The House of Mirth

by Edith Wharton

The House of Mirth: Allusions 4 key examples

Definition of Allusion

In literature, an allusion is an unexplained reference to someone or something outside of the text. Writers commonly allude to other literary works, famous individuals, historical events, or philosophical ideas... read full definition
In literature, an allusion is an unexplained reference to someone or something outside of the text. Writers commonly allude to other literary works, famous individuals... read full definition
In literature, an allusion is an unexplained reference to someone or something outside of the text. Writers commonly allude to... read full definition
Book 1: Chapter 6
Explanation and Analysis—Omar Khayyám:

Lily is pleased that Selden is regarded as being an intellectual man, especially because she herself carries a book by Omar Khayyám around to demonstrate her appreciation of literature. Wharton makes this allusion satirically, displaying the vanity of this choice:

His reputed cultivation was generally regarded as a slight obstacle to easy intercourse, but Lily, who prided herself on her broad-minded recognition of literature, and always carried an Omar Khayyam in her travelling-bag, was attracted by this attribute, which she felt would have had its distinction in an older society.

Book 1: Chapter 12
Explanation and Analysis—Tableaux Vivants:

As Selden observes the performance of the tableaux vivants (people impersonating famous paintings) at a party at Bellomont, Wharton makes several allusions to art and history. As she describes the fabulously costumed and adorned high-society women, she also employs powerful visual and tactile imagery and satirizes the opulence and silliness of such activities:

The scenes were taken from old pictures, and the participators had been cleverly fitted with characters suited to their types. No one, for instance, could have made a more typical Goya than Carry Fisher, with her short dark-skinned face, the exaggerated glow of her eyes, the provocation of her frankly-painted smile. A brilliant Miss Smedden from Brooklyn showed to perfection the sumptuous curves of Titian's Daughter, lifting her gold salver laden with grapes above the harmonizing gold of rippled hair and rich brocade.

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Explanation and Analysis—Caliban Judges Miranda:

In Book 1, Chapter 12, Selden reflects on how Lily’s beauty is judged by society, making an allusion to Shakespeare’s The Tempest: 

It was not the first time that Selden had heard Lily's beauty lightly remarked on, and hitherto the tone of the comments had imperceptibly coloured his view of her. But now it woke only a motion of indignant contempt. This was the world she lived in, these were the standards by which she was fated to be measured! Does one go to Caliban for a judgment on Miranda?

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Book 2: Chapter 13
Explanation and Analysis—The Reynolds Dress:

As Lily unpacks her trunk in the boarding house, Wharton employs an allusion to the artist Joshua Reynolds, a simile evoking the glamorous evening of the Tableaux Vivants, and strong scent imagery to demonstrate Lily’s fall from grace:

Last of all, she drew forth from the bottom of her trunk a heap of white drapery which fell shapelessly across her arm. It was the Reynolds dress she had worn in the Bry TABLEAUX. It had been impossible for her to give it away, but she had never seen it since that night, and the long flexible folds, as she shook them out, gave forth an odour of violets which came to her like a breath from the flower-edged fountain where she had stood with Lawrence Selden and disowned her fate.

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