The Lady With the Dog
by Anton Chekhov

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Themes and Colors
Truth in Deception  Theme Icon
Society and Morality  Theme Icon
Time, Mortality, and Purpose Theme Icon
The Transformative Power of Love Theme Icon
LitCharts assigns a color and icon to each theme in The Lady With the Dog, which you can use to track the themes throughout the work.
Time, Mortality, and Purpose Theme Icon
Time, Mortality, and Purpose Theme Icon

There is little urgency in Gurov and Anna’s lives at the beginning of the story. When he first sees Anna, Gurov has already been on vacation for two weeks “and was used to it,” Chekhov writes, highlighting the character’s idle boredom. Later, while talking with Anna for the first time during dinner, Gurov comments that he is “dragging” through his second week in Yalta, to which Anna responds, “The time passes quickly, and yet it is so boring here!” Neither appears to have a strong sense of purpose guiding their days in Yalta, instead attempting merely to escape, through a change of scenery, the unhappiness that clings to their city selves and relationships. Nor does either take much notice of or pleasure in the present moment; the lack of genuine feeling makes their days paradoxically drag even as they fly by. Only upon embarking on their romance do the two become more acutely aware of the passage of time, and, it follows, of the fact that they have met each other a little too late—both already married, and Gurov into middle age. Through the resultant poignancy of their affair, the story ultimately suggests the importance of actively pursuing relationships that make life meaningful.

Chekhov imbues the story with a sense of time through his repeated references to the changing seasons—Anna and Gurov’s affair begins in summer and breaks off in autumn (Gurov tells himself, after he has put Anna on a train from Yalta back to St. Petersburg, that their parting is as natural as summer fading to fall), and their decision to try to be together more permanently occurs in winter. This seasonal cycle reflects the development of their relationship—which begins as a casual romance neither party expects to last beyond their stay in Yalta, turns an ongoing relationship that nonetheless must remain a secret, and finally becomes something that the two want to make permanent.

Even as the tenor of their relationship is subtly impacted by the passage of time, Gurov and Anna don’t seem to acknowledge any temporal restraints until the end of the story. At first, the couple remain relatively passive and idle. They fall into a steady rhythm in Yalta, developing a routine of dining, walking on the embankment, and looking at the sea together. Though they expect Anna’s husband to arrive any day, and know they both must leave Yalta soon, there is a sense of timelessness to their love that belies the reality of how limited their time together actually is.

This changes at the end of the story when, after having engaged in their secret affair for months, Gurov looks in the mirror and notices that he has gray hair. Beyond underscoring how much time has passed and how much he has changed since meeting Anna, such evidence of aging—and, it follows, mortality—prompts Gurov to lament wasting so much of his life on shallow affairs that had been “anything else, but not love,” and how “only now, when his head was gray, had he really fallen in love as one ought to—for the first time in his life.” Though their partnership in Yalta felt like time out of time, this moment shows Gurov beginning to realize that they cannot continue passively engaging in their affair and must instead take active steps to pursue the life they want together before it is too late.

Gurov and Anna’s response to knowing—and fearing—how short their time together might be is to love each other “like tender friends” and “forg[i]ve everything in the present.” Such deep, unconditional care, the story suggests, is in part borne from awareness of the fleeting nature of life and romance. Not only does love imbue the passage of time with a sense of meaning, then, but acceptance of the inevitable march of time makes love all the more powerful.  

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Time, Mortality, and Purpose Quotes in The Lady With the Dog

Below you will find the important quotes in The Lady With the Dog related to the theme of Time, Mortality, and Purpose.

Part I Quotes

Afterwards, in his hotel room, he thought about her, that tomorrow she would probably meet him again. It had to be so. Going to bed, he recalled that still quite recently she had been a schoolgirl, had studied just as his daughter was studying now, recalled how much timorousness and angularity there was in her laughter, her conversation with a stranger—it must have been the first time in her life that she was alone in such a situation, when she was followed, looked at, and spoken to with only one secret purpose, which she could not fail to guess. He recalled her slender, weak neck, her beautiful gray eyes.

“There’s something pathetic in her all the same,” he thought and began to fall asleep.

Related Characters: Gurov’s Daughter , Dmitri Dmitritch Gurov, Anna Sergeevna Von Dideritz
Related Symbols: Gray
Page Number and Citation: 363
Explanation and Analysis:
After Gurov speaks with Anna for the first time over dinner and the two then walk along the seashore, he returns to his hotel and is consumed by thoughts of her. True to his initially hypocritical and self-deceptive nature, he dismisses Anna as pathetic even as he has clearly already become somewhat infatuated with her. He’s acutely aware of the age difference between the two of them in this moment as well, which lends Anna an air of innocence and naivete. Later, however, Gurov’s awareness of his own age will prompt him to reflect on his mortality and the dwindling Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea s

Anna Sergeevna was not a dream, she followed him everywhere like a shadow and watched him. Closing his eyes, he saw her as if alive, and she seemed younger, more beautiful, more tender than she was; and he also seemed better to himself than he had been then, in Yalta.

Related Characters: Anna Sergeevna Von Dideritz , Dmitri Dmitritch Gurov
Page Number and Citation: 369
Explanation and Analysis:
In contrast to the fantasies and dreams that are all that’s left of Gurov’s previous affairs, Anna remains a constant, vibrant presence in Gurov’s everyday life in Moscow. Crucially, he doesn’t just see her everywhere he goes; Gurov sees her “younger, more beautiful, more tender than she was.” Gurov is beginning to transcend his expectations for this relationship (i.e., that it should be over and done with) and embrace a more generous view of both Anna and himself. Just as he envision Anna as growing ever lovelier, Gurov also envisions himself as “better” than he was in Yalta. Being able Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur

Part II Quotes

The leaves of the trees did not stir, cicadas called, and the monotonous, dull noise of the sea, coming from below, spoke of the peace, of the eternal sleep that awaits us. So it had sounded below when neither Yalta nor Oreanda were there, so it sounded now and would go on sounding with the same dull indifference when we are no longer here. And in this constancy, in this utter indifference to the life and death of each of us, there perhaps lies hidden the pledge of our eternal salvation, the unceasing movement of life on earth, of unceasing perfection. Sitting beside the young woman, who looked so beautiful in the dawn, appeased and enchanted by the view of this magical odor—sea, mountains, clouds, the open sky—Gurov reflected that, essentially, if you thought of it, everything was beautiful in this world, everything except for what we ourselves think and do when we forget the higher goals of being and our human dignity.

Related Characters: Dmitri Dmitritch Gurov, Anna Sergeevna Von Dideritz
Page Number and Citation: 366-367
Explanation and Analysis:
After sleeping together for the first time, Gurov and Anna travel out to the countryside of Oreanda and watch the sun rise. In the quiet stillness Gurov reflects on his surroundings, his perception colored by the joy of his new love. He realizes the “indifference” of the earth to human life and death, yet such understanding fills him with a newfound appreciation for the vastness of the world and the chance to observe the beauty that surrounds him. He connects the loveliness of the natural world to the love he feels for Anna and even to his own morality, suggesting Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibu

Gurov listened to the chirring of the grasshoppers and the hum of the telegraph wires with a feeling as if he had just woken up. And he thought that now there was one more affair or adventure in his life, and it, too, was now over, and all that was left was the memory. . . He was touched, saddened, and felt some slight remorse; this young woman whom he was never to see again had not been happy with him; he had been affectionate with her, and sincere, but all the same, in his treatment of her, in his tone and caresses, there had been a slight shade of mockery, the somewhat coarse arrogance of a happy man, who was, moreover, almost twice her age. She had all the while called him kind, extraordinary lofty; obviously, he had appeared to her not as he was in reality and therefore he had involuntarily deceived her . . .

Related Characters: Anna Sergeevna Von Dideritz , Dmitri Dmitritch Gurov
Page Number and Citation: 368
Explanation and Analysis:
After Gurov puts Anna on a train back to St. Petersburg, he stands on the platform and reflects on the relationship that he assumes is now ended. He justifies this ending to himself by deeming the whole experience a dream from which he has “just woken up.” For the moment, he has ended this adventure seemingly in the same spot he was in at the start of the story: bored, unhappy, and feeling old.   Unlike in his previous affairs, however, Gurov feels remorse for having “deceived” Anna into thinking so well of him. He seemingly doesn’t make the connection Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusant

Part IV Quotes

His head was beginning to turn gray. And it seemed strange to him that he had aged so much in those last years, had lost so much of his good looks. The shoulders on which his hands lay were warm and trembled. He felt compassion for this life, still so warm and beautiful, but probably already near the point where it would begin to fade and wither, like his own life.

Related Characters: Anna Sergeevna Von Dideritz , Dmitri Dmitritch Gurov
Related Symbols: Gray
Page Number and Citation: 375
Explanation and Analysis:
Towards the end of the story, Gurov arrives to a hotel room to meet Anna only for her to burst into tears at having to hide their love. As he goes to comfort her he spies himself in a mirror and is struck by the sudden realization that his hair is turning gray—a sign that he has aged. Gurov is suddenly confronted with his own mortality and the fleeting nature of his time with Anna, who is approaching the point when she, too, will begin to show physical signs of aging. Even though the last few years have been the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium

“Why did she love him so?” Women had always taken him to be other than he was, and they had loved in him, not himself, but a man their imagination had created, whom they had greedily sought all their lives; and then, when they had noticed their mistake, they had still loved him. And not one of them had been happy with him. Time passed, he met women, became intimate, parted, but not once did he love; there was anything else, but not love.

And only now, when his head was gray, had he really fallen in love as one ought— for the first time in his life.

Related Characters: Dmitri Dmitritch Gurov, Anna’s Husband
Related Symbols: Gray
Page Number and Citation: 375
Explanation and Analysis:
Shortly after seeing his reflection in the mirror, Gurov switches from reflecting on his gray hair to thinking about the affairs he had with women before Anna. He realizes that his previous understanding of how to find love with women was inadequate and shallow. Women saw “not himself, but a man their imagination had created,” which is much the same way that Gurov initially interpreted Anna’s attraction to him—that is, as a false, unrealistically good version of him. Now, however, instead of looking for an idealized woman or chasing happiness, Gurov has cultivated a relationship with Anna in which he Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam of

He and Anna Sergeevna loved each other like very close, dear people, like husband and wife, like tender friends; it seemed to them that fate itself had destined them for each other, and they could not understand why he had a wife and she a husband; and it was as if they were two birds of passage, a male and a female, who had been caught and forced to live in separate cages. They had forgiven each other the things they were ashamed of in the past, they forgave everything in the present, and they felt that this love of theirs had changed them both.

Related Characters: Dmitri Dmitritch Gurov, Anna Sergeevna Von Dideritz
Page Number and Citation: 375
Explanation and Analysis:
Near the end of the story, while in a hotel room with Anna, Gurov reflects on what their relationship really means: forgiveness, tenderness, sincerity, and change. While the two don’t understand why their timing has been so poor or why there are such seemingly insurmountable societal obstacles to their relationship, they don’t respond with meanness or spite. They instead feel a sense of forgiveness. Whatever society may think of it, theirs is an incredibly generous, transformative love, and one that goes beyond the immediate pleasures of an affair. The goodwill engendered by this love spurs transformative growth for both Gurov Dolorem et