A Hundred Flowers

A Hundred Flowers

by Gail Tsukiyama

Auntie Song Character Analysis

Song lives at the villa as an adopted family member to Wei, Sheng, Kai Ying, and Tao. She and Liang were best friends as schoolchildren, despite their difference in class and life experience. But Song’s parents pulled her from school at the age of 16 and married her off to Old Hing. Old Hing abused Song physically and emotionally during their marriage, nearly driving her to suicide. When she murders Old Hing with a dose of poison, no one suspect her—or if anyone does, no one blames her. Soon afterwards, Liang invites her to live in the villa’s old, unused servants’ quarters. Song remains ever grateful for the opportunity to live at the villa, where she has a garden for the first time in her life. After Liang’s death, she does her best to care for the family in honor of her friend’s memory. She treats Kai Ying and Suyin as daughters and takes as much delight in Tao as if he were her grandson. Auntie Song’s favorite place is her garden, and she nurtures the family with the food she grows there year-round. She feels deeply connected to the rhythms of nature, and her trust in life makes her far more optimistic than other members of the household.

Auntie Song Quotes in A Hundred Flowers

The A Hundred Flowers quotes below are all either spoken by Auntie Song or refer to Auntie Song. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Redemption Theme Icon
).

Moon Festival, September 1958: Tao (II) Quotes

The beginning of the story always remained the same: Huoyi was commanded by the Emperor Yao to use his archery skills to shoot down nine of the ten suns to keep the earth from burning up. Upon completing the task, the emperor gave the famed archer a pill that granted him eternal life. Knowing its value, Huoyi left the pill at home with Chang’e when he was sent away on another mission for the emperor. From there, they story of why Chang’e swallowed the pill of immortality splintered off into different versions. So far, Tao’s favorite account was Chang’e having to protect the pill from Peng, one of Huoyi’s apprentice archers, who forcefully tried to take the pill from her. Knowing that she was unable to fight him off, her only choice was to swallow the pill herself.

Related Characters: Kai Ying Lee, Auntie Song, Suyin, Suyin’s Stepfather, Tao Lee, Wei Lee, Huoyi, Chang’e, Sheng Lee
Related Symbols: Kapok Tree
Page Number and Citation: 85
Explanation and Analysis:

Moon Festival, September 1958: Song Quotes

This young woman had eased her pain, made her feel human again. Then, for the first time, Song told a perfect stranger about her husband, Old Hing, calling him a violent monster, an angry pig, a festering tumor. Once Song began to talk, she couldn’t stop, even with the pain.

Related Characters: Herbalist Chu, Suyin, Auntie Song, Kai Ying Lee, Old Hing
Page Number and Citation: 110
Explanation and Analysis:

The World Intrudes, October 1958: Kai Ying Quotes

Cheng paused for a moment and looked her up and down. “Your husband is a lucky man to have a wife so devoted to him. Of course, I too am a family man, and I hate to think of your son so upset. You must be very lonely with your husband gone; perhaps we can find a way to make this situation work, while helping each other at the same time?”

It took a moment for Kai Ying to understand what he was saying […] She felt sick to her stomach and wanted nothing more than to run out of the hot, suffocating room. Instead, [she] steadied herself and ignored his question. She held out a red envelope, which contained a hundred yuan she had saved. She knew it was the way things were done, and hoped it would be enough for this vile man.

Related Characters: Comrade Cheng (speaker), Sheng Lee, Kai Ying Lee, Meizhen (The Baby), Suyin, Auntie Song, Tao Lee
Page Number and Citation: 133
Explanation and Analysis:

After, October 1958: Song (I) Quotes

“I’ve been such a fool,” he said, his voice barely a whisper.

“My father used to say that the only fool is the man who can’t admit he’s one,” Song said. “Can’t you see Sheng knew what he was doing? It was his choice.”

“And my weakness,” Wei said. “I stood by and allowed him to be taken away in my place.”

“He knew what he was doing,” she repeated.

“I should never have put him in that position!”

“You know nothing about your own son […] and that should be your biggest regret. You’ve lived in the past for so long you can’t see what’s right in front of you. You make a mistake, an unintentional mistake. Who in this life hasn’t crossed that bridge? […] Sheng would never have allowed them to take you. He’s young and strong, he’ll survive.”

Related Characters: Auntie Song (speaker), Wei Lee (speaker), Sheng Lee, Tao Lee, Kai Ying Lee
Page Number and Citation: 152-153
Explanation and Analysis:

Stories, November 1958: Kai Ying (II) Quotes

Wei told her Sun and Moon had worked for his family ever since they were young women. Before then, they’d been silk workers from the village of Shun-de. When Wei was a boy of nine or ten, Sun and Moon were already middle-aged, and had been working for his family for over twenty years. “They were as different as the sun and moon,” her father-in-law said, and laughed. “There was hardly a time when they didn’t disagree about something. They would have argued about the time of day if they’d had the time!”

When Wei was not yet fifteen, Moon fell ill. Sun devoted herself to taking care of her until she died, six months later, Afterward, Sun stayed on until she became too old, but she was never the same.

Related Characters: Wei Lee (speaker), Tao Lee, Liang Lee, Kai Ying Lee, Sun, Moon, Auntie Song, Sheng Lee
Page Number and Citation: 190-191
Explanation and Analysis:

Stories, November 1958: Tao (II) Quotes

For as long as he could remember, his ma ma had always been the one to teach him about what was right and wrong […] Even when he was a very little boy, she reminded him it was important that he always be able to take care of himself. Tao had wondered why, when she and ba ba and ye ye were there to take care of him. “Because there will be a time when we aren’t […] Not now […] “but a very, very long time from now.”

[…] Tao wanted to tell her that he wasn’t ready to take care of himself yet. Instead, he pressed his lips together and held the words in […]—I’m still a little boy and it hasn’t been a very long time like you promised, so why are both ba ba and ye ye gone?

Related Characters: Kai Ying Lee (speaker), Tao Lee (speaker), Wei Lee, Auntie Song, Suyin, Meizhen (The Baby), Sheng Lee
Page Number and Citation: 215
Explanation and Analysis:

Waiting, November 1958: Tao (III) Quotes

He was secretly happy Suyin was waiting for him after school. She wasn’t so sickly-looking anymore and her skin had cleared. Walking next to her, he realized she was almost as tall as his mother and thin all over. […] She usually wore a dark cotton tunic and pants and he recognized one of his mother’s sweaters that she was wearing.

Tao liked walking home with Suyin; it made him feel older. He liked the way she nodded at him without saying a word, without making a fuss the way Auntie Song did trying to help him with his books or forcing him to put on his jacket as the days grew cooler. Suyin kept things simple and to the point. If he didn’t feel like talking to her, she never pushed.

“Ready to go?” she said.

Tao nodded that he was.

Related Characters: Suyin (speaker), Tao Lee, Auntie Song, Kai Ying Lee, Wei Lee
Page Number and Citation: 235
Explanation and Analysis:

Waiting, November 1958: Suyin Quotes

Dongshan appeared different now that she was actually living there, the villas behind the tall walls no longer a mystery. They were filled with families and problems just like in Old Guangzhou. But instead of the multitude of voices screaming all at once from the crowded apartments, there was a quiet seething just below the surface in Dongshan. Upon closer scrutiny, she saw the cracks in the stone walls, the big houses crumbling slowly behind them in need of repair or paint or new tiles. All Suyin’s illusions of grandeur had suddenly disappeared. She would never be the same wide-eyed schoolgirl walking down the street for the very first time, and the thought brought both a sigh of relief and a moment of sorrow.

Related Characters: Auntie Song, Kai Ying Lee, Suyin, Meizhen (The Baby), Suyin’s Stepfather, Wei Lee, Tao Lee
Page Number and Citation: 242-243
Explanation and Analysis:

The City of Ghosts, November 1958: Kai Ying (III) Quotes

For the very first time since Tao had fallen from the kapok tree, she paused in front of it. It seemed as if an entire lifetime had passed in the five months since. […][Now] the tree stood skeletal, the branches remaining bare until […] the spring. […] Although Kai Ying knew it was foolish, she still dared to hope that they would all be together again by then.

Kai Ying stepped closer to the tree. At least let her hear from Wei again soon, she thought. The gash that her father-in-law had left in the trunk was a scar now, slightly deeper in color and hardly noticeable if you weren’t looking for it. Kai Ying’s fingers graced the smooth wound. She thought of it as just another example of nature’s genius; the kapok tree had healed itself.

From the kitchen, she heard Tao’s and Suyin’s voices and smiled.

Related Characters: Wei Lee, Tao Lee, Sheng Lee, Kai Ying Lee, Auntie Song, Suyin
Related Symbols: Kapok Tree
Page Number and Citation: 284-285
Explanation and Analysis:
Get the entire A Hundred Flowers LitChart as a printable PDF.
"My students can't get enough of your charts and their results have gone through the roof." -Graham S.
A Hundred Flowers PDF

Auntie Song Character Timeline in A Hundred Flowers

The timeline below shows where the character Auntie Song appears in A Hundred Flowers. The colored dots and icons indicate which themes are associated with that appearance.
The Kapok Tree, July 1958: Tao
Home and Family  Theme Icon
The Promises and Failures of Communism  Theme Icon
...1949, they subdivided the villas in the neighborhood. Tao’s family now shares theirs with Auntie Song and Mr. and Mrs. Chang. (full context)
The Kapok Tree, July 1958: Kai Ying (I)
Suffering, Strength, and Resilience Theme Icon
Home and Family  Theme Icon
Kai Ying remembers that Auntie Song will stop by for herbs this morning. She’s a family friend and will watch the... (full context)
The Falling Boy, August 1958: Song
Suffering, Strength, and Resilience Theme Icon
Home and Family  Theme Icon
Auntie Song sits contentedly in her vegetable garden, harvesting Chinese broccoli for a celebratory dinner: after two... (full context)
Suffering, Strength, and Resilience Theme Icon
The Promises and Failures of Communism  Theme Icon
...very different from the busy streets and cramped apartments of the Old Guangzhou district where Song spent most of her life. After Song’s husband died, Liang—her best friend from elementary school—invited... (full context)
Home and Family  Theme Icon
The Promises and Failures of Communism  Theme Icon
Song moved to the villa before the Communist takeover, and she worried about fitting into this... (full context)
The Falling Boy, August 1958: Tao (II)
Journeys and Growth Theme Icon
Suffering, Strength, and Resilience Theme Icon
...her patients. He misses helping her deliver packets of herbs to her patients, especially Auntie Song, whom he admires for her strength and resilience. She’s not unlike the kapok tree in... (full context)
The Falling Boy, August 1958: Tao (III)
Redemption Theme Icon
Suffering, Strength, and Resilience Theme Icon
Home and Family  Theme Icon
That evening, Wei carries Tao down to the kitchen where Kai Ying and Auntie Song are cooking dinner that includes some of Tao’s favorite foods. Tao wants to wait in... (full context)
Moon Festival, September 1958: Wei (I)
Redemption Theme Icon
Journeys and Growth Theme Icon
...Tao for his trip to the hospital, Wei finds himself walking along the path to Song’s rooms, almost without realizing it. They used to spend a lot of time together, reminiscing... (full context)
Home and Family  Theme Icon
Song sits in the garden, working. She teases Wei about his enduring unwillingness to get his... (full context)
Redemption Theme Icon
Journeys and Growth Theme Icon
Suffering, Strength, and Resilience Theme Icon
Song pours a cup for tea for Wei. They discuss Tao’s recovery. Song feels certain that... (full context)
Moon Festival, September 1958: Kai Ying (III)
Suffering, Strength, and Resilience Theme Icon
Home and Family  Theme Icon
Song enters the kitchen and asks if Kai Ying is all right. She encourages Kai Ying... (full context)
Moon Festival, September 1958: Song
Redemption Theme Icon
Suffering, Strength, and Resilience Theme Icon
Home and Family  Theme Icon
Song considers Kai Ying the daughter she never had, and she wishes she could lighten the... (full context)
Moon Festival, September 1958: Kai Ying (IV)
Home and Family  Theme Icon
...falls to the wet ground. Kai Ying tries to protect Suyin from the rain as Song goes to fetch Wei. Kai Ying has never delivered a baby and she worries about... (full context)
The World Intrudes, October 1958: Song
Redemption Theme Icon
Suffering, Strength, and Resilience Theme Icon
Home and Family  Theme Icon
Song holds the baby, afraid to put her down lest she wake up. She hasn’t held... (full context)
The World Intrudes, October 1958: Tao (II)
Redemption Theme Icon
Suffering, Strength, and Resilience Theme Icon
...tears. He won’t admit aloud that nothing has been the same since Sheng left. Auntie Song and Kai Ying welcome Tao with coconut tarts. He answers their questions, hoping to hide... (full context)
After, October 1958: Song (I)
Suffering, Strength, and Resilience Theme Icon
In her garden, Song harvests yu choy and bak choy, taking less pleasure than usual in the task. She... (full context)
After, October 1958: Song (II)
Redemption Theme Icon
Journeys and Growth Theme Icon
Home and Family  Theme Icon
Early one morning, Song watches Wei hurry through the courtyard gate. She almost follows him, curious about where he... (full context)
Stories, November 1958: Kai Ying (I)
Journeys and Growth Theme Icon
Home and Family  Theme Icon
Kai Ying and Auntie Song rush to the train station by pedicab, but Wei’s train has left by the time... (full context)
Stories, November 1958: Wei (III)
Redemption Theme Icon
Home and Family  Theme Icon
...sleeve of his jacket from his fall. He thinks how lucky he is to have Song and Kai Ying to repair it when he gets home. Then, he pats down the... (full context)
Stories, November 1958: Kai Ying (II)
Redemption Theme Icon
Suffering, Strength, and Resilience Theme Icon
Home and Family  Theme Icon
...Ying that his family’s servants, Sun (the cook) and Moon (the housekeeper) lived in Auntie Song’s apartment. By the time he was in school, they were middle-aged and had been working... (full context)
Stories, November 1958: Song
Redemption Theme Icon
Journeys and Growth Theme Icon
Suffering, Strength, and Resilience Theme Icon
Song hasn’t been so stressed since Old Hing died. She never told anyone how he really... (full context)
Journeys and Growth Theme Icon
Suffering, Strength, and Resilience Theme Icon
Home and Family  Theme Icon
Song usually compartmentalizes feelings of dread and despair, but she cannot keep her concern for Wei... (full context)
Stories, November 1958: Kai Ying (IV)
Journeys and Growth Theme Icon
Suffering, Strength, and Resilience Theme Icon
Home and Family  Theme Icon
It’s been three anxious, exhausting days since Wei left. Kai Ying knows even Auntie Song is worried; she stops by several times a day for news. Now, as she tries... (full context)
Suffering, Strength, and Resilience Theme Icon
Home and Family  Theme Icon
...family to see Zhaoqing’s mountains when Wei and Sheng have returned. They’ll even take Suyin, Song, and the baby. Tao smiles in delight. (full context)
Waiting, November 1958: Tao (I)
Suffering, Strength, and Resilience Theme Icon
Home and Family  Theme Icon
...life continues. Kai Ying still cares for her patients, he still goes to school, Auntie Song still tends the garden, and Suyin and her baby become comfortable in the house. His... (full context)
Waiting, November 1958: Song
Journeys and Growth Theme Icon
When Song hears a knock on her door, she opens it to find Suyin. Suyin and Kai... (full context)
Waiting, November 1958: Tao (III)
Journeys and Growth Theme Icon
Home and Family  Theme Icon
After his trip to the park, Song walks Tao to school in the morning and Suyin walks him home in the afternoon.... (full context)
Waiting, November 1958: Suyin
Suffering, Strength, and Resilience Theme Icon
Home and Family  Theme Icon
Once or twice a week, Auntie Song or Kai Ying send Suyin on errands. Now that she lives there, she no longer... (full context)
The City of Ghosts, November 1958: Song
Suffering, Strength, and Resilience Theme Icon
Home and Family  Theme Icon
Song looks at the garden, imagining the crops that will spring from the bare earth where... (full context)
The City of Ghosts, November 1958: Wei (V)
Redemption Theme Icon
Journeys and Growth Theme Icon
Suffering, Strength, and Resilience Theme Icon
Sheng asks how Kai Ying, Tao, and Song are holding up. Wei assures Sheng that everyone misses him desperately, then he fills him... (full context)