Shuggie Bain
by Douglas Stuart
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Themes and Colors
Identity and Societal Expectations Theme Icon
Coming of Age and Trauma Theme Icon
Addiction and Abandonment Theme Icon
Pride and Appearances Theme Icon
Sectarianism Theme Icon
LitCharts assigns a color and icon to each theme in Shuggie Bain, which you can use to track the themes throughout the work.
Addiction and Abandonment Theme Icon
Addiction and Abandonment Theme Icon

Shuggie Bain depicts communities that are debilitated by desperation and colored by addiction. Many characters throughout the novel use alcohol, pills, and gambling to cope with an unending cycle of poverty, debt, and longing. Agnes is the key example of this struggle. Her dependency on alcohol predates the events of the novel, but the story reveals how feelings of abandonment fuel her overall deterioration. For instance, her first suicide attempt comes when Shug openly cheats on her, prompting her to drink so much that she decides to set the bedroom on fire with her and Shuggie in it. Things only get worse when Shug leaves her permanently for Joanie Micklewhite. After Shug leaves and Agnes’s problem becomes more pronounced, she loses Catherine, then later on, her new boyfriend, Eugene. Neither can handle her drinking. Agnes becomes increasingly paranoid about her sons leaving her too, which prompts her to preemptively kick Leek out of the house. Only Shuggie remains by her side until the end, and she even tries to push him away at one point. Agnes is thus stuck in a self-fulfilling prophecy; she gets drunk as a way of quashing her loneliness and fear, but her drunkenness pushes everyone she loves away. For all the anger and blame that Agnes hurls at Shug for his selfishness throughout the novel, she can claim no moral high ground, since—using alcohol to cope—she selfishly pursues a remedy for her pain that causes her to systematically abandon everyone she loves.

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Addiction and Abandonment ThemeTracker

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Addiction and Abandonment Quotes in Shuggie Bain

Below you will find the important quotes in Shuggie Bain related to the theme of Addiction and Abandonment.

Chapter One: 1992, The South Side Quotes

Shuggie tried to calm himself as he smoothed his hand over the mismatched sheets. He thought how his mother would have hated these bedclothes, the off colours and patterns, layered one upon the other as if he didn’t care what people would think. This mess would have hurt her pride. Someday he would save some money and buy new sheets of his own, soft and warm and all the same color.

Related Characters: Agnes Bain, Shuggie Bain
Page Number and Citation: 7
Explanation and Analysis:
This passage marks the first explicit mention of Shuggie’s mother, Agnes, though her absence in Shuggie’s life is felt from the beginning of the novel. In Shuggie’s small, rented room, things are neat but clashing, chosen because they were free or cheap. It is the bed that bothers him most because he knows it would upset his mother. This hints at how intimately Shuggie knows his mother—her fears, her motivations, her vulnerabilities. Shuggie’s reflection that Agnes would be embarrassed by the discordant patterns showcases how central her vanity is to her overall personality. Ironically, Agnes’s easily wounded pride is a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis. Impedit non ut. Incidunt rerum est. Aperiam doloremq

Chapter Two: 1981, Sighthill Quotes

He was a selfish animal, she knew that now in a dirty, sexual way that aroused her against her better nature…Big Shug Bain had seemed so shiny in comparison to the Catholic. He had been vain in the way only Protestants were allowed to be, conspicuous with his shallow wealth, flushed pink with gluttony and waste.

Lizzie had always known. When Agnes had shown up on the doorstep with her two eldest and the Protestant Taxi driver, she had had the instant compulsion to shut the door, but Wullie would not let her…They said it was wrong, to marry between the faiths, to marry outside the Chapel.

Related Characters: Lizzie Campbell, Agnes Bain, Shug Bain, Wullie Campbell
Related Literary Devices:
Page Number and Citation: 28
Explanation and Analysis:
This excerpt provides insight into the ways the divisive sectarian dynamic built into Agnes and Shug’s marriage has played out in the last decade. Here, Agnes’s thoughts retrace the assumptions she made about Shug when they met, showing a certain awareness (in retrospect, at least) that those assumptions were based on societal stereotypes about Protestants. Having been raised in a Catholic home, Agnes envisioned being sentenced to a life just like her mother’s if she stayed with her Catholic first husband: one defined by poverty, modesty, and devotion. In this way, her mother’s disapproval serves only to encourage Agnes’s desire Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accusantium iusto voluptas. Totam quae corporis.

With his free hand he gripped her thighs and tried to pull the dead weight of them apart. There was no giving. The lock was tight. He dug his fingers into the soft tops of her legs, digging the nails in until he felt the skin burst, until he felt her ankles open.

He pushed into her as she wept. There was no drink in her now. There was no fight in her any more. When he was done he put his face against her neck. He told her he would take her dancing in the lights again tomorrow.

Related Characters: Agnes Bain, Shug Bain
Related Symbols: Dancing
Page Number and Citation: 36
Explanation and Analysis:
In this flashback to a trip Agnes and Shug took to the seaside, the brutal realities of their marriage are unveiled. In the lights of the boardwalk, their desires are illuminated; Agnes relishes feeling vibrant and beautiful, while Shug relishes the sight of other men envying him because of his wife’s vibrancy and beauty. The two feel inspired to dance, marking a moment of hope in their marriage. The moment quickly passes when Agnes, who wants to savor the moment, complains about him pulling her too fast. In response, Shug’s anger flares suddenly. Just as the peak of his joy Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Qui

Shuggie lifted her lager can. He put it to his lips like it was a magical power juice. The bitter oaty flavor made him flinch, the way it tasted like fizzy ginger, milk, and porridge all at the same time. He danced for her, stepping side to side and clicking his fingers and missing every beat. When she laughed, he danced harder.

Related Characters: Shug Bain, Agnes Bain, Shuggie Bain
Related Symbols: Dancing
Related Literary Devices:
Page Number and Citation: 53
Explanation and Analysis:
This excerpt demonstrates how Shuggie, growing older, moves to fill the gap left by his father. Shug has only drifted farther away from Agnes and the chaos of her drinking the longer they’ve been together, either not caring or not realizing that his growing abandonment of her is perpetuating the issue. Even as a five-year-old, this passage shows Shuggie taking on adult responsibilities. His love for Agnes leads him to study her closely, and in the absence of his father, he steps in to stabilize her emotional well-being in any way he can. While Shug doesn’t seem to really see Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque

Agnes used her free arm and pulled him tighter toward her. “Shhh. Now be a big boy for your mammy.” There was a dead calmness in her eyes.

The room turned golden. The flames climbed the synthetic curtains and started rushing towards the ceiling. Dark smoke raced up as though fleeing from the greedy fire. He would have been scared, but his mother seemed completely calm, and the room was never more beautiful…Agnes clung to him, and together they watched all this new beauty in silence.

Related Characters: Agnes Bain, Shuggie Bain
Related Literary Devices:
Page Number and Citation: 55
Explanation and Analysis:
In this passage, Agnes attempts suicide for the first time, setting the curtains in the bedroom on fire in response to a perceived slight from Shug. This incident proves to be a final straw for Shug. While the fire is a cry for attention on Agnes’s part, it backfires, leading to his ultimate abandonment of her and their children. This scene is also significant because Shuggie’s response to the enflamed room foreshadows the way he will handle his mother’s drinking as he grows older. His love for his mother leads him to endure the escalating danger of the blaze, and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimo

“If you cannae make Shug do right by you, at least make him do right by the boy.” Lizzie narrowed her eyes at her grandson, at his blond dolly. “You’ll be needing that nipped in the bud. It’s no right.”

Related Characters: Lizzie Campbell (speaker), Agnes Bain, Shug Bain, Shuggie Bain
Page Number and Citation: 82
Explanation and Analysis:
This scene occurs at a pivotal moment in Agnes and Shug’s relationship. It is becoming apparent that Shug is losing his patience, but there remains some hope that the family’s move to the outskirts of the city may constitute a fresh beginning. Lizzie, true to form, is doubtful, so she cautions her daughter that if nothing else, Shug needs to step in to straighten out their son. Though Shuggie is very young, Lizzie’s comment shows he is already considered different from other boys, even by his family. The doll Shuggie is holding was given to him by Agnes after noticing Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenet

“You three keep your mouths shut,” she hissed. She lowered her head into the cavernous bag and tilted it slightly to her face. The children watched the muscles in her throat pulse as she took several long slugs from the can of warm lager she had hidden there. Agnes drew her head from the bag; the lager had washed the lipstick off her top lip, and she blinked once, very slowly, under the layers of wasted mascara.

“What a shithole,” she slurred. “And to think I dressed up nice for this?”

Related Characters: Agnes Bain (speaker), Shuggie Bain, Shug Bain, Catherine Bain , Leek Bain
Related Symbols: House Exteriors, Black Cabs
Page Number and Citation: 95
Explanation and Analysis:
In this excerpt, Agnes reacts to the exterior of the new Pithead home. She believed her husband had arranged a fresh start for the family in a bright, new home, but when they arrive, she finds only a bleak, ill-made house on a street lined with equally bleak, ill-made houses. The exterior of that home tells her everything she needs to know about what their life will be like—just as miserable, impoverished, and hopeless as the life they fled—and she cannot live with it. As she always does, she turns to alcohol to cope with her dissatisfaction. Drunk in the Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perfere

Chapter Three: 1982, Pithead Quotes

“Aye, ah took ye for a drinker.” She drew on her fag. “Aye, the minute ah saw ye, ah spotted it. They thought you were the big I Am, all done up in sequins, like some big dolly bird from the city. But ah could see through it. Ah could see the sadness, and ah knew ye had to be a big drinker.”

Related Characters: Bridie Donnelly (speaker), Agnes Bain
Page Number and Citation: 114
Explanation and Analysis:
When Agnes meets the other women in the new neighborhood, Bridie Donnelly offers her vodka in order to confirm that Agnes is an alcoholic. Despite Agnes’s immaculate appearance, Bridie asserts that she knows the look of sadness in a person’s eyes. While Bridie intends for this to be a point of connection between the women, Agnes is horrified by the suggestion that she and the other women, who are dressed in sweats and have unrefined speech, are the same. In her neighbor’s gaunt faces and their shabby clothing, Agnes plainly sees their poverty and strife. In contrast, Agnes does everything Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut

As he climbed the stairs to the hallway he could hear her on the phone. “Fuck you, Joanie Micklewhite. You tell that whoremastering son of a Proddy bitch that he cannot have his cake and eat it too!” Each filthy syllable was enunciated with the alarming clarity of the Queen’s English. “You shitty, dick-sucking bastard. You are as plain and tasteless as the arse end of a white loaf.”

Related Characters: Agnes Bain (speaker), Joanie Micklewhite, Shuggie Bain, Shug Bain
Related Symbols: Agnes’s Phone
Page Number and Citation: 124
Explanation and Analysis:
In this scene, Shuggie comes home to find Agnes in a familiar state: drunk on the phone yelling at the woman Shug left her for. Agnes’s penchant to hurl insults over the phone demonstrates that the only connections she wants to keep are those based in hurt and rage. She lets these grudges fuel her sickness, and in turn her drinking perpetuates her anger. That she harasses those she feels have wronged her, namely Shug and Joanie, over the phone is also significant. Because she fears abandonment, keeping people close to her means giving them power to hurt her. Instead, Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possim

It was still daylight, but there were harsh lights on in every room, and the curtains lay open in a shameful way. It was a very bad sign. In the front room Shuggie was idling between the net curtain and the glass. His palms and nose were pressed flat against the window, he was rocking his head back and forth in a soothing way, and no one was telling him to stop…Leek picked up his tool bag and turned away from the house.

Related Characters: Agnes Bain, Leek Bain, Shuggie Bain
Related Symbols: House Exteriors
Page Number and Citation: 125
Explanation and Analysis:
To cope with their mother’s erratic drunken behavior, all the Bain children learn to read the exterior of their home to assess Agnes’s state. This passage reveals how Leek knows, before even entering the house, that things aren’t going well inside. In this scene, the whole house is lit with the blinds open—the interior is visible for everyone to see, her pain laid bare and illuminated for the neighborhood. The usual preoccupation Agnes has with appearance has been forgotten in a deluge of booze. Leek runs off to his grandparents in response: more evidence of isolating himself in order to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas d

“I can manage. I can fetch messages and make sure she goes to bed on time. Besides, Sister Nurse. You never answered my question. My mother told me that my grandaddy would be going to heaven soon, and I wanted to know if he had to get a bus or if we could take him in a black hackney?”

…“Och, son. It disnae really work like that. They don’t leave on a bus…when a person goes to heaven they don’t take their bodies wi’ them.”

…“So if your body doesn’t go to heaven, it doesn’t matter if another boy did something bad to it in a bin shed, right?”

Related Characters: Shuggie Bain (speaker), Wullie Campbell
Related Symbols: Black Cabs
Page Number and Citation: 180
Explanation and Analysis:
Shuggie not only suffers verbal abuse because he doesn’t conform to stereotypical conceptions of masculinity, but also because he is often alone, making him vulnerable to certain dangerous situations. For instance, he is targeted by an older boy who sexually assaults him. In this conversation that Shuggie has with a nun working on the hospital unit where Wullie is dying, the lasting impact of this incident is made evident, as is how deeply Shuggie has internalized the homophobia of his community. The nurse, a Catholic nun, ignores his question about heaven initially, showing far more concern about Shuggie’s well-being after Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Minima porro perferendis. Sit neque odit. Tenetur qui dignissimos. Qui et ut. Voluptate labore corporis. Hic tempore laborum. Nisi quia ea. Quia soluta itaque. Deleniti nisi earum. Ad tenetur laboriosam. Eum accusamus harum. Accu

Agnes pushed out her bright lipstick and drew it across her mother’s thin lips. Rubbing a little on her thumb she smoothed it into her gaunt cheeks as rouge…“There, you look better for a little life in your cheeks.” The words stuck in her throat.

Related Characters: Agnes Bain (speaker), Lizzie Campbell
Related Literary Devices:
Page Number and Citation: 195
Explanation and Analysis:
This passage touches once more on how Agnes prioritizes appearance. Agnes and Lizzie’s relationship had always contained some tension, especially regarding Shug or Agnes’s drinking, but in death, Agnes cares for her mother the only way she knows how: by seeing to her makeup, her hair, and her jewelry as a way of making Lizzie’s body appear as presentable as possible for her public viewing. Her preoccupation with beauty is not only an expression of care, but also the main way Agnes copes with pain of any kind. Agnes wears her pride and her beauty like a mask, veiling her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessit

“That one is practically on call for the Greater Glasgow Taxi Livery.”

Agnes felt the sting of the words push into the bruises on her body. She lifted her mug anyway and nodded a sad acceptance of the award.

Jinty pulled the plastic bag from between her small feet and added, cruelly, “If you’re not a taxi driver, then this one’s not interested.”

Related Characters: Jinty McClinchy (speaker), Lamby, Agnes Bain
Related Symbols: Black Cabs
Page Number and Citation: 208
Explanation and Analysis:
This scene occurs at a particularly intense period of Agnes’s alcoholism, during which she often runs out of money and cannot keep enough alcohol around to meet her increasing need. Jinty, a neighbor of hers who also has a drinking problem, suggests that they invite over a single man, Lamby, who has money to spare and may provide them both with booze. Once Lamby arrives, Jinty’s utter disregard for Agnes’s well-being is made clear when she throws Agnes under the bus with her comments about Agnes’s preference for taxi drivers. She does this only hours after Agnes confides in her Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam consequatur. Mini

Every small detail of the house told of what lay within. This evening the curtains were drawn tight against the cold and the lamps were on. His stomach lifted in hope. Shuggie opened the front door a crack, just enough so he could hear the hum of the house. He knew what to listen for.

Related Characters: Shuggie Bain, Agnes Bain
Related Symbols: House Exteriors
Page Number and Citation: 219
Explanation and Analysis:
This passage marks the first sign of Agnes’s sobriety in years. Shuggie, now approaching his teenage years, has adopted the same ability his older siblings once used to read the outside appearance of the house to see how Agnes is doing. For once, the signs bode well—the curtains are closed, no sad music or sounds of angry phone calls spill out into the street, and the lamps glow warmly instead of glaringly inside. When Shuggie goes inside, he finds his mother alert, cleaning the house and cooking for him. Appearance is a central theme in the novel, but the way Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explic

“Well, you get a little bit stronger every day, but the drink is always there waiting. Doesn’t matter if you walk or run away from it, it’s still just right behind you, like a shadow. The trick is not to forget.”

…“I bet ye can master it,” he said plainly.

She looked up at him. “That’s why going to the meetings is important. You’ll never master it.”

…“Just wish I could have one with you. To feel normal.”

Related Characters: Eugene (speaker), Agnes Bain (speaker)
Related Symbols: Black Cabs
Page Number and Citation: 250
Explanation and Analysis:
Once Agnes gets sober and her world begins to open up, new people come into her life. One, her new boyfriend Eugene, finds it hard to believe Agnes had as bad of a problem as she says. She tries hard to explain the reality of her addiction to him, for once dropping her pride and admitting just how ugly her life got when she was drinking. Eugene naively attempts to persuade her that it’s something she can overcome if she tries hard enough. He doesn’t hear her; he can’t, having never faced addiction in the way Agnes has. In his Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eli

She was so sure she was smiling up at Leek, so she didn’t know why her son would be so angry, why he was screaming down at her. All she understood was, he was hitting Eugene square in his thick neck with his fists. All she remembered was that another bedroom door opened, and there in the doorway was the little boy with the worried face of his own granny. His face was wet with disappointment. The front of his pyjamas was dark through with piss.

Related Characters: Shuggie Bain, Agnes Bain, Eugene, Leek Bain
Related Symbols: Black Cabs
Page Number and Citation: 302
Explanation and Analysis:
In this scene, Agnes comes home drunk after more than a year living sober, finally worn down by Eugene’s desire for her to try drinking—in moderation—again. As before, her alcoholism prevents her from doing this, and she’s hopelessly drunk when she arrives at the house. The hackney cab that Eugene (also drunk beyond reason) brings her home in is the same type of black cab that all the other men who have hurt Agnes drove. Just like Shug and the random men who have come in and out of her life, Eugene proves that he cares about his desires more Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non inventore in. Eligendi atque placeat. Molestiae earum eum. Libero sit beatae. At a deserunt. Sint aperiam con

With a slow hand, he pulled the back of Shuggie’s shirt from his tweed trousers and insidiously pushed his fat warm fingers down the back of Shuggie’s underpants. Without looking, Shuggie could tell the man was still smiling at him.

“Aye, you’re a funny wee fella, aren’t ye?”

Related Characters: Cab Driver (speaker), Shuggie Bain
Related Symbols: Agnes’s Phone , Black Cabs
Page Number and Citation: 316
Explanation and Analysis:
This scene occurs on New Year’s Eve during the winter that Agnes starts drinking again. After leaving the house drunk without saying where she is going, Shuggie works to figure out where she has gone and calls a cab to take him there so he can bring her home.  Shuggie shows incredible savvy in discovering Agnes’s location and finding his way to her, looking in Agnes’s open address book and redialing the phone until he knows whose party she went to. He also manages to pry open the television and electric meters to steal change in order to pay for Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum volupta

She strutted out a confident rhythmic clip and turned her head and said to the boy, “What would you like for dinner tonight?”

Shuggie looked up at his mother and did as he had been taught. “Roast chicken, please. I’m a bit tired of sirloin every other night.”

…The women said nothing as she passed, but she felt them draw their eyes over the coat, over the shoes and hair.

Related Characters: Agnes Bain (speaker), Shuggie Bain (speaker), Colleen McAvennie
Page Number and Citation: 327
Explanation and Analysis:
In this passage, Shuggie and Agnes are walking past the women in the neighborhood on their way to the grocer. Agnes has taught Shuggie to lie loudly about the indulgent food Agnes feeds him, intending for the neighbors to overhear and invoke their jealously. At this point in the narrative, Shuggie is regularly starving, having to squirrel away parts of their weekly disability check so Agnes doesn’t spend it all on alcohol. He also serves as his mother’s main caretaker, going to cash their government checks because she is too out of it to venture into town. Even in light Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Co

“Ye come here to our wee scheme thinking yer some kind of big I Am. Walking around thinking yeese are better than the rest of us, with yer hairspray and yer handbag there…Ye and that funny wee boy try and rub oor noses in it, and the whole time yeese are lying in yer own piss and fucking other wummin’s men.”

Related Characters: Agnes Bain, Shuggie Bain
Page Number and Citation: 360
Explanation and Analysis:
Before Agnes and Shuggie leave for their new flat in the East End, there is one final confrontation between Agnes and Colleen McAvennie, during which years of animosity are aired out. While there is nothing charitable or kind about Colleen’s sharp assessment of Agnes and Shuggie, the accusations she levels against Agnes are entirely rooted in reality. Colleen, for better or worse, has seen straight through the careful façade that Agnes thinks she has maintained. Agnes’s obsession with beauty and her coaching of Shuggie has not fooled Colleen in the least. Again, though, Colleen unfairly lumps Shuggie’s queerness and Agnes’s Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. Rerum voluptas debitis. Voluptatem accusantium est. Mollitia eaque ipsa. Perferendis consectetur et. Dicta impedit ut. Ducimus possimus quo. Non i

Chapter Four: 1989, The East End Quotes

Leek looked down at the white plastic shopping bag in his arms and undid the knotted mouth. Shuggie watched his shoulders rise behind his ears. Whatever it was, it had turned Leek’s anger into concern; it had scared him almost. Leek put his hand inside and slowly drew out the tan-coloured plastic with its looping spiral tail. “I don’t think this is a good sign.”

It was the telephone from his mother’s house.

It was an end to all contact, a sign she would hurt herself and this time she would not call for help—not to Leek’s gaffer nor to Shug nor to Shuggie. The tinned custard wasn’t a fuck-you to ungrateful sons. She was making sure her baby was fed, and now she was saying goodbye.

Related Characters: Leek Bain (speaker), Shug Bain, Agnes Bain, Shuggie Bain
Related Symbols: Agnes’s Phone , Black Cabs
Page Number and Citation: 406
Explanation and Analysis:
During a particularly bad bender, Agnes kicks Shuggie out of the house, calling him a taxi and all but forcing him out the door. Shuggie goes across town to Leek’s apartment for refuge. As the two talk, multiple taxis arrive with packages from Agnes, which Leek has to pay for, the last of which is Agnes’s phone. Throughout the novel, Agnes’s telephone and the address book beside it serve as a symbol for Shuggie, always indicating when she’s worked herself up over several lagers. Even on her worst days, Agnes’s spite keeps her glued to her phone and connected to Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrup

Her face changed then the worry fell away, and at last she looked at peace, softly carried away, deep in the drink.

It was too late to do something now.

…Shuggie arranged her hair as best he could. He tried to cover the brazen whiteness of roots, to arrange it just the way she liked to wear it. He unwrapped her dentures again and gently placed them back inside her mouth. Then, taking the toilet paper, he wiped the sick from her chin and pulled fresh paint across her lips, taking care to push the colour into the corners and stay neatly within the lines. He stood back and dried his eyes. She looked like she was only sleeping. Then he bent over and kissed her one last time.

Related Characters: Agnes Bain, Shuggie Bain
Page Number and Citation: 411
Explanation and Analysis:
This passage outlines the last moments of Agnes’s life. After years of taking care of his mother, on this night, Shuggie pauses when Agnes begins choking on her own vomit. Before he decides to do anything, she is dead. This excerpt shows the moment Shuggie finally accepts that his mother will never change, that her addiction will be the death of her. He decides to stop fighting her on her stubborn path to ruin, allowing her addiction to play out. While abandonment and fear of loss has always driven Agnes to drink, ultimately it is she, lost in an alcoholic Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti sol