The House of Mirth
by Edith Wharton

Gender, Class, and Freedom Theme Analysis

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Money and Happiness Theme Icon
Morality vs. Hypocrisy Theme Icon
Gender, Class, and Freedom Theme Icon
Love and Friendship Theme Icon
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Gender, Class, and Freedom Theme Icon
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As a young unmarried woman in twentieth-century New York high society, Lily Bart is forced to abide by a series of rules regulating her sexual and social behavior. In this context, in which she constantly needs to protect her reputation from potential accusations of impropriety, Lily feels that she can never be free. At the same time, Lily cannot conceive of life outside of the restrictions of high society and finds herself bending to prevailing norms and habits instead of trying to build an independent life of her own. Over the course of the novel, she becomes increasingly frustrated by this double bind: her simultaneous desire to be economically free (by joining high society) and socially free (by rejecting high society’s norms). Lily’s death tragically resolves this issue, as it finally severs her from all social obligations. Her death thus serves both as a symbol and a warning, highlighting the importance of cultivating one’s spiritual, social, and economic independence against the suffocating pressures of society before it is too late.

In conversations with her friends Lawrence Selden and Gerty Farish, who do not belong to the same high society as her, Lily often denounces the way life as an upper-class woman restricts her freedom. Part of Lily’s lack of freedom derives from her unmarried status, which forces her to maintain an appearance of sexual purity. Lily frequently complains about the injustice of double standards regarding the sexual behaviors of women and men, or married and unmarried women. For example, she denounces the fact that unmarried women are condemned for going alone to a man’s apartment, whereas men never suffer from such accusations of sexual promiscuity. A married woman, too, is free to visit single men as long as her husband shows approval or indifference to her actions. Thus, Lily must learn to navigate a rigid social world in which, paradoxically, her only means to achieve freedom is to marry.

The pressure to marry also impacts the financial cost of being a woman in high society. To Lawrence, Lily criticizes the fact that women have to spend their money on elegant fashion: “Your coat’s a little shabby—but who cares? It doesn’t keep people from asking you to dine. If I were shabby no one would have me: a woman is asked out as much for her clothes as for herself. […] We are expected to be pretty and well-dressed till we drop—and if we can’t keep it up alone, we have to go into partnership.” Socially and economically, women are thus forced to bear pressures that limit their possibility to build a life on their own.

However, even though Lily understands that being part of high society necessarily restricts her freedom, her desire to live among the very rich forces her to abide by these social conventions: “She was beginning to have fits of angry rebellion against fate, when she longed to drop out of the race and make an independent life for herself. But what manner of life would it be?” Any time Lily considers abandoning the obligations that society places on her, she is forced to accept that she is not yet willing to break away from the luxuries and power it provides.

Beyond external constraints, Lily is also constrained from within, as social conditioning has kept her from developing original thoughts and conceiving of an independent way of life that would respect her feelings and emotions. Many of Lily’s views about high society are the direct product of her upbringing and, in particular, of her mother’s example. Throughout her life, Mrs. Bart convinced Lily of the need to keep away from “dinginess” and to constantly thrive for greater wealth and power. This upbringing has exerted a deep influence on Lily, who finds herself tied down to a narrow conception of life, without being intellectually able to explore alternative lifestyles. Lily’s friend Lawrence Selden explains: “She was so evidently the victim of the civilization which had produced her, that the links of her bracelet seemed like manacles chaining her to her fate.” Lily’s personal ambition for wealth is a product of social conditioning that keeps her from developing her individuality.

Lily’s lack of freedom is thus external as much as internal, and her awareness of this fact only heightens the tragedy of it. Although she admires Selden for his capacity to ignore the rules of high society, she finds herself unable to imitate his behavior: “[Lawrence] had preserved a certain social detachment, a happy air of viewing the show objectively, of having points of contact outside the great gilt cage in which they were all huddled for the mob to gape at. How alluring the world outside the cage appeared to Lily, as she heard its door clang on her! In reality, as she knew, the door never clanged: it stood always open; but most of the captives were like flies in a bottle, and having once flown in, could never regain their freedom.” Lily thus knows that she could choose another way of life, but she also knows that something in her—something as invisible as a glass bottle—prevents her from doing it. Incapable of picturing her life outside the “cage” of high society, Lily is forced to relinquish her independence of spirit to the force of habit.

As a result, Lily lives her life unthinkingly and unfeelingly, as though she were incapable of true emotion: “When had Lily ever really felt, or pitied, or understood? All she wanted was the taste of new experiences: she seemed like some cruel creature experimenting in a laboratory.” Lily’s abidance by a life of superficial pursuits, such as buying expensive clothes, has kept her from developing personal freedom—the freedom to explore the world beyond the artificial “laboratory” of high society.

Paradoxically, Lily’s only escape from the constraints of society takes place in death. Through an overdose on sleeping medication that remains highly ambiguous, as it is impossible to ascertain whether it is accidental or self-inflicted, Lily finally finds peace from society’s constraining laws. This tragic ending reveals the difficulty of achieving freedom in a life so heavily regimented by social obligations. It also suggests that lack of social and economic independence can lead to desperate behavior. True freedom, the novel concludes, is a spiritual quest, one that must be cultivated separately from the artifices of civilized life—otherwise, without it, the burden of society might be too much to bear.

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Gender, Class, and Freedom Quotes in The House of Mirth

Below you will find the important quotes in The House of Mirth related to the theme of Gender, Class, and Freedom.

Book 1: Chapter 1 Quotes

He was aware that the qualities distinguishing her from the herd of her sex were chiefly external: as though a fine glaze of beauty and fastidiousness had been applied to vulgar clay. Yet the analogy left him unsatisfied, for a coarse texture will not take a high finish; and was it not possible that the material was fine, but that circumstance had fashioned it into a futile shape?

Related Characters: Lawrence Selden, Lily Bart
Page Number and Citation: 3
Explanation and Analysis:
At the beginning of the novel, after Lawrence Selden runs into Lily Bart at Grand Central Station, the two of them take a walk to escape the September heat. Selden admires Lily’s beauty and elegance, which sets her apart from most other women (what he disparagingly describes as “the herd of her sex”). Selden’s admiration for Lily leads him to reflect on a central paradox: how can Lily be so unique, yet at the same time fit into the trivial nature of high society? Is Lily’s essential nature shallow and materialistic (which would explain why she fits so well in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perfe

She was so evidently the victim of the civilization which had produced her, that the links of her bracelet seemed like manacles chaining her to her fate.

Related Characters: Gerty Farish, Lily Bart
Related Literary Devices:
Page Number and Citation: 5
Explanation and Analysis:
When Lily is having tea at Selden’s apartment, Lily complains about not having a living space of her own, and Selden suggests that she could be independent if she decided to live like his cousin Gerty Farish, who is poor but has her own apartment. However, Selden soon realizes that Lily could never accept to lead a lower-class life like Gerty’s, because Lily cares too much about money. Selden thus realizes that Lily’s obsession with money is what is keeping her away from personal liberty. Comparing Lily’s expensive bracelet to manacles and identifying the young woman as a prisoner and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus q

“Ah, there’s the difference—a girl must, a man may if he chooses. […] Your coat’s a little shabby—but who cares? It doesn’t keep people from asking you to dine. If I were shabby no one would have me: a woman is asked out as much for her clothes as for herself. The clothes are the background, the frame, if you like: they don’t make success, but they are a part of it. Who wants a dingy woman? We are expected to be pretty and well-dressed till we drop—and if we can’t keep it up alone, we have to go into partnership.”

Related Characters: Lily Bart (speaker), Lawrence Selden
Page Number and Citation: 8
Explanation and Analysis:
When Lily asks Selden if he would be willing to marry for material benefits only, Selden finds this idea preposterous. Lily—who anticipated Selden’s reaction—then argues that his perspective is largely shaped by his gender. For men, Lily argues, marriage is optional, because they do not depend on marriage as a financial resource. For women, by contrast, marriage is absolutely necessary, since women in high society are expected to spend a lot of money on clothing—which they would probably not be able to do on their own, as single women. Lily thus concludes that, in high society, men are free in Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus pos

Book 1: Chapter 6 Quotes

There were in her at the moment two beings, one drawing deep breaths of freedom and exhilaration, the other gasping for air in a little black prison-house of fears. But gradually the captive’s gasps grew fainter, or the other paid less heed to them: the horizon expanded, the air grew stronger, and the free spirit quivered for flight. She could not herself have explained the sense of buoyancy which seemed to lift and swing her above the sun-suffused world at her feet. Was it love, she wondered, or a mere fortuitous combination of happy thoughts and sensations?

Related Characters: Lily Bart, Lawrence Selden
Related Literary Devices:
Page Number and Citation: 51
Explanation and Analysis:
When Lily and Selden take a walk alone in the woods at Bellomont, Selden takes a calm pleasure at being in nature while Lily, under an appearance of calm, is extremely agitated. As she begins to notice that she probably has feelings for Selden, she feels both free and terribly afraid. Lily’s fear can be attributed to a variety of factors. It could signal her difficulty to recognize or accept what is happening to her, since she has never fallen in love before. It could also represent the social danger of being seen with Selden, since this would probably put Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum volupt

“[…] your taking a walk with me is only another way of making use of your material. You are an artist, and I happen to be the bit of color you are using today. It’s a part of your cleverness to be able to produce premeditated effects extemporaneously.”

Related Characters: Lawrence Selden (speaker), Lily Bart, Percy Gryce
Page Number and Citation: 53
Explanation and Analysis:
After admitting to Lily that he only came to Bellomont to see her, Selden adds that he knows his presence will not change Lily’s plans in any way. This serves as a dual confession: that he admires her and probably has feelings for her, but that he does not expect these feelings to have any concrete effect on Lily’s life, since Lily is determined to marry a rich man. Selden thus correctly supposes that Lily is using her walk with him as an opportunity to make herself more interesting to another man—in this case, Percy Gryce. Selden’s words reveal his Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequ

“My idea of success,” he said, “is personal freedom.”

“Freedom? Freedom from worries?”

“From everything—from money, from poverty, from ease and anxiety, from all the material accidents. To keep a kind of republic of the spirit—that’s what I call success.”

Related Characters: Lily Bart (speaker), Lawrence Selden (speaker)
Page Number and Citation: 54
Explanation and Analysis:
When Lily and Selden take a walk together at Bellomont, the two of them engage in an intense conversation about Lily’s personality, her future, and, more generally, their differing conceptions of life. When Lily mentions that, for all her social prowess, she still has not reached the success she strives for, Selden forces her to reflect on this very concept. If Lily can only conceive of freedom and success as an escape from her current situation, in which she constantly worries about her financial state, Selden, by contrast, advocates freedom as a complete removal from the material world. In other Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis c

“[…] the queer thing about society is that the people who regard it as an end are those who are in it, and not the critics on the fence. It’s just the other way with most shows—the audience may be under the illusion, but the actors know that real life is on the other side of the footlights. The people who take society as an escape from work are putting it to its proper use; but when it becomes the thing worked for it distorts all the relations of life.”

Related Characters: Lawrence Selden (speaker), Lily Bart
Page Number and Citation: 56
Explanation and Analysis:
During Lily and Selden’s intimate walk at Bellomont, Lily argues that high society is not necessarily evil or superficial. Rather, it can be used for good and bad purposes, since money and power can be means to an end, not necessarily the end in itself. Although Selden agrees with her, he notes that the people who belong to high society tend to lose this perspective. He argues that members of the upper class forget that there is a more meaningful world outside of their narrow social circles—a narrow society that they begin to see as the world itself. This means Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque place

“What a miserable future you foresee for me!”

“Well—have you never foreseen it for yourself?”

The slow color rose to her cheek, not a blush of excitement but drawn from the deep wells of feeling; it was as if the effort of her spirit had produced it.

“Often and often,” she said. “But it looks so much darker when you show it to me!”

Related Characters: Lily Bart (speaker), Lawrence Selden (speaker)
Page Number and Citation: 57
Explanation and Analysis:
During Lily and Selden’s walk at Bellomont, Selden pessimistically predicts that, once Lily obtains the money and power she strives for so desperately, she will realize that these things do not make her happy. After Lily complains about this bleak outlook, she is forced to admit that she has already reflected on this possibility herself. This conversation underlines a paradox central to Lily’s character: even though she is intelligent and deeply lucid about her own situation, and seemingly knows that her life ambitions might bring her nothing but unhappiness, she is still incapable of making a different choice for herself. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debit

Book 1: Chapter 9 Quotes

[…] as Miss Bart they knew her by heart. She knew herself by heart too, and was sick of the old story. There were moments when she longed blindly for anything different, anything strange, remote, and untried; but the utmost reach of her imagination did not go beyond picturing her usual life in a new setting. She could not figure herself as anywhere but in a drawing-room, diffusing elegance as a flower sheds perfume.

Related Characters: Lily Bart
Page Number and Citation: 81
Explanation and Analysis:
When Lily experiences a period of boredom, in which she is forced to spend whole days and weeks at her aunt’s because she is not invited to as many social events as she used to be in the past, she concludes that society has tired of her. Lily is forced to confront the fact that her social persona (“Miss Bart”) bores her, and that she wishes she were someone different. Although a logical step would be for Lily to marry and thus shift from a “Miss” to a “Mrs.,” Lily desires something more: a complete escape from her monotonous upper-class Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducim

Book 2: Chapter 1 Quotes

“Sometimes […] I think it’s just flightiness—and sometimes I think it’s because, at heart, she despises the things she’s trying for. And it’s the difficulty of deciding that makes her such an interesting study.”

Related Characters: Carry Fisher (speaker), Lily Bart, Lawrence Selden
Page Number and Citation: 152
Explanation and Analysis:
At Monte Carlo, Carry Fisher shares her thoughts about Lily with Lawrence Selden. She tells him that, although Lily always puts a lot of effort in planning and working hard toward a certain goal, such as marriage, she always allows it to fail at the very last minute. Perplexed by this behavior, Mrs. Fisher concludes that Lily is either fickle and capricious or, on the contrary, deeply meditative about her life. This aspect of Lily’s character is paradoxical, and remains largely a mystery throughout the novel. The difficulty to decide whether Lily’s superficial attraction to wealth or her deeper ambivalence Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates

Book 2: Chapter 3 Quotes

It was before him again in its completeness—the choice in which she was content to rest: in the stupid costliness of the food and the showy dullness of the talk, in the freedom of speech which never arrived at wit and the freedom of act which never made for romance.

Related Characters: Lawrence Selden, Lily Bart
Page Number and Citation: 174
Explanation and Analysis:
At Monte Carlo, Lily Bart finds herself in a complicated situation in which her own reputation is at stake, for Bertha Dorset is about to blame Lily for her own adulterous behavior. However, Selden notices how Lily’s elegance allows her to rise above such vulgar machinations. When one evening, at dinner, he takes a moment to admire Lily’s beauty and social refinement, he simultaneously expresses his content for other people’s base motives and grossly material lives. Selden describes upper-class society as one in which everything is superficial, meant to please appearances instead of cultivating the mind. Although conversation might be Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a de

Book 2: Chapter 4 Quotes

“The whole truth?” Miss Bart laughed. “What is truth? Where a woman is concerned, it's the story that’s easiest to believe. In this case it’s a great deal easier to believe Bertha Dorset’s story than mine, because she has a big house and an opera box, and it’s convenient to be on good terms with her.”

Related Characters: Lily Bart (speaker), Julia Peniston, Bertha Dorset, Gerty Farish
Related Symbols: Bertha’s Letters
Page Number and Citation: 182
Explanation and Analysis:
After Lily discovers that her aunt Mrs. Peniston has given her only a minimal portion of her legacy, Lily realizes that she is socially and financially ruined, since Bertha Dorset’s lies about her have excluded her from her usual circles. When Gerty Farish argues that Lily should counter Bertha’s lies by telling the truth, so that people might once again accept her into their social circle, Lily cynically replies that, in high society, the truth does not matter; all that matters is a person’s reputation and power. Lily’s explanation highlights the lack of justice and moral values in upper-class life. Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus po

“From the beginning? […] Dear Gerty, how little imagination you good people have! Why, the beginning was in my cradle, I suppose—in the way I was brought up, and the things I was taught to care for. Or no—I won’t blame anybody for my faults: I’ll say it was in my blood, that I got it from some wicked pleasure-loving ancestress […]!”

Related Characters: Lily Bart (speaker), Gerty Farish
Page Number and Citation: 183
Explanation and Analysis:
When Gerty suggests that Lily tell everyone the truth about what happened at Monte Carlo “from the beginning,” Lily ironically retorts that the reasons behind Lily’s current situation lie deeper than what Gerty suspects: in Lily’s very attitude toward money and power. Lily argues that what has put her in this difficult financial and social situation is of her own making as much as Bertha’s. In particular, Lily identifies her obsession with fame, power, and social excitement as family inheritance, impressed in her biological constitution, which has doomed her to follow trivial goals. In this way, Lily takes responsibility for Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et

Book 2: Chapter 8 Quotes

Society did not turn away from her, it simply drifted by, preoccupied and inattentive, letting her feel, to the full measure of her humbled pride, how completely she had been the creature of its favor.

Related Characters: Bertha Dorset, Lily Bart
Related Literary Devices:
Page Number and Citation: 212
Explanation and Analysis:
After Bertha Dorset ostracizes Lily from her usual circles, the young woman is bound to watch social life from the outside. When she sees her former friends’ fancy carriages pass by her in the street, she realizes that high society has moved on without her, as though it had never needed her in the first place. This realization forces Lily to reflect on her identity. When she defines herself as “the creature of [society’s] favor,” she argues that, in losing the wealth, elegance, and power that came with belonging to high society, she has lost an entire part of her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus ea

Book 2: Chapter 13 Quotes

It was no longer, however, from the vision of material poverty that she turned with the greatest shrinking. She had a sense of deeper impoverishment—of an inner destitution compared to which outward conditions dwindled into insignificance. It was indeed miserable to be poor—to look forward to a shabby, anxious middle-age, leading by dreary degrees of economy and self-denial to gradual absorption in the dingy communal existence of the boarding-house. But there was something more miserable still—it was the clutch of solitude at her heart, the sense of being swept like a stray uprooted growth down the headless current of the years. That was the feeling which possessed her now—the feeling of being something rootless and ephemeral, mere spindrift of the whirling surface of existence, without anything to which the poor little tentacles of self could cling before the awful flood submerged them.

Related Characters: Nettie Struther, Lily Bart
Related Literary Devices:
Page Number and Citation: 259
Explanation and Analysis:
After meeting Nettie Struther, a young woman who lives a fulfilled, lower-class life after successfully recovering from illness, Lily realizes that happiness is not incompatible with poverty. In fact, a person’s happiness does not depend on material circumstances, but on their capacity to create a stable home for themselves. In this moment of quasi-spiritual illumination, Lily concludes that unhappiness and solitude are far more fearful than poverty itself. This belief overturns the values she has held on to until this moment. In following purely material ambitions, Lily has been forced to lead an inherently “rootless” life, one that has depended Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi ne

Book 2: Chapter 14 Quotes

It was this moment of love, this fleeting victory over themselves, which had kept them from atrophy and extinction; which, in her, had reached out to him in every struggle against the influence of her surroundings, and in him, had kept alive the faith that now drew him penitent and reconciled to her side.

He knelt by the bed and bent over her, draining their last moment to its lees; and in the silence there passed between them the word which made all clear.

Related Characters: Lily Bart, Lawrence Selden
Page Number and Citation: 268
Explanation and Analysis:
Selden kneels by Lily’s dead body and realizes that their mutual love has not disappeared. Rather, death has erased all differences between them, allowing Selden to focus only on his spiritual life, the deepest core of his feelings for her, which exist beyond concrete life itself. As Lily told Selden in the afternoon of the day she died, explaining that Selden’s love for her kept her sane throughout her life, Selden concludes that their mutual love has kept both of them alive throughout life—not in a physical way, through physical existence, but through faith, a spiritual ambition that outlives life Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi