The End of the Affair

by

Graham Greene

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The Desert Symbol Icon

In her diary, Sarah makes numerous allusions to a desert that she and Bendrix are wandering through after she leaves him. This desert represents a life without love, particularly the love they shared together during their affair. In her diary, Sarah describes them wandering through a desert looking for watering holes, meaning that they are looking for some kind of love that resembles the love they once shared. Sarah’s greatest fear is that they will spend the rest of their lives in this barren, loveless desert because of the vow she made to God—years ago, after finding Bendrix seemingly dead and trapped under a door after an air raid, Sarah had prayed to God that if he would save Bendrix’s life, she would cut off their affair. Sarah also asks in her diary, “If one could believe in God, would he fill the desert?” This shows her growing belief that the only source of relief left to her is in God’s love, which might be an acceptable replacement for Bendrix’s. Sarah also notes that “In the desert there’s no time,” which means the negative experience of being alone in the desert transcends any concept of past, present, or future; there is only a seemingly endless feeling of loss, isolation, and despair as one wanders alone. Sarah also notes that “the desert is full of churches and public houses,” both of which are places people typically go to try and drown their sorrow (through drinking in public houses) and find love (such as when Sarah begins spending time in church trying to find relief in God’s love as a replacement for Bendrix’s)—even if the relief and experience of love found there is momentary and fleeting. As she wavers between her newfound belief in God and her “corrupt human love” for Bendrix, Sarah considers an alternative route out of the desert: call Bendrix and start their affair over again. However, because of her commitment to keeping her vow to God, Sarah doesn’t do this, condemning both herself and Bendrix to dwell alone in the desert forever.

The Desert Quotes in The End of the Affair

The The End of the Affair quotes below all refer to the symbol of The Desert. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Love and Hatred Theme Icon
).
Book 3, Chapter 2 Quotes

He is jealous of the past and the present and the future. His love is like a medieval chastity belt: only when he is there with me, in me, does he feel safe. If only I could make him feel secure, then we could love peacefully, happily, not savagely, inordinately, and the desert would recede out of sight. For a lifetime perhaps.

Related Characters: Sarah Miles (speaker), Maurice Bendrix
Related Symbols: The Desert
Page Number: 72
Explanation and Analysis:
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The Desert Symbol Timeline in The End of the Affair

The timeline below shows where the symbol The Desert appears in The End of the Affair. The colored dots and icons indicate which themes are associated with that appearance.
Book 3, Chapter 2
Love and Hatred Theme Icon
Jealousy and Passion Theme Icon
...that she truly loves him. She writes that she “knows [Maurice] is afraid of that desert” they’ll find themselves in if their relationship ends but expresses frustration that she can’t make... (full context)
In the same journal entry, Sarah wonders if God could fill the desert if she believed in him. She describes herself as someone who wants “everything” and then... (full context)
Love and Hatred Theme Icon
Faith, Acceptance, and the Divine Theme Icon
Adultery, Deception, and Honesty Theme Icon
...“This evening” instead of “last evening,” but writes that it doesn’t matter because “In the desert there’s no time.” Sarah writes that she can come out of the desert by changing... (full context)
Book 3, Chapter 3
Love and Hatred Theme Icon
Faith, Acceptance, and the Divine Theme Icon
...and wouldn’t “be cross or indifferent.” Sarah asked herself, “Why shouldn’t I escape from this desert if only for half an hour?” Sarah also remembered that her vow was “only about... (full context)
Love and Hatred Theme Icon
Faith, Acceptance, and the Divine Theme Icon
...because she didn’t know where Maurice was. She writes that they were “In the same desert, seeking the same water-holes perhaps, but out of sight, always alone.” Sarah also writes that... (full context)
Book 3, Chapter 6
Love and Hatred Theme Icon
Faith, Acceptance, and the Divine Theme Icon
...feel herself loving God for the first time, and that she “wasn’t afraid of the desert.” When Sarah returned home, she saw Maurice with Henry and realized that it was the... (full context)