The Alchemist
The Alchemist
by Ben Jonson

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Face / Jeremy the Butler Character Analysis

Subtle and Doll’s criminal associate and Lovewit’s butler. After Lovewit escapes the city for the country during an outbreak of the plague, Face runs his criminal scams and cons out of Lovewit’s city home. Face represents transformation within Jonson’s play, and he easily changes as he greets each of his victims. When welcoming his victims—Dapper, Abel Drugger, Kestrel, and Dame Pliant—Face transforms into “Captain Face,” the close friend of Subtle the alchemist. Similarly, when Face cons Mammon and Surly, he receives them as a brilliant student of alchemy and Subtle’s assistant. When Lovewit returns, Face shaves his beard and transforms back into Jeremy the butler, Lovewit’s unassuming servant. Like the alchemical substances Face pretends to create with Subtle, Face himself is always changing, which speaks to Jonson’s broader argument that all people and things are constantly in flux. Face also represents deception in The Alchemist and personifies the many crooks and charlatans that practiced phony alchemy during Jonson’s time. Face deceives his victims with each new disguise and con, stealing their money and trust, and he makes them believe he can deliver them perpetual youth and riches with the philosopher’s stone. Face deceives Lovewit when he lies and uses his home for illegal purposes, and he also deceives Doll. The exact nature of Doll’s relationship with Face and Subtle is never revealed; however, when Face and Subtle fight over who will marry Doll Pliant and decide to draw straws, they both swear not to tell Doll. Presumably, Doll will be jealous or hurt by Face and Subtle’s infatuation with Dame Plaint, and they go to great lengths to cover it up. At the end of the play, Face deceives both Subtle and Doll and keeps all their profits for himself after the police arrive with their victims. Lovewit has pardoned him, Face says, not Subtle and Doll, and they must run or be arrested. Everything Face does and says is deceptive, and he represents the widespread deception that Jonson argues is rampant in broader society.

Face / Jeremy the Butler Quotes in The Alchemist

The The Alchemist quotes below are all either spoken by Face / Jeremy the Butler or refer to Face / Jeremy the Butler. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Alchemy and Transformation  Theme Icon
).

The Dedication Quotes

In the age of sacrifices, the truth of religion was not in the greatness and fat of the offerings, but in the devotion and zeal of the sacrifices: else, what could a handful of gums have done in the sight of a hecatomb? Or how might I appear at this altar, except with those affections that no less love the light and witness than they have the conscience of your virtue? If what I offer bear an acceptable odour, and hold the first strength, it is your value of it which remembers where, when, and to whom it was kindled. Otherwise, as the times are, there comes rarely forth that thing so full of authority or example but by assiduity and custom grows less, and loses. This yet safe in your judgement (which is a Sidney’s) is forbidden to speak more, lest it talk or look like one of the ambitious Faces of the time, who, the more they paint, are the less themselves.

Related Characters: Face / Jeremy the Butler
Page Number and Citation: 212
Explanation and Analysis:
This passage, which occurs in Jonson’s dedication to Lady Mary Wroth, an actor and patron of the arts, establishes Jonson as a Protestant and also introduces the theme of deception in The Alchemist. Jonson claims the “truth of religion” is not in the value of “offerings,” which refers to the Catholic belief that sacraments relay religious grace regardless of the holiness of the priest or worshiper. Jonson clearly doesn’t agree with this belief, which aligns him with Protestantism. He refers to the stage as an “altar” and mentions the “light,” and this choice of language makes Jonson’s play seem like Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta

If thou beest more, thou art an understander, and then I trust thee. If thou art one that tak’st up, and but a pretender, beware at what hands thou receiv’st thy commodity; for thou wert never more fair in the way to be cozened than in this age in poetry, especially in plays: wherein now the concupiscence of dances and antics so reigneth, as to run away from Nature and be afraid of her is the only point of art that tickles the spectators.

Related Characters: Subtle, Face / Jeremy the Butler
Related Symbols: The Philosopher’s Stone
Page Number and Citation: 213
Explanation and Analysis:
Here, Jonson addresses the reader directly, which implies that Jonson intended for his play to be read as well as viewed. More importantly, this passage also reflects Jonson’s primary argument as to the deceptive nature of broader society. Jonson says that for those who try to understand “art,” they stand the chance to be “cozened,” or tricked, into believing art is good when it isn’t, “especially in plays.” He claims that plays full of “dances and antics” can confuse one as to what is good art, and he doesn’t want to trick his spectators. Jonson seems to be simply critiquing Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam co

Act 1, Scene 1 Quotes

And you, too,
Will give the cause, forsooth? You will insult
And claim a primacy in the divisions?
You must be chief? As if you only had
The powder to project with? And the work
Were not begun out of equality?
The venture tripartite? All things in common?
Without priority? ’Sdeath, you perpetual curs,
Fall to your couples again, and cozen kindly
And heartily and lovingly, as you should,
And lose not the beginning of a term,
Or, by this hand, I shall grow factious too,
And take my part, and quit you.

Related Characters: Doll Common (speaker), Subtle, Face / Jeremy the Butler
Related Symbols: The Philosopher’s Stone
Page Number and Citation: 221
Explanation and Analysis:
This quote, spoken by Doll in the first act, both underscores Face’s greed and reflects Doll’s identity as a prostitute, further highlighting sex within the play. Face and Subtle have been fighting, and Doll reveals why in this quote. Face has claimed “primacy in the divisions” and demanded a larger share of the profits. He says that he is “chief” and leader of their crew and deserves more money than the rest of them. Doll corrects him; Face doesn’t have the “powder to project with”—which means he doesn’t have Subtle’s knowledge of alchemy and the philosopher’s stone. Doll implies they Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non i

For which, at supper, thou shalt sit in triumph,
And not be styled Doll Common, but Doll Proper,
Doll Singular: the longest cut, at night,
Shall draw thee for his Doll Particular.

Related Characters: Face / Jeremy the Butler (speaker), Subtle, Doll Common
Page Number and Citation: 222
Explanation and Analysis:
This quote occurs after Doll promises to have sex with Face and Subtle if they stop fighting, and it is significant because it further reflects the prevalence of sex in the play, and in broader society by extension. Here, Face and Subtle agree to draw straws to determine which of them gets to have sex with Doll. Whoever “triumph[s]” will be introduced not to “Doll Common,” a prostitute who has sex with the “common” lot of men, but as “Doll Proper, / Doll Singular,” who for the night will offer herself to only one of them—if they stop fighting, that Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem a

Act 1, Scene 2 Quotes

Yes, Captain, I would have it for all games.

Related Characters: Dapper (speaker), Subtle, Face / Jeremy the Butler
Page Number and Citation: 226
Explanation and Analysis:
This quote occurs in the first act, when Dapper says he wants a “familiar” for “all the games,” and it is significant because it reflects Dapper’s greed. Dapper is a law clerk, and he believes Subtle is a powerful alchemist who can conjure a “familiar”—a bit of alchemical magic that can give Dapper luck at gambling and cards. Dapper initially told Face (who he believes is a “Captain”) that he only wanted the “familiar” for Friday nights and the occasional bet after work, but Dapper has decided he wants to quit his job and live entirely off gambling. Like all Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Vol

Act 2, Scene 2 Quotes

For I do mean
To have a list of wives and concubines
Equal with Solomon, who had the stone
Alike with me; and I will make me a back
With the elixir that shall be as tough
As Hercules, to encounter fifty a night.

Related Characters: Sir Epicure Mammon (speaker), Face / Jeremy the Butler
Related Symbols: The Philosopher’s Stone
Page Number and Citation: 239
Explanation and Analysis:
This quote occurs in the second act, when Mammon explains to Face what he really plans to do with the philosopher’s stone, and it is important because it underscores Mammon’s lustfulness and the ill intentions he has for the philosopher’s stone. With the stone, Mammon plans to use to the elixir of life to give himself unparalleled sexual strength and stamina. Solomon was said to have had 700 wives and 300 concubines, and Mammon wants just as many. Some alchemists believe Solomon’s wisdom and strength was due to his own possession of the philosopher’s stone, and Mammon refers to this Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necess

I will have all my beds blown up, not stuffed;
Down is too hard. And then mine oval room
Filled with such pictures as Tiberius took
From Elephantis, and dull Aretine
But coldly imitated. Then, my glasses
Cut in more subtle angles, to disperse
And multiply the figures as I walk
Naked between my succubae.

Related Characters: Sir Epicure Mammon (speaker), Face / Jeremy the Butler
Related Symbols: The Philosopher’s Stone
Page Number and Citation: 239
Explanation and Analysis:
Here, Mammon continues to explain to Face why he wants the philosopher’s stone, which will garner him riches and wealth. He plans to live in absolute luxury, with good beds that aren’t “stuffed” with “down,” which he claims is “too hard.” In other words, Mammon will have nothing but the best, which underscores his greediness and ill intentions for the stone. Mammon also promises to fill his room with art when the stone makes him rich, only he will display art like Tiberius did, which is a reference to a Roman emperor who was said to have displayed exotic picture Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. A

Act 2, Scene 3 Quotes

You’re very right, sir; she is a most rare scholar,
And is gone mad with studying Broughton’s works.
If you but name a word touching the Hebrew,
She falls into her fit, and will discourse
So learnedly of genealogies,
As you would run mad, too, to hear her, sir.

Related Characters: Face / Jeremy the Butler (speaker), Doll Common, Sir Epicure Mammon
Page Number and Citation: 249
Explanation and Analysis:
In this quote, Face tells Mammon that Doll is really a scholar and the sister of an aristocrat. This quote reflects Jonson’s disapproval of religious fanaticism, and of radical Protestantism is particular. Face claims Doll is a “rare scholar” who has “gone mad with studying Broughton’s works,” a reference to Old Testament Puritan scholar Hugh Broughton. Furthermore, Face’s claim that Doll is a “rare scholar” suggests that Broughton’s works are rarely studied, which further implies his religious views aren’t worth reading and paints Puritanism in a negative light. Puritans were considered religious fanatics in Jonson’s time, and their views undermined Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim

Act 4, Scene 1 Quotes

Sweet Madame, let me be particular—

Particular, sir? I pray you, know your distance.

Related Characters: Sir Epicure Mammon (speaker), Doll Common (speaker), Subtle, Face / Jeremy the Butler
Related Symbols: The Philosopher’s Stone
Page Number and Citation: 281
Explanation and Analysis:
This passage, which represents an exchange between Mammon and Doll, further highlights the lustfulness and sex that pervades most of the play. Mammon has asked to meet Doll because he wants to have sex with her. Doll is a prostitute, but Mammon doesn’t know this; he simply wants to have sex with Doll because he is lustful. Mammon seems to believe that Doll has simply agreed to have sex with him, which suggests that casual sex is quite common in society, despite popular opinion during Jonson’s time that sex should be confined to marriage only.  Jonson repeatedly refers to sex Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta i

Act 4, Scene 7 Quotes

Be silent: not a word if he call or knock.
I’ll into mine old shape again, and meet him,
Of Jeremy the butler. I’ the meantime,
Do you two pack up all the goods and purchase
That we can carry i’ the two trunks. I’ll keep him
Off for today, if I cannot longer; and then
At night, I’ll ship you both away to Ratcliffe,
Where we’ll meet tomorrow, and there we’ll share.
Let Mammon’s brass and pewter keep the cellar;
We’ll have another time for that. But, Doll,
Pray thee, go heat a little water, quickly,
Subtle must shave me.

Related Characters: Face / Jeremy the Butler (speaker), Sir Epicure Mammon, Lovewit, Doll Common, Subtle
Page Number and Citation: 306
Explanation and Analysis:
This quote occurs in the fourth act, after Lovewit has returned home and spoiled Face and Subtle’s con, and it illustrates Face’s transformation into Jeremy the butler and also hints to Face’s greed and deceptive intentions. Since Lovewit has left the city for the country, Face has grown a beard and transformed himself into a criminal con, leaving behind his identity as Jeremy the butler, Lovewit’s servant. Face claims he must get into his “old shape again” to meet Lovewit, which means he must change back into Jeremy and shave first. Face tells Subtle and Doll to pack up all Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae

Act 5, Scene 3 Quotes

Sir, you were wont to affect mirth and wit—
But here’s no place to talk on’t i’ the street.
Give me but leave to make the best of my fortune,
And only pardon me th’ abuse of your house:
It’s all I beg. I’ll help you to a widow,
In recompense, that you shall gi’ me thanks for,
Will make you seven years younger, and a rich one.

Related Characters: Face / Jeremy the Butler (speaker), Dame Pliant, Lovewit
Page Number and Citation: 314
Explanation and Analysis:
This quote appears in the fifth act, after Lovewit returns home and catches Face running his scams out of Lovewit’s house, and it is significant because it further underscores the greed and lustfulness the pervades most of the play. Here, Face knows he is caught. All of his victims have converged on the house, accusing him of deception and trickery, and there is no way Face can continue convincing Lovewit that he has nothing to do with the illegal scams. Face begs Lovewit not to punish him and leave him “to make the best of [his] fortune,” meaning Face wants Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum volu

Act 5, Scene 5 Quotes

So I will, sir. Gentlemen,
My part a little fell in this last scene,
Yet ’twas decorum. And though I am clean
Got off, from Subtle, Surly, Mammon, Doll,
Hot Ananias, Dapper, Drugger, all
With whom I traded; yet I put myself
On you, that are my country; and this pelf
Which I have got, if you do quit me, rests
To feast you often, and invite new guests.

Related Characters: Face / Jeremy the Butler (speaker), Subtle, Surly / The Spaniard, Sir Epicure Mammon, Doll Common, Ananias, Dapper, Abel Drugger
Page Number and Citation: 326
Explanation and Analysis:
This passage, which occurs at the very end of The Alchemist, implies that Face hasn’t learned at thing and plans to go right on conning people, which further reflects the widespread deception and trickery present in broader society and suggests that such behavior is human nature and therefore very common. Face gets off “clean” for all his cons. He isn’t punished by his master, he isn’t arrested, and he is even allowed to keep all his profits, including Mammon’s loose metal. The law hasn’t punished Face, but he asks the audience to act as his jury. A “pelf” is money Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium
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Face / Jeremy the Butler Character Timeline in The Alchemist

The timeline below shows where the character Face / Jeremy the Butler appears in The Alchemist. The colored dots and icons indicate which themes are associated with that appearance.
Act 1, Scene 1
Alchemy and Transformation  Theme Icon
Sex and Greed Theme Icon
Deception and Gullibility Theme Icon
Face, a servant, enters with a sword. He is accompanied by Doll Common and Subtle, who... (full context)
Alchemy and Transformation  Theme Icon
Deception and Gullibility Theme Icon
Subtle claims that he found Face in such a shameful state that no one else would keep Face company, and he... (full context)
Alchemy and Transformation  Theme Icon
Sex and Greed Theme Icon
Deception and Gullibility Theme Icon
Doll asks Face if he really plans to accuse Subtle of sorcery, and she asks Subtle if he... (full context)
Act 1, Scene 2
Alchemy and Transformation  Theme Icon
Deception and Gullibility Theme Icon
“Captain, I am here,” Dapper says, addressing Face. Face welcomes him and says he is glad to see him. Dapper claims he nearly... (full context)
Alchemy and Transformation  Theme Icon
Religion Theme Icon
Sex and Greed Theme Icon
Deception and Gullibility Theme Icon
Face asks Subtle what he is so afraid of, and Subtle says that he fears Dapper... (full context)
Sex and Greed Theme Icon
Deception and Gullibility Theme Icon
Subtle is smug. See, he says to Face, it is just as he suspected. Face is shocked. Dapper said he only wanted a... (full context)
Sex and Greed Theme Icon
Deception and Gullibility Theme Icon
Face tries to convince Subtle to give Dapper the “familiar.” Dapper could leave here tonight, Face... (full context)
Alchemy and Transformation  Theme Icon
Sex and Greed Theme Icon
Deception and Gullibility Theme Icon
...the “familiar,” Subtle says. Suddenly, there is a knock at the door. Subtle turns to Face and quietly tells him to see Dapper out the back door, and then Subtle turns... (full context)
Act 1, Scene 3
Alchemy and Transformation  Theme Icon
Sex and Greed Theme Icon
Deception and Gullibility Theme Icon
...doors and shelves. He would also like to hear his horoscope as well, Drugger says. Face enters and is happy to see Drugger. Drugger is honest, Face says, and he always... (full context)
Deception and Gullibility Theme Icon
...be appointed sheriff of London. Drugger’s “fortune,” however, says he will go a different route. Face asks Subtle how he knows all this, and Subtle explains that his knowledge of “metoposcopy”... (full context)
Alchemy and Transformation  Theme Icon
Sex and Greed Theme Icon
Deception and Gullibility Theme Icon
...is obviously excited and gives Subtle a handful of coins. As Drugger leaves, he hands Face his almanac and asks if Subtle can mark his unlucky days, so he will know... (full context)
Act 1, Scene 4
Alchemy and Transformation  Theme Icon
Sex and Greed Theme Icon
Deception and Gullibility Theme Icon
...Epicure Mammon coming up the street, and he has someone with him. Subtle turns to Face and tells him to quickly go change. Doll asks why, and Subtle explains that Mammon... (full context)
Act 2, Scene 1
Alchemy and Transformation  Theme Icon
Sex and Greed Theme Icon
Deception and Gullibility Theme Icon
Face yells to Mammon from another room and tells him that they will be out soon.... (full context)
Act 2, Scene 2
Alchemy and Transformation  Theme Icon
Religion Theme Icon
Sex and Greed Theme Icon
Deception and Gullibility Theme Icon
Face enters dressed as an alchemist’s assistant. Mammon instantly asks if Subtle has been successful in... (full context)
Alchemy and Transformation  Theme Icon
Sex and Greed Theme Icon
Deception and Gullibility Theme Icon
Mammon tells Face that he plans to have as many wives and concubines as Solomon, and with the... (full context)
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Religion Theme Icon
Sex and Greed Theme Icon
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Face goes to check on Subtle and the stone, leaving Mammon alone with Surly. Mammon continues... (full context)
Act 2, Scene 3
Alchemy and Transformation  Theme Icon
Deception and Gullibility Theme Icon
...be “gulled.” Convincing Surly will be easy, Subtle says, because his work is nearly done. Face enters, and Subtle asks if he has looked at the “bolt’s-head.” Face answers he has,... (full context)
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Face exits, and Surly comments sarcastically about Subtle’s alchemical knowledge. Subtle claims in just three days... (full context)
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Deception and Gullibility Theme Icon
The process has been a success, Subtle says. Yes, Face confirms upon his return. “And,” Face adds, “what was saved was put into the pelican... (full context)
Alchemy and Transformation  Theme Icon
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...projection.” Subtle tells Mammon to be patient. The stone is in a vapor bath, and Face must add the solution, let it congeal, and then dissolve it and let it congeal... (full context)
Alchemy and Transformation  Theme Icon
Religion Theme Icon
Sex and Greed Theme Icon
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Subtle ignores Mammon and orders Doll out of the room. He angrily calls to Face, who enters and tells Subtle that Doll only wishes to speak with him. Subtle leaves... (full context)
Alchemy and Transformation  Theme Icon
Sex and Greed Theme Icon
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Face explains that Subtle is angry that Mammon saw Doll. Mammon gives Face more money and... (full context)
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Surly is still dubious, and Face enters the room. Face tells Surly that a man named “Captain Face” would like to... (full context)
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Face tells Mammon to hurry along with Surly, so he won’t grow more suspicious. Mammon says... (full context)
Act 2, Scene 4
Alchemy and Transformation  Theme Icon
Religion Theme Icon
Sex and Greed Theme Icon
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Subtle and Doll enter, and Subtle asks Face if Mammon took the bait. Face says Mammon has definitely taken the bait, and Subtle... (full context)
Act 2, Scene 5
Alchemy and Transformation  Theme Icon
Religion Theme Icon
Deception and Gullibility Theme Icon
Ananias enters with Face, and Subtle immediately begins speaking to Face in alchemical jargon. He orders Face to “rectify... (full context)
Act 2, Scene 6
Alchemy and Transformation  Theme Icon
Deception and Gullibility Theme Icon
Face enters with Drugger, explaining that Subtle “is busy with his spirits.” They interrupt Subtle, who... (full context)
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Face tells Drugger to bring Dame Pliant to them at once, and Subtle will tell her... (full context)
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Face tells Drugger that Kestrel is in luck, because Subtle is the wittiest man in London.... (full context)
Act 3, Scene 2
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...and shows them to the opposite door. Tribulation and Ananias exit, and Subtle yells to Face. (full context)
Act 3, Scene 3
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Face enters, and Subtle asks if he was successful. No, Face says. He walked the whole... (full context)
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Subtle sends for Doll, and then he tells Face all about his “John Leidens.” He was able to get 100 marks from Ananias and... (full context)
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...added their money to the bank. Subtle says he hopes Dame Pliant comes soon, but Face says he hopes everyone stays away until he finishes his business with the Spaniard. Subtle... (full context)
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...goes to the window. It is Dapper at the door, she says. In that case, Face says, it is time for Doll to be the “Queen of Fairy.” Doll agrees and... (full context)
Act 3, Scene 4
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Dapper enters, and Face tells him that Subtle is inside. Although it was difficult, Face says, he has convinced... (full context)
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Face points to Dapper as an example for Kestrel. Dapper will soon meet with Subtle and... (full context)
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Kestrel tells Drugger to go and fetch Dame Pliant, but Face informs Kestrel that Subtle is busy right now. He suggests Kestrel go with Drugger to... (full context)
Act 3, Scene 5
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...must wear a special petticoat to meet the “Fairy Queen.” Dapper agrees, and Subtle and Face dress him in a petticoat and blindfold him with a rag. They insist he must... (full context)
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Face tells a blindfolded Dapper that the Fairy Queen’s elves have arrived. Face says the Queen’s... (full context)
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...of gingerbread into Dapper’s mouth and gags him with a rag, then he looks to Face and Doll. Subtle asks where they should put Dapper; he can’t be seen or heard... (full context)
Act 4, Scene 1
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Mammon enters and immediately asks where Subtle is. Face tells Mammon that Subtle is busy bringing forth “projection,” after which he will begin transforming... (full context)
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Face reminds Mammon that he must be very quiet in his visit with Doll. If Subtle... (full context)
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Face returns with Doll, and Mammon bows to kiss her hem, but she stops him. Instead,... (full context)
Act 4, Scene 2
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Subtle enters and, after a hearty laugh with Face, tells him that Dame Pliant and her brother, Kestrel, have arrived. Face says he must... (full context)
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Face opens the door, and Kestrel and Dame Pliant enter. Kestrel asks Face where the Captain... (full context)
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...says, but Kestrel tells her to be patient. There is another man coming, he says. Face enters, wearing the captain’s disguise.  (full context)
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Face greets Kestrel and asks about Dame Pliant. Kestrel introduces them and tells Face he must... (full context)
Act 4, Scene 3
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Face enters and says he must have Dame Pliant at any cost. Subtle enters, too, and... (full context)
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Face and Subtle begin to insult Surly, calling him fat, and they openly admit that they... (full context)
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Face suggests Subtle tell Dame Pliant her fortune and tell her the Spaniard is her aristocrat,... (full context)
Act 4, Scene 4
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Face enters with Kestrel and Dame Pliant. Face is telling Kestrel all about Subtle’s fortune and... (full context)
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Subtle enters, holding Dame Pliant’s horoscope, and begins to tell her fortune. Face interrupts. He has already told her, Face says, and Dame Pliant knows that she will... (full context)
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Surly enters, still disguised as a Spanish count, and Face welcomes him warmly. Surly begins speaking to them in Spanish, and Kestrel notes he isn’t... (full context)
Act 4, Scene 5
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...talking, but Doll keeps rambling. “We all the Rabbins, and the heathen Greeks,” she says. Face enters and asks Mammon what is wrong. He tells Face that Doll is “in a... (full context)
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The sound of Subtle’s voice can be heard in the next room, and Face grabs Doll and runs off. Mammon asks where he should hide just as Subtle enters.... (full context)
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There is a knock at the door, and Face tells Subtle and Mammon it is Doll’s brother, and he is angry that she has... (full context)
Act 4, Scene 6
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...man—if she will have him. Dame Pliant says she will, and Surly promises to handle Face and Subtle. (full context)
Act 4, Scene 7
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Face enters with Kestrel, and, pointing him in the direction of Surly, tells Kestrel it is... (full context)
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Face quietly tells Drugger to follow his lead and says that Surly has scammed the “honest... (full context)
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Suddenly, Ananias enters and tells Face that the brethren have concluded that casting dollars is lawful. Subtle tells Ananias to be... (full context)
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Face explains to Drugger that Surly has kept them from most of their business, and he... (full context)
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Doll is in a panic and says they are all caught. Face’s master, Lovewit, is back from the country and is just outside. Face and Subtle are... (full context)
Act 5, Scene 1
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...that he has been robbed. He asks the neighbors if anyone has seen his butler, Jeremy, but they all say they have not seen him in several weeks. Lovewit knocks, but... (full context)
Act 5, Scene 2
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Lovewit knocks on the door again, and Face answers as Jeremy the butler, his face shaved clean. “O, here’s Jeremy,” the neighbors say.... (full context)
Act 5, Scene 3
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Surly and Mammon knock on the door, shouting that Face and Subtle are “Rogues, / Cozeners, impostors, [and] bawds!” Face answers the door and asks... (full context)
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Lovewit again asks Face what is going on, and Kestrel knocks on the door. Kestrel threatens to call the... (full context)
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...who came to the door have visited the house in the last few weeks, and Face again swears he was gone. Suddenly, Dapper cries out from the next room. Face forgot... (full context)
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“What shall I do?” Face asks. “I am catched.” Lovewit asks the neighbors to leave, and Face begs Lovewit not... (full context)
Act 5, Scene 4
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...to please the Fairy Queen, but Dapper begs to meet her and ask her forgiveness. Face enters and talks with Subtle off to the side. Face says he will send Doll... (full context)
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Face returns and tells Subtle that Drugger is at the door. He tells Subtle to go... (full context)
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Face asks again if they are all packed, and Subtle reassures him they are. Face asks... (full context)
Act 5, Scene 5
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...He tells Lovewit that the police have a warrant and will break down the door. Face enters and asks Lovewit if he has successfully married Dame Pliant. Lovewit says he has,... (full context)
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...and dagger and challenges Kestrel to a quarrel, but Kestrel immediately backs down. Lovewit orders Face to pack a pipe of tobacco, and tells Kestrel to go enjoy a smoke with... (full context)