Summary
Analysis
The next morning, Theo arrives at the Grove and hears a woman screaming. He worries that Alicia has been hurt. But in fact it is Elif, bleeding from her eye. Quickly, Theo realizes that Alicia has stabbed her with a paintbrush. And when he turns to see Alicia, she is completely still, motionless, like in the self-portrait Alcestis. For the first time, Theo begins to feel afraid of her.
There is great symbolic weight in the fact that Alicia commits violence with a paintbrush. In addition to being a vehicle of communication, Alicia’s art is also a way she expresses her rage—punishing Lydia, her mother, and Gabriel with her disdainful portraits. Is the Alcestis, then, a kind of self-harm, in which she attacks herself the same way she goes after Elif or Lydia or her other subjects?