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When kept by the buyer, postcards are physical memories and ways to trigger memories of the real art pieces. In the case of Madame X, Susannah only has the physical memento of the painting—not the memory of the painting itself. By adding this layer to the idea of memory and how it functions, Cahalan is able to find peace with the fact that it's impossible for her to remember everything, though these reminders will continue to surface and the process of constructing what happened is ongoing.