The Miracle Worker
by William Gibson
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Pity vs. Tough Love Theme Analysis

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Pity vs. Tough Love Theme Icon
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Pity vs. Tough Love Theme Icon
Pity vs. Tough Love Theme Icon

Throughout the play, Gibson contrasts the methods Annie Sullivan uses to teach Helen Keller with the methods that Helen’s own parents use. Helen’s parents’ approach can be summed up in one word: pity. Where Annie is rigorous in her efforts to educate Helen, Helen’s parents, Arthur Keller and Kate Keller, choose to baby her, giving her candy to pacify her and refusing to punish her when she misbehaves. While Arthur and Kate’s methods might seem kind, the play shows how their pity for Helen is counterproductive, and winds up standing in the way of her learning how to communicate.

The fundamental problem with pitying people, the play suggests, is that it deprives people of dignity or respect and assumes that they can’t learn or change—which in turn becomes a self-fulfilling prophecy. When Annie arrives at the Kellers’ house she immediately grasps why nobody else has managed to teach Helen anything: Arthur and Kate feel helpless to change Helen, so they let her do whatever she wants. Because Helen’s parents spoil her terribly, Helen believes it’s okay for her to be wild, rude, and destructive. There are never any consequences for her actions, and therefore she never has any incentive to change her behavior. Indeed, Arthur and Kate spoil Helen because they’re afraid Helen will never change. Even though they keep hiring teachers for Helen, they’re afraid that none of these teachers will ever succeed. And so they conclude that they might as well keep feeding their child candy. As Helen sees it, Arthur and Kate have allowed pity to overwhelm their duties as parents. Because they feel so badly for their child, they don’t have the heart to punish her. In this way, the Kellers’ pity is one of the main things preventing Helen from making any progress: they pity Helen because they’re afraid she’ll never get any better, and as a result she never does.

The destructive power of pity becomes clearer in the play’s third act, when Annie takes Helen to stay with her in the garden house outside the Keller’s home. Alone with Helen, Annie is able to exercise stricter controls over her pupil. She doesn’t give Helen rewards unless she has earned them, and when Helen misbehaves, she takes away Helen’s food until Helen changes her ways. Soon enough, Helen has learned how to eat with a fork and a napkin. In two weeks, Annie accomplishes more for Helen than Helen’s parents have in years, and the reason for this is clear: Helen’s parents pity Helen and assume she will never learn, while Annie respects Helen and has faith that she can learn.

Annie’s intense, often severe style of teaching Helen—which might be classified simply as tough love—is the exact opposite of Arthur and Kate’s approach. Superficially, Annie’s approach is aggressive and even cruel, since it involves punishing Helen for actions she doesn’t even know are wrong, sometimes by depriving Helen of her dinner. But beneath the surface, Annie’s toughness is rooted in genuine respect for Helen—tough love, after all, is still love. Annie knows Helen is capable of living a happy, independent life, and she concludes that the only way to help Helen achieve that goal over the years to come is to be stern with her now. The Kellers’ pity for Helen is understandable because it is rooted in love for their child, but Gibson suggests that it is also rooted in a pessimism about Helen’s prospects and abilities. Because Annie believes in Helen’s capacity to learn and improve, she exercises stricter controls and gets impressive results.

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Pity vs. Tough Love ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Pity vs. Tough Love appears in each act of The Miracle Worker. Click or tap on any chapter to read its Summary & Analysis.
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Pity vs. Tough Love Quotes in The Miracle Worker

Below you will find the important quotes in The Miracle Worker related to the theme of Pity vs. Tough Love.

Act 1 Quotes

KELLER: Katie. How many times can you let them break your heart?
KATE: Any number of times.

Related Characters: Captain Arthur Keller (speaker), Kate Keller (speaker), Helen Keller
Page Number and Citation: 7
Explanation and Analysis:
Arthur and Kate Keller’s child, Helen Keller, is born a healthy baby, but loses her ability to see and hear after a serious fever. As a result, Arthur and Kate (especially Kate) feel a constant sense of pain and guilt while raising Helen. Kate believes that she has a duty to teach Helen how to communicate—no simple task, considering her condition. Kate convinces Arthur to contact doctors and teachers across the country (Arthur owns a newspaper, making this easier) and ask them to teach Helen. While dozens of educators come to the Keller house trying to help the Kellers’ child, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rer

KELLER: Here’s a houseful of grownups can't cope with the child, how can an inexperienced half-blind Yankee schoolgirl manage her?

Related Characters: Captain Arthur Keller (speaker), Helen Keller, Annie Sullivan
Related Symbols: Sight and blindness
Page Number and Citation: 28
Explanation and Analysis:
Captain Arthur Keller’s anti-Northern bias is palpable in this passage. Annie Sullivan has just arrived in Alabama from Massachusetts—a state that, for the wealthy, genteel Keller family, symbolizes everything wrong with Northern culture. Bostonians, Arthur claims, are rude, uncivilized, and generally incapable of following directions. Therefore, Arthur finds it unlikely that Annie will be able to teach Helen anything. The play is full of allusions to the legacy of the Civil War (it takes place in the 1880s, about two decades after the war ended with a Northern victory). One could even interpret the play as something of a metaphor Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. N

ANNIE: You think I'm so easily gotten rid of? You have a thing or two to learn, first. I have nothing else to do.

Related Characters: Annie Sullivan (speaker), Helen Keller
Page Number and Citation: 40
Explanation and Analysis:
The first act ends with Helen Keller tormenting Annie Sullivan, her new teacher. Helen hits Annie, drawing blood, and locks Annie in her room, hiding the key. These antics prove, first of all, that Helen is a wild, frustrated child. But they also suggest that Helen isn’t as ignorant as Arthur and James sometimes suggest she is. In reality, Helen is a bright young person (for example, she cleverly hid the key from a household of adults) but she has the massive disadvantage of being unable to see or hear. This passage, ultimately, is about Annie much more than it's Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Vol

Act 2 Quotes

KATE: Miss Annie. You see, she's accustomed to helping herself from our plates to anything she—
ANNIE [Evenly]: Yes, but, I'm not accustomed to it.

Related Characters: Kate Keller (speaker), Annie Sullivan (speaker), Helen Keller
Page Number and Citation: 47-48
Explanation and Analysis:
In this passage, the Kellers are sitting at dinner and, as usual, Helen is stealing food from others’ plates and eating it with her bare hands. The unusual part of this scene, however, is the presence of Annie Sullivan, Helen’s new teacher. Annie refuses to indulge Helen’s behavior. She tries to correct and improve it, depriving Helen of food in order to train her to exercise restraint and learn some manners. Annie’s aggressive teaching methods anger Captain Arthur Keller, who is accustomed to letting Helen do more or less whatever she wants. The passage is a good example of how Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recu

KATE: My Helen—folded her napkin—
(And still erect, with only her head in surrender, KATE for the first time that we see loses her protracted war with grief; but she will not let a sound escape her, only the grimace of tears comes, and sobs that shake her in a grip of silence.)

Related Characters: Kate Keller (speaker), Helen Keller
Page Number and Citation: 59
Explanation and Analysis:
In this ambiguous passage, Kate Keller learns that Annie Sullivan has made some important progress with Helen Keller. Annie has taught Helen how to fold her napkin—a task that’s required the better part of the day for Helen to learn. When Kate learns what Annie has done for her child, she begins to weep. While the audience in a theater obviously wouldn’t be reading the stage directions accompanying this action, the stage directions paint Kate’s reaction in an unusual light. Kate, Gibson writes, loses her war with grief. This is a slightly surprising way to interpret the scene—one could argue Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tene

BOY’S VOICE: You ain't goin' to school, are you, Annie?
ANNIE [whispering]: When I grow up.
BOY’S VOICE: You ain't either, Annie. You're goin' to stay here take care of me.
ANNIE: I'm goin' to school when I grow up.
BOY’S VOICE: You said we'll be together, forever and ever and ever–
ANNIE [fierce]; I'm goin' to school when I grow up!

Related Characters: Annie Sullivan (speaker), James Sullivan / “Jimmie” (speaker), Helen Keller
Page Number and Citation: 61
Explanation and Analysis:
In this flashback scene, the adult Annie Sullivan is tormented by her memories of arguing with her deceased brother, James Sullivan. As children, Annie and James promised to take care of each other forever. But Annie wanted to go to a school for the blind—something which required her to move away from James. James was distressed by this news, and shortly afterwards, he died, making Annie feel incredibly guilty. Although Annie later reports all of this to the Kellers, this passage doesn’t make Annie’s complicated history clear all at once. Rather, Gibson allows readers to piece together Annie’s backstory very Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur molli

ANNIE: Mrs. Keller, I don't think Helen's worst handicap is deafness or blindness. I think it's your love. And pity.

Related Characters: Annie Sullivan (speaker), Helen Keller, Kate Keller
Page Number and Citation: 66
Explanation and Analysis:
In this passage, Annie Sullivan stands up to Arthur and Kate Keller and tells them the plain truth: the reason that Helen Keller hasn’t yet learned how to read and communicate is that her parents spoil her. Arthur and Kate obviously love their child, and want to treat her nicely—but after a certain point, their kindness becomes counterproductive. Kate in particular is reluctant to punish Helen for her misbehavior, and the result is that Helen is emboldened to misbehave again and again. Furthermore, it sends Helen the message that there’s no point in her concentrating on learning to communicate. Recognizing Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident

ANNIE: The first year we had eighty, seventy died. The room Jimmie and I played in was the deadhouse, where they kept the bodies till they could dig—
KATE [closes her eyes]: Oh, my dear—
ANNIE: —the graves.
(She is immune to KATE's compassion.)
No, it made me strong. But I don't think you need send Helen there. She's strong enough.

Related Characters: Annie Sullivan (speaker), James Sullivan / “Jimmie” (speaker), Kate Keller (speaker), Helen Keller
Page Number and Citation: 69
Explanation and Analysis:
Annie Sullivan continues to tell Kate and Arthur Keller about her own early life. She and her brother James Keller grew up in abject poverty and later were moved into a state almshouse (something like a homeless shelter). Life in the almshouse was miserable, with people dying left and right. The remarkable thing about this passage, however, isn’t the horrors that Annie describes to Kate and Arthur—rather, it’s how passively and emotionlessly Annie describes those horrors. Even when Kate makes a sympathetic noise, Annie ignores her response and goes on describing the almshouse. She has lived in pain for so Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde e

JAMES: That she isn't. That there's such a thing as-dullness of heart. Acceptance. And letting go. Sooner or later we all give up, don't we?
ANNIE: Maybe you all do. It’s my idea of the original sin.

Related Characters: James Keller (speaker), Annie Sullivan (speaker), Helen Keller
Page Number and Citation: 73
Explanation and Analysis:
In this scene, audiences get a better sense for Annie’s personality—as well as James’s. James Keller tries to tease Annie for being so persistent in her teaching—he’s baffled and bemused that she would spend long hours teaching Helen the signs for words Helen doesn’t even understand. But when he tries to ridicule Annie for doing exactly this, his plan backfires. Annie claims that she despises the idea of giving up—it’s her idea of a sin. From their exchange, it’s clear that Annie thinks of James as someone who has given up—someone who has resigned himself to being unhappy and is Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Ac

Act 3 Quotes

ANNIE: I, love, Helen.
(She clutches the child to her, tight this time, not spelling, whispering into her hair.)
Forever, and—
(She stops. The lights over the pump are taking on the color of the past, and it brings ANNIE’s head up, her eyes opening in fear; and as slowly as though drawn she rises, to listen, with her hand on HELEN’s shoulders. She waits, waits, listening with ears and eyes both, slowly here, slowly there: and hears only silence. There are no voices. The color passes on, and when her eyes come back to HELEN she can breathe the end of her phrase without fear:)
—ever.

Related Characters: Annie Sullivan (speaker), Helen Keller
Page Number and Citation: 112
Explanation and Analysis:
The play ends by bringing Annie’s “character arc” to a close. Throughout the play, Annie has suggested that she is motivated to help Helen in part because of her guilt over the death of her beloved brother, Jimmie Sullivan. She experiences vivid, traumatic flashbacks, signaled by the dimming of the lights. Here, at the end of the play, the lights dim, but no echoing voices are heard—Jimmie’s vanished spirit doesn’t seem to haunt her any longer. The message, perhaps, is that by educating Helen, Annie has redeemed herself in her own eyes. She feels horrible for abandoning Jimmie to go Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic