She Stoops to Conquer

by

Oliver Goldsmith

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Note: all page numbers and citation info for the quotes below refer to the Dover Thrift Editions edition of She Stoops to Conquer published in 1991.
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Prologue Quotes

MRS. HARDCASTLE. I vow, Mr. Hardcastle, you're very particular. Is there a creature in the whole country but ourselves, that does not take a trip to town now and then, to rub off the rust a little? There's the two Miss Hoggs, and our neighbour Mrs. Grigsby, go to take a month's polishing every winter.

HARDCASTLE. Ay, and bring back vanity and affectation to last them the whole year. I wonder why London cannot keep its own fools at home! In my time, the follies of the town crept slowly among us, but now they travel faster than a stage-coach. Its fopperies come down not only as inside passengers, but in the very basket.

MRS. HARDCASTLE. Ay, your times were fine times indeed; you have been telling us of them for many a long year. Here we live in an old rumbling mansion, that looks for all the world like an inn, but that we never see company. Our best visitors are old Mrs. Oddfish, the curate's wife, and little Cripplegate, the lame dancing-master; and all our entertainment your old stories of Prince Eugene and the Duke of Marlborough. I hate such old-fashioned trumpery.

HARDCASTLE. And I love it. I love everything that's old: old friends, old times, old manners, old books, old wine; and I believe, Dorothy (taking her hand), you'll own I have been pretty fond of an old wife.

Related Characters: Hardcastle (speaker), Mrs. Hardcastle (speaker)
Related Symbols: Inns
Page Number: 1
Explanation and Analysis:

HARDCASTLE. Diggory, you are too talkative.—Then, if I happen to say a good thing, or tell a good story at table, you must not all burst out a-laughing, as if you made part of the company.

DIGGORY. Then, ecod, your worship must not tell the story of Ould Grouse in the gun-room: I can't help laughing at that—he! he! he!—for the soul of me. We have laughed at that these twenty years—ha! ha! ha!

HARDCASTLE. Ha! ha! ha! The story is a good one. Well, honest Diggory, you may laugh at that—but still remember to be attentive. Suppose one of the company should call for a glass of wine, how will you behave? A glass of wine, sir, if you please (to DIGGORY).—Eh, why don't you move?

Related Characters: Hardcastle (speaker), Diggory (speaker)
Page Number: 12
Explanation and Analysis:
Act 1 Quotes

LANDLORD. There be two gentlemen in a post-chaise at the door. They have lost their way upo' the forest; and they are talking something about Mr. Hardcastle.

TONY. As sure as can be, one of them must be the gentleman that's coming down to court my sister. Do they seem to be Londoners?

LANDLORD. I believe they may. They look woundily like Frenchmen.

TONY. Then desire them to step this way, and I'll set them right in a twinkling. (Exit Landlord.) Gentlemen, as they mayn't be good enough company for you, step down for a moment, and I'll be with you in the squeezing of a lemon. [Exeunt MOB.]

Related Characters: Tony Lumpkin, Esquire (speaker), Landlord (speaker), Charles Marlow, Hardcastle
Related Symbols: Clothing
Page Number: 7-8
Explanation and Analysis:

TONY. No offence; but question for question is all fair, you know. Pray, gentlemen, is not this same Hardcastle a cross-grained, old-fashioned, whimsical fellow, with an ugly face, a daughter, and a pretty son?

HASTINGS. We have not seen the gentleman; but he has the family you mention.

TONY. The daughter, a tall, trapesing, trolloping, talkative maypole; the son, a pretty, well-bred, agreeable youth, that everybody is fond of.

MARLOW. Our information differs in this. The daughter is said to be well-bred and beautiful; the son an awkward booby, reared up and spoiled at his mother's apron-string.

TONY. He-he-hem!—Then, gentlemen, all I have to tell you is, that you won't reach Mr. Hardcastle's house this night, I believe.

HASTINGS. Unfortunate!

TONY. It's a damn'd long, dark, boggy, dirty, dangerous way. Stingo, tell the gentlemen the way to Mr. Hardcastle's! (Winking upon the Landlord.) Mr. Hardcastle's, of Quagmire Marsh, you understand me.

Related Characters: Charles Marlow (speaker), George Hastings (speaker), Tony Lumpkin, Esquire (speaker), Kate Hardcastle, Hardcastle
Page Number: 8-9
Explanation and Analysis:

HASTINGS. You have lived very much among them. In truth, I have been often surprised, that you who have seen so much of the world, with your natural good sense, and your many opportunities, could never yet acquire a requisite share of assurance.

MARLOW. The Englishman's malady. But tell me, George, where could I have learned that assurance you talk of? My life has been chiefly spent in a college or an inn, in seclusion from that lovely part of the creation that chiefly teach men confidence. I don't know that I was ever familiarly acquainted with a single modest woman—except my mother—But among females of another class, you know—

HASTINGS. Ay, among them you are impudent enough of all conscience.

MARLOW. They are of us, you know.

Related Characters: Charles Marlow (speaker), George Hastings (speaker)
Related Symbols: Inns
Page Number: 13
Explanation and Analysis:

HASTINGS. But in the company of women of reputation I never saw such an idiot, such a trembler; you look for all the world as if you wanted an opportunity of stealing out of the room.

MARLOW. Why, man, that's because I do want to steal out of the room. Faith, I have often formed a resolution to break the ice, and rattle away at any rate. But I don't know how, a single glance from a pair of fine eyes has totally overset my resolution. An impudent fellow may counterfeit modesty; but I'll be hanged if a modest man can ever counterfeit impudence.

HASTINGS. If you could but say half the fine things to them that I have heard you lavish upon the bar-maid of an inn, or even a college bed-maker—

MARLOW. Why, George, I can't say fine things to them; they freeze, they petrify me. They may talk of a comet, or a burning mountain, or some such bagatelle; but, to me, a modest woman, drest out in all her finery, is the most tremendous object of the whole creation.

Related Characters: Charles Marlow (speaker), George Hastings (speaker)
Related Symbols: Inns
Page Number: 13
Explanation and Analysis:

MARLOW. Yet, George, if we open the campaign too fiercely at first, we may want ammunition before it is over. I think to reserve the embroidery to secure a retreat.

HARDCASTLE. Your talking of a retreat, Mr. Marlow, puts me in mind of the Duke of Marlborough, when we went to besiege Denain. He first summoned the garrison——

MARLOW. Don't you think the ventre d'or waistcoat will do with the plain brown?

HARDCASTLE. He first summoned the garrison, which might consist of about five thousand men——

HASTINGS. I think not: brown and yellow mix but very poorly.

HARDCASTLE. I say, gentlemen, as I was telling you, be summoned the garrison, which might consist of about five thousand men——

MARLOW. The girls like finery.

HARDCASTLE. Which might consist of about five thousand men, well appointed with stores, ammunition, and other implements of war. Now, says the Duke of Marlborough to George Brooks, that stood next to him—you must have heard of George Brooks—I'll pawn my dukedom, says he, but I take that garrison without spilling a drop of blood. So——

MARLOW. What, my good friend, if you gave us a glass of punch in the mean time; it would help us to carry on the siege with vigour.

HARDCASTLE. Punch, sir! (Aside.) This is the most unaccountable kind of modesty I ever met with.

Related Characters: Charles Marlow (speaker), George Hastings (speaker), Hardcastle (speaker), Kate Hardcastle, Constance Neville
Related Symbols: Inns
Page Number: 1
Explanation and Analysis:

MARLOW. Perhaps so, madam. But I love to converse only with the more grave and sensible part of the sex. But I'm afraid I grow tiresome.

MISS HARDCASTLE. Not at all, sir; there is nothing I like so much as grave conversation myself; I could hear it for ever. Indeed, I have often been surprised how a man of sentiment could ever admire those light airy pleasures, where nothing reaches the heart.

MARLOW. It's——a disease——of the mind, madam. In the variety of tastes there must be some who, wanting a relish——for——um—a—um.

MISS HARDCASTLE. I understand you, sir. There must be some, who, wanting a relish for refined pleasures, pretend to despise what they are incapable of tasting.

MARLOW. My meaning, madam, but infinitely better expressed.

Related Characters: Charles Marlow (speaker), Kate Hardcastle (speaker), George Hastings (speaker)
Page Number: 1
Explanation and Analysis:

HARDCASTLE. If he be what he has shown himself, I'm determined he shall never have my consent.

MISS HARDCASTLE. And if he be the sullen thing I take him, he shall never have mine.

HARDCASTLE. In one thing then we are agreed—to reject him.

MISS HARDCASTLE. Yes: but upon conditions. For if you should find him less impudent, and I more presuming—if you find him more respectful, and I more importunate—I don't know—the fellow is well enough for a man—Certainly, we don't meet many such at a horse-race in the country.

HARDCASTLE. If we should find him so——But that's impossible. The first appearance has done my business. I'm seldom deceived in that.

MISS HARDCASTLE. And yet there may be many good qualities under that first appearance.

HARDCASTLE. Ay, when a girl finds a fellow's outside to her taste, she then sets about guessing the rest of his furniture. With her, a smooth face stands for good sense, and a genteel figure for every virtue.

MISS HARDCASTLE. I hope, sir, a conversation begun with a compliment to my good sense, won't end with a sneer at my understanding?

HARDCASTLE. Pardon me, Kate. But if young Mr. Brazen can find the art of reconciling contradictions, he may please us both, perhaps.

Related Characters: Kate Hardcastle (speaker), Hardcastle (speaker), Charles Marlow
Page Number: 28-29
Explanation and Analysis:

MISS HARDCASTLE. Did he? Then as I live, I'm resolved to keep up the delusion. Tell me, Pimple, how do you like my present dress? Don't you think I look something like Cherry in the Beaux Stratagem?

MAID. It's the dress, madam, that every lady wears in the country, but when she visits or receives company.

MISS HARDCASTLE. And are you sure he does not remember my face or person?

MAID. Certain of it.

MISS HARDCASTLE. I vow, I thought so; for, though we spoke for some time together, yet his fears were such, that he never once looked up during the interview. Indeed, if he had, my bonnet would have kept him from seeing me.

MAID. But what do you hope from keeping him in his mistake?

MISS HARDCASTLE. In the first place I shall be seen, and that is no small advantage to a girl who brings her face to market. Then I shall perhaps make an acquaintance, and that's no small victory gained over one who never addresses any but the wildest of her sex. But my chief aim is, to take my gentleman off his guard, and, like an invisible champion of romance, examine the giant's force before I offer to combat.

Related Characters: Kate Hardcastle (speaker), Pimple (speaker), Charles Marlow
Related Symbols: Clothing, Inns
Page Number: 32-33
Explanation and Analysis:

HARDCASTLE. I tell you, sir, I'm serious! and now that my passions are roused, I say this house is mine, sir; this house is mine, and I command you to leave it directly.

MARLOW. Ha! ha! ha! A puddle in a storm. I shan't stir a step, I assure you. (In a serious tone.) This your house, fellow! It's my house. This is my house. Mine, while I choose to stay. What right have you to bid me leave this house, sir? I never met with such impudence, curse me; never in my whole life before.

HARDCASTLE. Nor I, confound me if ever I did. To come to my house, to call for what he likes, to turn me out of my own chair, to insult the family, to order his servants to get drunk, and then to tell me, This house is mine, sir. By all that's impudent, it makes me laugh. Ha! ha! ha! Pray, sir (bantering), as you take the house, what think you of taking the rest of the furniture? There's a pair of silver candlesticks, and there's a fire-screen, and here's a pair of brazen-nosed bellows; perhaps you may take a fancy to them?

MARLOW. Bring me your bill, sir; bring me your bill, and let's make no more words about it.

HARDCASTLE. There are a set of prints, too. What think you of the Rake's Progress, for your own apartment?

[Exit.]

Related Characters: Charles Marlow (speaker), Kate Hardcastle (speaker)
Related Symbols: Inns
Page Number: 40-41
Explanation and Analysis:

MARLOW. So then, all's out, and I have been damnably imposed on. O, confound my stupid head, I shall be laughed at over the whole town. I shall be stuck up in caricatura in all the print-shops. The Dullissimo Macaroni. To mistake this house of all others for an inn, and my father's old friend for an innkeeper! What a swaggering puppy must he take me for! What a silly puppy do I find myself! There again, may I be hanged, my dear, but I mistook you for the bar-maid!

Related Characters: Charles Marlow (speaker), Kate Hardcastle, Hardcastle , Sir Charles
Related Symbols: Inns
Page Number: 42
Explanation and Analysis:

MISS HARDCASTLE. I hope, sir, I have done nothing to disoblige you. I'm sure I should be sorry to affront any gentleman who has been so polite, and said so many civil things to me. I'm sure I should be sorry (pretending to cry) if he left the family upon my account. I'm sure I should be sorry if people said anything amiss, since I have no fortune but my character.

MARLOW. (Aside.) By Heaven! she weeps. This is the first mark of tenderness I ever had from a modest woman, and it touches me. (To her.) Excuse me, my lovely girl; you are the only part of the family I leave with reluctance. But to be plain with you, the difference of our birth, fortune, and education, makes an honourable connexion impossible; and I can never harbour a thought of seducing simplicity that trusted in my honour, of bringing ruin upon one whose only fault was being too lovely.

MISS HARDCASTLE. (Aside). Generous man! I now begin to admire him.

Related Characters: Charles Marlow (speaker), Kate Hardcastle (speaker)
Page Number: 42-43
Explanation and Analysis:

MISS HARDCASTLE. Then go, sir: I'll urge nothing more to detain you. Though my family be as good as hers you came down to visit, and my education, I hope, not inferior, what are these advantages without equal affluence? I must remain contented with the slight approbation of imputed merit; I must have only the mockery of your addresses, while all your serious aims are fixed on fortune.

Enter HARDCASTLE and SIR CHARLES from behind.

SIR CHARLES. Here, behind this screen.

HARDCASTLE. Ay, ay; make no noise. I'll engage my Kate covers him with confusion at last.

MARLOW. By heavens, madam, fortune was ever my smallest consideration. Your beauty at first caught my eye; for who could see that without emotion? But every moment that I converse with you, steals in some new grace, heightens the picture, and gives it stronger expression. What at first seemed rustic plainness, now appears refined simplicity. What seemed forward assurance, now strikes me as the result of courageous innocence, and conscious virtue.

Related Characters: Charles Marlow (speaker), Kate Hardcastle
Page Number: 57
Explanation and Analysis:

MISS HARDCASTLE. Yes, sir, that very identical tall squinting lady you were pleased to take me for. (Curtseying.) She that you addressed as the mild, modest, sentimental man of gravity, and the bold, forward, agreeable Rattle of the Ladies' Club. Ha! ha! ha!

MARLOW. Zounds! there's no bearing this; it's worse than death!

MISS HARDCASTLE. In which of your characters, sir, will you give us leave to address you? As the faltering gentleman, with looks on the ground, that speaks just to be heard, and hates hypocrisy; or the loud confident creature, that keeps it up with Mrs. Mantrap, and old Miss Biddy Buckskin, till three in the morning? Ha! ha! ha!

MARLOW. O, curse on my noisy head. I never attempted to be impudent yet, that I was not taken down. I must be gone.

HARDCASTLE. By the hand of my body, but you shall not. I see it was all a mistake, and I am rejoiced to find it. You shall not, sir, I tell you. I know she'll forgive you. Won't you forgive him, Kate? We'll all forgive you. Take courage, man. (They retire, she tormenting him, to the back scene.)

Related Characters: Charles Marlow (speaker), Kate Hardcastle (speaker), Hardcastle (speaker)
Page Number: 58
Explanation and Analysis:

HASTINGS. (To HARDCASTLE.) For my late attempt to fly off with your niece let my present confusion be my punishment. We are now come back, to appeal from your justice to your humanity. By her father’s consent, I first paid her my addresses, and our passions were first founded in duty.

MISS NEVILLE. Since his death, I have been obliged to stoop to dissimulation to avoid oppression. In an hour of levity, I was ready to give up my fortune to secure my choice. But I am now recovered from the delusion, and hope from your tenderness what is denied me from a nearer connection.

MRS. HARDCASTLE. Pshaw, pshaw! this is all but the whining end of a modern novel.

Related Characters: Constance Neville (speaker), George Hastings (speaker), Mrs. Hardcastle (speaker), George Hastings
Page Number: 59
Explanation and Analysis:
No matches.