The Secret Agent: Chapter 4 Summary & Analysis

Ossipon is sitting at a table in a dark, vaulted hall with chandeliers and medieval paintings. Near the door, a mechanical piano plays a noisy waltz. Across from Ossipon, a small man with spectacles, who’s known as The Professor, drinks beer. Despite his unimpressive demeanor, the man has an air of calm self-assurance that Ossipon finds impossible to penetrate. The man claims not to have heard the upsetting news that Ossipon heard from a newsboy a short time ago.

Ossipon questions The Professor about his “stuff,” and the man claims that he unhesitatingly gives some to anyone who asks for it. He doesn’t even fear the police—they know that he always has explosives on his person. Therefore, he’ll never be arrested; none of them is “heroic” enough for that. The Professor always walks with his hand closed around a rubber ball in his pocket that, when pressed, activates a detonator. He shows Ossipon a glimpse of the rubber tube poking out of an inner pocket, and Ossipon shudders at the thought of how quickly The Professor could destroy himself and take the whole building with him.

The Professor says that the key is “force of personality.” Simply having the ability to blow himself up doesn’t protect him; he’s protected by others’ belief that he has the will to do it. That is what makes him deadly. Furthermore, even other people with strong personalities base their character on “conventional morality,” but The Professor does not. His personality is based on freedom from artificial constraints, and indeed upon death. When Ossipon compares him to Yundt and the other revolutionary propagandists, The Professor sneers; those men have no independence of thought, no character.

The Professor explains that his goal is simply “a perfect detonator.” He notes Ossipon’s wince and says that revolutionaries can’t bear the idea of something definite. Revolutionaries, by definition, are dependent on conventional social order, because they’re trying to revolutionize it. This makes them no better than the police they claim to oppose. Revolution and legality are two sides of the same coin, in other words. Unlike the revolutionaries, The Professor concludes, this makes him a “true propagandist.”

Ossipon changes the subject. He tells The Professor that a man was blown up on Greenwich Park this morning, and he shows The Professor a newspaper. There aren’t many details: at the site of the detonation, there’s a big hole in the ground, with fragments of a man’s body scattered around. It’s assumed that the bomber meant to blow up the Observatory.

Ossipon says that he knew nothing about a plot of this nature, and it’s bound to make revolutionaries’ position more difficult in this country. Staring hard at The Professor, he realizes that some of the other man’s explosives must have been used. The Professor readily admits it. Indifferently, he says that the fates of individuals don’t matter to him.

The Professor goes on to say that unlike America, which has a fundamentally anarchistic character, England idealizes the notion of legality too much, and the aim of anarchists should be to defeat this fallacy. He’d like nothing better, he claims, than to be taken down in a public shoot-out by the police; then, the “old morality” would be halfway undermined already.

Ossipon asks The Professor if he can describe the person to whom he gave his explosives, and The Professor immediately names Verloc. Surprised, Ossipon explains that Verloc wasn’t original or important, but he was nevertheless a useful and trusted figure who was good at staying under the police’s radar. He hasn’t seen Verloc for a month and can’t imagine what his motive might have been. He wonders what will become of Winnie, with Verloc apparently dead. The Professor describes the detonator he created for Verloc: it was on a 20-minute timer, so Verloc either ran out of time or dropped the explosive by accident.

Ossipon wonders what to do next—the F.P. revolutionaries must disassociate themselves from the incident. He wants to visit the Verlocs’ shop to find out more details, but he’s afraid the police will be there, hoping to arrest somebody. Perhaps, he thinks, Verloc’s remains were so utterly destroyed that the bombing won’t be traced back to him. The Professor advises Ossipon to attach himself to Winnie Verloc, and then he leaves. The mechanical piano plays a gloomy Scottish air as Ossipon slowly leaves the building.

Outside, newspaper sellers are at work on the cold, muddy, early spring day. The mud, the sellers’ ragged clothing, and the newspaper ink all have a matching drabness. Even as many papers are sold, many more people hurry past with an air of indifference.