Dana (Edana) Franklin Character Analysis

The protagonist and narrator of the novel, Dana is a black woman from 1979 California who gets pulled back in time to Antebellum Maryland to save the life of her white ancestor, Rufus Weylin. Dana is a strong, resourceful, intelligent woman, as well as a writer like her white husband Kevin. Dana learns how to adapt to the oppression of the Antebellum (pre-Civil War) era, but always retains her sense of self and autonomy despite Rufus’s attempts to force her to become a true slave. Dana struggles between the relationships she has built with fellow slaves on the Weylin plantation, such as Sarah and Nigel, her sisterhood with the enslaved Alice, and her blood tie to Rufus as she tries to survive in the past with as little damage as possible to herself and others. As Butler deals with issues of freedom and privilege, she displays in the bonds between Dana and Rufus the delicate balance between master and slave and in Dana and Kevin the eventual possibilities of truly beneficial interracial relationship. Dana loses her left arm after her final trip to the past, bearing a physical reminder of the burden that many descendants of slaves bear from this family history.

Dana (Edana) Franklin Quotes in Kindred

The Kindred quotes below are all either spoken by Dana (Edana) Franklin or refer to Dana (Edana) Franklin. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Family and Home Theme Icon
).

Prologue Quotes

I lost an arm on my last trip home. My left arm.
And I lost about a year of my life and much of the comfort and security I had not valued until it was gone. When the police released Kevin, he came to the hospital and stayed with me so that I would know I hadn't lost him too.

Related Characters: Dana (Edana) Franklin (speaker), Kevin Franklin
Related Symbols: Dana’s Lost Left Arm
Page Number and Citation: 9
Explanation and Analysis:
Dana loses her left arm on her final trip back from the past, though the prologue leaves the circumstances of this injury mysterious. What is clear from the start, though, is Dana’s attachment to Kevin. Even through the horrible things that Dana undergoes while living as a slave on her ancestor’s plantation, she never loses sight of the wonderful relationship she has with her husband, Kevin, even though Kevin is white. Through Kevin and Dana, Butler offers hope for healthy interracial relationships to thrive despite the many losses that African Americans, in particular, have to deal with even after slavery Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque

Chapter 1: The River Quotes

"I'm beginning to feel as though I'm humoring myself."
"What do you mean?"
"I don't know. As real as the whole episode was, as real as I know it was, it's beginning to recede from me somehow. It's becoming like something I saw on television or read about—like something I got second hand."

Related Characters: Dana (Edana) Franklin (speaker), Kevin Franklin
Page Number and Citation: 17
Explanation and Analysis:
The first time that Dana travels back into the past, she doesn’t understand what is happening and has trouble believing that this sort of teleportation through time and space is even possible. As her husband, Kevin, also has trouble wrapping his head around the reality of time travel, the two are almost able to convince themselves that this whole experience was an odd hallucination of Dana’s that Kevin “humors” his wife by listening to. Yet Dana still knows that these events in the past were real, even as she immediately starts to distance herself from the actual details of her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligend

Chapter 2: The Fire Quotes

Alice Greenwood. How would she marry this boy? Or would it be marriage? And why hadn't someone in my family mentioned that Rufus Weylin was white? If they knew. Probably, they didn't. Hagar Weylin Blake had died in 1880, long before the time of any member of my family that I had known. No doubt most information about her life had died with her.

Related Characters: Dana (Edana) Franklin (speaker), Hagar Weylin, Alice Jackson (Greenwood), Rufus Weylin
Page Number and Citation: 28
Explanation and Analysis:
Dana slowly puts together that she is traveling into the past to save Rufus, a white boy in the Antebellum South who will someday begin Dana’s own family line, along with a black woman named Alice Greenwood. Recognizing that it would have been impossible at that time for Rufus and Alice to have had a legal marriage, Dana wonders how this interracial relationship actually played out. These mysteries are a part of many American families, as Butler points out how often family history becomes tangled even when modern Americans would rather believe that the story was simple. Dana, a black Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim

I had seen people beaten on television and in the movies. I had seen the too-red blood substitute streaked across their backs and heard their well-rehearsed screams. But I hadn't lain nearby and smelled their sweat or heard them pleading and praying, shamed before their families and themselves. I was probably less prepared for the reality than the child crying not far from me. In fact, she and I were reacting very much alike.

Related Characters: Dana (Edana) Franklin (speaker), Alice Jackson (Greenwood)
Related Symbols: The Whip
Related Literary Devices:
Page Number and Citation: 36
Explanation and Analysis:
Dana, a 20th-century woman, is confronted with the sharp reality of violence in the Antebellum South when she witnesses a group of white Patrollers harass a slave for the crime of visiting his wife at night. Though Dana is no stranger to racial discrimination and televised violence in the modern world, she is shocked at the visceral nature of the torment that her ancestors had to face. Indeed, the young girl crying at the whipping is actually Dana’s many-times great-grandmother, Alice. Alice and Dana are each exposed to true violence for the first time at this whipping, and have to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas d

Chapter 3: The Fall Quotes

I was working out of a casual labor agency—we regulars called it a slave market. Actually, it was just the opposite of slavery. The people who ran it couldn't have cared less whether or not you showed up to do the work they offered.

Related Characters: Dana (Edana) Franklin (speaker)
Page Number and Citation: 52
Explanation and Analysis:
In the present, Dana is removed enough from her ancestors’ experience of slavery to joke about it by calling her temporary job a “slave market.” This somewhat flippant attitude towards actual slavery is a privilege of Dana’s place as a modern woman who knows that she will never be enslaved. Though the temporary labor agency is obviously very different from the institution of American slavery – as Dana explains when she says that no one at the agency is forced to do work against their will – there are certain similarities. Both slave labor and the casual agency jobs are Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt.

He had written and published three novels, he told me, and outside members of his family, he'd never met anyone who'd read one of them. They'd brought so little money that he'd gone on taking mindless jobs like this one at the warehouse, and he'd gone on writing—unreasonably, against the advice of saner people. He was like me—a kindred spirit crazy enough to keep on trying.

Related Characters: Dana (Edana) Franklin (speaker), Kevin Franklin
Page Number and Citation: 57
Explanation and Analysis:
Kevin and Dana meet while working day jobs at a warehouse they hate in order to fund their dreams of being authors. They build a relationship from this basis of shared desires and sense of “kindred spirits” (a phrase recalling the novel’s title and the theme of family and home), giving them a solid foundation from which to deal with the difficulties of having an interracial relationship. Dana and Kevin do not ignore the differences in their familial and cultural backgrounds, but they prioritize the ways that their personalities and values are similar. Each prize their freedom and independence as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque

“Why you try to talk like white folks?” Nigel asked me. “I don't,” I said, surprised. “I mean, this is really the way I talk.” “More like white folks than some white folks.”

Related Characters: Dana (Edana) Franklin (speaker), Nigel
Page Number and Citation: 74
Explanation and Analysis:
When Dana is in the past, her modern (and Californian) speech patterns and education as a writer come out in her conversations with the other slaves on the Weylin plantation. When Nigel comments on this difference, he calls it talking like “white folks,” automatically associating education, articulate speech, and confident self-expression with white people alone. Dana is actually distrusted by both the Weylins themselves and her fellow enslaved characters because she sounds so different than the average slave. The Weylins, like most whites of the time, believe that educated slaves are more likely to run away and cause rebellion among Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perfer

The expression in her eyes had gone from sadness—she seemed almost ready to cry—to anger. Quiet, almost frightening anger. Her husband dead, three children sold, the fourth defective, and her having to thank God for the defect. She had reason for more than anger. How amazing that Weylin had sold her children and still kept her to cook his meals. How amazing that he was still alive.

Related Characters: Dana (Edana) Franklin (speaker), Sarah, Carrie, Tom Weylin
Page Number and Citation: 76
Explanation and Analysis:
Dana finds out that Sarah, the Weylins’ cook, has experienced huge losses at the hands of her white masters. In general, one of the worst emotional tolls that resulted from the institution of slavery was the destruction of black families. Sarah’s children are sold with no regard for how it will hurt her to be separated from them. Furthermore, Sarah’s last remaining child, Carrie, is kept primarily to ensure that Sarah will never run away to find her other children or do something to take revenge against her masters. Though Sarah feels this pain deeply, she cannot act on these Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inv

A place like this would endanger him in a way I didn't want to talk to him about. If he was stranded here for years, some part of this place would rub off on him. No large part, I knew. But if he survived here, it would be because he managed to tolerate the life here.

Related Characters: Dana (Edana) Franklin (speaker), Kevin Franklin
Page Number and Citation: 77
Explanation and Analysis:
When Kevin comes back to the past with Dana, Dana is very worried that Kevin might get stuck in the past alone if she transports back to the present without him. While Kevin, as a white male, will certainly be in less danger in the Antebellum South than Dana is herself, Kevin still faces significant peril the more time he spends in this harsh time period. Aside from the diseases and injuries that could hurt Kevin in the past, the poisonous atmosphere of this social climate might influence Kevin negatively against black people. In the present, Kevin has a strong Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consect

"This could be a great time to live in," Kevin said once. "I keep thinking what an experience it would be to stay in it—go West and watch the building of the country, see how much of the Old West mythology is true."
"West," I said bitterly. "That's where they're doing it to the Indians instead of the blacks!"
He looked at me strangely. He had been doing that a lot lately.

Related Characters: Dana (Edana) Franklin (speaker), Kevin Franklin (speaker)
Page Number and Citation: 97
Explanation and Analysis:
As Kevin is less affected by the horrible practices of slavery, he is able to see more of the fascinating and potentially positive aspects of Dana’s time travel and living in the past. Kevin and Dana face many difficulties in the Antebellum South, but they also get a firsthand look at an interesting era of history. Kevin wants to push this interest further, finding out more about the American Old West in order to correct the historical record about life on the frontier where reliable surviving documents are often scarce. While Dana also sees the intellectual merit of their travels, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore i

Chapter 4: The Fight Quotes

“She doesn't care much for white people, but she prefers light-skinned blacks. Figure that out. Anyway, she ‘forgives’ me for you. But my uncle doesn't. He's sort of taken this personally.”
“Personally, how?”
“He ... well, he's my mother's oldest brother, and he was like a father to me even before my mother died because my father died when I was a baby. Now ... it's as though I've rejected him. Or at least that's the way he feels. It bothered me, really. He was more hurt than mad.”

Related Characters: Dana (Edana) Franklin (speaker), Kevin Franklin (speaker)
Page Number and Citation: 111
Explanation and Analysis:
When Dana and Kevin decided to get married, they faced opposition from each of their families. In 1976, interracial couples were still somewhat of a novelty and both Kevin and Dana’s relatives do not fully understand why each do not want someone “of their own kind.” Dana’s aunt and uncle also deal with the additional layer of internalized racism that prizes light black skin above darker black skin, as it is closer to the white “ideal.” As American society in general tells black people that black skin is undesirable and white skin is beautiful, Dana’s uncle is then somewhat understandably Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferend

Then, somehow, I got caught up in one of Kevin's World War II books—a book of excerpts from the recollections of concentration camp survivors. Stories of beatings, starvation, filth, disease, torture, every possible degradation. As though the Germans had been trying to do in only a few years what the Americans had worked at for nearly two hundred.

Related Characters: Kevin Franklin (speaker), Dana (Edana) Franklin (speaker)
Related Literary Devices:
Page Number and Citation: 116-117
Explanation and Analysis:
When Dana returns from living as a slave in the Antebellum South, she identifies with accounts of survivors from the Holocaust during World War II. She compares the horrible acts of the Nazis to the behavior of slave holders who worked at every turn to demean enslaved people and lessen their humanity. While the monstrosities of the Holocaust may have been more intense over a shorter period of time, Butler points out that those who lived through slavery endured conditions just as horrible over a much longer duration. Yet while Americans are largely comfortable acknowledging the events of the Holocaust Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt

I said nothing. I was beginning to realize that he loved the woman—to her misfortune. There was no shame in raping a black woman, but there could be shame in loving one.
"I didn't want to just drag her off into the bushes," said Rufus. "I never wanted it to be like that. But she kept saying no. I could have had her in the bushes years ago if that was all I wanted."
"I know," I said.
"If I lived in your time, I would have married her. Or tried to."

Related Characters: Rufus Weylin (speaker), Dana (Edana) Franklin (speaker), Alice Jackson (Greenwood), Kevin Franklin
Related Literary Devices:
Page Number and Citation: 124
Explanation and Analysis:
Rufus, Dana’s white ancestor, confesses to be in love with the free black woman Alice Greenwood and tries to compare his feelings to the interracial marriage between Dana and her white husband Kevin. Dana recognizes that Rufus believes that he truly cares for Alice, but questions whether any romantic relationship between a white slave holder and a black person can be healthy in this corrupt power dynamic. As Rufus has been socially conditioned not to respect the humanity and agency of black people, he works to own Alice rather than accepting Alice’s choice to be with another man. Rufus is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate

His father wasn't the monster he could have been with the power he held over his slaves. He wasn't a monster at all. Just an ordinary man who sometimes did the monstrous things his society said were legal and proper. But I had seen no particular fairness in him. He did as he pleased. If you told him he wasn't being fair, he would whip you for talking back.

Related Characters: Dana (Edana) Franklin (speaker), Tom Weylin, Rufus Weylin
Related Symbols: The Whip
Page Number and Citation: 134
Explanation and Analysis:
Tom, Rufus’ father, is presented as an average slave holder in the Antebellum South. Tom is far crueler to the slaves than Rufus is, never showing black people any respect and enforcing his will on the plantation through abusive punishments and manipulative emotional threats. Yet Dana acknowledges that Tom is not “a monster,” meaning that he doesn’t hurt black people for fun the way that the patrollers or the overseers seem to do—but Tom is still used to getting his way and has no problem causing pain if that is what is necessary. Butler points out how Tom reached this Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus

She had done the safe thing—had accepted a life of slavery because she was afraid. She was the kind of woman who might have been called "mammy" in some other household. She was the kind of woman who would be held in contempt during the militant nineteen sixties. The house-nigger, the handkerchief-head, the female Uncle Tom—the frightened powerless woman who had already lost all she could stand to lose, and who knew as little about the freedom of the North as she knew about the hereafter.

Related Characters: Dana (Edana) Franklin (speaker), Sarah
Related Literary Devices:
Page Number and Citation: 145
Explanation and Analysis:
Sarah, the cook for the Weylin family, gives nuance to the “mammy” stereotype of a black slave who chooses, in some sense, to remain a slave and be loyal to her white owners because the alternative is far more dangerous to her own safety and the safety of her children. Dana holds Sarah in contempt at first, failing to understand why Sarah refuses to even consider escaping to the North. It is only once Dana learns of the awful consequences of being caught running away that she understands why Sarah stays more or less happily on the Weylin plantation. Sarah Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam d

Nothing in my education or knowledge of the future had helped me to escape. Yet in a few years an illiterate runaway named Harriet Tubman would make nineteen trips into this country and lead three hundred fugitives to freedom. What had I done wrong? Why was I still slave to a man who had repaid me for saving his life by nearly killing me? Why had I taken yet another beating. And why ... why was I so frightened now—frightened sick at the thought that sooner or later, I would have to run again?

Related Characters: Dana (Edana) Franklin (speaker)
Page Number and Citation: 177
Explanation and Analysis:
After Dana is horrifically beaten for her attempt to run away, she considers the strength it took for people like Harriet Tubman to continue to risk that pain in order to assert their own freedom and facilitate the escape of other slaves. With the benefit of her modern upbringing, Dana understands that she has the agency and power to work towards her own freedom. Furthermore, reading historical accounts of amazing women like Harriet Tubman has shown Dana that escape is possible even though the odds stacked against runaways were very high. But though it might seem obvious that enslaved peoples Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui.

"Daddy's the only man I know," he said softly, "who cares as much about giving his word to a black as to a white."
"Does that bother you?"
"No! It's one of the few things about him I can respect."
"It's one of the few things about him you should copy."

Related Characters: Dana (Edana) Franklin (speaker), Rufus Weylin (speaker), Tom Weylin
Page Number and Citation: 181
Explanation and Analysis:
Once Dana is in the past again, she tries to send letters to her husband Kevin so that the couple can be reunited. Rufus promises to send them to Kevin, but then jealously refuses to send those letters in order to keep Dana to himself. When Tom finds out, he “does his duty” and sends the letters because he has a moral code to uphold a promise—no matter how little he respects Dana and all black people. As a slaveholder who has no problem owning another human being and actively works to enforce his will and keep his slaves in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta ita

Chapter 5: The Storm Quotes

"Christ," he muttered. "If I'm not home yet, maybe I don't have a home."… I could recall walking along the narrow dirt road that ran past the Weylin house and seeing the house, shadowy in twilight, boxy and familiar… I could recall feeling relief at seeing the house, feeling that I had come home. And having to stop and correct myself, remind myself that I was in an alien, dangerous place. I could recall being surprised that I would come to think of such a place as home.

Related Characters: Dana (Edana) Franklin (speaker), Kevin Franklin (speaker)
Page Number and Citation: 190
Explanation and Analysis:
When Dana and Kevin return from the past for the third time (for Dana), they are surprised to find that they feel like the Weylin estate has become a kind of home for them. Kevin especially struggles with feeling out of place in the present after spending five years in the past without Dana. Though living in the past is far more difficult for each of them, due to both the day-to-day rigor of making a living in this time period and the harmful social atmosphere of slavery and inequality, there is also a sense of belonging at the Weylin Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamu

I felt as though I were losing my place here in my own time. Rufus's time was a sharper, stronger reality. The work was harder, the smells and tastes were stronger, the danger was greater, the pain was worse ... Rufus's time demanded things of me that had never been demanded before, and it could easily kill me if I did not meet its demands. That was a stark, powerful reality that the gentle conveniences and luxuries of this house, of now, could not touch.

Related Characters: Dana (Edana) Franklin (speaker), Rufus Weylin
Page Number and Citation: 191
Explanation and Analysis:
As Dana comes back from her third trip to Rufus’s time, she struggles to find her place between the present where she grew up and the past where she has learned so much about herself. Life is certainly not “better” for Dana in the past, as she is forced to live as a slave, give up her freedom and agency, and be treated as less than human. Yet Dana also feels fiercely connected to the people in Rufus’s time, Rufus and Alice as her blood ancestors, and the other slaves on the Weylin estate as her chosen family. Dana is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit

South African whites had always struck me as people who would have been happier living in the nineteenth century, or the eighteenth. In fact, they were living in the past as far as their race relations went. They lived in ease and comfort supported by huge numbers of blacks whom they kept in poverty and held in contempt. Tom Weylin would have felt right at home.

Related Characters: Dana (Edana) Franklin (speaker), Tom Weylin
Page Number and Citation: 196
Explanation and Analysis:
Back in the present for a short time, Dana hears about the continued apartheid struggle in South Africa, in which black South African citizens fought to desegregate the country and earn the same civil rights that white South Africans enjoyed. After living as a slave, Dana has a much more intense reaction to the blind entitlement that she sees in white south Africans, comparing this group to the slave holders like Tom Weylin in the Antebellum South. These white men share their callous treatment of other human beings and casual acceptance that white people are inexplicably but irrevocably better than Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo.

Carrie clasped her hands around her neck again. Then she drew closer to me and clasped them around my neck. Finally, she went over to the crib that her youngest child had recently outgrown and there, symbolically, clasped her hands again, leaving enough of an open circle for a small neck…. Margaret Weylin could not run the plantation. Both the land and the people would be sold. And if Tom Weylin was any example, the people would be sold without regard for family ties.

Related Characters: Dana (Edana) Franklin (speaker), Carrie, Tom Weylin, Margaret Weylin, Rufus Weylin
Page Number and Citation: 223
Explanation and Analysis:
When Dana witnesses her first slave sale, she is incredibly disturbed that Rufus would continue this inhumane practice, and thinks of letting Rufus die the next time he is in trouble as punishment for this behavior. Through sign language, Carrie shows Dana that life would be worse for the Weylin slaves if Rufus were to die, as they would all be sold away from their families if Margaret Weylin gained control of the Weylin plantation. Carrie who is mute, is one of the smartest characters of the novel, though she has no voice to express herself. Carrie’s inability to communicate Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam q

“I know what he means. He likes me in bed, and you out of bed, and you and I look alike if you can believe what people say.”
“We look alike if we can believe our own eyes!”
“I guess so. Anyway, all that means we're two halves of the same woman—at least in his crazy head.”

Related Characters: Alice Jackson (Greenwood) (speaker), Dana (Edana) Franklin (speaker), Rufus Weylin
Page Number and Citation: 228
Explanation and Analysis:
As Alice and Dana spend more time together, Rufus starts to regard the two women as two halves of a “wife,” though he is not legally married to either of them. He desires Alice physically and craves Dana’s company and help with running the Weylin estate. Rufus’s love for each woman is a complicated mix of ownership and obsession, as Rufus asserts himself as their master but also wants the women to adore him and be happy in his presence. Rufus is not content to rule through fear, hoping that Alice will forgive him for raping her and that Dana Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a des

Her names were only symbolic, but I had more than symbols to remind me that freedom was possible—probable—and for me, very near.
Or was it?
Slowly, I began to calm down. The danger to my family was past, yes. Hagar had been born. But the danger to me personally ... the danger to me personally still walked and talked and sometimes sat with Alice in her cabin in the evening as she nursed Hagar.

Related Characters: Dana (Edana) Franklin (speaker), Joseph (Joe) Weylin, Rufus Weylin, Alice Jackson (Greenwood), Hagar Weylin
Page Number and Citation: 234
Explanation and Analysis:
Alice finally gives birth to Hagar, her fourth child with her master Rufus and Dana’s many great-grandmother. Hagar’s existence means that Dana can stop worrying about protecting Rufus for the sake of her family line, and is somewhat free from her obligation as Rufus’s guardian. Yet though Dana may not ever have to come back to the past, she still has to deal with Rufus until she travels back to her life in the future. Rufus is a danger to Dana personally, with the power to hurt Dana as long as she lives on the Weylin estate. Alice also sees Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus poss

Sarah had cornered me once and said, "What you let her talk to you like that for? She can't get away with it with nobody else."
I didn't know. Guilt, maybe. In spite of everything, my life was easier than hers. Maybe I tried to make up for that by taking her abuse…
"If you go on talking to me the way you do, I won't care what he does to you."
She looked at me for a long time without saying anything. Finally, she smiled. "You'll care. And you'll help me. Else, you'd have to see yourself for the white nigger you are, and you couldn't stand that."

Related Characters: Sarah (speaker), Dana (Edana) Franklin (speaker), Alice Jackson (Greenwood) (speaker), Rufus Weylin
Page Number and Citation: 235
Explanation and Analysis:
Dana and Alice have a complicated relationship, like sisters who fight even as they try to help one another. Dana especially feels an obligation to make life better for Alice because Dana feels partly responsible for the main source of pain in Alice’s life. Dana needs Alice to stay with Rufus in order for Dana’s family line to exist, even though Alice hates her conditions as a slave and hates being Rufus’s mistress even more. Additionally, Dana has the hope of going back to the future where she can live free with control over her own life, something that Alice Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque

He gave me a long searching look. "You want to be with that white man, girl?"
"If I were anywhere else, no black child on the place would be learning anything."

"Some folks say ..."
"Hold on." I was suddenly angry. "I don't want to hear what 'some folks' say. 'Some folks' let Fowler drive them into the fields every day and work them like mules."
"Let him...?"
"Let him! They do it to keep the skin on their backs and breath in their bodies. Well, they're not the only ones who have to do things they don't like to stay alive and whole. Now you tell me why that should be so hard for 'some folks' to understand?"

Related Characters: Dana (Edana) Franklin (speaker), Sam Jones (speaker), Rufus Weylin
Related Literary Devices:
Page Number and Citation: 237
Explanation and Analysis:
Dana finally meets Sam, one of the field hands on the Weylin plantation, and discovers that the field hands think that she truly likes being with Rufus and taking advantage of the special “privileges” that come with being a favorite of the master. Most also assume that Dana is Rufus’s mistress, though Dana’s relationship to Rufus is far from sexual. Dana has used her influence as an advisor and parent figure to Rufus to start a school for the slave children on the estate and give them a chance at the education that will improve their lives after they are Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos.

Chapter 6: The Rope Quotes

"I'm not property, Kevin. I'm not a horse or a sack of wheat. If I have to seem to be property, if I have to accept limits on my freedom for Rufus's sake, then he also has to accept limits - on his behavior toward me. He has to leave me enough control of my own life to make living look better to me than killing and dying."
"If your black ancestors had felt that way, you wouldn't be here," said Kevin.
"I told you when all this started that I didn't have their endurance. I still don't. Some of them will go on struggling to survive, no matter what. I'm not like that."

Related Characters: Kevin Franklin (speaker), Dana (Edana) Franklin (speaker), Rufus Weylin
Page Number and Citation: 246
Explanation and Analysis:
The fourth time that Dana returns from the past, she cuts her own wrists and risks dying in order to escape Rufus and get back to the present. Rufus finally overstepped the careful boundary that Dana had drawn, selling a field hand that expressed interest in Dana out of spite and slapping Dana across the face when she dared to protest. These acts symbolically stripped Dana of the ability to choose what she wanted for her own life, making her feel as though she couldn’t even talk to anyone out of fear of what Rufus would do to them in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corp

I ate a little, then went away to the library where I could be alone, where I would write. Sometimes I wrote things because I couldn't say them, couldn't sort out my feelings about them, couldn't keep them bottled up inside me. It was a kind of writing I always destroyed afterward. It was for no one else. Not even Kevin.

Related Characters: Dana (Edana) Franklin (speaker), Kevin Franklin
Page Number and Citation: 252
Explanation and Analysis:
After Dana attends Alice’s funeral, she retreats to the library to write out her emotions and process the complex mix of grief and anger that she feels in the wake of Alice’s suicide. Writing has always been Dana’s form of self-expression, but this practice is even more important in the Antebellum South where so much of Dana’s life is dictated by white masters. Dana has to be careful about what she says out loud and how she acts in front of people so that she does not get herself or anyone else in trouble. Writing gives her a release so Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliqu

A slave was a slave. Anything could be done to her. And Rufus was Rufus—erratic, alternately generous and vicious. I could accept him as my ancestor, my younger brother, my friend, but not as my master, and not as my lover. He had understood that once.

Related Characters: Dana (Edana) Franklin (speaker), Rufus Weylin
Page Number and Citation: 260
Explanation and Analysis:
The relationship between Dana and Rufus, always complicated, becomes even worse once Alice dies and Rufus expects Dana to take Alice’s place as his mistress. Throughout the novel, Dana has refused to submit herself entirely to Rufus’s will, reminding Rufus that he is also under her control, even though Dana has to pose as Rufus’s slave in order to survive in the Antebellum South. Dana feels connected to Rufus as he is her ancestor, and tries to keep Rufus safe because of that bond. In return, Rufus has to maintain some basic respect for Dana and remember that she will Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omni

Epilogue Quotes

"I wonder whether the children were allowed to stay together—maybe stay with Sarah."
"You've looked," he said. "And you've found no records. You'll probably never know."
I touched the scar Tom Weylin's boot had left on my face, touched my empty left sleeve. "I know," I repeated. "Why did I even want to come here. You'd think I would have had enough of the past."
"You probably needed to come for the same reason I did." He shrugged. "To try to understand. To touch solid evidence that those people existed.”

Related Characters: Dana (Edana) Franklin (speaker), Kevin Franklin (speaker), Tom Weylin
Related Symbols: Dana’s Lost Left Arm
Page Number and Citation: 264
Explanation and Analysis:
When Dana returns to the present for good, she travels to Maryland from her home in California in order to find out as much as she can about the family members she met while living in the past. Kevin rationalizes this desire to return to a place that has caused Dana so much pain as a desire to know that all of the traumatic events in the past actually happened, and led Dana’s family to the place it is today. While Dana may never know exactly what happened to her ancestor Hagar, she at least knows that Hagar eventually gained Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Elig
Get the entire Kindred LitChart as a printable PDF.
"My students can't get enough of your charts and their results have gone through the roof." -Graham S.
Kindred PDF

Dana (Edana) Franklin Character Timeline in Kindred

The timeline below shows where the character Dana (Edana) Franklin appears in Kindred. The colored dots and icons indicate which themes are associated with that appearance.
Prologue
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
The narrator (Dana) describes how she lost her left arm “coming home,” and says that she wants to... (full context)
History and Trauma Theme Icon
...in a hole in the wall and crushed, even though neither Kevin nor the narrator, Dana, understand how that is possible. (full context)
Chapter 1: The River
Family and Home Theme Icon
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Dana explains that the trouble began for her on June 9th, 1976, her twenty-sixth birthday, when... (full context)
Interracial Relationships Theme Icon
History and Trauma Theme Icon
The world blurs out of focus and Dana finds herself in the middle of a forest near a river. Dana realizes that a... (full context)
Family and Home Theme Icon
History and Trauma Theme Icon
Choice and Power Theme Icon
The woman screeches that the child is not breathing, so Dana takes the child back and begins to perform artificial respiration. The woman beats Dana’s back... (full context)
History and Trauma Theme Icon
As Dana watches Rufus and his mother recover from the near-drowning, a man’s voice sounds behind Dana’s... (full context)
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Dana calls Kevin’s name, and he spins around in fear, asking how Dana had managed to... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Kevin listens calmly as Dana explains what happened. When she finishes, Kevin tells Dana that she was only gone a... (full context)
Chapter 2: The Fire
Family and Home Theme Icon
History and Trauma Theme Icon
1. Dana tries to leave the unsettling experience behind her, showering off the river mud, but she... (full context)
Family and Home Theme Icon
History and Trauma Theme Icon
2. Dana sits on a bed and watches a small red-haired boy, who looks like an older... (full context)
Family and Home Theme Icon
History and Trauma Theme Icon
Choice and Power Theme Icon
Now that Dana has saved a child again, she prepares herself to be sent home, but the dizziness... (full context)
Family and Home Theme Icon
Freedom and Privilege Theme Icon
Unsurprised that the boy doesn’t know what is happening any more than she does, Dana asks the boy his name. She is shocked to hear him say “Rufus,” as this... (full context)
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Dana steadies herself and asks Rufus where he thinks she went when she disappeared at the... (full context)
History and Trauma Theme Icon
Dana reminds Rufus that she has come to help him twice now, and that he shouldn’t... (full context)
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Dana is appalled to hear Rufus say the word “nigger” so casually, and tentatively asks Rufus... (full context)
Family and Home Theme Icon
History and Trauma Theme Icon
Choice and Power Theme Icon
Dana switches topics, asking Rufus if he saw her again like he saw her in the... (full context)
Family and Home Theme Icon
History and Trauma Theme Icon
Choice and Power Theme Icon
Rufus tells Dana that his father beat him for stealing a dollar, so Rufus decided to burn down... (full context)
Family and Home Theme Icon
History and Trauma Theme Icon
Dana asks Rufus if they are close to Baltimore now. Rufus tells her that they are... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Dana calms herself as Rufus explains that they’re on the Weylin plantation, which belongs to his... (full context)
Family and Home Theme Icon
History and Trauma Theme Icon
Dana considers that Rufus may be a blood relative of hers, one of the many ancestors... (full context)
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Dana changes the subject by asking how many slaves the Weylin family owns. Rufus tells her... (full context)
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Dana continues to hope that she will be sent home again, wondering why it is taking... (full context)
Family and Home Theme Icon
Choice and Power Theme Icon
As Dana worries about what she will do if she is stuck in the past, Rufus suggests... (full context)
Family and Home Theme Icon
Freedom and Privilege Theme Icon
Dana and Rufus creep out of the Weylin house and into the yard. Dana finds the... (full context)
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
3. Dana walks quietly past the small slave quarter cabins on the Weylin plantation, and reaches the... (full context)
Family and Home Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
From the bushes, Dana sees eight white men ride by and head in the direction of Alice Greenwood’s house.... (full context)
Freedom and Privilege Theme Icon
Dana overhears the white men say that the black man snuck away without a pass. The... (full context)
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
...blows in silence, but begins to scream when he can no longer take the pain. Dana is overwhelmed by the smell of the man’s blood and sweat, and the sounds of... (full context)
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Desperate to think of anything but the whipping happening in front of her, Dana thinks of the name for the white men who keep “order” among the slaves by... (full context)
Family and Home Theme Icon
Dana wonders if the black man belongs to Tom Weylin, and if that is the reason... (full context)
Family and Home Theme Icon
History and Trauma Theme Icon
Dana starts to help Alice’s unconscious mother, assuring Alice that her mother is not dead. Alice... (full context)
Family and Home Theme Icon
Choice and Power Theme Icon
...Alice’s mother wakes up and calls for Alice. The woman panics as she realizes that Dana, a stranger, is holding her head, but Dana reassures her that she is a friend... (full context)
Family and Home Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Dana helps the woman into the house and hopes that the Greenwoods can tell her the... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Choice and Power Theme Icon
Alice’s mother asks Dana where she is from, noticing that Dana speaks with a strange accent. Dana tells her... (full context)
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Dana, Alice’s mother, and Alice begin to head to bed when Alice’s mother realizes she has... (full context)
History and Trauma Theme Icon
Choice and Power Theme Icon
Dana runs back to the cabin, only to find Alice’s mother blocking the door. The young... (full context)
Interracial Relationships Theme Icon
Choice and Power Theme Icon
5. When Dana wakes, she is terrified that the patroller is still there before realizing that she is... (full context)
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Kevin pushes for more details about Dana’s trip. She manages to tell him that she was there for hours and attacked by... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
6. Dana wakes again, seeing that Kevin has cleaned the blood off of her and tied a... (full context)
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Kevin assures Dana that he believes her and begins to think of ways to protect Dana on her... (full context)
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Dana is still concerned by all the horrible things she has read about in the experiences... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Choice and Power Theme Icon
Kevin reminds Dana to tie the emergency bag back to her wrist, then wonders aloud how Dana might... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Kevin is excited to understand how the time travel works, but Dana is upset that death is such an integral part of the process. Kevin tries to... (full context)
Chapter 3: The Fall
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
1. When Dana first met Kevin, she was working for a casual labor agency – which the regulars... (full context)
Interracial Relationships Theme Icon
Kevin tries to talk to Dana, though Dana doesn’t want to get in trouble for slacking off on the job. Another... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Buz teases Dana for meeting up with Kevin to talk about writing, but Dana looks forward to having... (full context)
Interracial Relationships Theme Icon
Dana tells Kevin that her aunt and uncle want her to take sensible classes and write... (full context)
Interracial Relationships Theme Icon
Kevin and Dana eat lunch together the next week and talk about their novels, their families, and their... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
2. Back in the present, Dana is too worried to go to the library with Kevin so she stays home while... (full context)
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Dana looks around for Rufus, finally noticing him lying on the ground clutching his leg while... (full context)
Interracial Relationships Theme Icon
As they wait for Nigel to return, Dana asks Rufus if Nigel will get in trouble for leaving Rufus behind. Rufus responds that... (full context)
Family and Home Theme Icon
History and Trauma Theme Icon
Rufus is confused that Kevin and Dana can marry, as blacks and whites are not allowed to marry in his time. Dana... (full context)
Family and Home Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
...with a wagon, Nigel, and an older black man. Tom is suspicious of Kevin and Dana, but lets Kevin explain that he and Dana simply came across Rufus and Nigel after... (full context)
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
...a quiet conversation with Kevin, then turns to go without offering hospitality to Kevin and Dana. Rufus pleads with his father and earns Kevin and Dana a begrudging invitation, as Tom... (full context)
Family and Home Theme Icon
History and Trauma Theme Icon
Dana and Kevin ride in the back of the wagon, watching slaves in the fields as... (full context)
Family and Home Theme Icon
Nigel comes out and stands next to Luke, allowing Dana to see that Nigel is probably Luke’s son. Their familial resemblance is much stronger than... (full context)
Family and Home Theme Icon
Freedom and Privilege Theme Icon
...become hysterical about Rufus. Tom catches the woman, Margaret, before she can lash out at Dana, and explains that Dana “belongs” to Kevin Franklin, the man who found Rufus when he... (full context)
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Alone in the room with Rufus, Margaret glares at Dana and says that she has seen Dana before. Rufus interrupts with a soft “mama,” and... (full context)
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Dana sees a young girl in the hallway and asks for directions to the cookhouse, but... (full context)
Family and Home Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
The girl leads Dana to the cookhouse, a small white cottage outside the Weylin house. Luke and Nigel are... (full context)
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Sarah dishes Dana some sad-looking corn meal mush while Dana wistfully smells the stew Sarah is making for... (full context)
Choice and Power Theme Icon
4. Dana finishes her corn meal mush but stays in the cookhouse because she is worried about... (full context)
Family and Home Theme Icon
History and Trauma Theme Icon
Choice and Power Theme Icon
All the way in the cookhouse, Dana can hear Rufus scream as the doctor sets his broken leg. Carrie runs into the... (full context)
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
After a couple hours, Kevin calls to Dana from the yard. Dana forces herself not to show how eager she is to get... (full context)
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Dana warns Kevin to come quick if he ever hears her calling, fearing that Kevin would... (full context)
Family and Home Theme Icon
Freedom and Privilege Theme Icon
Dana asks after Rufus, and Kevin assures her that the doctor thinks Rufus will be all... (full context)
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Kevin and Dana get their story straight, deciding that Kevin is a writer from New York who taught... (full context)
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
5. Sarah takes Dana into the cookhouse and begins teaching her to cook, while Margaret follows Dana around in... (full context)
Interracial Relationships Theme Icon
Kevin wants to test his theory that Dana goes home when she is scared for her life, but Dana asks him to wait... (full context)
Family and Home Theme Icon
Choice and Power Theme Icon
Later that day, Dana is making biscuits with Sarah when Carrie comes in and signs that a white person... (full context)
Freedom and Privilege Theme Icon
Rufus then asks Dana to read to him, if she really knows how, and produces a copy of Robinson... (full context)
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Dana convinces Rufus not to give up on reading, playing to his pride and promising that... (full context)
Freedom and Privilege Theme Icon
Dana asks what happened to Alice. Rufus, surprised at the question, says nothing happened, and he... (full context)
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
As Dana leaves Rufus’s room, she meets Tom on the stairs. Tom is angry at overhearing Dana... (full context)
History and Trauma Theme Icon
Choice and Power Theme Icon
6. Dana is as careful as possible, especially after witnessing Tom whip a field hand for talking... (full context)
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
As Dana sweeps the library one day, Margaret corners her and slaps her across the face for... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Choice and Power Theme Icon
Dana goes about her work that day wondering if Tom will punish her for sleeping with... (full context)
Interracial Relationships Theme Icon
Choice and Power Theme Icon
Sarah warns Dana not to cross Margaret anymore, suggesting that Dana should make Kevin let her sleep in... (full context)
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
7. Instead of moving back to the attic, Dana decides to follow some of Luke’s advice and tell white people what they want to... (full context)
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Tom catches Dana in the library reading one day, and tells her not to go in the library... (full context)
Family and Home Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
On a miserably hot day, Kevin and Dana walk to the woods to have a private moment together. On the way, they see... (full context)
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
...the plantation is better than he expected, though he doesn’t know about the whipping that Dana witnessed. Dana is angry, responding that the Weylins don’t have to beat their slaves to... (full context)
Freedom and Privilege Theme Icon
8. Dana goes to read to Rufus again, though Tom doesn’t like the thought of a black... (full context)
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Later, Dana goes to the cookhouse to give Nigel a reading lesson. She finds Nigel and Carrie... (full context)
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Dana warns Nigel to be more careful than ever about letting someone find out about their... (full context)
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Choice and Power Theme Icon
Once in the yard, Tom begins to whip Dana. The leather sears through her light shirt, feeling like hot iron. Dana screams and twists,... (full context)
Chapter 4: The Fight
Family and Home Theme Icon
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
1. Dana and Kevin never officially moved in together while they were dating, simply switching off nights... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Dana is surprised by the thought of marriage, asking Kevin if his family would be opposed... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
...marries a black woman. He blames this racism on influence from his sister’s prejudiced husband. Dana’s aunt is in favor of the match because Kevin’s skin will make Dana’s children lighter,... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
2. Dana wakes up on the floor of her bathroom in 1976 with her back on fire... (full context)
History and Trauma Theme Icon
Choice and Power Theme Icon
When Dana wakes again, she searches for an old prescription for sleeping pills, but then catches sight... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
The next time Dana wakes, it is morning. Dana’s back feels like a burn injury, and she wonders how... (full context)
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Dana sits down in her office and tries to write, but is unable to put down... (full context)
History and Trauma Theme Icon
Days pass, and Dana stays in the present. She tries to busy herself with books about slavery, but is... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
3. After eight days at home, Dana feels the dizziness once more. She is transported to the woods with the sun either... (full context)
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
The black woman catches sight of Dana and calls out, as the black man lands one more blow on Rufus and knocks... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
...black woman also counsels her husband, Isaac, not to kill Rufus. As the woman speaks, Dana realizes that she is Alice, now grown up. Alice recognizes Dana and explains that she... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
4. Dana rolls Rufus onto his back and assesses the injuries, deeming them fairly minimal. She waits... (full context)
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
...but also getting angry that Alice would dare to prefer a black man over him. Dana reminds Rufus that Alice is a free woman with the right to say no, but... (full context)
Interracial Relationships Theme Icon
...get up, but is in too much pain from his broken ribs to manage it. Dana agrees to go for help on the condition that Rufus does not betray Isaac and... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Dana heads off through the forest as night begins to fall, marking the trail back to... (full context)
Family and Home Theme Icon
Dana approaches the house, mentally preparing herself to see Tom Weylin, but is stopped by an... (full context)
Family and Home Theme Icon
Freedom and Privilege Theme Icon
Dana warns Tom that Rufus probably has broken ribs, but Tom is unconcerned and tells Dana... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
The group finds Rufus with little difficulty. Nigel lifts Rufus carefully into the wagon and Dana feels his forehead, noticing he has a fever. Once back at the house, Nigel carries... (full context)
Family and Home Theme Icon
Freedom and Privilege Theme Icon
6. Up in Rufus’s room, Dana bandages Rufus as best she can, but his fever and coughing get worse. Sarah comes... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Choice and Power Theme Icon
Nigel comes up to tell Dana to call Sarah if she needs anything, and Dana welcomes his friendly presence. Nigel tells... (full context)
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
The next morning, Dana and Rufus eat breakfast together. Rufus comments that Tom wouldn’t like seeing a slave eat... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
...York, and Boston. In the most recent letter, Kevin says he is heading for Maine. Dana hopes Kevin hasn’t left for Maine yet so she can send him a letter and... (full context)
Family and Home Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
In the cookhouse, Dana angrily kneads dough for Sarah and catches up on the news of Margaret. After a... (full context)
Family and Home Theme Icon
History and Trauma Theme Icon
Choice and Power Theme Icon
...habit of doing what he wanted and “acting white” caught up with him. Rufus warns Dana not to end up the same way. Dana shudders to think of trying to escape... (full context)
History and Trauma Theme Icon
Dana sits down at Rufus’s desk to write a letter to Kevin using her ball-point pen.... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Dana decides it probably is safer to burn the book. She tears out the map of... (full context)
Freedom and Privilege Theme Icon
...Two days later, Rufus and Nigel take the wagon into town – ostensibly to mail Dana’s letter, but really so that Rufus can buy Alice. Unaware, Dana goes to help a... (full context)
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Dana wants to give Sarah hope of freedom, telling her about books written by slaves who... (full context)
Interracial Relationships Theme Icon
History and Trauma Theme Icon
...late that night, with Alice barely alive in the back of the wagon. Rufus calls Dana down to tend to Alice’s wounds. They take Alice to the attic where Dana does... (full context)
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Choice and Power Theme Icon
8. Dana does what she can to help Alice, realizing that most of the wounds are dog... (full context)
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Sarah comes in to the attic and asks about Alice. Sarah then tells Dana that the patrollers cut off Isaac’s ears. Dana is livid that Rufus’s crime of raping... (full context)
Family and Home Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
9. Dana asks Nigel about the letter the next day, but Nigel was on errands in town... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Dana goes up to the library to see Rufus and asks him how long it takes... (full context)
Family and Home Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
10. After three weeks, Alice heals more and asks to sleep with Dana in the attic. Alice goes with Dana down to the cookhouse, where they find out... (full context)
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Cooking makes Alice think of her mother cooking for her husband, and Alice asks about Dana’s husband. Dana says her husband is up North. Alice is happy that Dana has married... (full context)
Family and Home Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Somehow, Dana manages to get the full supper finished and finds two young boys to bring the... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
...his money on buying Alice, and tells Rufus that he should have been happy with Dana. Dana corners Rufus in the hall and demands to write another letter to Kevin. Tom... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
The next day, Rufus asks Dana to talk Alice into sleeping with him willingly. Dana refuses to help Rufus rape her... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Choice and Power Theme Icon
Dana remains neutral through Rufus’s insults, until Rufus threatens to have Jake beat Alice until Alice... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
The previous night in the attic, Alice had told Dana to write another letter to Kevin, but then viciously insulted Dana for loving a white... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Choice and Power Theme Icon
Alice watches the children crawl around for a minute, then asks Dana what she should do. Dana tries to tell Alice that its her body and her... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Choice and Power Theme Icon
...Rufus in his sleep, but she seems to die a little after sharing his bed. Dana sends another letter to Kevin, but a month passes without a reply. Rufus is far... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Dana wishes she still had her map, so she could plan to run on her own... (full context)
History and Trauma Theme Icon
Dana walks in the darkness, hiding from anyone she sees. She hits a dog with a... (full context)
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
13. Dana wakes tied up on Rufus’ horse and missing two teeth in her jaw. She moans,... (full context)
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
As the horse nears the Weylin house, Rufus tells Dana that she’ll have to be whipped again. Dana nearly slides off the horse in her... (full context)
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
When the whipping is finally over, Rufus carefully unties Dana and takes her into Carrie and Nigel’s cabin. Alice later tells Dana how Rufus insisted... (full context)
Family and Home Theme Icon
History and Trauma Theme Icon
14. Liza “fell” and hurt herself after Dana was caught, she learns, though Alice, Tess, and Carrie are also hiding scratches. Alice tells... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
15. When Dana is well enough to get up, Rufus brings Dana a letter from Kevin. Tom wrote... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Dana may resent Rufus, but she can’t help but care for a him as well. Alice... (full context)
Family and Home Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Rufus tries to tell Dana that she should have waited instead of running away, but Dana reminds him that it... (full context)
Family and Home Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
The next day, Dana is sent back to work. She is supposed to help Sarah and Carrie, but Jake... (full context)
Interracial Relationships Theme Icon
History and Trauma Theme Icon
As Dana heads back into the cookhouse, a white bearded man rides up to the main house.... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Dana tells Kevin they should leave now while they have a chance, and then notices Alice... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Dana realizes that she has underestimated how mean Rufus can be, but even now she is... (full context)
Chapter 5: The Storm
Family and Home Theme Icon
Interracial Relationships Theme Icon
1. Dana comes to on the living room floor with Kevin crouched over her, and is overwhelmed... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Dana wakes up and hears Kevin in the kitchen, noticing that he now has a slight... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Dana joins Kevin in the living room, where he is fiddling with the knobs on the... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
...of the rumored Denmark Vesey rebellion. He doesn’t want to talk about it more, but Dana has to clarify that Kevin really was helping slaves. Kevin angrily responds that he was... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Kevin putters around his office, then angrily slams his fist on his typewriter. Dana recalls how she couldn’t write, and assures Kevin that he’ll be able to write again... (full context)
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Dana bathes and repacks her emergency bag with Excedrin and an old pocket knife to replace... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Kevin comes into the kitchen and asks how long Dana has been gone this time. He brings a newspaper from his office with today’s date,... (full context)
Family and Home Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
2. Dana finds herself in a rain storm with the Weylin house in the distance. She can’t... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
In the library, Tom comments that Dana still looks young, though it has been six years since he last saw her. Dana... (full context)
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
...and Nigel says that Rufus has the ague, and that the doctor won’t be necessary. Dana tells Nigel to go dry off while she stays with Rufus, guilty that she has... (full context)
Freedom and Privilege Theme Icon
Dana looks down at Rufus, thinking that he has fallen asleep, and wondering aloud why Rufus... (full context)
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
4. Nigel puts up the mosquito netting, telling Dana that Tom really is more afraid of her than he is of anyone. Dana has... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Dana comes back in the room to find Nigel asleep on the floor and Rufus thrashing... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Alice comes in a couple times, a bitter shell of the girl that Dana knew. Nigel tells Dana that the years of being with Rufus have caused the other... (full context)
Family and Home Theme Icon
Choice and Power Theme Icon
After eight days, Rufus finally feels well and Dana goes back to sleep in the attic. Yet she is woken that night by Alice... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
5. Dana goes back to work with Sarah and Carrie, as Rufus completely ignores her. She is... (full context)
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Evan Fowler marches Dana to the cornfield, though Dana has never done field work before. Fowler has no sympathy... (full context)
History and Trauma Theme Icon
Dana pushes herself to cut through the corn row as Fowler watches. The other slaves warn... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
6. Dana wakes to see a white face and hopes for a moment that it is Kevin,... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Rufus’s face takes on an old expression of Tom’s, and Rufus screams at Dana never to leave him again. Dana stands still, then walks to Rufus’s desk and sits... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Rufus then asks Dana to use her healing knowledge to help his mother, Margaret, who is finally coming home.... (full context)
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
...older and far nicer to the slaves now that she has the laudanum. She asks Dana to read the Bible to her and trusts only Dana with all her household concerns.... (full context)
Freedom and Privilege Theme Icon
Alice pulls Dana into her cabin one day and scolds Dana for being so agreeable to Margaret and... (full context)
Family and Home Theme Icon
Choice and Power Theme Icon
Dana hears Margaret thumping her cane to call her into the house, so she turns to... (full context)
Family and Home Theme Icon
Choice and Power Theme Icon
8. Dana tries to head back upstairs, running into Carrie in the hall. Carrie brings Dana out... (full context)
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
9. Dana avoids Rufus for three days after the sale, until Rufus comes to find Dana in... (full context)
Family and Home Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Rufus needs to answer letters from creditors and traders, a task he hopes that Dana will do for him. Dana hates the thought of writing for Rufus, but softens when... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
10. Dana reads a few of Rufus’s letters to pick up the nineteenth century style, and then... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
11. Alice is pregnant again and Dana hopes that this child will be Hagar. She begins to keep a journal in secretarial... (full context)
Interracial Relationships Theme Icon
Choice and Power Theme Icon
After the party people begin to couple off, and Dana misses Kevin. Rufus comes over and asks if Dana has found anyone to “jump the... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
As Alice advances in her pregnancy, Rufus gets surlier. Dana is grateful that Alice creates another job for her that keeps her out of Rufus’s... (full context)
Choice and Power Theme Icon
In a private conversation with Alice, Dana learns that Alice would rather try to run again with Joe than continue to live... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
...of Alice naming her children Joseph and Hagar – Biblical slaves who achieve their freedom. Dana nearly cries with relief now that her ancestor Hagar has been born. With the danger... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Dana tries to leverage her help against Alice treating her with more kindness, but Alice knows... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
13. Dana manages to convince Alice to wait until early summer to run, and convinces herself not... (full context)
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
One day, the field hand that noticed Dana at the corn husking party stops Dana at the cookhouse and introduces himself as Sam... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Though Dana was careful, Sam is sold away three days later. Rufus had not said anything to... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
After Rufus hits Dana, she knows that the basic trust between them has been destroyed. Dana goes to the... (full context)
Chapter 6: The Rope
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Choice and Power Theme Icon
1. Dana wakes in her own bed at home with her wrists heavily bandaged and Kevin asleep... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Choice and Power Theme Icon
Dana fills Kevin in on the details of Hagar’s birth, Tom’s death, and the changes in... (full context)
Interracial Relationships Theme Icon
History and Trauma Theme Icon
2. Dana and Kevin enjoy 15 days together, long enough for the couple to come back together... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Kevin misreads Dana’s unease as eagerness to return to the Weylin estate, and suspects a relationship between Rufus... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
3. On the Fourth of July, Kevin and Dana have friends over, but Dana refuses to go with them to watch the fireworks. As... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Choice and Power Theme Icon
Dana struggles to cut Alice down, then holds Alice’s body and cries. Rufus steps into the... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Carrie comes in crying, and signs that Rufus wants Dana in the house. Dana goes to the library, finding Rufus there with a gun in... (full context)
Family and Home Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
...for committing suicide, but they stay quiet in front of Rufus. After Alice is buried, Dana avoids the dinner in Alice’s honor and goes up to the library to think and... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Rufus goes to Baltimore to collect the children, leaving Evan Fowler to watch Dana and make sure that she doesn’t send herself home again. Dana hides in Margaret’s room... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Dana resumes classes for all the children on the plantation, and slowly works to persuade Rufus... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Rufus comments that Dana isn’t really black, and really belongs with white people. Dana responds that she could never... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
...sleep, but he wanted her so badly that he didn’t care. Rufus steps closer to Dana and comments again how similar Dana and Alice are, and he grabs Dana’s arms. Dana... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Rufus follows Dana up to the attic. Dana keeps her knife hidden in her her bag, as Rufus... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
...for so long, but had finally accepted him right before she ran away. Rufus takes Dana’s hand and wonders aloud when Dana will stop hating him. Dana’s other hand clenches involuntarily... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
Freedom and Privilege Theme Icon
Choice and Power Theme Icon
Rufus and Dana lay calmly for a minute, and Dana realizes that she might eventually forgive him even... (full context)
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Nigel comes in and sees Rufus bloody on top of Dana. Rufus moans once more and then goes completely limp. Dana pushes Rufus’s body away, but... (full context)
Epilogue
Family and Home Theme Icon
History and Trauma Theme Icon
Kevin and Dana fly to Maryland as soon as Dana’s arm is healed enough. They drive into Easton,... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Choice and Power Theme Icon
At the Historical Society of Baltimore, Kevin and Dana research any mention of Margaret and Hagar together in Baltimore. Dana hopes that Margaret accepted... (full context)
Family and Home Theme Icon
Interracial Relationships Theme Icon
History and Trauma Theme Icon
Choice and Power Theme Icon
Dana sighs, regretting the pain that her trips to the past caused for Nigel, Sarah, and... (full context)