Summer of the Mariposas

by Guadalupe García McCall

Mamá Character Analysis

Mamá is a Mexican American woman with Aztec lineage living in Eagle Pass, Texas. She is the mother of Odilia, Juanita, Velia, Delia, and Pita. Since her husband, Papá, abandoned her and their five children, Mamá has been forced to work outside the home for the first time in her life. She works at an all-night café called Mr. Gee’s, leaving her little time or energy to keep a close eye on her daughters. When Odilia interrupts her at work, Mamá is clearly frustrated by the heavy burden she carries and sends Odilia away, demanding she deal with her sisters. After the girls leave for Mexico, Mamá reports them missing immediately and gives tearful interviews pleading for the safe return of her daughters. Despite her recently distant attitude, the girls think of her as a source of comfort and wrestle with guilt for abandoning her. When Mamá is finally reunited with her children, she is ecstatic with joy, not at all worried about accusations of negligence now that her daughters are safe. The girls stand by Mamá when Papá tries to evict her from her house, finally reciprocating her pure, unconditional love. She and Special Agent Gonzales get together romantically by the novel’s end.

Mamá Quotes in Summer of the Mariposas

The Summer of the Mariposas quotes below are all either spoken by Mamá or refer to Mamá. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Sisterhood, Motherhood, and Family Theme Icon
).

Chapter 2 Quotes

Yes. If I could have anything, I’d have Papá come back into our lives and take care of us. I wanted him to stop touring, get a real job, and be home every day like he used to be when we were young. I wanted Mamá to stop working and worrying all the time. It’s not like I wanted her to tuck us in at night and sing us a lullaby in Spanish like she used to. We were too old for that now. No. I just wanted to be a family again.

Related Characters: Odilia (speaker), Papá, Mamá
Page Number and Citation: 37
Explanation and Analysis:

Chapter 3 Quotes

“This is about all of you: your sisters, your parents, even your abuela,” La Llorona continued. “You must travel to the other side, into the land of your ancestors, to find each other again.”

Related Characters: La Llorona (speaker), Velia, Pita, Papá, Delia, Odilia, Mamá, Abuelita Remedios, The Dead Man (Gabriel Pérdido), Juanita
Page Number and Citation: 53
Explanation and Analysis:

Chapter 8 Quotes

As apprehension spread into every pore of my being, I did the one thing I could to quiet the guilt in my mind. I turned the radio on. But even with the sound of loud music reverberating through the car, I could still hear my conscience nagging at me. You could have stopped this, all of it, it whispered. This is more your fault than anyone else’s. You’re the eldest. You should have known better.

Related Characters: Odilia (speaker), The Dead Man (Gabriel Pérdido), La Llorona, Mamá
Page Number and Citation: 126
Explanation and Analysis:

“Don’t believe everything you hear,” Cecilia said, shutting off the television set with one click of her remote control. “That Jiménez is a corrupt anaconda. His position on the force is just a front. He’s suspected of being in business with the mafia. Only, he’s so cunning, so sly, no one can connect him to any of their crimes. But everybody knows he’s working both sides.”

Related Characters: Cecilia (speaker), Mamá, Papá
Page Number and Citation: 137
Explanation and Analysis:

Chapter 9 Quotes

My heart suddenly ached for her, and I wondered if this sadness, this pain that seemed to overwhelm La Llorona, was what Mamá felt after Papá had left, when she went to bed at night and cried alone in the dark. Did she miss having a family then? Was it the family and not Papá she had mourned? Had we misjudged her sorrow?

Related Characters: Odilia (speaker), Papá, La Llorona, Cecilia, Mamá
Page Number and Citation: 148
Explanation and Analysis:

Chapter 15 Quotes

“Sometimes, men leave, for whatever reason,” Abuelita continued. “Nothing you did or could have done differently would have changed that. So I want you to stop blaming yourselves or your Mamá for the choices your father has made. Instead, I want you to continue taking care of each other the way you’ve been doing so far. I’m so proud of you for standing up for your hermanitas against those evil creatures. I’m sure having to do that has taught you how important it is to stick together and love one another more than anything else in the world.”

Related Characters: Abuelita Remedios (speaker), Cecilia, Velia, Papá, Pita, Inés, Delia, Juanita, Odilia, Mamá, La Llorona
Page Number and Citation: 257
Explanation and Analysis:

Chapter 16 Quotes

“Your father is like the sun, splendid to behold, but he must descend and let darkness rule for a time.”

I don’t get it,” Pita said.

The virgen stepped down from her throne and touched Pita’s face. “Without night there would be no rest, no room for growth. It is just the way things are,” Tonantzin explained in a serene voice.

[…]

“I know you don’t understand what is happening with your family,” Tonantzin said gently. “But you will, when the time comes. A new dawn is approaching, but you are very clever, very brave. You will not be blinded by his light.”

Related Characters: Papá, Tonantzin (La Virgen), Mamá, Odilia, Juanita, Delia, Pita, Velia
Page Number and Citation: 273
Explanation and Analysis:

Chapter 18 Quotes

Then, just as reluctantly as the last leaf of autumn falls off a desiccated branch, Juanita’s hand slackened and fell away from mine. She walked away from me, leaving me alone with my anger and resentment. Papá’s arrival had done what Cecilia and her Evil Trinity could not accomplish. His empty promises broke the code of the cinco hermanitas. We were five little sisters, together no more—cinco hermanitas torn completely apart.

Related Characters: Odilia (speaker), Mamá, Papá, Cecilia, Juanita, Velia, Delia, Pita, Teresita
Page Number and Citation: 298
Explanation and Analysis:

Chapter 19 Quotes

“We’re not tortas you can take out of the oven and set aside to cool off while you dillydally with a whole other life. Families are supposed to be important, and that’s one thing you never did: Make us important. And now you want to take away the only real parent we’ve ever had? Well, it’s not going to happen. We’re not going to let you get rid of Mamá.”

Related Characters: Odilia (speaker), Pita, Papá, Mamá, Juanita, Velia, Delia
Page Number and Citation: 308
Explanation and Analysis:

Chapter 22 Quotes

In Aaron, Mamá had found a strong heart, and she’d attached herself to the offered hands slowly, cautiously, making sure he was the right man with whom to start a new life. But when she’d emerged from the safety of her cocoon, Mamá was happier and more radiant than we’d ever seen her. In our eyes, she was reborn into beauty—celestial, divine. And we couldn’t be happier for her.

Related Characters: Odilia (speaker), Papá, Mamá, Special Agent Gonzales
Related Symbols: Mariposas (Butterflies)
Page Number and Citation: 332
Explanation and Analysis:
Get the entire Summer of the Mariposas LitChart as a printable PDF.
"My students can't get enough of your charts and their results have gone through the roof." -Graham S.
Summer of the Mariposas PDF

Mamá Character Timeline in Summer of the Mariposas

The timeline below shows where the character Mamá appears in Summer of the Mariposas. The colored dots and icons indicate which themes are associated with that appearance.
Prologue
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
The summer one year after Odilia’s father leaves her, her Mamá, and her sisters behind, American Snout butterflies swarm her hometown of Eagle Pass, Texas. Their... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Kindness, Mercy, and Morality Theme Icon
...wild around their neighborhood, free for the first time to do whatever they want. Ignoring Mamá’s struggle to keep the house and family afloat, they prioritize their own entertainment. The girls... (full context)
Chapter 1
Sisterhood, Motherhood, and Family Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Kindness, Mercy, and Morality Theme Icon
...water, they initially agree they need to contact the authorities. Odilia thinks of how angry Mamá will be when she finds out they have been playing in the dangerous river. Juanita... (full context)
Chapter 2
Sisterhood, Motherhood, and Family Theme Icon
Mamá is already at work waitressing when the girls arrive home. Everyone but Odilia begins packing... (full context)
Sisterhood, Motherhood, and Family Theme Icon
...their plan to go to Mexico, since they do everything together. She also lies about Mamá coming home early from work. The girls are enraged at Odilia, Juanita most of all.... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Instead of going to a friend’s house, Odilia goes to the café where Mamá works. Mamá sees her through the window and meets her outside, looking tired and angry.... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Mamá tells Odilia to take care of whatever is going on with her sisters and returns... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
...few hours on the bench before walking home. She sneaks into the house disguised as Mamá, wearing one of her old work uniforms and crawling into her bed, pretending to sleep.... (full context)
Chapter 3
Sisterhood, Motherhood, and Family Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Kindness, Mercy, and Morality Theme Icon
Odilia protests that she cannot take her sisters to Mexico, abandoning Mamá. La Llorona insists that the sisters must work together to reunite their family, for they... (full context)
Chapter 4
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...face. Odilia realizes that Child Protective Services will be called if they are caught, and Mamá could get into trouble. (full context)
Chapter 5
Sisterhood, Motherhood, and Family Theme Icon
...the car, Velia has Pita in a headlock, claiming that she was trying to call Mamá from a payphone. Pita complains that she is hungry and will turn her sisters in... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
...saying this trip is supposed to bring them closer together. She comforts Pita, who misses Mamá and is hungry. Eventually, the girls make up, as is their way. (full context)
Chapter 7
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Kindness, Mercy, and Morality Theme Icon
...their journey to Mexico. Odilia tries to give as little detail as possible, claiming that Mamá knew about their trip, she is old enough to drive, and they have plans to... (full context)
Chapter 8
Sisterhood, Motherhood, and Family Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
...she informs the girls of their status as missing children. The news article states that Mamá is a person of interest in the investigation, meaning she is unable to leave the... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Kindness, Mercy, and Morality Theme Icon
...that the best course of action is to get to Abuelita Remedios’s house and call Mamá, they worry about the potential criminal consequences of their actions. They have failed to report... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...hear someone singing through the brush, Odilia’s sisters cry out for help, though she remembers Mamá’s rule about never talking to strangers. (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
...coverage of their own disappearance. The authorities have interviewed Inés and found Papá’s abandoned car. Mamá is interviewed, pleading for the safe return of her daughters, which causes Pita to burst... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
...are, she pushes them to eat more sweets. Odilia asks for a phone to call Mamá, but Cecilia ignores her, saying Mamá is lucky not to be in jail after neglecting... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
...sleep some more. In her own room, Odilia feels content and does not think of Mamá or Papá at all as she drifts off. She wakes in the night to “el... (full context)
Chapter 9
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Sensing La Llorona’s sadness, Odilia wonders if Mamá mourns in the same way—not the loss of Papá, but how his abandonment fractured her... (full context)
Chapter 12
Sisterhood, Motherhood, and Family Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...that Odilia recognizes from her childhood. Her sisters slowly wake, joining in the chorus that Mamá used to calm them on rainy nights. The nagual cowers in the corner of the... (full context)
Chapter 13
Sisterhood, Motherhood, and Family Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...finally believe her story about La Llorona and the ear pendant’s powers. Velia wonders whether Mamá knows the lullaby she used to sing them is magical. Juanita speculates that the song... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Kindness, Mercy, and Morality Theme Icon
...rest there for the night. Odilia lies awake, thinking of their old life and of Mamá, afraid and alone. Suddenly, she sees large creatures flying across the sky. Six of them... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Kindness, Mercy, and Morality Theme Icon
...girls in a fury, clawing and pecking at them while shouting in voices stolen from Mamá, La Llorona, Cecilia, and others. They call the girls evil children and demand that they... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Kindness, Mercy, and Morality Theme Icon
...each girl with her particular insecurities, mocking Pita’s chubbiness and Juanita’s self-righteousness. The one with Mamá’s voice criticizes Odilia for leaving Mamá and failing to keep her sisters safe. Just when... (full context)
Chapter 15
Sisterhood, Motherhood, and Family Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...it takes for her to recuperate. Odilia lies to Abuelita to prevent her from calling Mamá immediately, telling her their phone is disconnected, because she is worried Mamá will try to... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
The conversation turns to Mamá. Velia accuses Mamá of being as neglectful as Papá, but Abuelita contradicts her. She places... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Kindness, Mercy, and Morality Theme Icon
The sisters realize that they have abandoned Mamá just like Papá did, and that they have to get home to make things right.... (full context)
Chapter 16
Magic, Myth, and Deception Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...a garden of her own, and invites them to come back for the holidays with Mamá. Abuelita drives the girls in her truck, advising them to keep their supernatural experiences to... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...hands of corrupt officers. Juanita also points out that things could get even worse for Mamá if Child Protection Services is called. Suddenly, Odilia realizes where they are: the Santuario de... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...have done what was asked of them, and asking her for assistance getting home to Mamá. When Odilia opens her eyes, they are standing before a moonlit path that leads upward... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Kindness, Mercy, and Morality Theme Icon
Ancestral and Cultural Appreciation Theme Icon
Tonantzin is proud of the sisters, but Odilia regrets their journey because Pita and Mamá have been hurt. Tonantzin states that mothers are creators whose faith in their offspring is... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
...life in the universe. Odilia assumes the goddess is talking about giving the roses to Mamá. Tonantzin disappears, and the girls and Abuelita descend the moonlit path toward a shoreline below. (full context)
Chapter 17
Magic, Myth, and Deception Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...They board the canoe and sail away. Ixtali tells them this is Texcoco Lake, where Mamá’s people made their home. The lake is covered in small garden islands which Ixtali’s people—the... (full context)
Chapter 18
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
...the authorities a revised version of the truth that leaves out the mystical happenings. Soon, Mamá arrives, ecstatic beyond measure to reunite with her daughters. Agent Gonzales seems genuinely happy and... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Agent Gonzales drives Mamá and the girls home, where a strange car is waiting in the driveway. The sight... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
...Odilia asks if he ever considered what his abandonment would do to their family as Mamá sobs behind her. Papá claims to love them wholeheartedly, that he will never leave them... (full context)
Chapter 19
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
...that it stinks. The twins attack the invading sisters until Papá pulls them off and Mamá forces them to apologize. Papá tells the twins that Alison and Ashley are part of... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
...Ashley and Sarai will all live in the house with the girls. Odilia asks where Mamá will live, and Papá implies that she will have to leave. Facing his daughters’ outrage,... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Ancestral and Cultural Appreciation Theme Icon
Mamá tells Papá the girls have every right to be mad at him. Again, the sisters... (full context)
Chapter 20
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Kindness, Mercy, and Morality Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...to the media under the supervision of Special Agent Gonzales. The next day, they and Mamá run into him again at church, leading the girls to suspect Gonzales likes Mamá. With... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Magic, Myth, and Deception Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
That evening, the girls play Lotería with Mamá, enjoying being together again. Odilia lingers after her sisters go to bed, still thinking about... (full context)
Chapter 21
Sisterhood, Motherhood, and Family Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Kindness, Mercy, and Morality Theme Icon
Ancestral and Cultural Appreciation Theme Icon
...Odilia she has made her ancestors proud during her odyssey, and she reassures her that Mamá will soon transform her own pain into love. She blesses Odilia with prosperity, and assures... (full context)
Chapter 22
Sisterhood, Motherhood, and Family Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
...turned out different. Odilia keeps her wounds hidden but cries unexpectedly over her father’s abandonment. Mamá throws Odilia a Sweet Sixteen party since she missed her quinceañera the year before. Dancing... (full context)
Sisterhood, Motherhood, and Family Theme Icon
Gender Dynamics and Female Solidarity Theme Icon
Ancestral and Cultural Appreciation Theme Icon
Mamá has undergone her own transformation, attending night school, earning her GED, getting a new job,... (full context)