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Authority and Order
Themes and Colors
LitCharts assigns a color and icon to each theme in King Lear, which you can use to track the themes throughout the work.
Although Lear begins as a figure of authority and order, when he gives up his power and Goneril and Regan turn against him, he falls apart, going mad. Moreover, his personal decline parallels a farther-reaching dissolution of order and justice in the British state. Lear's error, based on blindness and misjudgment, doesn't just ruin him personally. It leads to a political situation in which there is no order to guarantee justice, despite his (and Gloucester's) repeated appeals to the gods.
Cordelia's first answer to Lear's command that she pronounce her love for him, the answer that first enrages him against her, is (in 1.1) is "nothing." After that first appearance, the word "nothing" recurs constantly throughout the play in the mouths of multiple characters. The repetition of this word highlights the theme of nothingness, and of the complete lack of meaning that results from nothingness – after all, when everything is destroyed, it is not possible to compare anything to anything else, and in such a void, without any ability to compare, nothing can have any meaning. And, ultimately, it is hard to argue that the ending of the play offers any justice at all: while the "bad guys" of Edmund, Goneril, Regan, and Cornwall are all killed, so are the heroes of Lear, Gloucester, and Cordelia. Nearly the entire social order, good and bad, is annihilated and turned to nothing. As Lear himself cries out in the moments before he dies, while holding the dead Cordelia in his arms, with his kingdom destroyed: "Never, never, never, never, never" (5.3.372).
Related Themes from Other Texts
Compare and contrast themes from other texts to this theme…
Disintegration, Chaos, Nothingness ThemeTracker
The ThemeTracker below shows where, and to what degree, the theme of Disintegration, Chaos, Nothingness appears in each scene of King Lear. Click or tap on any chapter to read its Summary & Analysis.
How often theme appears:
scene length:
Scene
Act 1, scene 1
1.1
Act 1, scene 2
1.2
Act 1, scene 3
1.3
Act 1, scene 4
1.4
Act 1, scene 5
1.5
Act 2, scene 1
2.1
Act 2, scene 2
2.2
Act 2, scene 3
2.3
Act 2, scene 4
2.4
Act 3, scene 1
3.1
Act 3, scene 2
3.2
Act 3, scene 3
3.3
Act 3, scene 4
3.4
Act 3, scene 5
3.5
Act 3, scene 6
3.6
Act 3, scene 7
3.7
Act 4, scene 1
4.1
Act 4, scene 2
4.2
Act 4, scene 3
4.3
Act 4, scene 4
4.4
Act 4, scene 5
4.5
Act 4, scene 6
4.6
Act 4, scene 7
4.7
Act 5, scene 1
5.1
Act 5, scene 2
5.2
Act 5, scene 3
5.3
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Disintegration, Chaos, Nothingness Quotes in King Lear
Below you will find the important quotes in King Lear related to the theme of Disintegration, Chaos, Nothingness.
Act 1, scene 1 Quotes
"Nothing will come of nothing."
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Lear asks each of his daughters to profess their love to him in order to receive their portion of his kingdom. When Cordelia has nothing to say in response, Lear makes this pithy statement denying her any property. Plot-wise, Lear’s comment refers to the fact that Cordelia will receive no land if she does not express her adoration properly. Thus “nothing”—in terms of inheritance—will come of the linguistic “nothing” she offers him. We see Lear here make an incorrect association between language and property: He does not take into consideration his daughter’s actual affection or care, but considers a single Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Duci
Act 1, scene 2 Quotes
"Thou, Nature, art my goddess."
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Edmund bemoans how his status as a bastard prevents him from having a claim to his father's title. As a result, he renounces the value of human laws and instead chooses to exalt the wonder of “Nature.” Here we see Edmund turn away for the first time from the systems that organize human life. He reveals a wish to violate social norms and seize power for himself. Since “Nature” exists beyond the royal system that delineates between legitimate and illegitimate children, it offers a world in which Edmund could receive a proper inheritance. That Edmund selects nature to be his Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima por
"These late eclipses in the sun and moon portend no good to us."
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Edmund has just falsely informed Gloucester that Edgar is plotting against his father. Gloucester notes, as he wonders how to proceed, that the movements in the heavenly bodies foreshadow negative events to come. This passage speaks to the important role of omens for the characters of King Lear. Various characters refer to the way the heavens ordain human events, and thus examining their movements offers a way to guess at the future. Gloucester believes, here, that he can interpret “late eclipses”—moments when light is blocked from the sun or moon—as signs of “no good” to come. (Symbolically, we could say Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tem
"As if we were villains on necessity; fools by heavenly compulsion."
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After Gloucester departs, Edmund mocks his father’s comments on the heavens. He believes that the motion of the planets do nothing to ordain human action. With these characters, Shakespeare establishes two poles on the question of human agency in the context of heavenly predestination. Whereas Gloucester believes that eclipses in the sky predict negative events in the human world, Edmund finds this perspective ridiculous. This debate speaks to a philosophical question on free will, but it also expresses a generational difference. Just as Lear values ceremonial behavior and adherence to tradition, Gloucester finds deference the heavens to be important. Friction Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia s
Act 2, scene 3 Quotes
"I will preserve myself, and am bethought
To take the basest and most poorest shape
That ever penury in contempt of man
Brought near to beast."
To take the basest and most poorest shape
That ever penury in contempt of man
Brought near to beast."
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Having fled his father’s castle, Edgar finds himself alone in the wilderness. He decides to take on the disguise of a fool called “Poor Tom” in order protect himself from being recognized and killed. Edgar begins, first, by declaring this intention to “preserve” himself, marking basic survival as his primary intention. Saying, “bethought to take the basest and most poorest shape” declares that the best way to protect himself will be to take on an alternative identity and costume of lowliness. That his “penury” or poverty will be “in contempt of men” implies that his false identity will inherently criticize Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto volupt
Act 2, scene 4 Quotes
"O sir, you are old.
Nature I you stands on the very verge
Of his confine."
Nature I you stands on the very verge
Of his confine."
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Regan and Goneril argue with Lear about his behavior in their households. During the fight, Regan comments on his age and the way he approaches his mental and physical demise. Her accusation returns to the question of how insanity and elderliness interplay: Regan firmly contends that the decline of Lear’s mental capacities is responsible for his erratic behaviors. Here, she offers a somewhat new take on the issue when she brings in the ever-present image of “Nature.” Here, “Nature” signifies a wild realm beyond a human, rational range of understanding. That this force is “on the very verge of his Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Re
"O, reason not the need! Our basest beggars
Are in the poorest thing superfluous.
Allow not nature more than nature needs,
Man's life is cheap as beast's."
Are in the poorest thing superfluous.
Allow not nature more than nature needs,
Man's life is cheap as beast's."
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Lear becomes increasingly deranged during his conversation with Goneril and Regan. He begins raving, here, about the meaninglessness of life and how all men are essentially equivalent to beggars. As with many of Shakespeare’s supposedly mad characters, Lear chooses images that seem nonsensical at first but actually contain real philosophical significance. When he says that beggars “are in the poorest things superfluous,” he plays with the question of ownership and inheritance. Indeed, beggars have a great deal of “the poorest things”—the “nothing” so oft referenced in the play. In this way, they are weirdly superior to the rich. Lear continues Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima
Act 3, scene 2 Quotes
"Here's a night pities neither wise men nor fools."
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Lear and his Fool stand amidst the overpowering storm. The first shouts at the natural forces, while the second offers these more reasoned statements. The Fool is here describing the way Nature does not affect humans differently based on their social status. This night “pities” none more than others, because it affects all equally. Physically, this would be taking place on the stage as we would see King Lear and the Fool equally affected by the “night.” This statement quite cleverly plays with the opposition between “wise men” and “fools.” Note how the Fool and Lear continue to switch roles: Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Re
"The art of our necessities is strange
And can make vile things precious."
And can make vile things precious."
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Still amidst the storm, Lear reflects on the insignificance of physical possessions. He observes how little humans require in certain circumstances. Once again, Shakespeare places philosophically significant statements in the mouth of a madman. That Lear considers “our necessities” to be an “art” is a subtle paradox, for arts are generally taken to be a supplement to human existence rather than a strict requirement. Being a “strange” art further muddles the definition of “necessities,” which we would expect to be clear-cut and self-evident rather than uncertain. When Lear adds that this art “can make vile things precious” he points to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque i
Act 3, scene 4 Quotes
"Poor naked wretches, wheresoe'er you are,
That bide the pelting of this pitiless storm,
How shall your houseless heads and unfed sides,
Your looped and windowed raggedness defend you
From seasons such as these? O I have taken
Too little care of this."
That bide the pelting of this pitiless storm,
How shall your houseless heads and unfed sides,
Your looped and windowed raggedness defend you
From seasons such as these? O I have taken
Too little care of this."
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Lear has finally escaped from the overwhelming storm. Shaken by the experience, he reflects on how little attention he devoted as King to his impoverished subjects. This passage shows that Lear’s experience has granted him a new level of empathy to others. He imagines that common people “bide the pelting of this pitiless storm” just as he has—and that they must therefore be in need of resources and aid just as Lear was. Nature, here, serves as an equalizer between king and subject, allowing Lear to understand how desperately others would need aid “from seasons such as these.” He is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima p
Act 4, scene 1 Quotes
"The worst is not
So long as we can say 'This is the worst.'"
So long as we can say 'This is the worst.'"
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Edgar is reflecting on his lowly position when he sees the blind Gloucester led by an Old Man. He revises his earlier beliefs, pointing out that many are far worse off than himself and that, indeed, the ability to observe how bad things are must mean they are not at the absolute bottom. That Edgar’s observations are induced by seeing the Old Man and Gloucester reiterates how the tragic action offers perspective on one’s own misfortune. Edgar may have pitied himself, but once he sees others in even more dire straights, he realizes that he was being ridiculous all along. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Du
Act 4, scene 2 Quotes
"The nature which contemns its origin
Cannot be bordered certain in itself."
Cannot be bordered certain in itself."
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Albany has realized the deceitful way Regan and Goneril treated Lear. He condemns them, here, for turning against their own father. Shakespeare plays once more with the complex term “nature,” here used to refer to both Goneril’s disposition and to her blood-linked relationship to her father. In the first sense, Goneril’s “nature” means her cruel personality that has acted independently of any filial compassion and thus lashed out brutally against her father. But by selecting the possessive pronoun “its” for “its origin,” Albany implies that nature is inherently linked to the “origin” of one’s parents. Goneril’s actions against her father Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit be
Act 4, scene 6 Quotes
"Gloucester: Oh let me kiss that hand!
Lear: Let me wipe it first; it smells of mortality."
Lear: Let me wipe it first; it smells of mortality."
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After Gloucester has survived his fake-suicide, Lear enters the scene. Gloucester asks to greet him royally, but the mad Lear rejects the offer due to an irrational comment on his impending death. Shakespeare places in conversation here two figures who are crippled from proper communication: Gloucester and Lear have both been driven to different forms of disability, with the first being blind and the second being insane. Yet he cleverly inverts their roles in this moment of mis-recognition: this inversion comes through in the way that Gloucester is blind, yet he is able to recognize Lear and thus asks to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae.
Act 5, scene 3 Quotes
"Howl, howl, howl! O, you are men of stones!
Had I your tongues and eyes, I'd use them so
That heaven's vault should crack. She's gone forever."
Had I your tongues and eyes, I'd use them so
That heaven's vault should crack. She's gone forever."
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Just as Edmund sends a messenger to halt his plans to kill Cordelia and Lear, Lear enters with his daughter’s body. He exclaims these lines of intense remorse. Though Lear’s language has become increasingly difficult to parse, it continues to hold meaning if examined carefully. Lear’s invocation—“Howl, Howl, Howl”—recalls his earlier expressions during the storm. Here, he mimics the environmental sounds, becoming himself an expression of natural catastrophe rather than of rational human logic. Calling others “men of stones” implies that he finds them emotionless and cold in the face of the catastrophe he has witnessed. As a result, Lear Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Dele
"No, no, no life?
Why should a dog, a horse, a rat have life,
And thou no breath at all? Thou'lt come no more,
Never, never, never, never, never."
Why should a dog, a horse, a rat have life,
And thou no breath at all? Thou'lt come no more,
Never, never, never, never, never."
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As Lear’s life draws to a close, he speaks these final lines. He ends with abject denial of himself and of human nature. His tone in this passage is actually quite soft and surprised. The repetition of “No, no, no” combined with the phrasing as a question, cast Lear as quite hesitant, even infantile. His next line comparing the lives of animals to that of dead Cordelia is similarly innocent: Lear seems to not be able to make sense of basic human injustices, believing naively that his daughter simply deserves to be alive because other things are. In this way, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis
