Shuggie Bain

by

Douglas Stuart

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Themes and Colors
Identity and Societal Expectations Theme Icon
Coming of Age and Trauma Theme Icon
Addiction and Abandonment Theme Icon
Pride and Appearances Theme Icon
Sectarianism Theme Icon
LitCharts assigns a color and icon to each theme in Shuggie Bain, which you can use to track the themes throughout the work.
Addiction and Abandonment Theme Icon

Shuggie Bain depicts communities that are debilitated by desperation and colored by addiction. Many characters throughout the novel use alcohol, pills, and gambling to cope with an unending cycle of poverty, debt, and longing. Agnes is the key example of this struggle. Her dependency on alcohol predates the events of the novel, but the story reveals how feelings of abandonment fuel her overall deterioration. For instance, her first suicide attempt comes when Shug openly cheats on her, prompting her to drink so much that she decides to set the bedroom on fire with her and Shuggie in it. Things only get worse when Shug leaves her permanently for Joanie Micklewhite. After Shug leaves and Agnes’s problem becomes more pronounced, she loses Catherine, then later on, her new boyfriend, Eugene. Neither can handle her drinking. Agnes becomes increasingly paranoid about her sons leaving her too, which prompts her to preemptively kick Leek out of the house. Only Shuggie remains by her side until the end, and she even tries to push him away at one point. Agnes is thus stuck in a self-fulfilling prophecy; she gets drunk as a way of quashing her loneliness and fear, but her drunkenness pushes everyone she loves away. For all the anger and blame that Agnes hurls at Shug for his selfishness throughout the novel, she can claim no moral high ground, since—using alcohol to cope—she selfishly pursues a remedy for her pain that causes her to systematically abandon everyone she loves.

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Addiction and Abandonment ThemeTracker

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Addiction and Abandonment Quotes in Shuggie Bain

Below you will find the important quotes in Shuggie Bain related to the theme of Addiction and Abandonment.
Chapter One: 1992, The South Side Quotes

Shuggie tried to calm himself as he smoothed his hand over the mismatched sheets. He thought how his mother would have hated these bedclothes, the off colours and patterns, layered one upon the other as if he didn’t care what people would think. This mess would have hurt her pride. Someday he would save some money and buy new sheets of his own, soft and warm and all the same color.

Related Characters: Shuggie Bain, Agnes Bain
Page Number: 7
Explanation and Analysis:
Chapter Two: 1981, Sighthill Quotes

He was a selfish animal, she knew that now in a dirty, sexual way that aroused her against her better nature…Big Shug Bain had seemed so shiny in comparison to the Catholic. He had been vain in the way only Protestants were allowed to be, conspicuous with his shallow wealth, flushed pink with gluttony and waste.

Lizzie had always known. When Agnes had shown up on the doorstep with her two eldest and the Protestant Taxi driver, she had had the instant compulsion to shut the door, but Wullie would not let her…They said it was wrong, to marry between the faiths, to marry outside the Chapel.

Related Characters: Agnes Bain, Shug Bain, Lizzie Campbell, Wullie Campbell
Page Number: 28
Explanation and Analysis:

With his free hand he gripped her thighs and tried to pull the dead weight of them apart. There was no giving. The lock was tight. He dug his fingers into the soft tops of her legs, digging the nails in until he felt the skin burst, until he felt her ankles open.

He pushed into her as she wept. There was no drink in her now. There was no fight in her any more. When he was done he put his face against her neck. He told her he would take her dancing in the lights again tomorrow.

Related Characters: Agnes Bain, Shug Bain
Related Symbols: Dancing
Page Number: 36
Explanation and Analysis:

Shuggie lifted her lager can. He put it to his lips like it was a magical power juice. The bitter oaty flavor made him flinch, the way it tasted like fizzy ginger, milk, and porridge all at the same time. He danced for her, stepping side to side and clicking his fingers and missing every beat. When she laughed, he danced harder.

Related Characters: Shuggie Bain, Agnes Bain, Shug Bain
Related Symbols: Dancing
Page Number: 53
Explanation and Analysis:

Agnes used her free arm and pulled him tighter toward her. “Shhh. Now be a big boy for your mammy.” There was a dead calmness in her eyes.

The room turned golden. The flames climbed the synthetic curtains and started rushing towards the ceiling. Dark smoke raced up as though fleeing from the greedy fire. He would have been scared, but his mother seemed completely calm, and the room was never more beautiful…Agnes clung to him, and together they watched all this new beauty in silence.

Related Characters: Shuggie Bain, Agnes Bain
Page Number: 55
Explanation and Analysis:

“If you cannae make Shug do right by you, at least make him do right by the boy.” Lizzie narrowed her eyes at her grandson, at his blond dolly. “You’ll be needing that nipped in the bud. It’s no right.”

Related Characters: Lizzie Campbell (speaker), Shuggie Bain, Agnes Bain, Shug Bain
Page Number: 82
Explanation and Analysis:

“You three keep your mouths shut,” she hissed. She lowered her head into the cavernous bag and tilted it slightly to her face. The children watched the muscles in her throat pulse as she took several long slugs from the can of warm lager she had hidden there. Agnes drew her head from the bag; the lager had washed the lipstick off her top lip, and she blinked once, very slowly, under the layers of wasted mascara.

“What a shithole,” she slurred. “And to think I dressed up nice for this?

Related Characters: Agnes Bain (speaker), Shuggie Bain, Shug Bain, Leek Bain, Catherine Bain
Related Symbols: House Exteriors, Black Cabs
Page Number: 95
Explanation and Analysis:
Chapter Three: 1982, Pithead Quotes

“Aye, ah took ye for a drinker.” She drew on her fag. “Aye, the minute ah saw ye, ah spotted it. They thought you were the big I Am, all done up in sequins, like some big dolly bird from the city. But ah could see through it. Ah could see the sadness, and ah knew ye had to be a big drinker.”

Related Characters: Bridie Donnelly (speaker), Agnes Bain
Page Number: 114
Explanation and Analysis:

As he climbed the stairs to the hallway he could hear her on the phone. “Fuck you, Joanie Micklewhite. You tell that whoremastering son of a Proddy bitch that he cannot have his cake and eat it too!” Each filthy syllable was enunciated with the alarming clarity of the Queen’s English. “You shitty, dick-sucking bastard. You are as plain and tasteless as the arse end of a white loaf.”

Related Characters: Agnes Bain (speaker), Shuggie Bain, Shug Bain, Joanie Micklewhite
Related Symbols: Agnes’s Phone
Page Number: 124
Explanation and Analysis:

It was still daylight, but there were harsh lights on in every room, and the curtains lay open in a shameful way. It was a very bad sign. In the front room Shuggie was idling between the net curtain and the glass. His palms and nose were pressed flat against the window, he was rocking his head back and forth in a soothing way, and no one was telling him to stop…Leek picked up his tool bag and turned away from the house.

Related Characters: Shuggie Bain, Agnes Bain, Leek Bain
Related Symbols: House Exteriors
Page Number: 125
Explanation and Analysis:

“I can manage. I can fetch messages and make sure she goes to bed on time. Besides, Sister Nurse. You never answered my question. My mother told me that my grandaddy would be going to heaven soon, and I wanted to know if he had to get a bus or if we could take him in a black hackney?”

…“Och, son. It disnae really work like that. They don’t leave on a bus…when a person goes to heaven they don’t take their bodies wi’ them.”

…“So if your body doesn’t go to heaven, it doesn’t matter if another boy did something bad to it in a bin shed, right?”

Related Characters: Shuggie Bain (speaker), Wullie Campbell
Related Symbols: Black Cabs
Page Number: 180
Explanation and Analysis:

Agnes pushed out her bright lipstick and drew it across her mother’s thin lips. Rubbing a little on her thumb she smoothed it into her gaunt cheeks as rouge…“There, you look better for a little life in your cheeks.” The words stuck in her throat.

Related Characters: Agnes Bain (speaker), Lizzie Campbell
Page Number: 195
Explanation and Analysis:

“That one is practically on call for the Greater Glasgow Taxi Livery.”

Agnes felt the sting of the words push into the bruises on her body. She lifted her mug anyway and nodded a sad acceptance of the award.

Jinty pulled the plastic bag from between her small feet and added, cruelly, “If you’re not a taxi driver, then this one’s not interested.”

Related Characters: Jinty McClinchy (speaker), Agnes Bain, Lamby
Related Symbols: Black Cabs
Page Number: 208
Explanation and Analysis:

Every small detail of the house told of what lay within. This evening the curtains were drawn tight against the cold and the lamps were on. His stomach lifted in hope. Shuggie opened the front door a crack, just enough so he could hear the hum of the house. He knew what to listen for.

Related Characters: Shuggie Bain, Agnes Bain
Related Symbols: House Exteriors
Page Number: 219
Explanation and Analysis:

“Well, you get a little bit stronger every day, but the drink is always there waiting. Doesn’t matter if you walk or run away from it, it’s still just right behind you, like a shadow. The trick is not to forget.”

…“I bet ye can master it,” he said plainly.

She looked up at him. “That’s why going to the meetings is important. You’ll never master it.”

…“Just wish I could have one with you. To feel normal.”

Related Characters: Agnes Bain (speaker), Eugene (speaker)
Related Symbols: Black Cabs
Page Number: 250
Explanation and Analysis:

She was so sure she was smiling up at Leek, so she didn’t know why her son would be so angry, why he was screaming down at her. All she understood was, he was hitting Eugene square in his thick neck with his fists. All she remembered was that another bedroom door opened, and there in the doorway was the little boy with the worried face of his own granny. His face was wet with disappointment. The front of his pyjamas was dark through with piss.

Related Characters: Shuggie Bain, Agnes Bain, Leek Bain, Eugene
Related Symbols: Black Cabs
Page Number: 302
Explanation and Analysis:

With a slow hand, he pulled the back of Shuggie’s shirt from his tweed trousers and insidiously pushed his fat warm fingers down the back of Shuggie’s underpants. Without looking, Shuggie could tell the man was still smiling at him.

“Aye, you’re a funny wee fella, aren’t ye?”

Related Characters: Cab Driver (speaker), Shuggie Bain
Related Symbols: Black Cabs, Agnes’s Phone
Page Number: 316
Explanation and Analysis:

She strutted out a confident rhythmic clip and turned her head and said to the boy, “What would you like for dinner tonight?”

Shuggie looked up at his mother and did as he had been taught. “Roast chicken, please. I’m a bit tired of sirloin every other night.”

…The women said nothing as she passed, but she felt them draw their eyes over the coat, over the shoes and hair.

Related Characters: Shuggie Bain (speaker), Agnes Bain (speaker), Colleen McAvennie
Page Number: 327
Explanation and Analysis:

“Ye come here to our wee scheme thinking yer some kind of big I Am. Walking around thinking yeese are better than the rest of us, with yer hairspray and yer handbag there…Ye and that funny wee boy try and rub oor noses in it, and the whole time yeese are lying in yer own piss and fucking other wummin’s men.”

Related Characters: Shuggie Bain, Agnes Bain
Page Number: 360
Explanation and Analysis:
Chapter Four: 1989, The East End Quotes

Leek looked down at the white plastic shopping bag in his arms and undid the knotted mouth. Shuggie watched his shoulders rise behind his ears. Whatever it was, it had turned Leek’s anger into concern; it had scared him almost. Leek put his hand inside and slowly drew out the tan-coloured plastic with its looping spiral tail. “I don’t think this is a good sign.”

It was the telephone from his mother’s house.

It was an end to all contact, a sign she would hurt herself and this time she would not call for help—not to Leek’s gaffer nor to Shug nor to Shuggie. The tinned custard wasn’t a fuck-you to ungrateful sons. She was making sure her baby was fed, and now she was saying goodbye.

Related Characters: Leek Bain (speaker), Shuggie Bain, Agnes Bain, Shug Bain
Related Symbols: Agnes’s Phone , Black Cabs
Page Number: 406
Explanation and Analysis:

Her face changed then the worry fell away, and at last she looked at peace, softly carried away, deep in the drink.

It was too late to do something now.

…Shuggie arranged her hair as best he could. He tried to cover the brazen whiteness of roots, to arrange it just the way she liked to wear it. He unwrapped her dentures again and gently placed them back inside her mouth. Then, taking the toilet paper, he wiped the sick from her chin and pulled fresh paint across her lips, taking care to push the colour into the corners and stay neatly within the lines. He stood back and dried his eyes. She looked like she was only sleeping. Then he bent over and kissed her one last time.

Related Characters: Shuggie Bain, Agnes Bain
Page Number: 411
Explanation and Analysis: