Mexican Gothic

by

Silvia Moreno-Garcia

Teachers and parents! Our Teacher Edition on Mexican Gothic makes teaching easy.

Noemí Taboada Character Analysis

Noemí is a wealthy urban socialite from Mexico City who ventures to High Place to check on the welfare of her cousin, Catalina. As a woman of high society, she pays careful attention to her clothing and appearance, but Noemí is just as focused on education as she is on fashion. Though her parents would prefer it if she devoted herself to finding a suitable husband, Noemí wants to obtain a master’s degree in anthropology—this at a time when it was somewhat uncommon for women to attend university. Noemí’s progressive values result in multiple conflicts with the Doyle family, who believe in old-world conventions and hold that the only suitable goals for a woman is marriage and motherhood. Noemí often navigates these conflicts with flattery and flirtation—all those parties in Mexico City have taught her how to deal with arrogant, wealthy men. But when Noemí learns the truth about the horrors that have occurred at High Place she rebels against the family patriarch, Howard Doyle, with increasing feminist resolve. Her goal is not just to escape High Place, but also to end the suffering of the women around her. She refuses to leave without Catalina, for example, and burns the body of the long-abused first wife of Howard Doyle, Agnes. Thus, Noemí overcomes the sexist power structure of High Place not only by using both masculine and feminine forms of power, but also by uplifting the other women abused by the system.

Noemí Taboada Quotes in Mexican Gothic

The Mexican Gothic quotes below are all either spoken by Noemí Taboada or refer to Noemí Taboada. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Sexism, Female Independence, and Power Theme Icon
).
Chapter 1 Quotes

Noemí, like any good socialite, shopped at the Palacio de Hierro, painted her lips with Elizabeth Arden lipstick, owned a couple of very fine furs, spoke English with remarkable ease, courtesy of the nuns at Monserrat—a private school, of course—and was expected to devote her time to the twin pursuits of leisure and husband hunting. Therefore, to her father, any pleasant activity must also involve the acquisition of a spouse. That is, she should never have fun for the sake of having fun, but only as a way to obtain a husband.

Related Characters: Noemí Taboada (speaker), Noemí’s Father
Page Number: 6
Explanation and Analysis:
Chapter 2 Quotes

“You’ll see it. It’s all very English. Um, that’s what Uncle Howard wanted, a little piece of England. He even brought European earth here.”

Related Characters: Francis (speaker), Noemí Taboada, Howard Doyle
Page Number: 18
Explanation and Analysis:
Chapter 3 Quotes

“What are your thoughts on the intermingling of superior and inferior types?” he asked, ignoring her discomfort.

Noemi felt the eyes of all the family members on her. Her presence was a novelty and an alteration to their patterns. An organism introduced into a sterile environment. They waited to hear what she revealed and to analyze her words. Well, let them see that she could keep her cool.

Related Characters: Howard Doyle (speaker), Noemí Taboada
Page Number: 30
Explanation and Analysis:

It was the kind of thing she imagined impressing her cousin: an old house atop a hill, with mist and moonlight, like an etching out of a Gothic novel. Wuthering Heights and Jane Eyre, those were Catalina’s sort of books.

Related Characters: Noemí Taboada (speaker), Catalina
Page Number: 35
Explanation and Analysis:
Chapter 4 Quotes

“It’s more fun driving without the hood on. It makes your hair look movie-star perfect. Also, it gives you ideas, you think better,” she said, running a hand through her wavy hair jokingly. Noemi’s father said she cared too much about her looks and parties to take school seriously, as if a woman could not do two things at once.

Related Characters: Noemí Taboada (speaker), Noemí’s Father
Page Number: 42
Explanation and Analysis:
Chapter 5 Quotes

He reminded her of a fellow she’d danced with at a party the previous summer. They had been having fun, briskly stepping to a danzón, and then came time for the ballads. During “Some Enchanted Evening” the man held her far too tightly and tried to kiss her. She turned her head, and when she looked at him again there was pure, dark mockery across his features.

Noemí stared back at Virgil, and he stared at her with that same sort of mockery: a bitter, ugly stare.

Related Characters: Noemí Taboada (speaker), Virgil
Page Number: 55
Explanation and Analysis:

The woman raised a gloved hand and pointed at Noemí, and she opened her mouth, but having no mouth since her face was a golden blur, no words came out.

Noemí had not felt scared. Now until now. But this, the woman attempting to speak, it made her indescribably afraid.

Related Characters: Noemí Taboada (speaker), Agnes
Page Number: 56
Explanation and Analysis:
Chapter 8 Quotes

Of course he had a point. Catalina was his wife, and he was the one who could make choices for her. Why, Mexican women couldn’t even vote. What could Noemí say? What could she do in such a situation? Perhaps it would be best if her father intervened. If he came down here. A man would command more respect. But no, it was as she said: she wasn’t going to back down.

Related Characters: Noemí Taboada (speaker), Catalina, Virgil
Page Number: 93
Explanation and Analysis:
Chapter 9 Quotes

Catalina had told her she expected more. True romance, she said. True feelings. Her cousin had never quite lost that young-girl wonder of the world, her imagination crowded with visions of women greeting passionate lovers by moonlight[…] Noemí wondered if High Place had robbed her of her illusions, or if they were meant to be shattered all along. Marriage could hardly be like the passionate romances one read about in books.

Related Characters: Noemí Taboada (speaker), Catalina
Page Number: 95
Explanation and Analysis:
Chapter 10 Quotes

The Doyles’ silver collection was quite staggering, each shelf lined with salvers, tea sets, bowls, and candlesticks that sat dusty and dull behind glass. A lone person could not hope to tackle this whole task alone, but Noemí was determined to prove herself in front of this woman.

Related Characters: Noemí Taboada (speaker), Florence
Page Number: 113
Explanation and Analysis:
Chapter 14 Quotes

“It’s the house,” Francis murmured[…] “It wasn’t made for love, the house.”

“Any place is made for love,” she protested.

“Not this place and not us. You look back two, three generations, as far as you can. You won’t find love. We are incapable of such a thing.”

His fingers curled around the intricate iron bars, and he stood there, for a second, looking at the ground, before he opened the gate for her.

Related Characters: Noemí Taboada (speaker), Francis (speaker)
Page Number: 154
Explanation and Analysis:
Chapter 16 Quotes

Once could conclude that this was a case of three silly, nervous women. Physicians of old would have diagnosed it as hysterics. But one thing Noemí was not was hysterical.

Related Characters: Noemí Taboada (speaker), Catalina, Ruth
Page Number: 173
Explanation and Analysis:
Chapter 17 Quotes

She did not wish to blush in front of him. To turn crimson like an idiot in front of a man who wielded such meticulous hostility toward her. But she thought of his mouth on hers and his hands on her thighs, like it had been in the dream, and an electric thrill ran down her spine. That night, that dream, it had felt like desire, danger, and scandals, and all the secrets her body and her eager mind quietly coveted.

Related Characters: Noemí Taboada (speaker), Virgil
Page Number: 187
Explanation and Analysis:
Chapter 20 Quotes

Et Verbum caro factum est.

She knew what she had not properly seen in her previous dreams, and she did not wish to see now, but there it was. The knife and the child. Noemí closed her eyes, but even behind her eyelids she saw it all, crimson and black and the child torn apart and they were eating him.

Related Characters: Noemí Taboada (speaker)
Page Number: 217
Explanation and Analysis:
Chapter 21 Quotes

“There’s a cicada fungus. Massospora cicadina. I remember reading a journal article which discussed its appearance: the fungus sprouts along the abdomen of the cicada. It turns it into a mass of yellow powder. The journal said the cicadas, which had been so grossly infected, were still ‘singing,’ as their body was consumed from within. Singing, calling for a mate, half-dead. Can you imagine?” Francis said. “You’re right, I do have a choice. I’m not going to end my life singing a tune, pretending everything is fine.”

Related Characters: Francis (speaker), Noemí Taboada
Page Number: 232
Explanation and Analysis:

Noemí clacked her teeth together in fear and thought to cry too, but then she recalled the words, the mantra.

“Open your eyes,” Noemí said.

And Noemí did. She opened her eyes, and the room was dark.

Related Characters: Noemí Taboada (speaker), Ruth
Page Number: 234
Explanation and Analysis:
Chapter 23 Quotes

It wasn’t ugly. That wasn’t what repulsed her. But it seemed to her it represented the youthful fancies of another girl, of a dead girl. Perhaps two girls. Had Virgil’s first wife worn this too?

It reminded her of an abandoned snake’s skin. Howard would slough off his own skin, would sink into a new body, like a blade entering warm flesh. Ouroboros.

Related Characters: Noemí Taboada (speaker)
Related Symbols: The Ouroboros
Page Number: 247
Explanation and Analysis:
Chapter 25 Quotes

He would die, he would slide into a new body, and Francis would cease to exist. A demented cycle. Children devoured as babes, children devoured as adults. Children are but food. Food for a cruel god.

Related Characters: Noemí Taboada (speaker), Howard Doyle
Related Symbols: The Ouroboros
Page Number: 270
Explanation and Analysis:
Chapter 26 Quotes

“Can you go on?”

“I think so,” he said. “I’m not sure. If I faint—”

“We can stop for a minute,” she offered.

“No, it’s fine,” he said.

“Lean on me. Come on.”

“You’re hurt.”

“So are you.”

He hesitated, but did rest a hand on her shoulder, and they walked together, with Catalina ahead of them.

Related Characters: Noemí Taboada (speaker), Francis (speaker), Catalina
Page Number: 279
Explanation and Analysis:
Chapter 27 Quotes

The future, she thought, could not be predicted, and the shape of things could not be divined. To think otherwise was absurd. But they were young that morning, and they could cling to hope. Hope that the world could be remade, kinder and sweeter. So she kissed him a second time, for luck. When he looked at her again his face was filled with such an extraordinary gladness, and the third time she kissed him it was for love.

Related Characters: Noemí Taboada (speaker), Francis
Page Number: 301
Explanation and Analysis:
Get the entire Mexican Gothic LitChart as a printable PDF.
Mexican Gothic PDF

Noemí Taboada Quotes in Mexican Gothic

The Mexican Gothic quotes below are all either spoken by Noemí Taboada or refer to Noemí Taboada. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Sexism, Female Independence, and Power Theme Icon
).
Chapter 1 Quotes

Noemí, like any good socialite, shopped at the Palacio de Hierro, painted her lips with Elizabeth Arden lipstick, owned a couple of very fine furs, spoke English with remarkable ease, courtesy of the nuns at Monserrat—a private school, of course—and was expected to devote her time to the twin pursuits of leisure and husband hunting. Therefore, to her father, any pleasant activity must also involve the acquisition of a spouse. That is, she should never have fun for the sake of having fun, but only as a way to obtain a husband.

Related Characters: Noemí Taboada (speaker), Noemí’s Father
Page Number: 6
Explanation and Analysis:
Chapter 2 Quotes

“You’ll see it. It’s all very English. Um, that’s what Uncle Howard wanted, a little piece of England. He even brought European earth here.”

Related Characters: Francis (speaker), Noemí Taboada, Howard Doyle
Page Number: 18
Explanation and Analysis:
Chapter 3 Quotes

“What are your thoughts on the intermingling of superior and inferior types?” he asked, ignoring her discomfort.

Noemi felt the eyes of all the family members on her. Her presence was a novelty and an alteration to their patterns. An organism introduced into a sterile environment. They waited to hear what she revealed and to analyze her words. Well, let them see that she could keep her cool.

Related Characters: Howard Doyle (speaker), Noemí Taboada
Page Number: 30
Explanation and Analysis:

It was the kind of thing she imagined impressing her cousin: an old house atop a hill, with mist and moonlight, like an etching out of a Gothic novel. Wuthering Heights and Jane Eyre, those were Catalina’s sort of books.

Related Characters: Noemí Taboada (speaker), Catalina
Page Number: 35
Explanation and Analysis:
Chapter 4 Quotes

“It’s more fun driving without the hood on. It makes your hair look movie-star perfect. Also, it gives you ideas, you think better,” she said, running a hand through her wavy hair jokingly. Noemi’s father said she cared too much about her looks and parties to take school seriously, as if a woman could not do two things at once.

Related Characters: Noemí Taboada (speaker), Noemí’s Father
Page Number: 42
Explanation and Analysis:
Chapter 5 Quotes

He reminded her of a fellow she’d danced with at a party the previous summer. They had been having fun, briskly stepping to a danzón, and then came time for the ballads. During “Some Enchanted Evening” the man held her far too tightly and tried to kiss her. She turned her head, and when she looked at him again there was pure, dark mockery across his features.

Noemí stared back at Virgil, and he stared at her with that same sort of mockery: a bitter, ugly stare.

Related Characters: Noemí Taboada (speaker), Virgil
Page Number: 55
Explanation and Analysis:

The woman raised a gloved hand and pointed at Noemí, and she opened her mouth, but having no mouth since her face was a golden blur, no words came out.

Noemí had not felt scared. Now until now. But this, the woman attempting to speak, it made her indescribably afraid.

Related Characters: Noemí Taboada (speaker), Agnes
Page Number: 56
Explanation and Analysis:
Chapter 8 Quotes

Of course he had a point. Catalina was his wife, and he was the one who could make choices for her. Why, Mexican women couldn’t even vote. What could Noemí say? What could she do in such a situation? Perhaps it would be best if her father intervened. If he came down here. A man would command more respect. But no, it was as she said: she wasn’t going to back down.

Related Characters: Noemí Taboada (speaker), Catalina, Virgil
Page Number: 93
Explanation and Analysis:
Chapter 9 Quotes

Catalina had told her she expected more. True romance, she said. True feelings. Her cousin had never quite lost that young-girl wonder of the world, her imagination crowded with visions of women greeting passionate lovers by moonlight[…] Noemí wondered if High Place had robbed her of her illusions, or if they were meant to be shattered all along. Marriage could hardly be like the passionate romances one read about in books.

Related Characters: Noemí Taboada (speaker), Catalina
Page Number: 95
Explanation and Analysis:
Chapter 10 Quotes

The Doyles’ silver collection was quite staggering, each shelf lined with salvers, tea sets, bowls, and candlesticks that sat dusty and dull behind glass. A lone person could not hope to tackle this whole task alone, but Noemí was determined to prove herself in front of this woman.

Related Characters: Noemí Taboada (speaker), Florence
Page Number: 113
Explanation and Analysis:
Chapter 14 Quotes

“It’s the house,” Francis murmured[…] “It wasn’t made for love, the house.”

“Any place is made for love,” she protested.

“Not this place and not us. You look back two, three generations, as far as you can. You won’t find love. We are incapable of such a thing.”

His fingers curled around the intricate iron bars, and he stood there, for a second, looking at the ground, before he opened the gate for her.

Related Characters: Noemí Taboada (speaker), Francis (speaker)
Page Number: 154
Explanation and Analysis:
Chapter 16 Quotes

Once could conclude that this was a case of three silly, nervous women. Physicians of old would have diagnosed it as hysterics. But one thing Noemí was not was hysterical.

Related Characters: Noemí Taboada (speaker), Catalina, Ruth
Page Number: 173
Explanation and Analysis:
Chapter 17 Quotes

She did not wish to blush in front of him. To turn crimson like an idiot in front of a man who wielded such meticulous hostility toward her. But she thought of his mouth on hers and his hands on her thighs, like it had been in the dream, and an electric thrill ran down her spine. That night, that dream, it had felt like desire, danger, and scandals, and all the secrets her body and her eager mind quietly coveted.

Related Characters: Noemí Taboada (speaker), Virgil
Page Number: 187
Explanation and Analysis:
Chapter 20 Quotes

Et Verbum caro factum est.

She knew what she had not properly seen in her previous dreams, and she did not wish to see now, but there it was. The knife and the child. Noemí closed her eyes, but even behind her eyelids she saw it all, crimson and black and the child torn apart and they were eating him.

Related Characters: Noemí Taboada (speaker)
Page Number: 217
Explanation and Analysis:
Chapter 21 Quotes

“There’s a cicada fungus. Massospora cicadina. I remember reading a journal article which discussed its appearance: the fungus sprouts along the abdomen of the cicada. It turns it into a mass of yellow powder. The journal said the cicadas, which had been so grossly infected, were still ‘singing,’ as their body was consumed from within. Singing, calling for a mate, half-dead. Can you imagine?” Francis said. “You’re right, I do have a choice. I’m not going to end my life singing a tune, pretending everything is fine.”

Related Characters: Francis (speaker), Noemí Taboada
Page Number: 232
Explanation and Analysis:

Noemí clacked her teeth together in fear and thought to cry too, but then she recalled the words, the mantra.

“Open your eyes,” Noemí said.

And Noemí did. She opened her eyes, and the room was dark.

Related Characters: Noemí Taboada (speaker), Ruth
Page Number: 234
Explanation and Analysis:
Chapter 23 Quotes

It wasn’t ugly. That wasn’t what repulsed her. But it seemed to her it represented the youthful fancies of another girl, of a dead girl. Perhaps two girls. Had Virgil’s first wife worn this too?

It reminded her of an abandoned snake’s skin. Howard would slough off his own skin, would sink into a new body, like a blade entering warm flesh. Ouroboros.

Related Characters: Noemí Taboada (speaker)
Related Symbols: The Ouroboros
Page Number: 247
Explanation and Analysis:
Chapter 25 Quotes

He would die, he would slide into a new body, and Francis would cease to exist. A demented cycle. Children devoured as babes, children devoured as adults. Children are but food. Food for a cruel god.

Related Characters: Noemí Taboada (speaker), Howard Doyle
Related Symbols: The Ouroboros
Page Number: 270
Explanation and Analysis:
Chapter 26 Quotes

“Can you go on?”

“I think so,” he said. “I’m not sure. If I faint—”

“We can stop for a minute,” she offered.

“No, it’s fine,” he said.

“Lean on me. Come on.”

“You’re hurt.”

“So are you.”

He hesitated, but did rest a hand on her shoulder, and they walked together, with Catalina ahead of them.

Related Characters: Noemí Taboada (speaker), Francis (speaker), Catalina
Page Number: 279
Explanation and Analysis:
Chapter 27 Quotes

The future, she thought, could not be predicted, and the shape of things could not be divined. To think otherwise was absurd. But they were young that morning, and they could cling to hope. Hope that the world could be remade, kinder and sweeter. So she kissed him a second time, for luck. When he looked at her again his face was filled with such an extraordinary gladness, and the third time she kissed him it was for love.

Related Characters: Noemí Taboada (speaker), Francis
Page Number: 301
Explanation and Analysis: