Mexican Gothic

by Silvia Moreno-Garcia

Noemí Taboada Character Analysis

Noemí is a wealthy urban socialite from Mexico City who ventures to High Place to check on the welfare of her cousin, Catalina. As a woman of high society, she pays careful attention to her clothing and appearance, but Noemí is just as focused on education as she is on fashion. Though her parents would prefer it if she devoted herself to finding a suitable husband, Noemí wants to obtain a master’s degree in anthropology—this at a time when it was somewhat uncommon for women to attend university. Noemí’s progressive values result in multiple conflicts with the Doyle family, who believe in old-world conventions and hold that the only suitable goals for a woman is marriage and motherhood. Noemí often navigates these conflicts with flattery and flirtation—all those parties in Mexico City have taught her how to deal with arrogant, wealthy men. But when Noemí learns the truth about the horrors that have occurred at High Place she rebels against the family patriarch, Howard Doyle, with increasing feminist resolve. Her goal is not just to escape High Place, but also to end the suffering of the women around her. She refuses to leave without Catalina, for example, and burns the body of the long-abused first wife of Howard Doyle, Agnes. Thus, Noemí overcomes the sexist power structure of High Place not only by using both masculine and feminine forms of power, but also by uplifting the other women abused by the system.

Noemí Taboada Quotes in Mexican Gothic

The Mexican Gothic quotes below are all either spoken by Noemí Taboada or refer to Noemí Taboada. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Sexism, Female Independence, and Power Theme Icon
).

Chapter 1 Quotes

Noemí, like any good socialite, shopped at the Palacio de Hierro, painted her lips with Elizabeth Arden lipstick, owned a couple of very fine furs, spoke English with remarkable ease, courtesy of the nuns at Monserrat—a private school, of course—and was expected to devote her time to the twin pursuits of leisure and husband hunting. Therefore, to her father, any pleasant activity must also involve the acquisition of a spouse. That is, she should never have fun for the sake of having fun, but only as a way to obtain a husband.

Related Characters: Noemí Taboada (speaker), Noemí’s Father
Page Number and Citation: 6
Explanation and Analysis:

Chapter 2 Quotes

“You’ll see it. It’s all very English. Um, that’s what Uncle Howard wanted, a little piece of England. He even brought European earth here.”

Related Characters: Francis (speaker), Noemí Taboada, Howard Doyle
Page Number and Citation: 18
Explanation and Analysis:

Chapter 3 Quotes

“What are your thoughts on the intermingling of superior and inferior types?” he asked, ignoring her discomfort.

Noemi felt the eyes of all the family members on her. Her presence was a novelty and an alteration to their patterns. An organism introduced into a sterile environment. They waited to hear what she revealed and to analyze her words. Well, let them see that she could keep her cool.

Related Characters: Howard Doyle (speaker), Noemí Taboada
Page Number and Citation: 30
Explanation and Analysis:

It was the kind of thing she imagined impressing her cousin: an old house atop a hill, with mist and moonlight, like an etching out of a Gothic novel. Wuthering Heights and Jane Eyre, those were Catalina’s sort of books.

Related Characters: Noemí Taboada (speaker), Catalina
Page Number and Citation: 35
Explanation and Analysis:

Chapter 4 Quotes

“It’s more fun driving without the hood on. It makes your hair look movie-star perfect. Also, it gives you ideas, you think better,” she said, running a hand through her wavy hair jokingly. Noemi’s father said she cared too much about her looks and parties to take school seriously, as if a woman could not do two things at once.

Related Characters: Noemí Taboada (speaker), Noemí’s Father
Page Number and Citation: 42
Explanation and Analysis:

Chapter 5 Quotes

He reminded her of a fellow she’d danced with at a party the previous summer. They had been having fun, briskly stepping to a danzón, and then came time for the ballads. During “Some Enchanted Evening” the man held her far too tightly and tried to kiss her. She turned her head, and when she looked at him again there was pure, dark mockery across his features.

Noemí stared back at Virgil, and he stared at her with that same sort of mockery: a bitter, ugly stare.

Related Characters: Noemí Taboada (speaker), Virgil
Page Number and Citation: 55
Explanation and Analysis:

The woman raised a gloved hand and pointed at Noemí, and she opened her mouth, but having no mouth since her face was a golden blur, no words came out.

Noemí had not felt scared. Now until now. But this, the woman attempting to speak, it made her indescribably afraid.

Related Characters: Noemí Taboada (speaker), Agnes
Page Number and Citation: 56
Explanation and Analysis:

Chapter 8 Quotes

Of course he had a point. Catalina was his wife, and he was the one who could make choices for her. Why, Mexican women couldn’t even vote. What could Noemí say? What could she do in such a situation? Perhaps it would be best if her father intervened. If he came down here. A man would command more respect. But no, it was as she said: she wasn’t going to back down.

Related Characters: Noemí Taboada (speaker), Virgil, Catalina
Page Number and Citation: 93
Explanation and Analysis:

Chapter 9 Quotes

Catalina had told her she expected more. True romance, she said. True feelings. Her cousin had never quite lost that young-girl wonder of the world, her imagination crowded with visions of women greeting passionate lovers by moonlight[…] Noemí wondered if High Place had robbed her of her illusions, or if they were meant to be shattered all along. Marriage could hardly be like the passionate romances one read about in books.

Related Characters: Noemí Taboada (speaker), Catalina
Page Number and Citation: 95
Explanation and Analysis:

Chapter 10 Quotes

The Doyles’ silver collection was quite staggering, each shelf lined with salvers, tea sets, bowls, and candlesticks that sat dusty and dull behind glass. A lone person could not hope to tackle this whole task alone, but Noemí was determined to prove herself in front of this woman.

Related Characters: Noemí Taboada (speaker), Florence
Page Number and Citation: 113
Explanation and Analysis:

Chapter 14 Quotes

“It’s the house,” Francis murmured[…] “It wasn’t made for love, the house.”

“Any place is made for love,” she protested.

“Not this place and not us. You look back two, three generations, as far as you can. You won’t find love. We are incapable of such a thing.”

His fingers curled around the intricate iron bars, and he stood there, for a second, looking at the ground, before he opened the gate for her.

Related Characters: Francis (speaker), Noemí Taboada (speaker)
Page Number and Citation: 154
Explanation and Analysis:

Chapter 16 Quotes

Once could conclude that this was a case of three silly, nervous women. Physicians of old would have diagnosed it as hysterics. But one thing Noemí was not was hysterical.

Related Characters: Noemí Taboada (speaker), Ruth, Catalina
Page Number and Citation: 173
Explanation and Analysis:

Chapter 17 Quotes

She did not wish to blush in front of him. To turn crimson like an idiot in front of a man who wielded such meticulous hostility toward her. But she thought of his mouth on hers and his hands on her thighs, like it had been in the dream, and an electric thrill ran down her spine. That night, that dream, it had felt like desire, danger, and scandals, and all the secrets her body and her eager mind quietly coveted.

Related Characters: Noemí Taboada (speaker), Virgil
Page Number and Citation: 187
Explanation and Analysis:

Chapter 20 Quotes

Et Verbum caro factum est.

She knew what she had not properly seen in her previous dreams, and she did not wish to see now, but there it was. The knife and the child. Noemí closed her eyes, but even behind her eyelids she saw it all, crimson and black and the child torn apart and they were eating him.

Related Characters: Noemí Taboada (speaker)
Page Number and Citation: 217
Explanation and Analysis:

Chapter 21 Quotes

“There’s a cicada fungus. Massospora cicadina. I remember reading a journal article which discussed its appearance: the fungus sprouts along the abdomen of the cicada. It turns it into a mass of yellow powder. The journal said the cicadas, which had been so grossly infected, were still ‘singing,’ as their body was consumed from within. Singing, calling for a mate, half-dead. Can you imagine?” Francis said. “You’re right, I do have a choice. I’m not going to end my life singing a tune, pretending everything is fine.”

Related Characters: Francis (speaker), Noemí Taboada
Page Number and Citation: 232
Explanation and Analysis:

Noemí clacked her teeth together in fear and thought to cry too, but then she recalled the words, the mantra.

“Open your eyes,” Noemí said.

And Noemí did. She opened her eyes, and the room was dark.

Related Characters: Noemí Taboada (speaker), Ruth
Page Number and Citation: 234
Explanation and Analysis:

Chapter 23 Quotes

It wasn’t ugly. That wasn’t what repulsed her. But it seemed to her it represented the youthful fancies of another girl, of a dead girl. Perhaps two girls. Had Virgil’s first wife worn this too?

It reminded her of an abandoned snake’s skin. Howard would slough off his own skin, would sink into a new body, like a blade entering warm flesh. Ouroboros.

Related Characters: Noemí Taboada (speaker)
Related Symbols: The Ouroboros
Page Number and Citation: 247
Explanation and Analysis:

Chapter 25 Quotes

He would die, he would slide into a new body, and Francis would cease to exist. A demented cycle. Children devoured as babes, children devoured as adults. Children are but food. Food for a cruel god.

Related Characters: Noemí Taboada (speaker), Howard Doyle
Related Symbols: The Ouroboros
Page Number and Citation: 270
Explanation and Analysis:

Chapter 26 Quotes

“Can you go on?”

“I think so,” he said. “I’m not sure. If I faint—”

“We can stop for a minute,” she offered.

“No, it’s fine,” he said.

“Lean on me. Come on.”

“You’re hurt.”

“So are you.”

He hesitated, but did rest a hand on her shoulder, and they walked together, with Catalina ahead of them.

Related Characters: Francis (speaker), Noemí Taboada (speaker), Catalina
Page Number and Citation: 279
Explanation and Analysis:

Chapter 27 Quotes

The future, she thought, could not be predicted, and the shape of things could not be divined. To think otherwise was absurd. But they were young that morning, and they could cling to hope. Hope that the world could be remade, kinder and sweeter. So she kissed him a second time, for luck. When he looked at her again his face was filled with such an extraordinary gladness, and the third time she kissed him it was for love.

Related Characters: Noemí Taboada (speaker), Francis
Page Number and Citation: 301
Explanation and Analysis:
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Noemí Taboada Character Timeline in Mexican Gothic

The timeline below shows where the character Noemí Taboada appears in Mexican Gothic. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1
Sexism, Female Independence, and Power Theme Icon
...man, Hugo Duarte, carries a papier-mâché horse head as part of his costume. The woman, Noemí, told Hugo to dress as a horse so that they could win the costume contest... (full context)
Sexism, Female Independence, and Power Theme Icon
Noemí’s costume change has irritated Hugo, but she didn’t choose to go out with him for... (full context)
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The taxi arrives at Noemí’s house. Hugo asks her for a kiss before the taxi pulls away, but Noemí refuses... (full context)
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Noemí assumes that her father summoned her back from the party because he found out that... (full context)
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Noemí’s father admits that he didn’t summon her because of Hugo. Before he tells her the... (full context)
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Virgil and Noemí’s father write back and forth. Virgil claims that Catalina has been behaving oddly, but she... (full context)
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Noemí’s father hands her the latest telegram from Virgil. In it, Virgil invites Noemí to visit... (full context)
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Noemí doesn’t think it’s fair for her father to label Catalina as melodramatic. She asks to... (full context)
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Noemí finds Catalina’s letter disconcerting. She realizes that it’s been a while since she’s spoken to... (full context)
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After Noemí finishes the letter, her father confesses that he doesn’t trust Virgil. He thinks that they... (full context)
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Noemí pleads with her father to believe Catalina. She met Virgil briefly, and remembers that he... (full context)
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Noemí’s father reveals that Virgil’s family had run out of money by the time he married... (full context)
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Noemí’s father asks her to visit her cousin, assess the situation, and attempt to convince Virgil... (full context)
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Noemí’s parents allowed her to get a bachelor’s degree at Feminine University of Mexico, but they... (full context)
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In disbelief, Noemí asks her father if he is serious. He affirms, explaining that he doesn’t want a... (full context)
Chapter 2
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When Noemí was a little girl, Catalina would read fairy tales to her. In the stories, the... (full context)
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The train arrives at a deserted, ramshackle station.  Noemí sees three underfed boys playing near the station, and she offers them some money to... (full context)
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A fair-haired, pale man steps out of the vehicle. Noemí introduces herself and the man says that he is Francis Doyle, sent by Uncle Howard... (full context)
Colonialism Theme Icon
Driving through El Triunfo, Noemí notes the musty odor of the dilapidated town.  Sadly, the condition of the town is... (full context)
Colonialism Theme Icon
...says that it’s very English, which is exactly what Uncle Howard wanted. Francis asks if Noemí can speak English, because no one at High Place can speak Spanish except for him. (full context)
Sexism, Female Independence, and Power Theme Icon
The mist continues to intensify, and Noemi wonders how safe it is to drive on these roads. Francis seems capable, though. He’s... (full context)
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Noemí compares Francis to Virgil, whom she met only briefly. Her mother would have said that... (full context)
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The fog is so thick Noemí feels as though they’re driving in a bowl of milk. Suddenly, they emerge into a... (full context)
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Francis opens the front door. They walk in, and Noemí sees the grand mahogany staircase, the stained-glass window, and the crystal chandelier, but everything has... (full context)
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With her back to Noemí, the woman introduces herself as Florence, Howard Doyle’s niece and Francis’s mother. She explains that... (full context)
Life, Death, and Rebirth Theme Icon
...number of oil portraits on the walls. The faces of long dead Doyles stare at Noemí from across time. Florence stops in front of a door with a crystal knob and... (full context)
Life, Death, and Rebirth Theme Icon
Francis sets Noemí’s suitcases down while Florence opens a chest. She pulls out a few candles and an... (full context)
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Noemí insists on seeing Catalina. Florence initially refuses, but Francis interjects, reminding his mother that Noemí... (full context)
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Catalina sits in a chair by the window. Noemí expected her to be ravaged by disease, but she doesn’t look sick at all. Before... (full context)
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Catalina tells Noemí that she has tuberculosis—she used to have a high fever, and she was delirious when... (full context)
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Noemí walks back to her bedroom. Florence told her that she would fetch her for dinner... (full context)
Chapter 3
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Florence guides Noemí from her bedroom to the dining room downstairs. The walls are lined with cabinets crammed... (full context)
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...hairs cling to his skull, and his skin is incredibly pale. When she sees him Noemí thinks he looks like an underground creature—a slug, perhaps. The one thing about him that... (full context)
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Noemí introduces herself to Howard, who returns the courtesy. Howard then remarks on Noemí’s skin color,... (full context)
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Howard reveals his interest in eugenics and then asks for Noemí’s opinion on “the intermingling of superior and inferior types.” He ignores Noemí’s obvious discomfort, as... (full context)
Sexism, Female Independence, and Power Theme Icon
Howard smiles, as though he’s pleased with Noemí’s answer. He quotes another anthropologist, saying that there is an “aesthetic taste” that shapes natural... (full context)
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Noemí and Virgil sit on stately armchairs in a large, dusty chamber. Virgil fills two glasses... (full context)
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The two begin conversing. Noemí explains that her father is very concerned about Catalina, which is why she came to... (full context)
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The pair continue to chat in the sitting room. Virgil’s tone softens, and Noemí begins to think he might not be as hostile as she first thought. They talk... (full context)
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Virgil offers to pour Noemí another glass of wine. She already feels the effects of the drink, and Virgil’s hand... (full context)
Chapter 4
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Noemí wakes up the next morning and breakfast is brought to her on a tray. Thank... (full context)
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Noemí wanders into a large library lined with tall bookcases stuffed with leather-bound volumes. She looks... (full context)
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Noemí leaves the library and heads to the kitchen. She finds the room ill lit, with... (full context)
Life, Death, and Rebirth Theme Icon
It’s chilly outside the house, and Noemí regrets not wearing something warmer. Francis finds her and asks if she would like to... (full context)
Colonialism Theme Icon
...epidemic killed most of the English workers. Those are the people buried in this cemetery. Noemí asks if his great uncle then sent for more workers from England to replace the... (full context)
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The silence of the cemetery unnerves Noemí, so she starts chatting with Francis. He asks her what kind of car she drives,... (full context)
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The conversation turns to the Doyles. Noemí asks Francis if he envies Virgil, the heir of the family. She compares the two... (full context)
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Noemí shivers, so Francis gives her his sweater. They start walking towards the house. Francis tells... (full context)
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Francis and Noemí return to the house and have lunch with Florence. The meal ends quickly—Virgil and Howard... (full context)
Chapter 5
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Noemí visits Catalina in the morning. Her cousin reminds Noemí of a drawing of Ophelia that... (full context)
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...abruptly stops speaking, just before Florence enters the room. Florence announces that Dr. Cummins has arrived—Noemí can wait downstairs for him while he examines Catalina. Noemí waits in the sitting room,... (full context)
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Noemí insists that Catalina is acting very odd; when she was a little girl, Noemí’s aunt... (full context)
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Feeling that the matter is settled, the doctor leaves. Virgil takes the doctor’s seat. To Noemí, Virgil looks bloodless, like he has ice in his veins. She can’t picture him showing... (full context)
Sexism, Female Independence, and Power Theme Icon
Colonialism Theme Icon
Noemí next suggests that they find a psychiatrist to come and evaluate Catalina. Virgil laughs in... (full context)
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Noemí asks Virgil what he means. He says that he recalls Catalina mentioning how insistent Noemí... (full context)
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That night, Noemí dreams that a golden flower sprouts from the walls in her bedroom—only it doesn’t quite... (full context)
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The woman raises her hand and points at Noemí. She tries to speak but has no mouth, so she cannot. Noemí wasn’t afraid until... (full context)
Chapter 6
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Noemí needs a car to get to town so she can find Marta Duval. She figures... (full context)
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Noemí tells Francis that she would like to ask him for a favor. She links her... (full context)
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Noemí and Dr. Camarillo sit and chat inside his office. She tells him that she’s visiting... (full context)
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Noemí asks what sort of epidemic it was that killed all those miners. Dr. Camarillo responds... (full context)
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Noemí presses Dr. Camarillo to visit High Place and check on Catalina. He explains that the... (full context)
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Next, Noemí goes in search of Marta Duval. A lot of the women in town visit Marta,... (full context)
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A parrot swoops down and lands on Marta’s shoulder, and she starts feeding it peanuts. Noemí gets down to business. She tells Marta that she needs more of the medicine that... (full context)
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Marta continues the story after taking another cigarette from Noemí. One day not long after the murders, Florence finally left El Triunfo, even though she’d... (full context)
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Noemí agrees that this is all very tragic, but she wouldn’t call it a curse. It’s... (full context)
Chapter 7
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That evening, Noemí is once again summoned to dinner with the Doyles. Howard, however, is not present. When... (full context)
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Noemí feels ambushed, like Virgil and Florence planned to scold her together. Poor Catalina. Noemí is... (full context)
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Two large oil portraits catch Noemí’s eye. They each depict a young woman, and they look very similar. She asks Howard... (full context)
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Noemí wonders if, when Alice came of age, they simply dusted off Agnes’s wedding dress and... (full context)
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Howard stands and moves next to Noemí. Her escape attempt was in vain; he crowds her and touches her arm. Howard drones... (full context)
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Suddenly, Howard steps back. He asks Noemí if Virgil has shown her the greenhouse yet. Virgil takes the cue and approaches Noemí.... (full context)
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After their chat, Virgil leads Noemí  back to the rest of the family, but Howard declares that he’s tired and wants... (full context)
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Open your eyes, the voice keeps saying. Noemí feels sweet, sickening desire flowing through her body. Virgil forcefully kisses her, and Noemí doesn’t... (full context)
Chapter 8
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Noemí waits outside High Place for Dr. Camarillo. He arrives punctually, and the two proceed to... (full context)
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...raves that there are people in the walls—dead people, and they speak to her sometimes. Noemí grabs Catalina’s hands to comfort her. Catalina looks at her cousin, then warns her that... (full context)
Sexism, Female Independence, and Power Theme Icon
Noemí walks Dr. Camarillo back to his car and asks for his opinion of Catalina. He... (full context)
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After Dr. Camarillo leaves, Noemí goes back inside the house and finds Virgil standing on the staircase. He questions her,... (full context)
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Virgil tells Noemí that his mother, Alice, designed the greenhouse. She loved it more than any other room... (full context)
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 Virgil asks Noemí if Howard explained his theories on superior and inferior types. According to these theories, humans... (full context)
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Virgil dismisses Noemí’s protestations and walks away. She chases him down, unwilling to let the discussion end. Virgil... (full context)
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Though Virgil is irritated and clearly disdainful of Noemí, he maintains a civil tone. Catalina is his wife, he’s the one who will decide... (full context)
Chapter 9
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The next day Noemí ventures into the cemetery. Catalina inspired this trip; “You must look in the cemetery,” she... (full context)
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Noemí passes a small cluster of tombs. She sees something move, though she can’t tell what... (full context)
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To Noemí, Francis has always seemed rather insubstantial. But now he appears perfectly solid and real. She... (full context)
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Francis shows Noemí the mushrooms he has in the basket. Cantharellus cibarius. The Zapotec Indians used them as... (full context)
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Noemí mentions that she’d like to have a cigarette, and Francis tells her that his mother... (full context)
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Noemí stops a few steps later. Francis has followed her. He bends down and picks up... (full context)
Chapter 10
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Usually the maid, Mary, or Florence comes to deliver Noemí’s breakfast, but this morning Francis knocks on her door, tray in hand. He’s helping his... (full context)
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Noemí gets dressed, does her hair and makeup, and then walks toward the library. The hallway... (full context)
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Noemí says she’s heard about Ruth. She killed several people before killing herself. Francis points out... (full context)
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Francis spreads his prints on a table before Noemí. He shows her his plant pressings too. Noemí notices that Francis has beautiful handwriting, so... (full context)
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Though she’s having fun with Francis, Noemí is unable to get Marta Duval out of her mind. She asks Francis to drive... (full context)
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...complains that while others may consign themselves to idleness, she must keep the house straight. Noemí asks if there is anything she can do to help—she doesn’t want to be idle.... (full context)
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Florence pauses to admire all of the gleaming silver. She asks Noemí if she has any idea how much silver their mine used to produce. Doyle is... (full context)
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Florence rants on. She accuses Noemí of thinking that she has power because Howard thinks she has a pretty face. But... (full context)
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Florence dismisses Noemí, so she heads back to her bedroom. She thinks about the fairy tales that Catalina... (full context)
 Chapter 11
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Noemí hears a heart beating so loudly that it wakes her up. She ventures carefully out... (full context)
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...extends his arms towards Ruth, as if demanding an embrace. Ruth raises the rifle, and Noemí turns her head away. She hears the blast of the rifle, the scream of the... (full context)
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...hallway, watching her. It’s the golden woman, with a blur of a face, rushing toward Noemí and looking ready to eat her alive. Now Noemí is terrified. A hand on her... (full context)
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Noemí hears a throaty moan, like in her dream, and it makes her jump. Virgil explains... (full context)
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Noemí lights a candle in her room and then begins to take the robe off, but... (full context)
Chapter 12
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When Noemí wakes in the morning, she feels silly for being so afraid last night. In the... (full context)
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...fell in love with Benito. When Howard found out, he nearly killed Ruth, Marta mutters. Noemí imagines Howard wrapping his fingers around the girl’s slim neck, and the image is so... (full context)
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...shot her father while he slept, because of what he’d done to her lover. But Noemí knows that Ruth didn’t stop after shooting her father, she killed other relatives too. She... (full context)
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Marta asks Noemí if she’s ever heard of “mal de aire.” They’re places where the air itself is... (full context)
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As she walks, Noemí notices that she has a rash on her wrist, so she decides to stop at... (full context)
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Noemí stops at a small store and buys a pack of cards to play with Catalina.... (full context)
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Francis asks Noemí if she finished all her errands, and she tells him that she talked to someone... (full context)
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Francis continues. He tells Noemí that his mother, Florence, tried to leave High Place, but she came back. There’s no... (full context)
Chapter 13
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Noemí decides that she and Catalina will have a casino night, like they used to as... (full context)
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Noemí chides her, reminding Catalina that Marta’s instructions were to take two spoons at the most.... (full context)
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Noemí runs into the hallway and screams again for help. Finally Francis and Florence appear, and... (full context)
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...Francis comes back, and when he does, he brings Florence and Dr. Cummins with him. Noemí asks about Catalina. Dr. Cummins tells her that she’s asleep and through the worst of... (full context)
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Florence again asks where Noemí got the tincture. Catalina had told her not to tell anyone, so Noemí bites her... (full context)
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Virgil fills his glass from a decanter and sits on the settee next to Noemí. He tells her that she should have more respect for his home. She’s been constantly... (full context)
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While still clutching Noemí’s wrist, Virgil tells her that Florence was right: she deserves to be slapped. Noemí retorts... (full context)
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Virgil continues to reproach Noemí. By going behind the family’s back, she has acted selfishly, like a spoiled brat. And... (full context)
Chapter 14
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Noemí sits in her room, attempting to read her book about the Azande people. She’s tried... (full context)
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Noemí sees the stone statue of Agnes in front of the Doyle mausoleum. She searches for... (full context)
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Noemí sits down and absently tugs at the blades of grass. The silence is broken by... (full context)
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But Noemí can’t leave. Virgil would never let Catalina go, and Noemí’s unwilling to leave without her.... (full context)
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Again Noemí feels selfish. She sees that Francis is unwell; he seems more hollowed out and has... (full context)
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They walk back towards the house. Noemí asks Francis why Catalina is so miserable. She was so happy at her wedding. Is... (full context)
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That night, Noemí has a curious dream. The house has metamorphosized into a forest: the carpet has become... (full context)
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...the woman has birthed. “Death, overcome,” the man says. But when he raises his arms, Noemí sees that he isn’t holding a child at all: the woman has given birth to... (full context)
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...repeats the same words, “Death, overcome,” and then he raises his eyes and stares at Noemí. She feels incredible fear. When she wakes up, she finds herself standing at the foot... (full context)
Chapter 15
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Noemí knocks repeatedly at Marta’s door, but the woman never answers. She rejoins Francis and the... (full context)
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Noemí tells Dr. Camarillo about Catalina’s seizure and asks him if he has heard of Marta’s... (full context)
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Noemí can’t make heads or tails of this information. If it were true, that means the... (full context)
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An hour after returning from town, Noemí is summoned to Virgil’s bedroom. The first thing she notices upon entering is the large,... (full context)
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After putting the robe on, Virgil gestures toward a chair and tells Noemí to sit. She ignores the gesture and tells Virgil that she knows this is not... (full context)
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Noemí regrets her words and tries to apologize, but Virgil acquiesces: Noemí’s right, it is his... (full context)
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Noemí asks Virgil if he would change anything, if he could. Virgil answers that he would... (full context)
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Noemí wonders why Catalina would not have returned home, but she quickly realizes the answer: her... (full context)
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...a fairy tale and he wanted to give her that. Then it all went wrong. Noemí remembers that Catalina loved to read fairy tales; Snow White with the magical kiss and... (full context)
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Noemí suggests that Virgil could take Catalina somewhere else and make his own life, if it’s... (full context)
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Noemí sees Francis avoid her and wonders if Florence scolded him for driving her to town.... (full context)
Chapter 16
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Noemí visits Catalina, but Florence no longer allows them to be alone together. Mary, the maid,... (full context)
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Noemí unfolds the paper and sees, written in Catalina’s script, “this is proof.” The paper appears... (full context)
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Noemí is in disbelief; could this really be a page from Ruth’s diary? Where could Catalina... (full context)
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Noemí knocks on Francis’s bedroom door, and he lets her in. The walls in his room... (full context)
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Noemí feels a desire to lean forward and kiss Francis, but she hesitates. It’s easy to... (full context)
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Francis stands up suddenly and grips Noemí’s hands. In Spanish he tells her not to say another word. He’s never spoken to... (full context)
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A moan interrupts their conversation. Francis grimaces, as if in pain, and tells Noemí that Uncle Howard is having another rough night. She attempts to console Francis, telling him... (full context)
Chapter 17
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Noemí finds it difficult to fall asleep, so she decides to take a bath. She fills... (full context)
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...her that there’s no need for her to speak, no need for her to move. Noemí feels shame and anger coarse through her. She wants to yell at Virgil and slap... (full context)
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...a good girl, then leans over and kisses her. “Open your eyes,” the voice says. Noemí wants to shove Virgil off of her, but she still can’t move. Virgil kisses her... (full context)
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Noemí snaps her eyes open. Water drips down her back and fingertips, and her bathrobe is... (full context)
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Noemí’s mind is hazy. She doesn’t know what to say. She tells Virgil that he was... (full context)
Chapter 18
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Noemí wakes up to Florence entering her room. Florence tells her that it’s lunchtime and places... (full context)
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Noemí grabs her sweater and heads to the library, where she absentmindedly grabs two books and... (full context)
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Noemí reaches up to touch the mold. She hears a buzzing sound, as if a thousand... (full context)
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A loud knock makes Noemí jump. Florence enters before Noemí can reply. She demands to know why Noemí is smoking.... (full context)
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Florence tells Virgil that Noemí has been breaking the rules again, as usual. Noemí asks Virgil what he’s doing here,... (full context)
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Noemí steps out of Catalina’s room, unwilling to have a conversation with her while everyone watches.... (full context)
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...to remain at High Place for the night. They can attempt the drive tomorrow morning. Noemí agrees, and just before she walks away, Virgil reminds her not to smoke. It disturbs... (full context)
Chapter 19
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Noemí packs her suitcases, feeling disloyal for leaving Catalina. The Doyles have planned a farewell dinner,... (full context)
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Virgil’s revelation about the mine annoys Noemí. She wants to get this visit with Howard over with so that she can go... (full context)
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Noemí’s vision goes black. She then looks around and sees that she’s in a cave. There... (full context)
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In the corner of the cave, Noemí sees a woman watching Doyle and an old man tending an altar. This is a... (full context)
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...blood, the priest has said so already, so it will be in their blood too. Noemí’s vision blurs and time passes again. She sees Doyle drown the priest, then it’s all... (full context)
Chapter 20
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Noemí vomits. She has never felt this sick before in her life. She hears a voice... (full context)
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...flies caught in the web. The Doyles call this repository of ancestral memories “the gloom.” Noemí chuckles. She was right—this house is haunted, and Catalina is not crazy. (full context)
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Noemí asks Francis what Howard did to her. He tells her that most people who come... (full context)
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...survived for three hundred years. Francis says that Howard is their God, and he wants Noemí to become part of the family. She protests, but Francis tells her that it’s too... (full context)
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Noemí asks about Francis’s father, Richard. Francis responds that after Howard was shot, he slowly began... (full context)
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...wanted to leave but couldn’t. So he threw himself down a ravine. Francis looks at Noemí. Fighting it will only make the pain worse, he tells her. But if you accept... (full context)
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Francis lays Noemí on the bed, and she begins to have another dream. She’s in a chamber that... (full context)
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...against the mother’s face and swaddle her tight before burying her alive. The voice in Noemí’s head tells her that this woman’s burial is necessary. The fungus would erupt from her... (full context)
Chapter 21
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Noemí wakes the next day very glad to see daylight. They’ve left her a tray of... (full context)
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A man lifts her up like she weighs nothing at all. Noemí has her other shoe in her hand, and she swings it at the man’s face.... (full context)
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Noemí undoes her buttons with shaky hands. She knows that Virgil means what he threatens, so... (full context)
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Noemí is brought to the bedroom, where Dr. Cummins examines her. Noemí is fine, he says,... (full context)
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The doctor stands up and tells Francis that he must talk some sense into Noemí. Howard will not tolerate this sort of behavior. He leaves the room. Francis grabs the... (full context)
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...Francis knows some tunnels that run underneath the house, so they can go that way. Noemí tells him that she won’t leave without Catalina, and Francis reluctantly agrees to take her... (full context)
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Francis tells Noemí that she needs to go along with what the family says until it’s time for... (full context)
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Noemí takes a sip of Marta’s tincture. She asks Francis why she should trust him. He... (full context)
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Francis leaves and Noemí falls asleep. She dreams that Ruth stands at the foot of her bed. Noemí asks... (full context)
Chapter 22
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Francis visits Noemí again in the morning, giving her another bit of tincture and telling her which food... (full context)
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Virgil explains that Noemí must write a letter to her father. She will say that she plans to stay... (full context)
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Once Noemí has finished, Francis asks Virgil if he’s satisfied. Virgil tells him that there’s still much... (full context)
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Noemí jumps up, and Francis hurries to her side, telling Virgil to show some respect to... (full context)
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Noemí tells Francis that she doesn’t feel like herself when she’s around Virgil. She doesn’t understand... (full context)
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Noemí insists on getting a weapon, and Francis reluctantly gives her his razor. He tries to... (full context)
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Noemí asks Francis who taught him Spanish. He tells her that it was his father. When... (full context)
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Noemí then asks Francis if they will have a wedding ceremony. He says yes, it’s tradition.... (full context)
Chapter 23
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Noemí is allowed to visit Catalina without supervision, now that she knows the family’s secrets. Catalina... (full context)
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Francis takes Noemí to try on her wedding dress. Though the dress is clearly old and has yellowed,... (full context)
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Noemí tries on the shoes and veil, too, but they don’t suit her well. Florence tells... (full context)
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Florence leaves and Noemí changes back into her clothes. Francis comes by a while later with her dinner and... (full context)
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Noemí is angry with Francis—he’s not an orchid. He can choose to leave. He doesn’t belong... (full context)
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That night, Noemí tries to enter the gloom on her own for the first time. She lies down... (full context)
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Noemí asks Ruth if she knows a way for a Doyle to leave High Place and... (full context)
Chapter 24
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Noemí and Francis’s wedding occurs in reverse: first comes the banquet, then comes the ceremony. All... (full context)
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...ceremony. The old man is covered in pustules, and the room smells rotten. Francis and Noemí stand before Howard’s bed. Howard begins the ceremony, but he speaks in Latin and Noemí... (full context)
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...and tells them to eat. They do, and then they sip some wine. Francis asks Noemí if he can kiss her, and she nods. After a quick kiss, the ceremony ends.... (full context)
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Noemí feels a little lightheaded, so she lies down to wait for Francis. After a few... (full context)
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Noemí knows that Virgil is right—she likes to flirt and tease and dance. All the boys... (full context)
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Noemí shouts for Virgil to wait. She doesn’t want to ruin the dress. He’d better help... (full context)
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The dripping mold forms a puddle on the floor, and it reminds Noemí of the black bile that Howard spit down her throat. A wave of disgust overtakes... (full context)
Chapter 25
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Noemí rushes down the darkened hallway to Catalina’s room. She yanks the door open and finds... (full context)
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...by Francis. But she shoves him to the floor too, and grasps at his throat. Noemí picks up the straight razor and cuts Mary’s throat. Francis hurries to Noemí and asks... (full context)
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Florence yells for the three of them to stop. She’s pointing a rifle at Noemí. Her voice is calm, but in her cold eyes Noemí can read savage murder. Noemí... (full context)
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Francis walks meekly towards the doctor. Noemí tries to grab him, but Florence points the rifle at her and tells her to... (full context)
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...softly in prayer. Howard raises his hands, as if to cup Francis’s head between them. Noemí recalls how he shoved his tongue down her throat. What a demented cycle, she thinks:... (full context)
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...in the face. Howard yells. Francis, Florence, and Dr. Cummins all fall to the floor. Noemí jumps to her feet and begins to pull Francis from the room. But Florence leaps... (full context)
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Francis tackles his mother off of Noemí, and the two go tumbling. The gun discharges, and for a moment Noemí doesn’t know... (full context)
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Howard slides an amber ring off of his finger and holds it up for Francis. Noemí calls his name, but so does Howard, and Francis ignores her. “It’s in the blood,”... (full context)
Chapter 26
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...to town. Francis is in a lot of pain, and very out of breath, so Noemí takes the lead. The house reverberates with Howard’s moans—somehow, impossibly, he’s still alive. Noemí slides... (full context)
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Francis can hardly walk, so Noemí tells him to lean on her as they walk deeper underground. They reach two massive... (full context)
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Francis winces suddenly and doubles over in pain. “She’s speaking,” he cries. Then Noemí becomes aware of a sound. It’s the buzzing noise she’s heard elsewhere, only this time... (full context)
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...he offered up his wife. What had once been Agnes became the gloom. Francis grabs Noemí and spins her around. He tells her not to look at Agnes, saying that no... (full context)
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...through the house, he went around and entered the chamber through the crypt. He mocks Noemí. Poor girl! Did she think she had killed him? No. Virgil planned for Noemí to... (full context)
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Noemí grabs the knife on the dais. Virgil tells her to drop it, and she feels... (full context)
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Noemí regains control of her body, and she runs over to the body of Agnes. It... (full context)
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Virgil screams and collapses on the floor, as does Francis. Noemí goes over to Francis. Virgil reaches for her, and she kicks him in the face,... (full context)
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Noemí, Catalina, and Francis escape from the chamber and exit the mausoleum back into the open... (full context)
Chapter 27
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Noemí sits in a small room in Dr. Camarillo’s clinic, watching over Francis as he sleeps.... (full context)
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Catalina tells Noemí that two police officers and a magistrate from Pachuca will be arriving tomorrow, along with... (full context)
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...open. They smile at each other, and then Francis asks what happened to High Place. Noemí tells him that a few farmers traveled up there and saw that it had burned... (full context)
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Francis asks Noemí how she’s feeling, and if she’s having any nightmares, but it’s clear that she doesn’t... (full context)
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Francis asks Noemí what they’ll do if the fungus isn’t gone. What if it’s inside him? Perhaps Noemí... (full context)