Definition of Motif
The motif of the "inner life" as it relates to interpersonal connection appears regularly throughout Howards End. In Chapter 20, when Margaret and Henry Wilcox are walking together, the narrator makes the following observation about Henry’s understanding of his wife:
He supposed her “as clever as they make ’em,” but no more, not realizing that she was penetrating to the depths of his soul, and approving of what she found there.
And if insight were sufficient, if the inner life were the whole of life, their happiness has been assured.
The motif of inheritance occurs throughout Howards End, as the complications of who is left property, wealth, and social standing are central to the plot. In Chapter 41, when Leonard Bast comes to Howards End to confess his "crime" to Margaret, the narrator describes Charles passing him in his motor-car:
Unlock with LitCharts A+At the chalk pit a motor passed him. In it was another type whom Nature favors—the Imperial. Healthy, ever in motion, it hopes to inherit the earth. [...] But the Imperialist is not what he thinks or seems. He is a destroyer. He prepares the way for cosmopolitanism, and though his ambitions may be fulfilled, the earth that he inherits will be grey.
The motif of the "inner life" as it relates to interpersonal connection appears regularly throughout Howards End. In Chapter 20, when Margaret and Henry Wilcox are walking together, the narrator makes the following observation about Henry’s understanding of his wife:
Unlock with LitCharts A+He supposed her “as clever as they make ’em,” but no more, not realizing that she was penetrating to the depths of his soul, and approving of what she found there.
And if insight were sufficient, if the inner life were the whole of life, their happiness has been assured.
The motif of inheritance occurs throughout Howards End, as the complications of who is left property, wealth, and social standing are central to the plot. In Chapter 41, when Leonard Bast comes to Howards End to confess his "crime" to Margaret, the narrator describes Charles passing him in his motor-car:
Unlock with LitCharts A+At the chalk pit a motor passed him. In it was another type whom Nature favors—the Imperial. Healthy, ever in motion, it hopes to inherit the earth. [...] But the Imperialist is not what he thinks or seems. He is a destroyer. He prepares the way for cosmopolitanism, and though his ambitions may be fulfilled, the earth that he inherits will be grey.