The Good Woman of Setzuan

by

Bertolt Brecht

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The Good Woman of Setzuan: Scene 2 Summary & Analysis

Summary
Analysis
Someone knocks at the door of Shen Te’s shop. The wife opens the door. Shui Ta enters with the carpenter. The wife asks who Shui Ta is and he replies that he is Shen Te’s cousin. The niece and nephew are flummoxed—they thought Shen Te had made up having a cousin. The brother and nephew heckle Shui Ta, urging him to prove his identity—but Shui Ta ignores them and he calls to the rest of the family, waking up the house and ordering everyone to get dressed so that he can open the shop. The husband points out that the shop belongs to Shen Te, but Shui Ta simply shakes his head.
Shen Te disguises herself as Shui Ta in order to perform the actions and say the words she herself cannot. As Shui Ta, Shen Te is able to control others, make demands, and have her voice be heard. Shui Ta is not concerned with goodness—he is only concerned with running a business and getting things done. Through this dual identity, Shen Te is able to maintain her goodness while letting Shui Ta do all the dirty work required to maintain her wealth and keep her business afloat.
Themes
Greed, Capitalism, and Corruption Theme Icon
Women and Dual Identities Theme Icon
The sister-in-law demands to see Shen Te. Shui Ta tells her that Shen Te wishes for him to open the shop for her today. Shen Te, Shui Ta says, wants the family to hear a message: “This is a tobacco shop, not a gold mine.” The family is scandalized. Several of them go out to look for Shen Te while the young boy goes to steal breakfast for them all from a nearby bakery. Shui Ta begins tidying up the shop. The carpenter hands Shui Ta the bill for 100 silver dollars. Shui Ta laughs at the bill and offers the carpenter 20 dollars. The carpenter says the shelves are real walnut. Shui Ta replies that if that’s the case, they cost too much; he urges the carpenter to take the shelves away. The carpenter starts pulling shelves off the wall, asking the husband and his wife to help him as he does. 
Shen Te uses Shui Ta to give herself a voice. When Shui Ta reports the things Shen Te has said—even when those things are coarse—others listen to him in a way they wouldn’t listen to her directly. As Shui Ta begins making business negotiations, his ability to say and do the things that Shen Te cannot becomes clearer and clearer still.
Themes
Greed, Capitalism, and Corruption Theme Icon
Women and Dual Identities Theme Icon
Quotes
While they work, Shui Ta repeats his offer of 20 silver dollars. As the husband and the wife clumsily move the shelves, the carpenter chastises them, pointing out that the shelves were custom and are “no use anywhere else.” Realizing he has caught himself in a trap, the carpenter gives up. He accepts Shui Ta’s 20 silver dollars and he leaves, embarrassed. The husband and wife rejoice. Shui Ta, however, tells them to get out—he calls them “parasites.” The husband and wife, indignant, refuse. In response, Shui Ta goes to the door and opens it. A policeman is waiting outside. The husband and wife begin to panic, knowing that if the young boy returns with the stolen breakfast tucked up under his shirt, they will all be done for. 
When dressed as Shui Ta, Shen Te knows she has nothing to lose. No one is expecting the “goodness” Shen Te embodies from this man—she is free to say and do whatever she needs to do to keep her business running. This emboldens Shen Te to call people on their bluff, to stick up for her own interests, and to manipulate those around her somewhat ruthlessly as she looks out for herself above all others for the first time. 
Themes
Greed, Capitalism, and Corruption Theme Icon
Women and Dual Identities Theme Icon
Shui Ta invites the policeman in. He tells the officer that as a small business owner, he feels it’s important to be on good terms with the local cops. As the policeman steps inside, the husband and wife realize that Shui Ta has set a trap for the young boy. Soon enough, the boy runs inside, his shirt bulging with stolen pastries. The policeman grabs the boy by the collar and asks if Shui Ta can “clarify” what’s going on. Shui Ta declares how sorry he is that his establishment has been wrapped up in the “theft.” The policeman orders the boy, the husband, and the wife to accompany him down to the station. 
Shui Ta is sick of the cavalier, entitled way in which the family of eight has glommed onto him. Though framing them for theft is cruel and not “good,” it is an act that will allow Shen Te to continue thriving—and for once in her life, Shen Te feels she deserves to look out for herself.
Themes
Greed, Capitalism, and Corruption Theme Icon
Women and Dual Identities Theme Icon
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Free of his lodgers, Shui Ta tidies up the shop. Mrs. Mi Tzu enters—she is scandalized at the sight of having seen thieves being dragged out of her property. As the landlady continues railing against Shen Te and the suspicious means by which she came to lease the shop, Shui Ta asks Mrs. Mi Tzu how much the rent will be. Mrs. Mi Tzu demands 200 silver dollars—six months’ rent in advance.
Shui Ta’s tasks are not over—there are legions of people to deal with as he tries to smooth out all the wrinkles in the tobacco shop business. More and more people continue making demands upon Shen Te’s wealth.
Themes
Greed, Capitalism, and Corruption Theme Icon
Women and Dual Identities Theme Icon
The policeman returns to offer Shui Ta his “official felicitations” for his help in catching the thieves. In spite of the officer’s good word on Shui Ta’s behalf, Mrs. Mi Tzu refuses to adjust the rent. She leaves in a huff. Seeing the predicament before him, Shui Ta admits to the policeman that Shen Te did not earn a “respectable” living until very recently. To keep Shen Te from returning to a life of sin—and to help her find a way to pay the rent—the policeman declares that it is time to find Shen Te a husband.
Shui Ta, too, begins to get overwhelmed by the ruthlessness of other people and the financial demands upon Shen Te. Though Shui Ta doesn’t want to admit that the best course of action is to marry Shen Te off, he believes deep down that Shen Te must find a solution to her own problems—and use her femininity, not her other identity, to do so.
Themes
Greed, Capitalism, and Corruption Theme Icon
Women and Dual Identities Theme Icon
A little old woman enters the shop hoping to buy cigars for her husband for their fortieth anniversary. The policeman continues going on about his plan to find Shen Te a suitable match. He asks if the old woman thinks he should put an ad in the paper advertising Shen Te’s marriageability—before she can answer, he takes out a pad and pen and gets to work on the ad for a respectable man “with small capital” who wants to marry into a “flourishing” tobacco shop. The policeman hands the completed ad to Shui Ta. Shui Ta is horrified by “how much luck we [all] need to keep our heads above water,” but he thanks the policeman for making the “way clear.”
Shen Te believed that by embodying Shui Ta, she would be able to solve all of her own problems by masquerading as a man. Shui Ta now realizes, though, that there is much involved in the equations of balancing wealth and keeping one’s head “above water.”
Themes
Greed, Capitalism, and Corruption Theme Icon
Women and Dual Identities Theme Icon