As You Like It

by

William Shakespeare

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Romantic Love Theme Analysis

Read our modern English translation.
Themes and Colors
Deception, Disguise, and Gender Theme Icon
Romantic Love Theme Icon
Country vs. City Theme Icon
Love and Rivalry Between Relatives Theme Icon
Fools and Foolishness Theme Icon
LitCharts assigns a color and icon to each theme in As You Like It, which you can use to track the themes throughout the work.
Romantic Love Theme Icon

As You Like It mocks traditional dramatizations of love, inspiring folly, servitude, and sorrow in its victims. Orlando’s bad, omnipresent poetry; Silvius’s slavish commitment to Phebe, a plain and unloving shepherdess; and Rosalind’s, Oliver’s, and Phebe’s speechless and instantaneous infatuations (they all fall in love at first sight) are all exaggerated instances of the dramatized representations of love that the play is mocking. At the end of the play, Rosalind serves as a fair judge of love, assessing the relationships of each character in the play and rationally determining who shall marry whom. The final scene is a grand wedding, with vows said between four couples (Rosalind and Orlando; Celia and Oliver; Touchstone and Aubrey; and Silvius and Phebe). The play thus concludes by celebrating a more reasonable, sustainable form of love, demonstrated in four instances of its most potent and permanent manifestation.

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Romantic Love Quotes in As You Like It

Below you will find the important quotes in As You Like It related to the theme of Romantic Love.
Act 1, Scene 2 Quotes

What passion hangs these weights upon my tongue? I cannot speak to her, yet she urged conference.

Related Characters: Orlando (speaker), Rosalind
Page Number: 1.2.258-259
Explanation and Analysis:
Act 1, Scene 3 Quotes

Come, come, wrestle with thy affections.

Related Characters: Celia (speaker), Rosalind
Page Number: 1.3.21
Explanation and Analysis:
Act 2, Scene 4 Quotes

O, thou didst then never love so heartily! If thou rememb’rest not the slightest folly that ever love did make thee run into, thou hast not loved.

Related Characters: Silvius (speaker), Phebe
Page Number: 2.4.32
Explanation and Analysis:

We that are true lovers run into strange capers; but as all is mortal in nature, so is all nature in love mortal in folly.

Related Characters: Touchstone (speaker)
Page Number: 2.4.53-55
Explanation and Analysis:
Act 3, Scene 2 Quotes

Run, run, Orlando, carve on every tree the fair, the chaste, and unexpressive she.

Related Characters: Orlando (speaker), Rosalind
Related Symbols: Orlando’s Poems
Page Number: 3.2.9-10
Explanation and Analysis:

O wonderful, wonderful, and most wonderful, and yet again wonderful, and after that, out of all whooping!

Related Characters: Celia (speaker)
Related Symbols: Orlando’s Poems
Page Number: 3.2.195-197
Explanation and Analysis:

Then there is no true lover in the forest, else sighing every minute and groaning every hour would detect the lazy foot of Time as well as a clock.

Related Characters: Rosalind (speaker)
Related Symbols: Ganymede
Page Number: 3.2.307-310
Explanation and Analysis:

Love is merely a madness, and, I tell you, deserves as well a dark house and a whip as madmen do; and the reason why they are not so punished and cured is that the lunacy is so ordinary that the whippers are in love too. Yet I profess curing it by counsel.

Related Characters: Rosalind (speaker), Orlando
Related Symbols: Ganymede
Page Number: 3.2.407-412
Explanation and Analysis:
Act 3, Scene 5 Quotes

O, for shame, for shame, lie not, to say mine eyes are murderers. Now show the wound mine eye hath made in thee.

Related Characters: Phebe (speaker), Silvius
Page Number: 3.5.19-21
Explanation and Analysis:

Dead shepherd, now I find thy saw of might, “Who ever loved that loved not at first sight?”

Related Characters: Phebe (speaker), Rosalind, Silvius
Related Symbols: Ganymede
Page Number: 3.5.86-87
Explanation and Analysis:
Act 4, Scene 1 Quotes

Nay, you were better speak first, and when you were graveled for lack of matter, you might take occasion to kiss. Very good orators, when they are out, they will spit; and for lovers, lacking – God warn us! – matter, the cleanliest shift is to kiss.

Related Characters: Rosalind (speaker), Orlando
Related Symbols: Ganymede
Page Number: 4.1.77-82
Explanation and Analysis:
Act 5, Scene 2 Quotes

Your brother and my sister no sooner met but they looked; no sooner looked but they loved; no sooner loved but they sighed; no sooner sighed but they asked one another the reason; no sooner knew the reason but they sought the remedy; and in these degrees have they made a pair of stairs to marriage.

Related Characters: Rosalind (speaker), Orlando, Oliver, Celia
Page Number: 5.2.33-39
Explanation and Analysis:

[To Orlando] As you love Rosalind, meet. [To Silvius] As you love Phebe, meet. And as I love no woman, I’ll meet. So fare you well.

Related Characters: Rosalind (speaker), Orlando, Silvius, Phebe
Related Symbols: Ganymede
Page Number: 5.3.124-126
Explanation and Analysis:
Act 5, Scene 4 Quotes

Peace ho! I bar confusion; ‘Tis I must make conclusion of these most strange events. Here’s eight that must take hands to join in Hymen’s bands, if truth holds true contents.

Related Characters: Hymen (speaker)
Page Number: 5.4.130-135
Explanation and Analysis:

Play, music, and you brides and bridegrooms all, with measure heaped in joy, to th’measures fall.

Related Characters: Duke Senior (speaker)
Page Number: 5.4.184-185
Explanation and Analysis: