American Psycho
American Psycho
by Bret Easton Ellis

Materialism and Consumption Theme Analysis

Themes and Colors
Materialism and Consumption Theme Icon
Identity and Isolation Theme Icon
Monotony and Desensitization Theme Icon
Vice and Violence Theme Icon
The Truth Theme Icon
LitCharts assigns a color and icon to each theme in American Psycho, which you can use to track the themes throughout the work.
Materialism and Consumption Theme Icon
Materialism and Consumption Theme Icon

In American Psycho, Patrick Bateman and his band of incredibly wealthy Wall Street colleagues live lives of utter excess, purchasing nothing but the finest things, wearing only the finest clothes, eating at only the chicest restaurants, and looking down on any who fall short of their standard. These characters are exaggerated stereotypes of the 1980s Wall Street “yuppie” class that Ellis means to critique – often to the point of satire – in his novel. Ellis engages in this critique not through any attempt at realism, but rather by amplifying the characters’ obsession with materiality and abandonment of all values other than wealth to extreme degrees.

Every time Bateman encounters another person, he describes in detail what they are wearing and the high-end designer labels of their clothes. His meticulous descriptions and severe judgments reveal a character who calculates a person’s worth based entirely on their wealth and outward appearance. Bateman and his friends’ obsessions with their own images – being seen in the right places, with the right people, looking the right way – displays a hollowness of self, suggesting that the shallowness of this “yuppie” class may be connected to feelings that they exist within a culture that says the only way for them to attain self-esteem, value, and place in society is to buy it. Bateman and his associates also have a practice of ridiculing homeless people and beggars. Bateman, for instance, describes one homeless woman as “ugly” and “old,” and makes a practice of dangling money in front of beggars’ faces, only to gleefully snatch it away and enjoy their anguish and tears. Bateman and his Wall Street friends are model citizens in a capitalist society: they work, make money, and spend it. Because beggars and the homeless do not have the wealth and possessions that they do, they are seen as devoid of value and humanity, not worthy of respect or care.

But Ellis pushes even further (the novel isn’t called American Jerk after all; it’s American Psycho). Bateman’s hatred and mistreatment of the homeless turns violent when he first interrogates and then attacks a homeless man, Al, and his dog. After telling him to “get a job” and ridiculing him for “reek[ing] of… shit,” Bateman slowly and meticulously drives a blade into the man’s eyes and stomps on his dog’s legs. He goes on to kill a number of other homeless people, including Al. These attacks indicate, obviously, that not only does Bateman believe that the homeless are beneath his care, but that they are undeserving even to live. They also suggest a kind of desperation on Bateman’s part, however: he kills the homeless not just because he can, but because his worldview means he must. A homeless person being allowed to live suggests that people have inherent worth that has nothing to do with their wealth. By this logic, only by murdering and torturing the homeless – only by asserting that they have no worth – can Bateman fully believe that his wealth and possessions and status give him worth.

The novel, then, pushes Bateman and his friends’ ideas about homeless people to their furthest logical extensions until the result reveals the insanity – the psychotic-ness – of the original belief. The novel does the same with the idea of “consumption.” Bateman and his wealth- and possession-obsessed friends believe that consumption, the purchase of material goods, is all that matters. As it progresses, the novel graphically relates Bateman’s consumption of material goods – the best clothes, electronics, fine dining – to a cannibalistic consumption, as he starts eating the remains of his victims and consuming their own flesh in front of them. At one point, for instance, the novel describes “the fresh smell of blood cooking” and a pair of cooked breasts lying, “rather delicately, on a china plate I bought at the Pottery Barn.” Here, Ellis compares the insanity of Bateman’s meticulous materialism to the methodical consumption of human flesh. As cannibalism is a human eating the flesh of another human, the novel suggests that materialism is eating away at Bateman’s own humanity and his ability to value others as anything other than flesh to be used. Bateman’s sociopathic appetite for violence and disregard for others’ humanity, the novel insists, is just the ultimate end point for a capitalist, consumer culture that values only wealth and materialism and sees no inherent value in anything else.

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Materialism and Consumption Quotes in American Psycho

Below you will find the important quotes in American Psycho related to the theme of Materialism and Consumption.

April Fools Quotes

ABANDON ALL HOPE YE WHO ENTER HERE is scrawled in blood red lettering on the side of the Chemical Bank near the corner of Eleventh and First and is in print large enough to be seen from the backseat of the cab as it lurches forward in the traffic leaving Wall Street and just as Timothy Price notices the words a bus pulls up, the advertisement for Les Misérables on its side blocking his view…

Related Characters: Patrick Bateman (speaker), Timothy Price
Related Symbols: The Devil and Hell, Les Misérables
Page Number and Citation: 3
Explanation and Analysis:
This passage, which opens the novel, begins with a quote from Dante’s Inferno, an epic poem detailing the author’s journey through the circles of hell. This is the first instance of devil and hell imagery which appears throughout the novel, and serves to establish the dark, painful, and sadistic tone of the novel and its narrator, as well as connecting that notion directly to the Wall Street world in which Bateman lives – this is done by depicting these words directly on the walls of a bank. The graffiti scrawl and color of the words additionally evokes the image of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque

“I’m resourceful,” Price is saying, “I’m creative, I’m young, unscrupulous, highly motivated, highly skilled. In essence what I’m saying is that society cannot afford to lose me. I’m an asset.”

Related Characters: Timothy Price (speaker), Patrick Bateman
Page Number and Citation: 3
Explanation and Analysis:
In this introductory moment, Timothy Price makes incredibly clear the value he believes he brings to the world – he, and the others in his circle, are the cream of the crop, contribute to society and humanity more than any other, and should be held up as people with far greater inherent value and worth than others. Interestingly, the qualities listed here by Price are likely not the only reasons he believes he has such value. Price, Bateman, and the rest of their friends, as will be revealed throughout the rest of the novel, believe themselves to be “assets” to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. R

Tunnel Quotes

All of the men outside Tunnel tonight are for some reason wearing tuxedos, except for a middle-aged homeless bum who sits by a Dumpster, only a few feet away from the ropes, holding out to anyone who pays attention a Styrofoam coffee cup, begging for change, and as Price leads us around the crowd up to the ropes, motioning to one of the doormen, Van Patten waves a crisp one-dollar bill in front of the homeless bum’s face, which momentarily lights up, then Van Patten pockets it as we’re whisked into the club, handed a dozen drink tickets and two VIP Basement passes.

Related Characters: Patrick Bateman (speaker), Timothy Price, David Van Patten
Page Number and Citation: 52
Explanation and Analysis:
This passage clearly displays the class distinctions that are at play in the novel and which were important realities in the real-life 1980s (as they are today). Historically, the 1980s were a decade of incredible economic and technological expansion in the United States. On Wall Street, real men (and women) like Bateman and his friends amassed vast sums of money and lived lavish lifestyles filled with sex and drugs. At the same time, the 1980s, especially in New York, were a moment of dire difficulties for the poor and homeless in cities. The popularity of crack cocaine and law enforcement Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusa

Office Quotes

“Don’t wear that outfit again,” I say, looking her over quickly… “do not wear that outfit again. Wear a dress. A skirt or something… You’re prettier than that… And high heels,” I mention. “I like high heels.”
She shakes her head good-naturedly as she exits…

Related Characters: Patrick Bateman (speaker), Jean
Page Number and Citation: 66-67
Explanation and Analysis:
Bateman views women as nothing more than objects. Whether it’s Jean, his secretary, Evelyn, his girlfriend, or a prostitute he hires, he believes women exist only to serve him and to aid in his pleasure, whether it be sexual or simply visual. Furthermore, because Jean works for Bateman and thus, in his mind, belongs to him, she is an extension of the persona of perfection, style, and dominance that he presents, and therefore must align her appearance with his standards. Bateman’s objectification of women will play a large role in his descent into reckless and sadistic killing; if a woman Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam off

Tuesday Quotes

“Why don’t you get another one?” I ask. “Why don’t you get another job?”
“I’m not…” He coughs, holding himself, shaking miserably, violently, unable to finish the sentence.
“You’re not what?” I ask softly. “Qualified for anything else?”

“Listen, do you think it’s fair to take money from people who do have jobs? Who do work?”
His face crumples and he gasps, his voice raspy, “What am I gonna do?”

Related Characters: Patrick Bateman (speaker), Al (speaker)
Page Number and Citation: 130
Explanation and Analysis:
In Bateman’s world, a person’s worth is linked explicitly to their place in a capitalist hierarchy. This means that whoever is contributing most to the global economic boom of the 1980s (making more money, spending more money on more material goods, working with the Wall Street banks that uphold and profit from business and the movement of money and capital) is the most valuable. In Bateman’s eyes, then, a homeless person is devoid of value because they have no money (and thus, no money to spend) and do not have a job. It is disgusting to him to even imagine Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur e

Lunch Quotes

“My life is a living hell,” I mention off the cuff, while casually moving leeks around on my plate, which by the way is a porcelain triangle. “And there are many more people I, uh, want to… want to, well, I guess murder.” I say emphasizing this last word, staring straight into Armstrong’s face.

Related Characters: Patrick Bateman (speaker), Armstrong
Page Number and Citation: 141
Explanation and Analysis:
In many instances throughout the novel, Bateman will describe himself admitting his crimes or threatening horrid violence in casual conversation with his friends. Yet every time, these admissions are either ignored completely or greeted with friendly laughter. Especially early on, these moments highlight the unreliability of Bateman as a narrator, an idea that will grow exponentially as events continue. It is unclear in these moments if Bateman is truly saying these things and being ignored, or if he is merely imagining himself saying these things. If he is indeed making these admissions and being ignored completely, the reader can see, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta imped

A Glimpse of a Thursday Afternoon Quotes

…I’m sweaty and a pounding migraine thumps dull in my head and I’m experiencing a major-league anxiety attack, searching my pockets for Valium, Xanax, a leftover Halcion, anything… I’ve forgotten who I had lunch with earlier, and even more important, where.

Related Characters: Patrick Bateman (speaker)
Page Number and Citation: 148-149
Explanation and Analysis:
Bateman’s mental health has begun to deteriorate, and (as both a cause and effect) his reliance on drugs, prescription and otherwise, has been steadily increasing. In this passage and the rest of this chapter, the reader sees just how much drugs grown to affect Bateman’s life. For Bateman, things like where he has lunch and with whom he is seen are incredibly important, as both his society’s system of value and his own self-worth are calculated based on material and social matters like money, fine dining, and “schmoozing.” Now, however, his drug habit has eclipsed this set of values, forcing Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deser

Shopping Quotes

My priorities before Christmas include the following: (1) to get an eight o’clock reservation on a Friday night at Dorsia with Courtney, (2) to get myself invited to the Trump Christmas Party aboard their yacht, (3) to find out as much as humanly possible about Paul Owen’s mysterious Fisher account, (4) to saw a hardbody’s head off and Federal Express it to Robin Barker – the dumb bastard – over at Solomon Brothers and (5) to apologize to Evelyn without making it look like an apology.

Related Characters: Patrick Bateman (speaker), Courtney Lawrence, Evelyn Richards
Related Symbols: Donald Trump
Page Number and Citation: 177-178
Explanation and Analysis:
Bateman clearly (and comically) lays out for the reader his priorities, giving a concise and encompassing view of his values. He’s determined to get into the most exclusive and elite restaurant in New York (a huge status symbol) and wants to bring, not his girlfriend, but his colleague’s girlfriend. He also wants access to the party of the season, hosted by the man he idolizes above all others: supreme capitalist and celebrity businessman Donald Trump. At the same time, Bateman’s obsession over Paul Owen’s mysterious Fisher account and his immense jealousy of Owen continues to grow, and his appetite for Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus.

Killing Child at Zoo Quotes

I feel empty, hardly here at all, but even the arrival of the police seems insufficient reason to move and I stand with the crowd outside the penguin habitat… until finally I’m walking down Fifth Avenue, surprised by how little blood has stained my jacket, and I stop in a bookstore and buy a book and then at a Dove Bar stand on the corner of Fifty-sixth Street, where I buy a Dove bar – a coconut one – and I imagine a hole, widening in the sun…

Related Characters: Patrick Bateman (speaker)
Page Number and Citation: 300
Explanation and Analysis:
Bateman has just committed one of his must horrific and risky crimes: the public killing of a young boy at the Central Park Zoo. What’s more, he stuck around afterwards, claiming he’s a doctor and rushing in to try to give the dying boy first aid while a giant crowd circled. Not only does he show no remorse for what he’s done, but he makes no attempt to protect his identity, cover his tracks, or escape the scene to avoid suspicion. By now, he has gone so far deep into his killing spiral that these notions are not even considerations Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est.

Tries to Cook and Eat Girl Quotes

…while I grind the bone and fat and flesh into patties, and though it does sporadically penetrate how unacceptable some of what I’m doing actually is, I just remind myself that this thing, this girl, this meat, is nothing, is shit, and along with a Xanax (which I’m now taking half-hourly) this thought momentarily calms me and then I’m humming…

Related Characters: Patrick Bateman (speaker)
Page Number and Citation: 345
Explanation and Analysis:
Having descended so far into sex, drugs, and killing, Bateman’s materialistic consumption has been exaggerated by Ellis to a cannibalistic consumption, where he has begun preparing and eating the flesh of his victims just as his life of capitalist materialism has eaten away at his own humanity (and that of others). He has not lost his meticulous touch, though, arranging and preparing the food as a delicacy. Bateman reminds himself that the flesh in front of him is “nothing,” that the woman he killed – now completely objectified as ”meat” – has never been more than an object, something to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaq

Something on Television Quotes

“Please do not sit in the same row in court with Janet. When I look over toward you there she sits contemplating me with her mad eyes like a deranged seagull studying a clam… I can feel her spreading hot sauce on me already…”

Related Characters: Patrick Bateman
Related Symbols: “The Patty Winters Show”
Page Number and Citation: 364
Explanation and Analysis:
Bateman is watching yet another strange episode of “The Patty Winters Show.” This time, however, the topic is not so strange as to immediately assume the moment to be a hallucination, but instead so right on the money with discussions of violence and guilt that it may be more a manifestation of a glimmer of conscience inside Bateman. This particular quote comes from a real-life letter written by serial killer Ted Bundy in prison, and its mention of hot sauce being spread on a body conflates flesh and food and violence in the same way Bateman has come to do Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedi

End of the 1980s Quotes

…it did not occur to me, ever, that people were good or that a man was capable of change or that the world can be a better place through one’s taking pleasure in a feeling or a look or a gesture, of receiving another person’s love or kindness. Nothing was affirmative, the term “generosity of spirit” applied to nothing, was a cliché, was some kind of bad joke. Sex is mathematics. Individuality no longer an issue. What does intelligence signify? Define reason?... Evil is its only purpose. God is not alive. Love cannot be trusted. Surface, surface, surface was all that anyone found meaning in.. this was civilization as I saw it, colossal and jagged…

Related Characters: Patrick Bateman (speaker)
Page Number and Citation: 375
Explanation and Analysis:
Bateman takes a moment to – in an incredibly coherent, intelligent, and articulate voice – ruminate on his feelings of isolation and desensitization. Having withdrawn into his own demented mind and grown unfeeling to even the most visceral and horrific acts, he tells the reader that he has never believed in human goodness (or, that he has erased any memory of such experiences or beliefs) and that there is no hope for the world to improve in any way. As he describes it, the world becomes a hell in which there is only eternal pain and suffering. Bateman even goes Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mo

Taxi Driver Quotes

While walking back to the highway, I stop, choke back a sob, my throat tightens. “I just want to…” Facing the skyline, through all the baby talk, I murmur, “keep the game going.” As I stand, frozen in my position, an old woman emerges behind a Threepenny Opera poster at a deserted bus stop and she’s homeless and begging, hobbling over, her face covered with sores that look like bugs, holding out a shaking red hand. “Oh will you please go away?” I sigh. She tells me to get a haircut.

Related Characters: Patrick Bateman (speaker)
Related Symbols: Les Misérables
Page Number and Citation: 394
Explanation and Analysis:
After a deeply ironic turning of tables, Bateman has just been robbed of his material possessions and bullied by someone he considered to be a far lesser person than him: a taxi driver, who recognized Bateman’s face from wanted posters downtown and claims to have known the taxi driver he killed during the chase. Utterly distraught, the world he’s built for himself inside his head crumbling, Bateman reluctantly weeps. His plea to “keep the game going” reveals a sense, on his part, that things are coming to an end – that he has run his marathon of isolated horror for Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum.

At Harry’s Quotes

“Well, though I know I should have done that instead of not doing it, I’m twenty-seven for Christ sakes and this is, uh, how life presents itself in a bar or in a club in New York, maybe anywhere, at the end of the century and how people, you know, me, behave, and this is what being Patrick means to me, I guess, so, well, yup, uh…” and this is followed by a sigh, then a slight shrug and another sigh, and above one of the doors covered by red velvet drapes in Harry’s is a sign and on the sign in letters that match the drapes’ color are the words THIS IS NOT AN EXIT.

Related Characters: Patrick Bateman (speaker)
Related Symbols: The Devil and Hell
Page Number and Citation: 399
Explanation and Analysis:
Bateman finds himself out to drinks with his friends, talking about clothing and women and business; it’s as if the events of the entire novel have never happened and we’re right back where we started. Bateman attempts to make an intelligent speech about what it means to be him, at his age, in the age he’s living. But he fumbles. He’s lost his way with words, and is grasping at an explanation for the situation and life and world in which he’s found himself. Trying to make a universal statement, he realizes that he is unlike anyone else around him; Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atqu