Gone with the Wind

Gone with the Wind

by

Margaret Mitchell

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Gone with the Wind: Chapter 4 Summary & Analysis

Summary
Analysis
Scarlett sits in Ellen’s place at the dinner table, preoccupied by thoughts about Ashley. She needs her mother and is upset that she is with the Slatterys. She won’t even consider telling her mother what’s wrong, but her mother’s presence would be comforting. Gerald talks about the war even though no one is interested.
Scarlett is thinking only of herself even when there are larger problems going on. Her mother is selflessly helping the poor Slatterys, and the war is on the verge of breaking out. But Scarlett believes that losing Ashley is the only thing of any importance.
Themes
Practicality, Tenacity, and Selfishness Theme Icon
Scarlett hears a carriage and rises in excitement, but the carriage goes around to the back. She hears Black voices. Pork comes into the dining room to introduce his wife Dilcey, who’s just arrived. Dilcey enters with her daughter Prissy, whom Gerald had also purchased. Dilcey thanks Gerald for his kindness in purchasing both her and her daughter, then offers Prissy to Scarlett as her personal maid. Scarlett declines, saying that Mammy has always been her maid. With dignity that surpasses even Mammy’s, Dilcey says that Mammy is getting old, and Scarlett should have a young maid. Scarlett says she’ll discuss it with Ellen when she returns.
Gerald O’Hara is portrayed as a uniquely kind enslaver. Although he didn’t have to, he purchased Prissy as well as Dilcey, thereby allowing Pork to be with his whole family. This unprecedented kindness of Gerald’s leads many of the O’Haras’ enslaved persons to feel particularly devoted to the family, as evidenced by Dilcey offering Prissy to Scarlett as a maid. In this way, the novel pushes the image of the kind enslaver as if all that’s wrong about slavery is superfluous cruelty.
Themes
Classism and Racism  Theme Icon
Gerald resumes ranting about the war while the Scarlett, Carreen, and Suellen daydream. Scarlett can’t understand why her father keeps talking about the war when she’s so upset. She wants to go to Ellen’s office—her favorite room in the house—and cry on the sofa. Finally, though, Scarlett hears her mother’s carriage. Ellen enters soon after with Mammy close behind her. Ellen explains that the Slattery baby was both baptized and dead. Gerald starts to say it is a blessing that the “fatherless brat” is dead, but Ellen interrupts him. Scarlett wonders if Jonas Wilkerson, a Yankee bachelor and the O’Haras’ plantation overseer, fathered Emmie Slattery’s baby. She’s often seen the two walking at twilight.
Scarlett is incredibly self-centered and ignorant; she doesn’t think that something a momentous as a war amounts to anything compared to her anguish over Ashley. Jonas Wilkerson is a Yankee and has now likely fathered a child out of wedlock with a girl from a low-class family, making him extra unlikeable to the O’Haras. Gerald also exposes his own classist ideas when he refers to Emmie’s baby as a “fatherless brat,” the implication being that the baby—and Emmie’s grief—don’t matter because the parents are poor and unwed.
Themes
Classism and Racism  Theme Icon
Practicality, Tenacity, and Selfishness Theme Icon
Ellen goes to the mantle and takes out her rosary beads. Mammy insists on fixing Ellen a plate of food before she prays. She lumbers off to the kitchen growling audibly about the “po’ w’ite trash” Slatterys. Mammy always speaks her mind, knowing that her white enslavers won’t listen anyway. Pork enters with a plate for Ellen. An enslaved boy, Jack, waves a fly-brusher behind her as she eats. As soon as Ellen sits, ScarlettSuellen, and Carreen ask her questions about a ball, and Gerald starts to talk about the war.
Ellen stands out from family; she is religious, unlike Gerald and Scarlett. Also, everyone, including Mammy, despises that Ellen interacts with the Slatterys. Ellen’s kindness to the low-class white family contrasts with the image of the enslaved boy brushing the flies away. Ellen is kind and generous to poor white people, but she’s also doesn’t have a problem enslaving Black people.
Themes
Classism and Racism  Theme Icon
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After patiently answering the questions about the ball, Ellen asks Gerald more about the war. Scarlett knows Ellen isn’t interested in the war—it is man’s business—but it makes Gerald happy to talk about it. Ellen is too tired to eat, but Mammy insists Ellen eat anyway. When Ellen is finished, the lamp is lit above the table for prayers. The family gets on their knees around the table, and the enslaved staff kneel by the doorway. Although they understand little of the white family’s prayers, they are spiritually moved by them. Ellen prays for those at Tara, her family far and wide, and those in Purgatory. Despite her anguish, Scarlett is soothed. Scarlett only acts like she’s religious, but she is impressed with her mother’s spirituality.
Scarlett deeply admires and depends on her mother but can’t identify with her: she is soothed by her mother’s religiosity but has no spiritual feelings herself. Similarly, she is comforted by her mother’s selflessness even when she is having selfish feelings herself. Although Scarlett always claims that she wants to be a great lady like her mother, she is very far from achieving this goal. In fact, it seems as though it is not in Scarlett’s nature to have any of the qualities that her mother has.
Themes
Women and Power Theme Icon
Ellen always tells Scarlett to examine her conscience during prayer, but Scarlett is thinking about Ashley. How could he marry Melanie when he and Scarlett love each other? Suddenly, it occurs to her that Ashley might have no idea she loves him. She’s always acted aloof, and she flirts with others. Perhaps this discouraged him and led him to Melanie. She decides she must tell him before it’s too late. If Ashley knew that Scarlett loved him, surely he'd marry her instead.
Not only is Scarlett not examining her conscience as Ellen has instructed, but she isn’t conscientious about her emotions concerning Ashley. She can’t comprehend that Ashley might not love her—and she also shows how entitled she is when she assumes that if only he knew she loved him, he’d choose her. What Ashley wants doesn’t concern her.
Themes
Practicality, Tenacity, and Selfishness Theme Icon
Women and Power Theme Icon
Ellen begins a litany for the Virgin Mary. Scarlett has always pictured her mother’s face in place of the Virgin Mary’s during this litany. They say “amen,” and rise. Pork escorts them upstairs with candles. Soon after, Scarlett starts to enter her parents’ room with a dress she wants her mother to mend for tomorrow when she hears Ellen ask Gerald to dismiss Jonas Wilkerson. Scarlett deduces that it was Jonas who got Emmie Slattery pregnant. She waits for them to finish talking and then drops off the dress.
That Scarlett pictures Ellen’s face in place of the Virgin Mary’s highlights how much Scarlett admires her mother: Ellen is almost a religious figure in Scarlett’s mind. Then, Scarlett continues to show how selfish she is as she focuses on getting her dress mended and treats her parents’ conversation as gossip. At the very least, Scarlett offers no judgment on firing Jonas Wilkerson, suggesting she believes it doesn’t really concern her.
Themes
Classism and Racism  Theme Icon
Practicality, Tenacity, and Selfishness Theme Icon
Women and Power Theme Icon
Once in bed, Scarlett decides how to tell Ashley she loves him. At the ball tomorrow, she’ll flirt with everyone to make him jealous. Then when they’re alone, she’ll confess that she likes him more than anyone else. She doesn’t know how to say this this, but things usually work out. Perhaps they’ll run off to be married that very afternoon. Tomorrow she might be Mrs. Ashley Wilkes! For a moment she considers that it might not happen this way, but she brushes this aside. Her life has been so pleasant that she doesn’t understand that desire and attainment are two different things.
Scarlett has always gotten whatever she wants. As a result, she can’t conceive of a scenario in which things don’t go her way. Scarlett’s plan, meanwhile, shows that she’s still thinking about love and romance as a game: she’s going to make Ashley think one thing, and then tell him the truth—and she believes that of course she’ll emerge victorious. Again, she ignores that Ashley may have other plans or emotions, a sign of her selfishness and entitlement. 
Themes
The Civil War and Reconstruction Theme Icon
Looking Forward vs. Looking Back Theme Icon
Practicality, Tenacity, and Selfishness Theme Icon