Bud, Not Buddy

by

Christopher Paul Curtis

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Bud, Not Buddy: Chapter 8 Summary & Analysis

Summary
Analysis
The noise of someone stepping on a stick wakes Bud up. The person seems to sense that Bud is awake and stands very still. Though Bud can’t see them from under his blanket, he gets ready to attack them with his jackknife.
Bud is alert as soon as he feels someone’s presence watching him as he sleeps. He shows that he is prepared for whoever the intruder may be by taking out his jackknife and getting ready to defend himself—once again, Bud must be his own parent and fend for himself.
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Bud gets ready to pull back the blanket and start “running or stabbing,” but someone jumps on him before he can do anything. As Bud gets ready to aim his jackknife at the person’s heart, he hears the person say, “If you ain’t a kid called Bud from the Home I’m really sorry about jumping on you like this.” From that, Bud realizes it is Bugs.
Bud continues to cautiously prepare to defend himself in an extreme and violent way. Luckily, Bugs’s revelation that he is looking for “Bud from the Home” deescalates the situation, and Bud realizes he is joined by a friend rather than a foe.
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Quotes
Bud eventually makes Bugs get off him and tries to catch his breath. He realizes that Bugs is on the run as well and Bugs confirms this, saying that after he heard about what Bud did to the “kid” (Todd), he was inspired to take off too and thought he would find Bud at the library in case Bud wanted to leave together.
In addition to both being from the Home, Bugs and Bud now share the experience of being homeless and fending for themselves. It is a moment that brings them closer together, since Bugs follows up by specifically asking Bud if they can join forces.
Themes
Economic Insecurity and Community Theme Icon
Family and Home  Theme Icon
Bud asks questions about Bugs’s plans to catch a train the following day, go out West, and pick fruit to make money. Bugs asks Bug questions about the age and size of the kid Bud “beat up.”
Bud is detail-oriented and thus asks Bugs logistical questions about his plans to go West by catching a train, while Bugs asks him about Todd Amos. That Bugs even knows about Todd and Bud’s fight reveals that Mrs. Amos has already informed the Home of what she believes to be Bud’s bad behavior.
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After Bugs explains everything from sleeping to peeing on the train to his friend, Bud excitedly agrees to go West with Bugs. They commemorate their decision with a spit-soaked handshake, and Bud is delighted to “finally have a brother.” They decide to go to the mission to ask for advice on how to find the train.
Bud appears to have never felt as close to someone, besides his mother, as much he does to Bugs in this moment. After they make their plans, Bud feels as if he has finally found a family and a home in Bugs.
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Quotes
They find out that they must catch the train from Hooperville. They follow a trail along Thread Creek through the woods until they get to Hooperville. When they do, they hear music and people and a crackling fire. Bud is surprised about how small the town is. He notes that a “big wind or even two or three big wolves huffing and puffing real hard could blow Hooperville into the next county,” because it is mostly made of “boxes” and “shacks.”
Bugs and Bud, even more resourceful now that they are a two-person team, find the road to Hooperville, where they will catch the train. They are greeted by a music and what sounds like a community of people living in what looks like a makeshift town. It catches Bugs and Bud by surprise and they are unsure of what to make of the big group and the really poor living conditions.
Themes
Economic Insecurity and Community Theme Icon
Bud notices that there are two big fires in use in Hooperville. One man stirs things in a pot over the fire and gives the clothes he brings out of it to a white man. The other fire, which is set apart from the rest of the group, is surrounded by five white people: two kids, a man, a woman, and a baby.
Bud continues to carefully observe some of Hooperville’s other characteristics: the food, what the fires are being used for, and the demographic of the town in an attempt to understand it.
Themes
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Bugs and Bud flip a coin to see who should ask for food. Bud loses, and Bugs tells him to ask the residents if they are in Hooperville and if they have any extra food.
In flipping a coin, Bugs and Bud treat their situation—running away from the orphanage and the foster care system—as a game rather than a serious endeavor with steep repercussions. While Bud is wise beyond his years, moments like this are poignant reminders that he still just a child.
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Bud goes up, waits until he gets the residents’ attention before asking the if he is in Hooperville. One of the white men sitting around the fire is confused, so Bud asks his question again. A man who was playing the mouth organ corrects him by telling him the place he’s actually looking for is called Hooverville, as in President Hoover.
The homeless population boomed during the Great Depression, with many people losing their homes due to being unable to pay their mortgages. In response to this, homeless people turned to constructing shanty towns called “Hoovervilles,” named after President Herbert Hoover. Hoover was president during the Depression and many people believed he was to blame for the economic crisis.
Themes
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The mouth-organ man tells Bud that this is one of many Hoovervilles, which annoys Bud, because it makes it hard to say if this is the right Hooverville. The man then asks Bud if he’s hungry (Bud says yes), tired (again Bud says yes), and scared of what tomorrow brings (Bud says, “not exactly” because he’s trying to be brave), because as long as he is “in need,” he is in the correct Hooverville.
Bud is still confused when he learns that there are multiple Hoovervilles. His anxiety about whether or not he is in the right one emphasizes how detail-driven he is. Part of his ability to be resourceful is to understand his environment as much as possible. However, the mouth-organ man reminds Bud that as long as he needs some solace from the difficult economic times, he is in the right place, highlighting the novel’s overarching idea that financial hardship brings people together.
Themes
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Bugs appears from behind the tree and the man tells them to look around at Hooverville. Bugs and Bud realize it is much bigger than they originally thought. They also notice that it is very diverse, with “black, white, and brown [people].” Bud notes, though, that the glow of the fire “made everyone look like they were different shades of orange.” The mouth-organ man tells them that all the people are similar to them, and that Hooverville is “nearer to home than [they’ll] ever get.” He cautions them against riding the rails and looking for better things because “they’re singing the same sad song all over the country.” He adds that because the boys are from Flint, this is the right Hooverville for them.
Bugs joins Bud immediately, and they realize the true size of their new temporary home, how it seems to have space for everyone within its makeshift walls. They also note the diversity of Hooverville and how everyone—regardless of race—seems to belong, united by the same shared economic struggle. Even though Bugs and Bud just arrived, the mouth-organ man encourages them to call Hooverville home and take part in belonging to the community of people who share many of their same hardships.
Themes
Economic Insecurity and Community Theme Icon
Family and Home  Theme Icon
Race and Racism Theme Icon
Quotes
The mouth-organ man invites Bugs and Bud to eat as long as they agree to pitch in by serving on the “KP,” or “Kitchen Police,” and doing the cleanup. Bugs and Bud agree; a woman gives them some makeshift china, and they help themselves to two servings of muskrat stew.
At last, Bugs and Bud share in a meal with other Hooverville residents. Again, because community is so important within Hooverville, Bugs and Bud are expected to do their part to maintain Hooverville in exchange for care and food.
Themes
Economic Insecurity and Community Theme Icon
When it is time for the boys to fulfill their cleanup tasks, the woman asks Bud to leave his suitcase while they clean. Bud resists but eventually consents at the end. However, he asks the woman to assure him that no one will touch it, before he leaves it near her feet.
Bud appears to trust his fellow community members so much that he agrees (albeit hesitantly) to leave his suitcase with a woman he barely knows while he does his share of work.
Themes
Economic Insecurity and Community Theme Icon
Bud notices that he, Bugs, a girl, and a little white boy will be doing the dishes. The girl is in charge and splits the group into two: she’ll be with Bud, and Bugs will be with the white boy. That way, they can each do half of the dishes.
This passage contains another reminder that Hooverville is a racially diverse community, which is significant given the fact that the book is set in the midst of the Great Depression, when racial segregation was still widespread.
Themes
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The girl introduces herself as Deza Malone, and Bud introduces himself. They find a spot at the creek, and the girl tells him that she’ll wash while he dries. As they work, Bud tells her he plans to take the train to Chicago. Deza tells him that her dad plans to take it too to look for work in the West again. Bud notices that though she’s “real fast at washing the dishes,” she is “touching [his] hand a lot” as she gives the dishes to him.
Deza’s reflections on her dad reveal that, like Bud, she places a lot of emphasis on family. She appears to miss his presence similar to the way Bud misses his mother’s presence.
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Deza asks him about his family, and Bud tells her his mother died and he believes his father lives in Grand Rapids. Deza tells him that family is the most important thing there is, and Bud responds that his mother used to say something similar to him. Bud stops talking abruptly when he believes he’s said too much.
Bud also opens up about his family to Deza and reveals that he thinks that his father is in Grand Rapids. It appears the longer he spends outside of the foster care system, the more he thinks about his mother and the flyers that once belonged to her. Of course, the more he thinks about the flyers, the more he thinks the man in them must be his father. Deza encourages this line of thought by bringing up the importance of family, making Bud even more aware of his mother’s absence and how much he hopes he’ll get another chance to have a family. Bud stops talking towards the end, afraid that if he continues to talk about his hopes out loud, it may jinx it.
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After Deza presses him a little more, Bud decides to open up after all. Bud remembers how his mother would tell him “that there had never been a little boy, anywhere, anytime, who was loved more than she loved [him].” Deza tells him that he’s different because he carries his “family around inside of [him],” and Bud agrees that he does carry them inside—and “inside [his] suitcase” as well.
Bud’s recollections of his mother become more nostalgic and he appears to long for the love and validation she gave him before she passed. Deza reminds him, however, that his mother is still present in his thoughts and memories. Bud also suggests that he has preserved her and her memory within his suitcase, which is filled with things that once belonged to her.
Themes
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Quotes
Deza asks Bud why he doesn’t go back to the orphanage, and finally Bud comes clean and tells her that he’s on the run; he asks her not to tell anyone. Deza then warns him about the railroad police and how he’s “going to have a bad surprise tomorrow morning.”
While Bud would not trust an adult with this information, he trusts Deza enough to tell her that he is on the run. Deza decides to be open with him as well and hints that tomorrow will be eventful because of the railroad police—something Bud hasn’t seemed to plan for.
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Deza asks Bud if he’s ever kissed a girl at the orphanage. Bud worries that he has to kiss her to prove himself, and so he does. After, Deza puts her hand in Bud’s and he leaves it there. Together they listen to a song called “Shenandoah.” Deza tells him it reminds her of her parents. Eventually Bud pulls his hand away. Deza tells him she’ll “never forget this night,” and though he doesn’t say anything, he knows he’ll always remember it as well because it was his first kiss.
Bud and Deza’s conversation grows romantic until they eventually kiss, an action that cements their budding friendship and comfort with each other. For one brief moment, it is them against the adult world. Deza senses how important their shared moment is and insists it will stay with her forever, making Bud realize that he probably won’t either. It will be a moment of happiness in an otherwise bleak and poor life on the run.
Themes
Economic Insecurity and Community Theme Icon
Children vs. Adults Theme Icon
They reunite with Bugs and his dishwashing partner and begin walking back. They pass the group of white people with a coughing baby, and Bud asks if “they aren’t allowed to sit around the big fire ‘cause [the] baby’s making so much noise.” Deza tells her it’s actually because they claim that as “white people,” they “ain’t in need of a handout.”
Bud encounters a group of white people who have set themselves apart from the community and realizes that racism can exist even in what seems like such a racially diverse and welcoming place.
Themes
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When they get back to the main fire, Bud retrieves his suitcase and is happy to see it hasn’t been tampered with. Bud and Bugs go to sleep to prepare for tomorrow. Bugs falls asleep quickly, but Bud can’t. Instead, he takes out and “opens his jackknife and put[s] it under [his] blanket.”
Bud reunites with his suitcase and like before, it brings him great pleasure to be reunited with something that is so tied to his memories of his mother. Bud sleeps with a jackknife—an engrained habit by this point—prepared to fend off anything that may take him by surprise during the night.
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Bud wonders if it’s a good idea to go to California given that it made “a whole lot more sense to think that they were somewhere around Flint instead of out west.”
Bud continues to think of his conversation with Deza about family until he has the realization that maybe he should stay in Michigan to chase the hope, on the chance it is true, that he has family out there waiting for him.
Themes
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Quotes
Eventually, Bud goes through his suitcase to make sure everything is still in it. He looks through the “five smooth stones” that he found after the ambulance took his mother away. However, he is unable to decipher the codes on them, like “flint m. 8.11.11.” and “gary in. 6.13.12.” He then makes sure his mother’s picture is still in its proper place.
Bud goes through his suitcase again, almost looking for a sign to confirm what he wants to be true more than anything: that he has family somewhere. He brings out the rocks, but they are still decipherable, so he settles for looking through other items looking for clues.
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Bud saves the flyers for last. He takes a closer look at the “blue one” and thinks that Momma must have been more bothered by this one because the man in it is his father—after all, “Why else would Momma keep these?”
Bud examines the flyers and concludes that the man in them is definitely his father. While he had hoped that this was true in the past, in this moment, he has successfully convinced himself that it must be true, revealing just how deeply he longs for a family of his own.
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After using a trick of breathing deeply to help him fall asleep, Bud then pretends Momma is reading him stories. He dreams first about the “man with the giant fiddle,” from the photo, then Herman E. Calloway, and then Deza Malone.
Bud is able to sleep, convinced that there is family out there waiting for him. Bud’s dreams seem to confirm that he’s on to something as Herman E. Calloway features in his dreams heavily.
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Bud wakes up to man loudly screaming that “they’re trying to sneak it out early.” Bud runs outside and someone tells him and Bugs that the train is “trying to sneak out before [they] get up.” Bugs urges Bud that they have to get on the train, so Bud hastily packs up his suitcase.
Bud awakens to the news that he and Bugs might not make the train. Ever adaptive as usual, Bud prepares to run to meet it.
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However, a boy gets Bud’s attention and he realizes he has forgotten his flyer. He runs back and gets it, before joining the “million men and boys running in the same direction.”
Bud’s refusal to leave the flyer behind shows that when it comes down to it, Bud’s family is the most important thing to him—more important than Bugs, more important than getting on the train, more important than going West.
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When they get to the train, Bud tries to find Bugs and pushes through the front of the crowd; however, he realizes that people have stopped because of the four cop cars. The cops tell the crowd to disperse but it continues to get bigger.
Though Bud is unable to find Bugs, Bud is not alone. It is as if Bud exists with the rest of the crowd trying to get on the train as one giant body. Everyone shares the same goal of getting on that train and finding a better life no matter the cost.
Themes
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The crowd of people attempting to get on the train continues to get bigger making one of the cops give up on controlling the crowd by throwing “his cop hat” and “billy club to the ground.” The train whistle, meanwhile, picks up steam, as more cops follow the example of the first cop and throw their hats and clubs down.
More people join the crowd of people trying to get on the train heading towards the hope of a better, more stable life, once again revealing how financial hardship can bring people together. United and ready to put up a fight to get what they want, they are able to scare off the cops.
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The engine gets louder and the crowd rushes to the train. Bud starts running and sees Bugs. He throws him his suitcase, but the flyer falls. It lands in Bud’s hand and he slows down and puts it in his pocket. However, he is unable to join Bugs on the train as a result, so Bugs throws Bud’s suitcase back out of the train, and Bud walks to retrieve it as the train speeds away.
In a split-second decision, Bud has to choose between retrieving his flyer and getting on his train with his “brother.” In other words, he has to choose between the security of living with Bugs, someone he’s known for a long time, and the hope of finding his father. Bud chooses the flyers, which means that his temporary role as Bugs’s brother abruptly comes to an end. However, the moment shows that Bud feels like he has something worth fighting for here in Flint.
Themes
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Quotes
When Bud heads back to Hooverville, he hears gunshots and hides in the woods. From his hiding place, he sees a blazing fire and the cops throwing “wood and cardboard and hunks of cloth into the middle of it.” Bud looks for Deza but can’t find her.
Back in Hooverville, the dream of a community built around shared economic struggle and hardship ends abruptly as well. The town is nothing more than a pile of trash by the time Bud arrives. To make matters worse, he is unable to find Deza, his confidant.
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Bud takes these last-minute events as a sign that he should maybe stay in Flint. He takes out the flyer again and wonders again if Herman E. Calloway is his father, especially since it’s a really similar name to Caldwell.
Bud, discouraged but optimistic, remains hopeful that all of the day’s disasters means that he should stay and look for Herman E. Calloway, his best bet for a family.
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Bud realizes he can’t stay and look for Deza because “it was too hard to hear all the people crying and arguing,” so instead he hurries to get breakfast at the mission.
As much as he wants to make sure that Deza is okay, Bud realizes that it wouldn’t be wise to entangle himself in the chaos unfolding in Hooverville. He thus focuses on meeting his most immediate need: finding food.
Themes
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