Do Not Say We Have Nothing

by

Madeleine Thien

Teachers and parents! Our Teacher Edition on Do Not Say We Have Nothing makes teaching easy.

Do Not Say We Have Nothing: Chapter 8 Summary & Analysis

Summary
Analysis
Li-ling remembers that, long ago, she and Ai-ming lay together on her bed, Ai-ming holding Chapter 17 of The Book of Records in her hands. The story continued even though Ai-ming had stopped reading from the page. Li-ling felt as though Zhuli, older than her but younger than Ai-ming, existed between the two of them. In fact, when they put the book down, Li-ling felt that Zhuli stayed in the room—Li-ling and Ai-ming were the ones to vanish.
Li-ling’s sentiment that she disappears while Zhuli stays in the room suggests that she feels deeply connected to the family story that she is reading. This draws readers’ attention to the ways in which Zhuli survives through her story being told in The Book of Records, even though her time on Earth was relatively short.
Themes
Storytelling, Family Connection, and History Theme Icon
In Shanghai, the September after Zhuli dies, the air is wet and carries the sickly smell of bodies left to rot in public. Ba Lute, again, has been taken by Red Guards and kept for a week—this time, when he returns, he can hardly stand. Sparrow has received a letter from Big Mother Knife saying that Wen the Dreamer and Swirl (“two bags of ribbon,” she wrote in the letter) have arrived safely in Mongolia. Ba Lute replies with only three sentences: “Everyone is fine. No need to hurry back. Long live Chairman Mao and the Great Proletarian Cultural Revolution!
Ba Lute clearly has fallen entirely out of favor with the Communist Party. The words he uses to write to Big Mother Knife are so dishonest that it is clear that, if he were to tell the truth, he feels he would be in big trouble with the Red Guards and would have no protection from the Party. Big Mother Knife’s referring to “two bags of ribbon” also highlights her paranoia about censorship and government spying. Neither is able to express themselves clearly or freely due to the repression they live under.
Themes
Class and Communism  Theme Icon
Freedom of Expression vs. Propaganda Theme Icon
Political Oppression, Isolation, and Divided Communities  Theme Icon
Two months later, Sparrow goes with Kai to a high-ranking Party official’s home: it seems like a whole different country, with stained glass windows and even a piano. The official serves them a feast and he suggests that Sparrow and Kai come perform with the Conservatory in Beijing. Afterward, Kai plays the piano, and the official tells him that the Beijing conductor has asked especially for Kai—not only is he the best pianist in Shanghai, but he comes from an “exemplary” class background.
Thien highlights two forms of class inequality here. First, the fact that the high-ranking official is wealthy enough to afford a feast while people on the street wait in hours-long lines for rations highlights clear corruption within the Party and economic inequality. Secondly, Kai wins favor and privileges from the Party official due to his “exemplary” revolutionary class background. Both forms of inequality speak to corruption and hypocrisy within the government’s engagement with communist ideology.
Themes
Class and Communism  Theme Icon
That night, Sparrow sleeps with Kai in his bed. Kai suggests that they should take the official up on his offer and go perform in Beijing. Kai reminds Sparrow that Kai’s whole family has died because they came from a village considered so insignificant that the government did nothing to stop the famine that wiped out its population—and Kai won’t put himself through that again. But that night, Sparrow recognizes just how different he and Kai are. While Kai, in Sparrow’s eyes, is motivated by principally by fear, Sparrow is not. He sees Zhuli that night, and she seems so alive he wonders if he’s the one who is an illusion. She tells him, “The only life that matters is in your mind. The only truth is the one that lives invisibly, that waits even after you close the book.” 
Sparrow and Kai’s strong differences in character come through here. Kai is so motivated by fear, that he is willing to sacrifice his personal values and principles in order to get ahead. He is an opportunist, while Sparrow—although not as committed to individual values and creative expression as Zhuli—is still dedicated to his own moral integrity. The message he hears from the imaginary Zhuli highlights the existence of an absolute, moral truth that is accessible through individual intellect and creativity, one that has nothing to do with whatever the messages of contemporary propaganda happen to be.
Themes
Individual Identity Under Communism  Theme Icon
Freedom of Expression vs. Propaganda Theme Icon
Get the entire Do Not Say We Have Nothing LitChart as a printable PDF.
Do Not Say We Have Nothing PDF
Kai leaves Shanghai that November to be a soloist in Beijing. Even in 1967, though, the Shanghai Conservatory remains closed—in spite of this fact, Sparrow is summoned to a meeting with He Luting’s replacement as head of the Conservatory, who tells Sparrow that he is being reassigned to work in a factory in the south of the country. When the new Conservatory head asks Sparrow why he turned down the position in Beijing, Sparrow simply says that he felt he was unworthy of the offer.
In this moment, Sparrow does choose his own freedom, but in a way that is much different from Zhuli. Because in order to play music Sparrow would need to be complicit in a values system that he disagrees with, he chooses to give up his passion for composing in order to maintain his moral integrity. It is unlikely that Sparrow truly felt unworthy of the Beijing offer; rather, he feels that the offer was unworthy of him.
Themes
Individual Identity Under Communism  Theme Icon
Class and Communism  Theme Icon
Freedom of Expression vs. Propaganda Theme Icon
Back at home, Da Shan has come back from his stay with Ba Lute’s cousin and he is sitting at the kitchen table writing denunciations—his poster is four feet long. When Da Shan was with his extended family, to make up for the “impure elements within their family,” he led attacks on teachers and other classmates. Flying Bear, in turn, declared that Zhuli was guilty because only the guilty would kill themselves. He tells this to Sparrow, curious to hear his older brother’s response. When Sparrow doesn’t reply, Da Shan joins in, “Is it true?” he asks. “If Zhuli was really a traitor, she deserved everything that happened,” Da Shan says. Da Shan expects Sparrow to hit him, but all Sparrow does is put a hand on his younger brother’s shoulder and tell him to make sure he’s “worthy of the Red Guards.” “That’s your only family now, isn’t it?” he asks.
Here, Thien illuminates how the Red Guards have succeeded in dividing Sparrow’s family. Da Shan and Flying Bear, perhaps because they are younger, are clearly more susceptible to the Red Guards’ propaganda than the other family members. Da Shan led Red Guard attacks while staying with his extended family to make up for his immediate family’s association with rightists, which likely is how the Red Guards gain many new members—people trying to protect their own families by destroying others’. Da Shan believes the propaganda to such an extent that he imagines his cousin “deserved” to commit suicide at age 14. Sparrow rightly asserts the fact that the Red Guards have replaced Da Shan’s real family—they determine his values and with whom he associates. This, likely, is the organization’s intention. 
Themes
Political Oppression, Isolation, and Divided Communities  Theme Icon
Da Shan bursts into tears. He tells Sparrow that he’s worse than Zhuli—at least Zhuli knew she was a traitor, he says, but in his eyes, Sparrow is a coward for doing nothing to protect her. Da Shan vows that the Red Guard will come after Sparrow next and that no one will be able to save him.
Here, Da Shan cracks. There is clearly a part of him that knows what happened to Zhuli is wrong, but having been so immersed in the Red Guard thinking, he has a hard time accepting that the fault isn’t Sparrow’s, but instead belongs to the flawed, violent ideology behind the Cultural Revolution.
Themes
Political Oppression, Isolation, and Divided Communities  Theme Icon
Sparrow soon begins working at a factory in the south making wooden crates. His body becomes strong and he is constantly covered in dust from the workshop. One day, Sparrow’s entire work unit is summoned to a meeting, where they watch the first live broadcast “struggle session” on television. Sparrow is shocked to recognize the Red Guards—former Conservatory students—who drag an elderly man onto the stage.  Sparrow recognizes the man as He Luting. As the crowd chants “Kill the traitor!” the Red Guards question their former teacher, but He Luting denies his guilt. As Sparrow watches the conductor being beaten, he remembers something He Luting once said to him: “Music that is immediately understood will not outlast its generation.” As He Luting shouts to the Guards, “Shame on you for lying!” the image on television disappears.
He Luting’s trial is the first example of public resistance to the Red Guards that appears in the novel. Indeed, even while serving as the director of the Shanghai Conservatory, He Luting demonstrated his value for individual thinking by teaching music the government deemed counterrevolutionary. The quote that Sparrow remembers about music needing to be complex in order to last directly applies to He Luting’s situation. While his actions of maintaining his honesty and integrity by denying the false allegations against him are not immediately rewarded by his circumstances, they speak to a moral character that will allow him to live on in collective memory for generations.
Themes
Individual Identity Under Communism  Theme Icon
Freedom of Expression vs. Propaganda Theme Icon
Eight months later, Chairman Mao declares that all universities be closed and that the educated, elite youth who were formerly students need to be sent to the countryside to experience rural poverty. In this movement, Sparrow, too, is relocated farther south, this time in the same city as Ling. When he runs into her at the train station, she tells him that Kai, now in Beijing, arranged for them to be placed in the same city.
Here, readers realize that Kai has become socially powerful after moving to Beijing. The fact that he would be able to determine the cities where his friend are placed for work speaks to corruption within the Communist Party. However, his choice to help his friend Sparrow to become less isolated also reflects the enduring bond between the two, even through separation.
Themes
Class and Communism  Theme Icon
Political Oppression, Isolation, and Divided Communities  Theme Icon
Big Mother Knife returns to her family’s home in 1970, only to find them all missing. Ba Lute, she discovers, has been sent to a re-education camp. When Big Mother Knife visits Ba Lute, he reveals to her that Zhuli committed suicide—all of these years, he had been lying that Zhuli was still alive. Ba Lute tells Big Mother Knife that their own sons, Da Shan and Flying Bear, have denounced him and they want nothing to do with him. “But I have faith that Chairman Mao, our Great Leader, our Saving Star, will redeem us,” he adds. This is the only thing he has ever said that makes Big Mother Knife cry. 
Ba Lute’s continued faith in the Communist Party at this point in the novel is something that Big Mother Knife finds pathetic. It indicates that Ba Lute so deeply believes in the Party’s propaganda that he is in denial about his own circumstances. He has lost everything—including his freedom and his family—and yet he continues to believe that the ideas expressed in outdated slogans are true. This is likely because Ba Lute has given everything to the Party and no longer has access to his individual critical thinking that would help him see the Party as violent and repressive.
Themes
Individual Identity Under Communism  Theme Icon
Freedom of Expression vs. Propaganda Theme Icon
Political Oppression, Isolation, and Divided Communities  Theme Icon
Quotes