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Act 1, Scene 1 Quotes

CHRIS (Escalating emotions): I dunno. A couple minutes, and your whole life changes, that’s it. It’s gone. Every day I think about what if I hadn’t…You know…I run it and run it, a tape over and over again. What if. What if. What if. All night. In my head. I can’t turn it off. Reverend Duckett said, “Lean on God for forgiveness. Lean on God to find your way through the terrible storm.” I’m leaning into the wind, I’m fuckin’ leaning […] What we did was unforgiveable…

Related Characters: Chris (speaker), Evan, Jason
Related Symbols: The Bar
Page Number and Citation: 10
Explanation and Analysis:
Having just been released from an eight-year prison sentence, Chris attends a meeting with his parole officer, Evan. Both Chris and his former best friend, Jason, were convicted of assault after they attacked a busboy at the local bar. Here, Chris reflects on the guilt he feels over the crime. Having been a hardworking 21-year-old man with dreams of becoming a teacher prior to the assault, Chris now incessantly questions how his life would have panned out if he’d made different decisions, which introduces the idea that shame can be a destructive force on an individual’s psychological wellbeing and ability Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit n

Act 1, Scene 2 Quotes

CYNTHIA: […] let me tell you something, once he started messing with that dope, I don’t recognize the man. I know it’s tough out there, I understand. Yeah, yeah, yeah. He went through hell when his plant locked him out, I understand, but I can’t have it.

Related Characters: Cynthia (speaker), Brucie, Tracey, Stan
Related Symbols: The Bar
Page Number and Citation: 17-18
Explanation and Analysis:
In the bar that Sweat’s main characters frequent, Cynthia explains her marital struggles with her husband, Brucie, to Tracey (Cynthia’s best friend) and Stan (the bartender). She reflects on the hardships Brucie has experienced since he was locked out of his job at a local textile mill two years ago: Brucie has since begun using drugs and stealing, and he’s become an unreliable and volatile person. This situation introduces the play’s theme of working-class disillusionment, as Brucie is the character who’s perhaps most directly impacted by the realities of life as a blue-collar laborer. Having dedicated his entire adult life Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestia

STAN: Says he got wind that they were gonna cut back his line at the plant. Couldn’t handle the stress.

CYNTHIA: That rumor’s been flying around for months. Nobody’s going anywhere.

STAN: Okay, you keep telling yourself that, but you saw what happened over at Clemmons Technologies. No one saw that coming. Right? You could wake up tomorrow and all your jobs are in Mexico, whatever, it’s this NAFTA bullshit—

Related Characters: Cynthia (speaker), Stan (speaker), Tracey, Freddy Brunner
Related Symbols: The Bar
Page Number and Citation: 19-20
Explanation and Analysis:
At the bar, Stan, Cynthia, and Tracey discuss a mutual acquaintance, Freddy Brunner, who recently burned his own house down. It’s rumored that this was due to marital and money problems, and here Stan suggests that it also had to do with potential layoffs at Olstead’s Steel Tubing, where Freddy, Cynthia, and Tracey all work. This disturbing anecdote shows just how severely working-class people can be impacted by financial strain and unemployment. Such workers are typically already struggling to make ends meet, and when they’re laid off or locked out after dedicating years of hard labor to their company, the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatibus sed placeat. Aut tenetur autem. Fugit voluptates in. Quidem impedit sunt. Exceptur

CYNTHIA: Who knows? I might apply.

TRACEY: What?! Get outta here.

CYNTHIA: Why the hell not? I’ve got twenty-four years on the floor.

TRACEY: Well, I got you beat by two. Started in ’74, walked in straight outta high school. First and only job. Management is for them. Not us.

CYNTHIA: More money. More heat. More vacation. Less work. That’s all I need to know.

Related Characters: Tracey (speaker), Cynthia (speaker), Stan, Brucie
Related Symbols: The Bar
Page Number and Citation: 24
Explanation and Analysis:
At the bar, Cynthia, Tracey, and Stan discuss managerial changes at Olstead’s Steel Tubing, where Cynthia and Tracey have worked for over 20 years. One of the higher-ups has just been transferred, leaving a Warehouse Supervisor job open, and Cynthia is thinking of applying for the promotion. Both of the women’s reflections about their many years at Olstead’s reinforce the idea that working-class laborers often dedicate their entire adult lives to the same company—which makes it especially difficult when they’re laid off or locked out, like Cynthia’s husband, Brucie, was at his textile mill. Additionally, the fact that both women Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure.

Act 1, Scene 3 Quotes

JASON: […] But seriously, man, why didn’t you tell me?

CHRIS: Cuz—

JASON: Shit, I just kinda thought we’d retire and open a franchise together. We’re a team, you can’t leave!!

CHRIS: Yeah, I can.

JASON: What about me?

CHRIS: What about you?

JASON: You coulda told me.

CHRIS: Dude, it’s just something I gotta do.

Related Characters: Jason (speaker), Chris (speaker), Stan, Tracey, Cynthia
Related Symbols: The Bar
Page Number and Citation: 32
Explanation and Analysis:
Eight years prior to Act One, Scene 1, Jason and Chris are hanging out in the local bar that all of the play’s main characters frequent. Chris has just shared with Jason and Stan his intentions to pursue teaching at Albright College, which surprises both of them. Prior to this exchange, Stan expresses disapproval on a practical level: he believes it’s crazy to walk away from the sought-after high pay at Olstead’s Steel Tubing (where Chris and Jason currently work). This attitude is a potential reason behind why working-class laborers tend to get stuck in jobs that are unfulfilling and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accu

Act 1, Scene 4 Quotes

STAN: […] That’s when I knew, I was nobody to them. Nobody! Three generations of loyalty to the same company. This is America, right? You’d think that would mean something. They behave like you’re doing them a goddamn favor […] they don’t understand that human decency is at the core of everything. I been jacking all them years and I can count on my hand the number of times they said thank you. Management: look me in the eye, say “thank you” now and then. “Thanks, Stan, for coming in early and working on the weekend. Good job.” I loved my job. I was good at my job. Twenty-eight years jacking. And look at my leg! That’s what I get.

Related Characters: Stan (speaker), Brucie
Related Symbols: The Bar
Page Number and Citation: 37
Explanation and Analysis:
As Brucie sits at the bar, he confides in Stan about how much he’s been struggling since he was locked out of his job at a local textile mill nearly two years ago. Stan shares his own experiences working at Olstead’s Steel Tubing, where he spent 28 years before losing part of his leg in a work accident. Stan’s bitterness at his experience there is understandable: even after he and his family gave “three generations of loyalty” to Olstead’s, the company was cold and thankless toward Stan despite his hard work. All Stan got in the end was a debilitating Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur q

BRUCIE: […] this old white cat, whatever, gets in my face, talking about how we took his job. We? […] He don’t know my biography. October 2nd, 1952, my father picked his last bale of cotton. He packed his razor and a Bible and headed North. Ten days later he had a job at Dixon’s Hosieries. He clawed his way up from the filth of the yard to Union Rep, fighting for fucking assholes just like this cat. So I don’t understand it. This damn blame game, I got enough of that in my marriage.

Related Characters: Brucie (speaker), Stan
Related Symbols: The Bar
Page Number and Citation: 37-38
Explanation and Analysis:
At the bar, Brucie tells Stan about an incident of racism he experienced while in line for union handouts: a white man accused black people like Brucie of coming to Reading to take white people’s jobs. Having presumably been laid off or locked out from his company, just like Brucie was, this man is likely experiencing similar psychological struggles and financial strain that Brucie has been suffering from for the past two years. It seems, then, that racial animosity between the white man and Brucie (and perhaps between white people and black people in general) is being brought to the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deseru

Act 1, Scene 5 Quotes

TRACEY: […] I know the floor as good as Cynthia. I do. […] I betcha they wanted a minority. I’m not prejudice, but that’s how things are going these days. I got eyes. They get tax breaks or something. […] I’m not prejudice, I say, you are who you are, you know? I’m cool with everyone. But I mean…c’mon…you guys coming over here, you can get a job faster than—

OSCAR: I was born here.

TRACEY: Still…you weren’t born here, Berks.

OSCAR: Yeah, I was.

TRACEY: Yeah? Well, my family’s been here a long time. Since the twenties, okay? They built the house that I live in. They built this town.

Related Characters: Tracey (speaker), Oscar (speaker), Cynthia
Related Symbols: The Bar
Page Number and Citation: 48-49
Explanation and Analysis:
After Cynthia receives the promotion to Warehouse Supervisor at Olstead’s (which she and Tracey both applied for), Tracey becomes bitter about the situation. She tells Oscar, the Columbian American busboy at the bar, that she has just as much experience as Cynthia and that Cynthia was probably only hired because she’s black. This is another example of how economic strain can bring out the worst in people: rather than being supportive of people who are just trying to get by, Tracey and others react with resentment at not getting ahead themselves. Even worse, such financial struggles seem to make racism Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias

TRACEY: […] It was back when if you worked with your hands people respected you for it. It was a gift. But now, there’s nothing on Penn. You go into buildings, the walls are covered over with sheetrock, the wood painted gray, or some ungodly color, and it just makes me sad. It makes me…whatever.

OSCAR: You okay?

TRACEY: Listen, that piece of paper you’re holding is an insult, it don’t mean anything, Olstead’s isn’t for you.

Related Characters: Oscar (speaker), Tracey (speaker)
Related Symbols: The Bar
Page Number and Citation: 49
Explanation and Analysis:
Outside the bar, Tracey and Oscar get into a conversation about Olstead’s Steel Tubing, where Tracey works and where Oscar is hoping to get some hours. Here, Tracey looks back on how Reading, Pennsylvania (where the play is set) has changed since her grandparents first settled here in the 1920s. She bitterly reflects on how everything in town is drab and uniform now that mass manufacturing has taken the place of craftsmanship like that of her woodworker grandfather. Additionally, she’s upset that blue-collar laborers like her are now unappreciated and disrespected—whereas back then, “if you worked with your hands people Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repe

Act 1, Scene 6 Quotes

CYNTHIA: […] I don’t deserve the things you’ve been saying. You’ve always been cool. Be angry, but don’t make it about this…(Points to the skin on the back of her hand) Look at me, Tracey. You don’t want to go down that road, we’ve got too much history between us. You got a problem, you tell me to my face.

Related Characters: Cynthia (speaker), Tracey
Page Number and Citation: 59
Explanation and Analysis:
After Cynthia receives a promotion to Warehouse Supervisor at Olstead’s, Tracey reacts by suggesting that Cynthia didn’t really deserve the job and that she was only given the promotion because she’s black. Here, Cynthia pleads with Tracey not to make things about race. Her comment that “you’ve always been cool” implies that Tracey wasn’t always racist (or at least not openly so), meaning that her prejudice has been brought out and exacerbated by the resentment she feels over Cynthia’s promotion. This is particularly disturbing given that Tracey and Cynthia have been friends for decades. Tracey’s sudden turning on Cynthia suggests Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium

Act 2, Scene 1 Quotes

CYNTHIA: […] You know after everything. I wanna say that…

(Cynthia fights back emotions.)

I’m sorry.

CHRIS: For what?

CYNTHIA: It’s just, I shoulda…

(Chris places his arms around Cynthia.)

CHRIS: C’mon. C’mon. I don't want this to be a big deal. Tell me about what’s been going on. You hear from the old gang? Tracey?

CYNTHIA: Fuck her. After what went down. We don’t really—

Related Characters: Cynthia (speaker), Chris (speaker), Tracey, Jason, Oscar
Page Number and Citation: 69
Explanation and Analysis:
Act Two begins with a shift from 2000 to 2008, when Chris has just been released from his eight-year prison sentence. When he goes to visit his mother, Cynthia, she’s warm and affectionate toward him, and she expresses her remorse about everything that happened all those years ago. Cynthia’s apology and vague reflection that “I shoulda…” suggests that she blames herself both for the fallout with her friends (which happened as a result of her promotion to Warehouse Supervisor) as well as for Chris’s crime. Jason and Chris’s assault of Oscar was largely motivated by the lockout that happened at Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem

Act 2, Scene 3 Quotes

CYNTHIA: I’ve stood on that line, same line since I was nineteen. I’ve taken orders from idiots who were dangerous, or even worse, racist. But I stood on line, patiently waiting for a break. I don’t think you get it, but if I walk away, I’m giving up more than a job, I’m giving up all that time I spent standing on line waiting for one damn opportunity.

TRACEY: You want us to feel sorry for you?

CYNTHIA: …I didn’t expect you to understand, babe. You don’t know what it’s been like to walk in my shoes. I’ve absorbed a lotta shit over the years, but I worked hard to get off that floor. Call me selfish, I don’t care, call me whatever you need to call me, but remember, one of us has to be left standing to fight.

Related Characters: Cynthia (speaker), Tracey (speaker), Jessie
Related Symbols: The Bar
Page Number and Citation: 83
Explanation and Analysis:
After Cynthia’s friends turn on her for being part of the management that locked them out of Olstead’s, Cynthia spends her birthday alone at the bar. Tracey and Jessie eventually crash the evening and accuse Cynthia of being a traitor, and this exchange is how Cynthia defends herself. Although Tracey, Jessie, and the other floor workers view Cynthia’s promotion to Warehouse Supervisor (which happened just before the lockout) as a betrayal, Cynthia explains that she’s been devalued, disrespected, and put at risk by management since she was 19 years old—a sentiment that Tracey and Jessie should ostensibly sympathize with, since Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremque eum. Animi soluta perspiciatis. Ut minima autem. Modi omnis iure. Sint qui qui. Qui similique praesentium. Ex consequatur magnam. Aliquid iste enim. Sequi aut maxime. Adipisci voluptate et. Voluptas suscipit alias. In et eveniet. Eaque et repellendus. Dolores aut voluptatibus. Voluptatem qui voluptatum. Voluptatibus sed placeat. Aut tenetur autem. Fugit voluptates in. Quidem impedit sunt. Excepturi ullam nobis. Ducimus odio quo. Ut autem harum. Omnis vel voluptatum. Assumenda officia maiores. Voluptatem sint velit. Quod quia sapiente. Cum sunt quo. Accusamus veritatis voluptatum. Rerum est et. Aut autem sit. Soluta dolor f

Act 2, Scene 5 Quotes

OSCAR: […] I keep asking for some good fortune. That’s it. A little bit of money. That’s it. My father, he swept up the floor in a factory like Olstead’s—those fuckas wouldn’t even give him a union card. But he woke up every morning at four A.M. because he wanted a job in the steel factory, it was the American way, so he swept fucking floors thinking, “One day they’ll let me in.” I know how he feels, people come in here every day. They brush by me without seeing me. No: “Hello, Oscar.” If they don’t see me, I don’t need to see them.

Related Characters: Oscar (speaker), Stan
Related Symbols: The Bar
Page Number and Citation: 92
Explanation and Analysis:
In the midst of the lockout at Olstead’s Steel Tubing, Oscar takes on some temporary hours that have been made available since the regular floor workers have lost their jobs. Stan warns Oscar that this will anger the locked-out workers, and this quote is how Oscar responds. He brings up the fact that his father was disrespected when he worked as a janitor in a steel factory—and now, Oscar is othered in a similar way by Reading’s white working class who “brush by [Oscar] without seeing [him].” His scathing comment about “the American way” suggests that the American Dream of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic t

Act 2, Scene 6 Quotes

JASON: […] Eleven dollars an hour? No thank you. They’ll work us down to nothing if we let ‘em. “Jacking ain’t for softies!” But they know they can always find somebody willing to get their hands sweaty. And they’re right. There will always be someone who’ll step in, unless we say NO!

STAN: Look. Olstead is a prick. If he was here I wouldn’t stop you. In fact I’d hold him down for you to give him a proper beating, but Oscar…he’s another story.

[…]

JASON: […] All I’m saying is that he needs to understand the price of that dinner he’s putting on his table.

STAN (Shouts): What the fuck do you want him to do? Huh? It ain’t his fault. Talk to Olstead, his cronies. Fucking Wall Street. Oscar ain’t getting rich off your misery.

Related Characters: Jason (speaker), Stan (speaker), Oscar, Tracey, Jessie
Related Symbols: The Bar
Page Number and Citation: 101-102
Explanation and Analysis:
While Jason, Tracey, and Jessie gang up on Oscar at the bar, Stan defends him. Whereas the Olstead’s workers have branded Oscar as a traitor for taking on temporary hours at the plant while they’re locked out, Stan argues that Oscar isn’t to blame for the situation—he has nothing to do with the lockout and is only trying to make a living, just like they are. Stan’s response to Jason’s outrage at the Latinx temp workers (and particularly at Oscar, who’s been made into a scapegoat) echoes the play’s broader argument that the white working class’s anger and discontentment is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit ne

Act 2, Scene 7 Quotes

EVAN: I’ve seen enough guys in your situation to know that over time it’s…it’s crippling. I’m not a therapist, I’m not the right dude to talk to about any of this. But what I do know, is that it’s not a productive emotion. Most folks think it’s the guilt or rage that destroys us in the end, but I know from experience that it’s shame that eats us away until we disappear. You put in your time. But look here, we been talking, and we can keep talking—but whatcha gonna do about where you’re at right now?

Related Characters: Evan (speaker), Jason, Chris, Oscar, Stan
Related Symbols: The Bar
Page Number and Citation: 109
Explanation and Analysis:
Having just served eight years in prison for assaulting Oscar, Chris and Jason are struggling to cope with their emotions as ex-convicts. Near the end of the play, Chris and Jason’s parole officer, Evan, advises both of them to let go of their shame. With this advice, Evan encapsulates one of the play’s central themes: that shame is a counterproductive emotion and that people should forgive themselves in order to move on and make the most of their lives. This is particularly pertinent for Chris and Jason, who are so ashamed of the assault they committed that they’re struggling to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti n
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