Chasing Lincoln’s Killer
by James L. Swanson
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Themes and Colors
News, Information, and Misinformation Theme Icon
Planning, Conspiracy, and the Unexpected Theme Icon
The Theatrical and The Real Theme Icon
Survival vs Principles Theme Icon
LitCharts assigns a color and icon to each theme in Chasing Lincoln’s Killer, which you can use to track the themes throughout the work.
The Theatrical and The Real Theme Icon
The Theatrical and The Real Theme Icon

John Wilkes Booth was one of the most famous actors of his day, known for his attractiveness and charm. Swanson emphasizes that Booth’s inflated view of himself led him to overestimate his ability to survive during his escape and the help he could count on convincing others to provide him.

The confidence Booth gained from his successful performances on the stage led him to believe that he could use the force of his personality to alter history. But although this belief did lend him the courage necessary to carry out the assassination, he was not able to shape the way his act was interpreted by the rest of America, or the way it would affect the course of history. This confidence also meant that Booth failed to think through what could happen during his escape, like the fact that he might need to hide out in the woods and would soon become dirty and bedraggled. Since he depended so much on his good looks to convince people to help him, this presented a problem.

The blurry line between the imagined world of a play and the real world is not only a feature of Booth’s fertile imagination, though. Throughout his escape, Booth’s skills as an actor would often prove inadequate to the task of surviving on the run. But in the event of assassinating Lincoln, being an actor gave him the practical knowledge of the layout of Ford’s theater and the timing of the play that led to his success. His knowledge of the theater allowed him to perfectly time the moment when he shot Lincoln. He waited for a moment when the audience would be laughing loudly at a joke in the play, so that many would not hear the gunshot. And, while escaping from the theater, Booth continued to benefit from the confusion in the audience about what was really happening and what had been staged as part of the play.

The blur between the real and the theatrical continued after the killer’s escape, when the lead actress in the play that Lincoln had come to watch visited the box where he had been shot. Wanting to be a part of the real, historic scene playing out in front of her, Laura Keane left the stage and went to the president’s box, where she asked the doctor treating Lincoln for permission to cradle the wounded president’s head in her lap.

Chasing Lincoln’s Killer shows that the skills needed in the real world and in the theater sometimes overlap, but with a crucial difference. Booth is able to accomplish a murder and to escape capture for twelve days, using the self-confidence and skill that he gained as an actor. But even though Booth was able to make the world his stage and become a larger-than-life character who would go down in history, he could only be an actor in the play of history, not its director or playwright. An actor in a play knows how the audience will view him because he knows the script and the stage directions. In the real world, Booth played his own part, but did not alter the way others would act and react to him, and ultimately did not change the outcome of the war as he wished.

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The Theatrical and The Real Quotes in Chasing Lincoln’s Killer

Below you will find the important quotes in Chasing Lincoln’s Killer related to the theme of The Theatrical and The Real.

Chapter 1 Quotes

Twenty-six years old, impossibly vain, an extremely talented actor, and a star member of a celebrated theatrical family, John Wilkes Booth was willing to throw away fame, wealth, and a promising future for the cause of the Confederacy. […] Handsome and appealing, he was instantly recognizable to thousands of fans in both the North and South. His physical beauty astonished all who saw him. A fellow actor described his eyes as being "like living jewels." Booth's passions included fine clothing, Southern honor, good manners, beautiful women, and the romance of lost causes.

Related Characters: John Wilkes Booth
Page Number and Citation: 10
Explanation and Analysis:
John Wilkes Booth had a successful career and bright future ahead as an actor. He was more interested, however, in the political drama of his era than in the fictional dramas in which he acted for wealth and fame. He felt that he could put his personal magnetism and good looks to better use by trying to impact the real world than by creating compelling fictional worlds as an actor. He was attracted to the Southern cause partially out of a sense that its culture of honor and hospitality represented an aristocratic, elevated way of life. Importantly, this type of Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor

Chapter 2 Quotes

The comic line spoken by Harry Hawk, "You sockdologizing old mantrap," was followed by an explosion of laughter from the audience. The black powder charge exploded and spit the bullet toward Lincoln’s head. The muzzle flash lighted the box for a moment like a miniature lightning bolt. Had Booth succeeded?

Related Characters: Harry Hawk (speaker), Abraham Lincoln, John Wilkes Booth
Page Number and Citation: 39
Explanation and Analysis:
Booth perfectly timed the moment when he would shoot Lincoln. He used his knowledge of the theater’s layout to reach Lincoln’s box at the right moment, then he waited until the line that he knew received the loudest laugh from the audience before shooting his pistol. In this way, he hoped to create confusion about what was and what wasn’t part of the experience of the play. The blurred line between the real and the theatrical at this moment is emphasized through Swanson’s description of both the audience’s laughter and the powder charge of Booth’s gun as an “explosion.”

Booth scrambled to center stage, turned to the audience, and stood up straight. Though every second was precious to his escape, he knew that this was his last appearance on the American stage. This would be the performance he would be remembered for. All eyes were on him. He stood still, paused to build suspense, and thrust his bloody dagger victoriously into the air. The gas stage lights shone on the shiny blade now stained with blood. "Sic semper tyrannis!" he thundered. It was the state motto of Virginia: "Thus always to tyrants." Then Booth shouted, "The South is avenged!"

Related Characters: John Wilkes Booth (speaker)
Page Number and Citation: 43
Explanation and Analysis:
Booth jumped from the presidential box onto the stage, injuring his leg. He was too caught up in the moment to fully register the pain, however, and instead he put all of his focus into making a dramatic statement of the principles that he believed he was serving by shooting Lincoln. At this moment, his career as a dramatic actor and his decision to make a dramatic impact on history converged. He used the skills of an actor—dramatic language, timing, gesture, and presence—to try to inspire admiration and draw support for the Southern cause. Perhaps he believed that his dramatic Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi.

Chapter 4 Quotes

Laura Keene knelt beside Lincoln, lifted his head, and rested it in her lap. Bloodstains and tiny bits of gray matter from Lincoln’s brain oozed on to the cream-colored silk fabric, spreading and adding color to the frock's bright and festive red, yellow, green, and blue floral pattern. Laura Keene cherished the blood-and-brain speckled dress she wore this terrible night. In the days ahead, people begged to see the dress, to handle it and marvel at the stains on it. The dress vanished long ago, but miraculously a few small pieces—five treasured swatches—survived. Long ago the stains, once red, faded to a rust-colored pale brown.

Related Characters: Abraham Lincoln, Laura Keane
Page Number and Citation: 72
Explanation and Analysis:
Laura Keene, an actress in the play that the Lincolns had come to see at Ford’s Theatre, made her way to the presidential box after the shooting and asked Dr. Leale’s permission to cradle the wounded president’s head in her lap. Keene, like Booth, was an actor who wanted to play a part in the dramatic events unfolding in the real world. It was a shocking request, given that Lincoln was the president, that he was unconscious and could not give his consent, and that Keene’s action could not help him in any way. It is hard to say why Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possi

Chapter 9 Quotes

Traveling light had served him well in the first part of his escape, but left him unprepared for this unanticipated phase of his journey. He left Washington wearing the equivalent of a modern-day business suit, unsuitable for camping out. Without a change of clothing, his garments quickly became dirty, ruining a key element of Booth's trademark, winning style—his beautifully dressed, well-groomed appearance. He and Herold could not bathe or wash clothes and, unshaven, they looked and smelled worse each day. They looked like the fugitives they were. Their looks might even jeopardize their ability to receive a proper reception at the fine Virginia households they planned to call on across the river.

Related Characters: John Wilkes Booth, David Herold
Page Number and Citation: 137
Explanation and Analysis:
Booth and Herold had been waiting in the pine thicket for days, and, without a bath or change of clothes, they had begun to look like fugitives. Booth had made few preparations for his escape. The crux of his plan was to move rapidly to the Deep South where he would be able to use his polished good looks, fame and dramatic charm to win the support and friendship of those he met. Without his good looks, this plan would only work if Booth’s persuasive powers were enough to overcome the prejudice his dirty appearance would inspire in the Southerners Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi neces

Whatever papers Booth read, they all condemned him for his heinous act. Even worse, Booth saw the beginning of a change in how Abraham Lincoln was viewed by America. Lincoln was transformed from a controversial and often unpopular war leader into a martyr and hero. Stories reported in the papers condemned Booth by name in the most unforgiving, vicious language.

Related Characters: Lewis Powell, Secretary of State William H. Seward, Abraham Lincoln, John Wilkes Booth
Page Number and Citation: 139
Explanation and Analysis:
Thomas Jones brought Booth newspapers each day the fugitive was stuck hiding in the pine thicket. Booth had envisioned that his assassination of Lincoln would be something akin to what he did on the stage as an actor, though, this time, instead of being only the actor, he would be playwright and director, too. Nothing in his experience as an actor led him to foresee that his actions could be interpreted differently from how he meant them. Booth believed that once Lincoln’s critics learned of the attack they would celebrate Booth’s bold action. He believed that killing Lincoln would be Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita d

Chapter 11 Quotes

Young John Garrett, back from an errand at a neighboring farm, reported that the U.S. government was offering a $140,000 reward for Abraham Lincoln’s assassin. The family discussed the assassination with Booth, speculating on why the murderer did it. The actor, still masquerading as a Confederate soldier commented on his own crime and analyzed for the Garretts the motives of Lincoln’s killer!

Related Characters: John Garrett, John Wilkes Booth, Abraham Lincoln
Related Symbols: Money
Page Number and Citation: 159
Explanation and Analysis:
On his first day at the Garrett farm, Booth enjoyed hospitality and a warm welcome. He had told the Garretts that he was a Confederate soldier heading South, and they treated him as they would have wanted their own sons (who had also served as Confederate soldiers) to be treated. In this comfortable setting, Booth began to enjoy acting the part of the bystander. Booth wished to control the world’s reactions to his actions and change the direction of history, just as if history were a play. In this moment, he was able to act a supporting role in this Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut a

He had already committed the most daring public murder in American history. Indeed, he had performed it, fully staged before an audience at Ford's Theatre. Tonight he would script his own end with a performance that equaled his triumph at Ford's.

Related Characters: John Wilkes Booth
Page Number and Citation: 170
Explanation and Analysis:
The cavalry arrived at the Garretts’ barn and asked the two fugitives to surrender themselves. Herold decided to turn himself in, but Booth was determined not to be taken alive. Although he was likely to die in the coming minutes, Booth still saw himself as acting out a part that he was writing for himself. This view of himself seemed to keep him from feeling the desperateness of his situation and it held at bay his despair at what he had already learned about the public’s reaction to his crime. Instead, he continued to stick to the script in his Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Oc

Booth decided it was better to die than be taken back to Washington to face justice. He did not wish to bear the spectacle of a trial that would put him on public display for the amusement of the press and curiosity seekers. Nor did he wish to endure the rituals of a hanging: being bound and blindfolded, parading past his own coffin and open grave, climbing the steps of the scaffold. The shameful death of a common criminal was not for him. It was far better to perish here.

Related Characters: John Wilkes Booth
Page Number and Citation: 171
Explanation and Analysis:
Booth had been cornered. He was in the Garretts’ barn and the manhunters standing outside had set the barn on fire in an attempt to force him to come out. Under this circumstance, Booth’s priority was simply to not get captured. As an actor, he was deeply familiar with the power of spectacle. He knew that the court case that would be brought against him would be maximally public and that the authorities would seek to humiliate him. They would not only do this out of a sense of justice, but also in an attempt to undermine Booth’s principles by Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae