Nina is still waiting across the road from the Singer’s house. She wishes Kimmy would visit their parents, and wants to make a plan with her sister about how they can leave Jamaica. Nina knows she should go home, but can’t bring herself to do it. Nina was once on a bus that was evacuated by the police. She thinks that every Jamaican is secretly a little happy when a police officer gets shot. Now she sees a fat policeman looking at her, so she goes back to the Singer’s house and again asks to see him. She tells the guard that she is pregnant with the Singer’s child, but the guard only replies that countless women come to the house saying the exact same thing.
Nina wants to be exceptional, but in reality she is something of an “everywoman.” Her struggles and desires are the same as countless other women in Jamaica, and in this sense Nina is less of an individual character and more of a symbol. She represents those people––particularly women––who are intelligent, well-educated, and ambitious, and who dream of escaping Jamaica to lead a better life.
Active
Themes
A white man pulls up and introduces himself to the guard as Alex Pierce, a writer for Rolling Stone. Alex insists that he was told by a secretary to come and interview the Singer at this time, during rehearsal break, but the guard won’t let him in. Alex offers the guard money, but he refuses, and Nina laughs. They talk and Nina teases him. Alex says that he’s not “some tourist” and that he knows “the real Jamaica,” to which Nina replies that she hasn’t found the real Jamaica yet. They both walk to the bus stop, and Alex gets on the first bus that comes. Nina, however, keeps waiting.
Active
Themes
