The Talented Mr. Ripley
by Patricia Highsmith
Themes and Colors
Obsession, Identity, and Imitation Theme Icon
Wealth, Luxury, and Excess Theme Icon
Appearance vs. Reality  Theme Icon
Escapes Theme Icon
LitCharts assigns a color and icon to each theme in The Talented Mr. Ripley, which you can use to track the themes throughout the work.
Wealth, Luxury, and Excess Theme Icon
Wealth, Luxury, and Excess Theme Icon

Highsmith’s descriptions of Tom and Dickie’s romps through Europe are alluring—they are some of the most lushly-worded parts of her book—and they make clear that wealth enables Dickie to do whatever he pleases. His life as a “painter” in Mongibello comes with a home, servants, and lavish lunches, dinners, and trips across Europe—often on a whim. By creating a portrait of excess and allowing readers to view it through the eyes of a poor man (Tom Ripley), Highsmith both venerates and decries life lived in the lap of luxury.

Highsmith renders Dickie’s existence in Europe in such high detail that the prose becomes overwhelmed and saturated with luxury; she creates excess in her writing the same way Dickie experiences excess in his life. The beautiful prose and the glut of detail invite readers into a relationship with wealth and excess that mirrors Tom’s. Just as Tom is overwhelmed and entranced by Dickie’s life, the reader is inundated by alluring details and pulled into an admiration of luxury through Highsmith’s gorgeous descriptions. In addition, the many privileges of Dickie’s life are rattled off in a blur, so that none of the details alone even seem to matter—this formless ambiance of wealth and materialism attracts Tom more than any individual aspect of Dickie’s life does. The way privilege is taken for granted—by Dickie, by Marge, and, eventually, by Tom himself—is Highsmith’s tongue-in-cheek indictment of the blindness of the upper class to their own privilege and to the plight of those who are worse off. Her portrait of luxury also reveals the wastefulness, pettiness, and false sense of security that wealth, in Highsmith’s estimation, can create.

As the novel unfolds, Tom’s covetousness and sense of entitlement become a large part of how he justifies Dickie’s murder, and how, once the murder is done, he assumes Dickie’s life and identity while feeling remarkably little regret or remorse. Toward the end of the novel, when it seems as if Tom is about to be caught in his enormous lie, he wonders: “Supposing they got him and gave him the electric chair—could that death equal in pain, or could death itself, at twenty-five, be so tragic, that he could not say that the months from November until now had not been worth it? Certainly not.” Even on the verge of a death sentence, Tom feels that his murderous, deceitful ways are “worth it” in order to glimpse, for even just a few months, the luxurious life of Dickie Greenleaf. Highsmith highlights this egregious immorality as a way to demonstrate the corrupting power of wealth, and she allows Tom to go unpunished to reveal the unfair protective powers wealth can bestow. Tom is so beholden to wealth and greed that he does unspeakable things in pursuit of it—it’s a double bind for justice, then, that once he becomes wealthy through murder, his wealth protects him from facing the consequences of his reprehensible actions. Tom’s ability to sneak by his acquaintances and the authorities is Highsmith’s indictment not just of Tom’s actions in pursuit of wealth, but of the vapid, destructive, and unjust underbelly of wealth itself.

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Wealth, Luxury, and Excess Quotes in The Talented Mr. Ripley

Below you will find the important quotes in The Talented Mr. Ripley related to the theme of Wealth, Luxury, and Excess.

Chapter 1 Quotes

Tom’s heart took a sudden leap. He put on an expression of reflection. It was a possibility. Something in him had smelled it out and leapt at it even before his brain. He wanted to leave New York. “I might,” he said carefully, with the same pondering expression, as if he were even now going over the thousands of little ties that could prevent him. Tom stared at the gold signet ring with the nearly worn-away crest on Mr. Greenleaf’s little finger. “I think I might.”

Related Characters: Tom Ripley (speaker), Herbert Greenleaf, Richard “Dickie” Greenleaf
Related Symbols: Dickie’s Rings
Page Number and Citation: 13
Explanation and Analysis:
This quote situates the entire tenor and forecast of The Talented Mr. Ripley: it introduces a darker, more calculating side of Tom, who is both the novel’s protagonist and antagonist. It cuts right through his meek exterior—the exterior he presents to Herbert Greenleaf during their first meeting at Raoul’s—and puts on display a man whose every “expression” is calculated and “put on.” It demonstrates that there is “something in him” that is roving, hungry, and lustful—for opportunity, for wealth, for personal gains. As he pretends to consider Herbert Greenleaf’s offer—wanting to give Herbert the illusion of himself as a busy Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimu

Chapter 6 Quotes

The last four years had been for the most part a waste, there was no denying that. A series of haphazard jobs, long perilous intervals with no job at all and consequent demoralization because of having no money, and then taking up with stupid, silly people in order not to be lonely, or because they could offer him something. It was not a record to be proud of.

Related Characters: Tom Ripley
Page Number and Citation: 39
Explanation and Analysis:
Though Tom is “not proud” of his existence in New York, he is able to see it very clearly for what it is: the laying of the groundwork for all of the skills he will need to pull off this new, ultimate deception. By sussing out who can “offer” him what, Tom has honed his methods of recognizing and exploiting the wealth, privilege, and social capital of others. Able to survive “perilous” penniless times, Tom has taught himself how to withstand “demoralization” and convince himself of the idea that he deserves more—that he deserves to live, say, the way the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum d

Chapter 12 Quotes

Tom sat opposite [Dickie], staring at his hands with the green ring and the gold signet ring. A crazy emotion of hate, of affection, of impatience and frustration was swelling in him. He wanted to kill Dickie. It was not the first time he had thought of it. He had failed with Dickie, in every way. He hated Dickie. He had offered Dickie friendship, companionship, everything he had to offer, and Dickie had replied with ingratitude and now hostility. If he killed him on this trip, he could simply say that some accident had happened. He could—He had just thought of something brilliant: he could become Dickie Greenleaf. The danger of it, even the inevitable temporariness of it, only made him more enthusiastic. He began to think of how.

Related Characters: Richard “Dickie” Greenleaf, Tom Ripley
Related Symbols: Dickie’s Rings
Page Number and Citation: 95
Explanation and Analysis:
Tom’s insecurity in his own identity and his anger and disappointment with Dickie both reach a fever pitch at this point in the novel, as the two men travel to San Remo on a short getaway. Tom had originally been vying for a long trip to Paris but Dickie, put off by Tom’s odd behavior and Marge’s warnings that Tom might be “queer,” shortens the trip and suggests San Remo, a destination within Italy’s borders. Tom stews angrily as their train carries them toward the Riviera town. He wants desperately to be done with Dickie, and would rather kill him Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad

Chapter 14 Quotes

This was the clean slate he had thought about on the boat coming over from America. This was the real annihilation of his past and of himself, Tom Ripley, who was made up of that past, and his rebirth as a completely new person… He felt as he had on the ship, only more intensely, full of goodwill, a gentleman, with nothing in his past to blemish his character.

Related Characters: Tom Ripley, Richard “Dickie” Greenleaf
Page Number and Citation: 121-122
Explanation and Analysis:
In the wake of Dickie’s murder, Tom has sunk into his new identity as Dickie and flourished within it. He has longed since the novel’s start for a “clean slate,” and recently, since meeting Dickie, he has begun to fantasize about the “annihilation” of Tom Ripley—he views his old self as a character, and a drab, uninteresting, burdensome one at that. Tom’s past was full of embarrassing degradations—Aunt Dottie’s bullying, Marc Priminger’s predatory and controlling nature, Bob Delancey’s gauche and raucous social circle—that now seem to be distant dreams unable to “blemish” his new life. Tom’s speedy transition, in many Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo.

Chapter 19 Quotes

What had he said about risks? Risks were what made the whole thing fun. [And] anticipation! It occurred to him that his anticipation was more pleasant to him than his experiencing. Was it always going to be like that? When he spent evenings alone, handling Dickie’s possessions, simply looking at his rings on his own fingers, or his woolen ties, or his black alligator wallet, was that experiencing or anticipation?

Related Characters: Tom Ripley, Richard “Dickie” Greenleaf
Related Symbols: Dickie’s Rings
Page Number and Citation: 169
Explanation and Analysis:
In this passage, Tom delves into the machinations of his motivations, revealing his attraction to risk and anticipation—feelings that fill him with a sensation of potential. Whether that potential is for danger and calamity or fulfillment and comfort is beside the point—what’s attractive to Tom is the existence in an in-between state, in a moment of waiting for the next thing to happen. The line between experiencing something and waiting to experience it has become blurred for Tom, and he can no longer clearly discern whether the fruits of his deeds fulfill him. He has longed for a new identity, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur

He definitely wanted to see Greece. He wanted to see Greece as Dickie Greenleaf with Dickie’s money, Dickie’s clothes, Dickie’s way of behaving with strangers. The idea of going to Greece, trudging over the Acropolis as Tom Ripley, American tourist, held no charm for him at all. He would as soon not go.Tears came in his eyes as he stared up at the cathedral, and then he turned away and began to walk down a new street.

Related Characters: Tom Ripley, Richard “Dickie” Greenleaf
Page Number and Citation: 169-170
Explanation and Analysis:
Tom loathes himself—he loathes his personality, his appearance, and his poverty. Through Dickie, he can experience the world as a person he admires, and he can almost convince himself that appearing to be Dickie equates to a reality in which he actually is Dickie. The shattering of that illusion is almost more than Tom can bear, and the realization that he can never escape himself brings him to tears. This passage also alludes to a different level of Tom’s entitlement. Not only does he feel entitled to the wealth and luxury that he has neither earned nor inherited, but he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita d

Chapter 20 Quotes

He was lonely. He had imagined himself acquiring a bright new circle of friends with whom he would start a new life with new attitudes, standards, and habits that would be far better and cleverer than those he had had all his life. Now he realized that it couldn’t be. He would have to keep a distance from people, always. He was alone, and it was a lonely game he was playing. He altered his behavior slightly, to accord with the role of a more detached observer of life. There was a faint air of sadness about him now. He enjoyed the change. He imagined that he looked like a young man who had had an unhappy love affair or some kind of emotional disaster, and was trying to recuperate by visiting some of the most beautiful places on the earth.

Related Characters: Tom Ripley
Page Number and Citation: 174
Explanation and Analysis:
As Tom ruminates on the consequences of his actions—namely on the desolate future of the lonely life he’s destined to lead—it’s difficult to discern whether the “faint air of sadness” he takes on is genuine or an affectation. It seems to be the latter—he “enjoys change,” constantly seeks to imitate new identities, and longs for an escape from the claustrophobic feeling of loneliness he has recently begun to encounter. However, there’s a sense, too, in which the aura of sadness he’s cultivating is probably true. Though it was all in his head, he has suffered an unhappy love affair that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi

Chapter 26 Quotes

He loved possessions. They gave a man self-respect. Not ostentation but quality, and the love that cherished the quality. Possessions reminded him that he existed, and made him enjoy his existence. It was as simple as that. And wasn’t that worth something? He existed.

Related Characters: Tom Ripley
Page Number and Citation: 234
Explanation and Analysis:
For someone whose identity is as shallow and porous as Tom’s is, it follows that he would need something to “remind him that he exists.” Possessions—namely, Dickie’s possessions—fill that gap and allow him to have a tactile, sensory experience of the wealth he has amassed, as well as the identity he has assumed. Whether Tom’s “existence” is his own or Dickie’s doesn’t quite matter as much when he is surrounded by beautiful clothes and objects—their presence alone brings him comfort and allows him to distract himself with his obsession with luxury, excess, and gathering the accoutrements that make up an Dolorem et

Chapter 29 Quotes

In a way it was asking for trouble, Tom thought. But that was the mood he was in. The very chanciness of trying for all of Dickie’s money, the peril of it, was irresistible to him.

Related Characters: Tom Ripley, Richard “Dickie” Greenleaf, Herbert Greenleaf
Page Number and Citation: 259
Explanation and Analysis:
As the novel has progressed, Tom’s recklessness with his own life and the lives of others has deepened and spread. Tom’s “moods” have seen him betray Herbert Greenleaf, implore Dickie to take part in a drug-smuggling scheme, commit two grisly murders, steal valuable land and real estate, brazenly navigate one of the most populous metropolitan centers in Europe under a stolen identity, and tell innumerable twisting, compounding lies to his acquaintances and the authorities alike. All of this is done in the name of risks and thrills—the major motivators for Tom apart from escape, self-loathing, and greed. Tom is excited Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi nec

Chapter 30 Quotes

He saw four motionless figures standing on the imaginary pier, the figures of Cretan policemen waiting for him, patiently waiting with folded arms. He grew suddenly tense and his vision vanished. Was he going to see policemen waiting for him on every pier that he ever approached? In Alexandria? Istanbul? Bombay? Rio? No use thinking about that. He pulled his shoulders back. No use spoiling his trip worrying about imaginary policemen. Even if there were policemen on the pier, it wouldn’t necessarily mean—

“A donda, a donda?” the taxi driver was saying, trying to speak Italian for him.

“To a hotel, please,” Tom said. “Il meglio albergo. Il meglio, il meglio!”

Related Characters: Tom Ripley (speaker)
Page Number and Citation: 271
Explanation and Analysis:
Over the course of the novel, Tom Ripley has murdered twice. He has stolen identities, possessions, wealth, and capital—monetary and social. He has deceived good people, he has wrecked familial, friendly, and romantic relationships, and he has done it all in the name of his own entitlement. Miraculously, and despite intense scrutiny from the authorities and from Dickie’s friends, family, and acquaintances, Tom has, for all intents and purposes, gotten away with everything. In the last passage of the novel, as Tom embarks on a new journey through Greece, he wonders if he will forever be plagued by his own Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur