The Guide
by R. K. Narayan

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Greed and Materialism Theme Analysis

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Raju, the protagonist of Narayan’s The Guide, is deeply motivated by his desire for material wealth. Living in the town of Malgudi in southern India, he constantly reinvents himself—taking on the role of a tourist guide and dance manager—in his pursuit of money. However, the novel ultimately suggests that it is only when Raju gives up his greed and materialism entirely in his final role as a holy man that he achieves something of the spiritual fulfillment that eluded him in his previous life.

Raju’s obsession with material wealth becomes manifest when he leaves behind his father’s railway shop and transforms himself into a tourist guide, taking advantage of the many tourists that the railway brings to Malgudi. In recounting his career as a tourist guide to the young villager Velan, Raju explains that his primary motivation when seeking out new customers was money. Raju immediately sizes up arriving tourists according to their means, and exploits them accordingly to ensure for himself the greatest monetary gain possible.

Likewise, in taking on the role of Rosie’s dance manager, Raju becomes obsessed with making more and more money. Realizing the immense draw that Rosie has on the public, he exploits her talents, arranging endless performances and shows that enrich him further, completely neglecting Rosie’s own needs in the process. Raju’s greed corrupts him. He comes to treat Rosie as a means to end; she is primarily an instrument through which he can enrich himself. This is reflected in the most serious act of betrayal he commits, when he forges Rosie’s signature in order to procure a box of valuable jewelry from her estranged husband Marco. Furthermore, while Raju grows rich from Rosie’s performances, he squanders the money on a large house, servants, and a lavish lifestyle that nonetheless do not bring him satisfaction, given that he continues to be consumed with enriching himself further.

In his final act of reincarnation, Raju reinvents himself as a holy man in the small village where he finds himself after his release from prison, taking on the role imposed on him by a young villager named Velan. Raju’s motivations in adopting this persona are initially also motivated by greed. At a key moment in the novel, in which he considers running away from the village, Raju decides that he will play the part of spiritual guide primarily because it is lucrative: he does not have to work, and can rely on the offerings that the villagers bring to him to sustain himself. In this way, Raju’s greed motivates him to exploit the villagers’ trust in him in order to further his own self-interest.

Ultimately, however, Raju’s play-acting as a spiritual guide actually compels him to give up his greed and materialism. When Raju finds himself accidentally drawn into a two-week fast by the villagers, which is intended to bring about rains and relieve them of the drought under which they have been suffering, Raju has no choice but to give up even the most basic necessities, including food. By agreeing to undertake the fast, Raju thus sacrifices his own comfort and health for the sake of the villagers. While the novel is ambiguous about whether Raju actually survives the fast or not, the image of him on the brink of death as he goes to the river to hold vigil at the end of the novel represents the moment in which he achieves his most noble and purest identity. By acting out of benevolence towards others, rather than out of self-interest and greed, he seems to achieve something of a spiritual redemption—as reflected in the vision of rain that he sees at the end of the novel.

Throughout The Guide, Raju’s actions are largely motivated by greed and materialism. These impulses prove to be self-perpetuating, as they lead Raju only into greater greed and self-interest. It is only when he is forced to give up all material comforts and necessities—including food—that Raju seems to find spiritual satisfaction and redemption. In this way, the novel seems to privilege selflessness, generosity, and benevolence as the only meaningful values through which one can achieve fulfillment and peace.

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Greed and Materialism Quotes in The Guide

Below you will find the important quotes in The Guide related to the theme of Greed and Materialism.

Chapter 2 Quotes

Where could he go? He had not trained himself to make a living out of hard work. Food was coming to him unasked now. If he went away somewhere else certainly nobody was going to take the trouble to bring him food in return for just waiting for it.

Related Characters: Raju, The Villagers
Related Symbols: Water
Page Number and Citation: 24
Explanation and Analysis:
After his release from prison, Raju sits by a riverbank, reflecting on his future. He must decide on where he will go and what he will do now. The villagers from a nearby village have mistaken him for a holy man, and generously bring him offerings of food to show their reverence and gratitude for him. Raju ultimately decides to stay and play the role of holy man that the villagers have cast him in not out of benevolence, but out of greed. He considers that simply by staying where he is and doing very little, the villagers will continue Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident ex

Chapter 4 Quotes

Raju himself was not certain why he had advised that, and so he added, “If you do it you will know why.” The essence of sainthood seemed to lie in one’s ability to utter mystifying statements.

Related Characters: Raju (speaker), The Villagers
Related Symbols: Water
Page Number and Citation: 38
Explanation and Analysis:
At the temple by the riverbank, where Raju has taken up residence as a holy man after his release from prison, villagers from a nearby village gather around him to listen to his discourse. Raju, who is only playing the part of a holy man but actually has no idea what he is doing, instructs the villagers to recollect everything they’ve said since daybreak. This is a nonsensical command. In the above quotation, Raju himself wonders why he had advised the villagers to undertake this task. This moment reveals Raju in the midst of his deception and dishonesty. He manages Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Prov

Raju soon realized that his spiritual status would be enhanced if he grew a beard and long hair to fall on his nape. A clean-shaven, close-haired saint was an anomaly.

Related Characters: Raju, The Villagers
Related Symbols: Water
Page Number and Citation: 39
Explanation and Analysis:
After arriving on the riverbank of a small village shortly after his release from prison, and being mistaken for a holy man by local villagers, Raju resolves to change his appearance so as to look more like an “authentic” holy man. His decision to do so reflects his penchant for disguise as well as his hypocrisy—two things that abound throughout the course of the book, regardless of where he’s living and what he’s doing. At this point, Raju is a newly released convict, and yet he keeps this a secret from the villagers, exploiting their benevolence (they bring him offerings Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Inci

Chapter 5 Quotes

I pointed out to him something as the greatest, the highest, the only one in the world. I gave statistics out of my head. I mentioned a relic as belonging to the thirteenth century before Christ or the thirteenth century after Christ, according to the mood of the hour.

Related Characters: Raju (speaker), Velan
Related Symbols: Malgudi
Page Number and Citation: 43
Explanation and Analysis:
Telling the villager Velan about his career as a tourist guide in his hometown of Malgudi, Raju confesses that he often made up facts and stories about the sites he showed tourists. Raju’s tendency to resort to lies suggests that he has neither principles nor integrity—he simply acts according to his whims, and is often motivated to take advantage of clients’ gullibility so as to also exploit their pockets. Raju’s treatment of the tourists alludes to his penchant for deceit and hypocrisy, as well as to his greed and materialism.

Chapter 6 Quotes

[…] he suddenly noticed at the end of the year that the skies never dimmed with cloud. The summer seemed to continue. Raju inquired, “Where are the rains?”

Related Characters: Raju (speaker), The Villagers
Related Symbols: Water
Page Number and Citation: 70
Explanation and Analysis:
Many months, or perhaps years, have passed since Raju’s release from prison. He has established himself as a holy man on the banks of a river, where he is visited and looked after by villagers eager for his spiritual aid. Raju’s realization that the seasonal rains have not arrived that year marks the beginning of the drought that afflicts the villagers—the drought threatens their crops and cattle. But the lack of rains can also be read to indicate the spiritual “drought” or emptiness under which Raju himself lives: he has led a life of deceit and greed, and even in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequ

Did they expect him to starve for fifteen days and stand in knee-deep water for eight hours? He sat up.

Related Characters: Velan’s Brother, Raju, The Villagers
Related Symbols: Water
Page Number and Citation: 85
Explanation and Analysis:
Velan’s brother has jumbled a message from Raju to the villagers, and this has led to the profound misunderstanding among the villagers that Raju has accepted to undergo a two-week fast so as bring about rains to alleviate the drought under which they suffer. Later that day, Raju suddenly realizes the enormity of the task that has been placed—accidentally—on his shoulders. Raju clearly does not want to “starve for fifteen days and stand in knee-deep” water for hours a day—after all, he’s maintained his image as a holy man primarily so that he can enjoy the surplus of food the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor

Chapter 8 Quotes

I dressed myself soberly for the part in a sort of rough-spun silk shirt and an upper cloth and a handspun and handwoven dhoti, and I wore rimless glasses—a present from Marco at one of our first meetings. I wore a wristwatch—all this in my view lent such weight to what I said that they had to listen to me respectfully. I too felt changed; I had ceased to be the old Railway Raju.

Related Characters: Raju (speaker), Rosie / Nalini
Related Symbols: The Railway
Page Number and Citation: 139
Explanation and Analysis:
Rosie has been practicing her dancing for months in Raju’s house, where she has taken up residence, in preparation for her public debut as a dancer. To help her, Raju adopts the role of her promoter and manager—yet another type of “guide.” In taking on this new persona, Raju changes his appearance in order to play the part more convincingly. This transformation points to Raju’s talent for disguise and dishonesty: just as Raju had bluffed his way into a career as the tourist guide “Railway Raju,” here he bluffs his way into a new career as Rosie’s manager.

Chapter 9 Quotes

I silently fretted. I liked her to be happy—but only in my company. This group of miscellaneous art folk I didn’t quite approve.

Related Characters: Raju (speaker), Rosie / Nalini
Page Number and Citation: 149
Explanation and Analysis:
After her public debut as a dancer, Rosie/Nalini achieves enormous success. In his role as her manager (as well as her lover), Raju has a strong hand in directing Rosie/Nalini’s career. But Raju is jealous, especially of the art friends that Rosie likes to spend time with. Raju’s jealousy—as well as his attempts to curtail Rosie’s freedom—point to the increasingly oppressive attitude that he takes towards her. Like her husband Marco, Raju also ends up attempting to limit and to constrain Rosie’s freedom.

It seemed absurd that we should earn less than the maximum we could manage. My philosophy was that while it lasted the maximum money had to be squeezed out. We needed all the money in the world.

Related Characters: Raju (speaker), Rosie / Nalini
Page Number and Citation: 153
Explanation and Analysis:
Raju, who has been managing Rosie/Nalini’s immensely successful dance career, has a discussion with her one day in which she expresses dissatisfaction over her relentless schedule. Raju’s greed and materialism is evident in his conclusion that he and Rosie needed to earn “the maximum they could manage.” Of course, it is Rosie doing the actual hard work, not Raju, given that it is Rosie who must spend hours on stage each day and countless more hours practicing her dancing. Raju’s focus on money thus reveals the extent to which he has come to view Rosie as a means to his Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident ex

[…] I carried [the book] to my most secret, guarded place in the house—the liquor chest, adjoining the card room, the key of which I carried next to my heart—stuffed the volume out of sight, and locked it up. Nalini never went near it. I did not mention the book to her.

Related Characters: Raju (speaker), Rosie / Nalini, Marco Polo
Page Number and Citation: 156
Explanation and Analysis:
Rosie’s long-estranged husband Marco sends a book to Raju, who is now acting as Rosie/Nalini’s manager. The book is a product of Marco’s research trip to Malgudi, a trip during which Raju had acted as tourist guide to Marco, and also began his affair with Rosie. Raju, who is afraid that Rosie might still have feelings for her husband, decides to hide the book from her. Raju’s deceit here reveals that his lies and his hypocrisy have begun to infect his most intimate relationships, as well. Raju wants to keep Rosie close to him by maintaining control over her, and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita dele

I found a scrap of paper and made a careful trial of Rosie’s signature. I had her sign so many checks and receipts each day that I was very familiar with it.

Then I carefully spread out the application form and wrote on the indicated line: “Rosie, Nalini.”

Related Characters: Raju (speaker), Rosie / Nalini, Marco Polo
Page Number and Citation: 164
Explanation and Analysis:
Raju, seeking to procure a box of valuable jewelry belonging to Rosie from Marco’s lawyers, decides to forge her signature on the form sent to him by the lawyers, rather than disclose the letter to Rosie. This act represents the climax of Raju’s deviousness. His penchant for deceit has reached a point where he betrays the love of his life, Rosie, and therefore risks destroying his most cherished relationship. Raju’s obsession with the jewelry also reflects his longstanding greed and materialism—he does not want to share news of the letter from the lawyers with Rosie, but he does not want Dolorem et quae. Exercitationem non aut. Eveniet dolor non.

Chapter 10 Quotes

I was now a sort of hanger-on in the house; ever since she had released me from police custody, the mastery had passed to her. I fretted inwardly at the thought of it. When the first shock of the affair had subsided, she became hardened. She never spoke to me except as to a tramp she had salvaged.

Related Characters: Raju (speaker), Rosie / Nalini, Marco Polo
Page Number and Citation: 173
Explanation and Analysis:
After Raju is arrested by the police for forging Rosie’s signature on forms sent by Marco’s lawyers, Rosie raises the bail necessary to have Raju released from prison. This signifies a turning point in the relationship between Raju and Rosie: when he returns home, he realizes that he has lost all of his power—Rosie is now the one in charge. He is suddenly her dependent. This transformation in their relationship also marks the beginning of Rosie’s assumption of her own power as an independent woman; for the first time, she takes complete control of her own affairs, as well as Dolorem

I felt like telling Mani, “Be careful. She’ll lead you on before you know where you are, and then you will find yourself in my shoes all of a sudden! Beware the snake woman!” I knew my mind was not working either normally or fairly. I knew I was growing jealous of her self-reliance. But I forgot for the

moment that she was doing it all for my sake.

Related Characters: Raju (speaker), Mani, Rosie / Nalini
Related Symbols: The Serpent
Page Number and Citation: 176
Explanation and Analysis:
After Rosie raises bail to have Raju temporarily released from prison, she takes up her dance career again in order to raise enough funds to help Raju contest the charges brought against him by Marco for his forgery of her signature. Mani, Raju’s secretary, now acts as Rosie’s right-hand man in helping her organize her dance engagements. Raju’s thoughts on Rosie’s self-reliance here reveal the depth of his selfishness, as well as his lack of accountability. Raju seems to blame his troubles on Rosie, as suggested in the warning he wants to give Mani, when in fact he is in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessita

Chapter 11 Quotes

Raju asked, “Now you have heard me fully?” […]

“Yes, Swami.”

Raju was taken aback at still being addressed as “Swami.” “What do you think of it?”

Velan looked quite pained at having to answer such a question. “I don’t know why you tell me all this, Swami. It’s very kind of you to address at such length your humble servant.”

Related Characters: Raju (speaker), Velan (speaker)
Page Number and Citation: 184
Explanation and Analysis:
Raju has just finished telling the villager Velan the story of his life, disclosing fully his history of deceit and deception. He expects that Velan will be horrified by his disclosure. However, Velan’s attitude towards Raju doesn’t change—he addresses him with the same respect he has always shown him, and refers to him with the respectful term “Swami,” or religious teacher. That the villager’s faith and trust in Raju remains unshaken, in spite of his discovery about Raju’s past, is significant, as this suggests that Velan believes that Raju’s spiritual powers are so innate that his past misdeeds are irrelevant. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae v

“Will you tell us something about your early life?”

“What do you want me to say?”

“Er—for instance, have you always been a yogi?”

“Yes; more or less.”

Related Characters: Raju (speaker)
Page Number and Citation: 193
Explanation and Analysis:
As reports of the fast that Raju is undertaking on behalf of the drought-stricken villagers spread in the news, an American TV producer shows up at the riverbank where Raju lives to interview him. The answer that Raju gives to the producer’s question is significant, because it suggests that he has always been a “yogi,” or a guide, in some sense or another. Raju goes from being a tourist guide to a dance manager to a spiritual guide—all careers that involve “guiding” others in some sense. His answer to the producer’s question, therefore, suggests that a kind of destiny or Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aper